- PRICE
$10,552,234 – 9.000.000 € EUR
- BEDROOMS
6
- BATHROOMS
10 Full
1 Partial
- INTERIOR
16,877 Sq Ft.
- EXTERIOR
1 Acre(s)
With a well-tended garden integrated into the golf course thanks to a wall of armoured security glass, which offers direct access to it.
Housing designed with spaces that are connected to each other and perfectly integrated with the landscape.
With all the comforts, such as a spa with a heated swimming pool, Turkish bath, sauna, meditation room, gym, etc… Also a party room / discotheque and an exquisitely designed wine cellar.
This property is domotized and has access to private spaces with a key.
The indoor swimming pool is transformed into an outdoor one as it has movable glass panels.
Closed urbanization with 24 hour security and only half an hour from the centre of Madrid.
For the ninth consecutive time, Jaquet Droz is proud to donate a unique piece of its own creation, designed exclusively for Only Watch, a charity sale to benefit the Association Monégasque contre les Myopathies (Monegasque Association against Muscular Dystrophy), and featuring a degree of technical ambition and aesthetic never-before achieved: A Grande Seconde Skelet-One Tourbillon adorned with a plique-à-jour enamel dial.
The original idea was to extend the initial purpose of the Grande Seconde to provide its owner with the finest and most accurate reading of the seconds—hence its largely dimensioned and off-center dial at 6 o’clock, exclusively dedicated to this effect. How could this precision be achieved? By adding a tourbillon. This escapement, itself a genuine watchmaking complication, aims to compensate for the harmful effects undergone by a timepiece that performs across multiple planes, all subjected to the force of gravity which alters its precision.
The tourbillon of the new Grande Seconde Skelet-One Tourbillon “Only Watch” was born of Jaquet Droz’s in-house expertise, but entirely reworked in the purest chronometric approach. Thanks to its realization in titanium and the elimination of the sapphire bridges, the cage has been lightened and optimized with regards to its chronometric functions. The balance spring and pallet lugs are made of silicon. Highly open to let light pass through, the tourbillon gives the illusion of being both large and lightweight all at once. Completely revised and placed at noon, it accords the piece a dedicated identity of strength and technicality.
The underlying aesthetic architecture is as technical as it is unique. The skeleton structure is brand new: while the original Skelet-One favored soft and supple curves, the Grande Seconde Skelet-One Tourbillon “Only Watch” focuses on straight lines, angles, modernity and perfect symmetry. This very contemporary skeletonization is as technical as its highly precise tourbillon movement can be, furthering the technical and aesthetic consistency of the piece. Its bridges, finished in black, confer a powerful matte appearance. The tourbillon cage follows the geometry of the skeleton movement, with a triple cross shape which, once a minute, aligns perfectly with its bridges.
For Only Watch, Jaquet Droz put to work its Ateliers d’Art as well, in order to produce a highly exclusive plique-à-jour dial, made specially for the famous charity sale. Once again, whereas the Maison’s most recent plique-à-jour creations featured curves and soft, slightly domed lines, the Skelet-One Tourbillon “Only Watch” is made up of various straight and geometric sections separated by white gold, thus forming a dial which has been entirely polished flat. The Maison achieved this unprecedented result by applying an extremely fine diamond powder polish to each area of the enamel, the only kind capable of achieving this thickness.
Every tone of enamel has been painstakingly selected for the model and fired at a very high temperature several times in a row. The choice of these colors therefore owes nothing to chance: a color chart was proposed by Only Watch associating different tones with certain characteristics. The Maison thus translated these variations of red, orange and yellow into an expression of happiness, passion, optimism and even energy—all values that support the cause championed by Only Watch.
An aesthetic and technical achievement, the first Grande Seconde Skelet-One with tourbillon, the first with plique-à-jour enamel, a new geometry of skeleton movement, a fully updated tourbillon… the Grande Seconde Skelet-One Tourbillon “Only Watch” is many things. It’s also the perfect match between an age-old complication and craftsmanship on the one hand, and an eminently modern technique and geometry on the other. A rare, precise balance, like any Jaquet Droz timepiece, which foreshadows all the ambitions of the Maison’s future Skelet-One collection.
An epic week of auctions that brought together a stellar array of Impressionist, Modern and Contemporary Art was led by a three-auction evening which realized a total $596.8 million. Conducted by Sotheby’s auctioneer Oliver Barker, the live-streamed event featured in-room bidders in New York, telephone bidders in London, Hong Kong and New York, and online bidders from around the world, who all vied for remarkable artworks by Monet, Picasso, Warhol and Basquiat, and many other exceptional artists of the 20th and 21st centuries.
Starting off the evening was American Visionary: The Collection of Mrs. John L. Marion, an auction of extraordinary works from the collection of legendary philanthropist and arts patron Mrs. John L. Marion. Totalling $157.2 million, the sale featured works representing the height of achievement in the American Abstract Expressionist and Pop art movements. Among the highlights was Richard Diebenkorn’s luminous Ocean Park #40, 1971, which sold for $27,265,500 – setting a new auction record for the California artist. New auction records were also reached for a work by Kenneth Noland, whose 1958 painting Rocker sold for $4,255,000, and Larry Rivers’s Africa I, 1961–62, which achieved $2,077,000. Other exciting moments from the auction were the sale of Clyfford Still’s PH-125 (1948-No. 1), 1948, which achieved $30,712,500 and Andy Warhol’s larger-than-life Elvis 2 Times, 1963, which sold for $37,032,000.
Demand for Contemporary luminaries continued in the white glove Contemporary Art Evening Auction, propelled by Jean-Michel Basquiat and Cy Twombly, bringing a total $218.3 million. The auction included works from the Collection of Morris and Rita Pynoos, the Collection of Kay Unger and Hidden Harmony: An Exquisite Private Collection, among others.
Top lots from the evening included Basquiat’s Versus Medici, 1982, which achieved $50,820,000 and Twombly’s Untitled (Rome), 1970, which sold for $41,628,000.
A lively bidding battle of nearly seven minutes took place for Robert Colescott’s George Washington Carver Crossing the Delaware: Page from an American History Textbook, 1975. The work achieved $15,201,000, more than 16 times Colescott’s previous auction record of $912,500.
Banksy’s Love is in the Air sparked another bidding face-off. After nearly 14 minutes, the 2004 painting – a quintessential example from the artist’s oeuvre – achieved $12,903,000. In a world first for a fine auction house, bidders on the work had the option of making their payment in cryptocurrency.
Auction records were set for Elizabeth Peyton, Raymond Pettibon and Jeff Koons (whose Quad Elvis sold for $9.5 million, setting a record for a painting by the artist).
Capping the trio of marquee auctions and driven by a wonderful example of Claude Monet’s waterlilies, the Impressionist & Modern Art Evening Sale brought a total $221.3 million.
Le Bassin aux nymphéas, an exquisite example of Monet’s most iconic series, achieved $70,353,000 following a heated bidding battle lasting nearly five minutes between five different bidders. The result makes the painting among the top five most expensive works by the artist to be sold at auction.
Other star lots included Pablo Picasso’s striking portrait of Françoise Gilot, entitled Femme assise en costume vert ($20,946,000); Paul Cézanne’s poignant Nature morte: pommes et poires ($19,969,350); and a painting from Amedeo Modigliani’s mature period,Jeune fille assise, les cheveux dénoués (Jeune fille en bleu) ($16,350,000).
Leonor Fini’s arresting Autoportrait au scorpion, the only self-portrait the artist chose not to sell in her lifetime, set a new auction record for the artist at $2,319,000.
The Jubilee Auction #100 will take place on March 22, 2021. The flagship of the range is a 242.31-carat gem-quality crystal with dimensions of 21.7×31.3×41.9 mm. Viewings to be held at the ALROSA sales office in Dubai from 14th to 21th March.
Evgeny Agureev, ALROSA Head of Sales: “Rough diamonds, which potentially allow for cutting a diamond larger than 100 carats, are extremely rare in nature. Even less often such gems are traded: according to the law, all rough diamonds larger than 50 carats mined in Russia undergo a state examination for redemption to the state fund. Even when it is possible to put them on sale on the market, we prefer to cut and polish the diamond in-house before. Thus, today we are especially pleased to present this exceptional lot as part of our 100th international auction”
Dubai viewings will also feature two outstanding diamonds 190.74 and 136.21 carats each and a range of notable diamonds over 10.8 carats.
Under the current legislation, ALROSA sells special-size (over 10.8 carats) rough diamonds at auctions only. The first auction of such kind was held by the United Selling Organization of ALROSA in Moscow in 2003.
When he shoehorned an American V-8 into the shapely, British-built AC Ace, Carroll Shelby knew he was creating a sports car with potent performance both on-and off-track. But he could have scarcely imagined that the first 1962 Shelby Cobra would touch off a sensation that is still going strong today. By 1965, the Cobra had been developed into what is perhaps its most iconic form: 427-cubic-inch Ford V-8-powered Mark III, which featured a new chassis to make better use of its greatly increased output, and, above it, curvy bodywork with wide, flared fenders. Conceived with competition in mind, the 427 S/C, or “semi-competition,” model was also made available for those willing to contend with the Cobra’s raw power on the street.
The enduring popularity of the Shelby Cobra is such that numerous companies supply chassis, bodies, and components, often with home construction in mind. The cost and quality of these products vary, with only the finest replica Cobras—including the “4000 Series” of continuation cars—each earning CSX chassis numbers, offered in either fiberglass or aluminum. But when it comes to building bodies for these special cars, Provo, Utah-based Kirkham Motorsports undoubtedly sits in the upper echelon of suppliers.
Since 1994, Kirkham has offered exacting Cobra replicas in a range of configurations, including street and racing variants of the original 289 and the 427. From the very start, each has featured bodywork hand-crafted by a team of artisans in Poland—an unlikely transatlantic alliance said to have been forged when company founder David Kirkham was called to help repair the damaged nose cone of a recently imported jet fighter!
CHASSIS CSX 4600
Kirkham Cobra bodies are typically rendered in lightweight aluminum, but for discriminating enthusiasts in search of something exceptional, it can also create distinctive bodywork in unexpected and challenging materials like copper and, in the case of chassis CSX 4600, bronze. In addition to the eye-catching, unexpected medium, these unpainted bodies reveal any underlying flaws, making them the ultimate demonstration of the quality of Kirkham’s offerings.
CSX 4600’s gleaming bronze bodywork, hand-polished to a mirrorlike finish, is broken only by a pair of racing stripes—here cleverly brushed into the metal surface, rather than applied with paint. Stainless steel side exhaust pipes and a chromed roll bar add contrast, and the car is equipped with Halibrand-style pin-drive knock-off wheels wrapped in Goodyear Eagle “billboard” tires.
The car’s cockpit is suitably minimalistic, featuring tinted sun visors, period-style black leather bucket seats, and a leather-covered dashboard equipped with a suite of Speedhut performance gauges, with the speedometer and tachometer bearing Carroll Shelby’s signature; the center emblem of the wood-rimmed steering wheel is also engraved with Shelby’s signature. The bottle for the onboard fire-suppression system sits below the dash.
This Cobra’s spectacular appearance is matched by its mechanical specification. An impressive aluminum-block 427 FE V-8, built by the Carroll Shelby Engine Company and stroked and bored to 511 cubic inches of displacement, is to be found underneath the hood. Breathing through eight 58-milimeter Borla Induction throttle bodies, this fuel-injected engine produces over 650 horsepower and over 670 pound-feet of torque (as accompanying dynamometer data attests). It is mated to a five-speed manual transmission, which sends power to the rear wheels via a 3.54:1 differential.
Nearly six decades after it first appeared, the Shelby Cobra still makes a powerful statement anywhere it goes—something that is doubly true of this spectacular Cobra 427 S/C “4000 Series.” Crafted in bronze by Kirkham Motorsports, CSX 4600’s dazzling hand-formed body and powerful fuel-injected 427 FE V-8 would make it a prized addition to any collection celebrating American sports car performance.
“Until one has loved an animal, a part of one’s soul remains unawakened.” Pushing the boundaries of shape and form, Matteo’s ANIMAGIC collection is a celebration of animal forms in andromorphous design. An odd mix of humour, luxury and utility, these pieces go beyond being furniture – they are magical, sculptural objects, almost life like, that make you smile every time you glance at them.
SCARLET-SPLENDOUR-1animagic
Wedged somewhere in fantasy land between Willy Wonka and Alice in Wonderland, these luxury designer pieces will blow your mind. Meet Scarlet Splendour.
Scarlet Splendour: the first time we’ve ever used the company name, which describes exactly who they are, as the title of an article. The hot colours of India, the hot stars of the silver screen and the splendour that all this evokes. Add a large dollop of humour, the extraordinary design skills of its founders, Indian craftsmanship and best of what Italy offers the world of international furniture design, and success is almost a given.
Almost, but not quite. Like a meal prepared by a top chef, all the ingredients must be measured and fall in exactly the right places, and of course, a key element is entrepreneurship. Siblings Ashish Bajoria and Suman Kanodia debuted their first collection of 15 pieces, titled Vanilla Noir, during the Milan Design Week in 2015, paying homage to the era of silent movies with their light-hearted irony and underlying depth in black and white, and they pulled it off with only three month’s preparation. Little wonder then that this Kolkata-based brand has expanded so rapidly.
More than 50 trips to various Italian cities and regions later, the founders realised that bringing European design and Indian craftsmanship together is what creates the kind of previously unseen synergy they were aiming for. Scarlet Splendour successfully transcends geographical borders while staying true to its mission: to preserve the artisan traditions of India and open them up to the rest of the world through top international design.
Above: The Ciuco Cabinet by Matteo Cibic is a decadent conversation piece.
The pieces, whose design link to India is mainly in the colours and certain design details of the whole, veer between surrealism, absurdism, Art Deco, the playful works of artists like Barry Flanagan and Jeff Koons, and not least, functionalism, although in time, perhaps, they themselves will become an “ism”.
Each piece is startling: “For us the drama is all about standing out and creating impact”, and each has been designed by the founders or their top-notch collaborators and made to the highest standards of Indian craftsmanship. Each also has an element of fun, from the rabbits’ heads and ears on otherwise fairly sober drinks cabinets to the outrageous shapes, doors and other details. To see their Madame Verdoux cabinet from the Vanilla Noir collection, for example, is to both have a laugh at the absurdity of a two-metre high water bottle and to look into the colonial past of India itself. To see the spidery legs on their Nika Zupanc pieces, which seem to float above the floor, is to realise the genius of 1950s furniture design, and to see the 88 Secrets Bar cabinet is to know that these people have a fine respect for the Art Deco period. Plainly put, they know their stuff.
Above: Siblings Ashish Bajoria and Suman Kanodia
UDesign talked to Ashish Bajoria shortly after the release of the brand’s latest collection, which brings together designers from Italy, Slovenia and Holland.
The motto of your company is “Craft, drama and luxury”. Where does the drama fit in?
Each product is hand-made, each is a luxury piece, and each is dramatic and maximalist as well. We know it creates a certain drama in the space around it, wherever it is. For us the drama is about standing out and creating impact. I don’t want to call them statement pieces, but they are indeed dramatic.
Set for the original Monterey live auction week, Online Only: SHIFT/ Monterey will open for bidding on 6 August, with lots closing 13–15 August, and will present approximately 150 exceptional collector cars on rmsothebys.com—an offering of a caliber never before seen in an online sale. The online Monterey sale will build not only on RM Sotheby’s historic Monterey results, but also on the success of the company’s Online Only auctions over the last several months, including its recent shift of the Palm Beach auction to the virtual platform.
The new format is backed by the RM Sotheby’s experience, harnessing the expert team of car specialists, start-to-finish concierge level of service, transparent research, and global network reaching collectors in more than 75 countries for which RM Sotheby’s is known—all via a secure, proprietary online platform. Additional digital components and new media formats will be implemented leading up to the auction to enhance the bidder experience, while RM Sotheby’s will also further utilize its numerous, secure global locations to physically showcase consignments for limited preview ahead of the sale.
Early car highlights and additional details for Online Only: SHIFT / Monterey, including bidding terms of business, will be announced in the coming weeks. Interested consignors are invited to contact an RM Sotheby’s car specialist to discuss entering their important car.
The auction is approaching fast, and consignment space is limited. Follow the instructions to the right to consign your car today. The event will attract the top collectors and enthusiasts from around the globe into one room while your car is sold. As market leaders in the collector car industry, you can rest assured that RM Sotheby’s will exhaustively research, market, and present your vehicle to the people it needs to reach.
This custom-built slot car track was commissioned by Formula 1 and built by Slot Mods Raceways, based in Detroit, Michigan, U.S.A. Built out of wood to 1:32 scale to an original design, it was shipped to every Formula 1 Grand Prix during the 2018 season and used by patrons of the Formula 1 Paddock Club. Designed for two cars to be used and raced against each other at one time, the track has built-in electronic lap timing and on-track cameras, raising the stakes and adding a little competition to the fun!
Formula 1 Slot Car Racetrack – RM | Sotheby’s
Slot Mods has built tracks for both corporations and private individuals over the last ten years, including Mercedes-Benz, Ford, Audi, and Toyota. Hand-built in nearly every respect, each track is a labour of love crafted by artists and takes roughly three to six months to complete and costs well over $100,000, depending on the size and detail. This track features hand-painted race fans, bespoke buildings, foliage lining the circuit, and much more. It is incredible to behold, even more so to enjoy. The track can be disassembled into two modular sections for easy shipment, and Slot Mods can be further commissioned to provide after-sales service or installation should it be required.
Formula 1 Slot Car Racetrack – RM | Sotheby’s
Proceeds from this sale will benefit the Reaching the Last Mile Fund, inspired by His Highness Sheikh Mohamed bin Zayed’s global health campaign to eradicate preventable diseases, a joint initiative with the Bill Gates Foundation. His Highness is dedicated to eradicating preventable diseases affecting the world’s poorest and most vulnerable communities in the developing world, and His Highness has previously donated more than $250,000,000 since 2010. The campaign is focused on eradicating diseases in Ethiopia, Sudan, Chad, Mali, Niger, Senegal, and Yemen.
Numerous drivers and other important figures in the world of Formula 1 have used this slot car track at races last season, and purchasing this incredible track will add your name to that list and give back to a worthy cause near and dear to Formula 1
Более 55 000 лотов продано на более чем 400 аукционах в режиме реального времени и только онлайн, на которых принимают участие более 10 000 новых участников
НАПРАВЛЕНО
САМАЯ ЧАСТЬ ГОДА В ЛЮБОМ АУКЦИОННОМ ДОМЕ:
Meules Клода Моне достигает $ 110,7 млн.
* Мировой рекорд для аукционов импрессионистов *
SOTHEBY ЛИДИРУЕТ АЗИЮ ЧЕТВЕРТЫЙ ГОД подряд
2019 аукционов на общую сумму 936 миллионов долларов
* На азиатских клиентов приходится 30% продаж аукционов Sotheby’s по всему миру *
ГОД РЕГИСТРАЦИИ ФРАНЦИИ SOTHEBY
Аукционные продажи 2019 года составили 395 миллионов долларов
* До 41% больше, чем в 2018 году *
САМЫЙ БОЛЬШОЙ ГОДОВОЙ ОБЩИЙ ИСТОРИЯ ДИЗАЙНА АУКЦИОНА
Аукционные продажи 20th Century Design – 193 миллиона долларов – самая высокая годовая сумма для любого аукционного дома.
Винные аукционы достигли новых высот
Аукционные продажи достигли 118 миллионов долларов, с 20% -ным увеличением в 2018 году и самым высоким показателем в истории Sotheby’s.
ГОДОВАЯ РЕГИСТРАЦИЯ ЧАСОВ
Аукционные продажи превысили 109 миллионов долларов, с увеличением на 22% в 2018 году и самым высоким показателем за всю историю Sotheby’s.
SOTHEBY ДОСТИГНУТ РЕЗУЛЬТАТЫ АУКЦИОНА ДЛЯ
Бэнкси | Баркли Хендрикс | KAWS | Ли Краснер | Клод Лаланн | Тамара Лемпика Норман Льюис | Клод Моне | Йошитомо Нара | Чарльз Уайт
19 ДЕКАБРЯ 2019: Sotheby’s завершил наши аукционы 2019 года на этой неделе, достигнув общего годового объема продаж в 4,8 миллиарда долларов. От продажи Meules de Claude Monet за 110,7 млн. Долларов, мирового аукциона импрессионистского искусства до самой дорогой обуви в мире, ниже приводится краткое изложение основных моментов аукциона, которые помогли определить год в Сотбис.
Чарльз Стюарт, генеральный директор Sotheby’s, прокомментировал: «Наш 275-летний юбилей ознаменовался выдающимся годом для Sotheby’s, с рекордными продажами во всех категориях и регионах. Более 100 аукционов, которые мы провели за последние два месяца, дали особенно исключительные результаты, которые помогли нам закончить 2019 год с очень высоким счетом. Эта энергия и внимание приведут нас к 2020 году, который уже обещает быть захватывающим ».
Чтобы отпраздновать смелых и новаторских женщин-художников эпохи премодерна, серия продаж Sotheby’s Master Week в Нью-Йорке представила «Женский триумф»: группу шедевров от 14 пионерских женщин-художников 16–19 веков. Было установлено несколько новых эталонных цен, особенно для Элизабет-Луиз Виге Ле Брюн, чей «Портрет Мухаммеда Дервиша Хана» достиг 7,2 млн. Долларов, что является новым мировым рекордом аукциона для любой женщины-премодерна.
Единственный полный архив скейтбордов от знаменитого бренда верховной уличной одежды в частных руках был продан за 800 000 долларов коллекционеру из Ванкувера Карсону Го. Аккуратно и страстно собранный на протяжении десятилетий, архив включает 248 колод, выпущенных Supreme за 20 лет с 1998 года.
Le Palais Ducal от Клода Моне, великолепный вид на Дворец дожей, который оставался в той же семейной коллекции с 1926 года, продан за 27,5 млн. Фунтов стерлингов / 36,2 млн. Долларов, что превышает предыдущую эталонную цену на венецианскую достопримечательность
Агнес Гунд и Опра Уинфри работали в качестве почетных сопредседателей организации «Женщины для завтрашнего дня»: первый благотворительный аукцион для художников всех женщин в крупном аукционном доме, чей общий доход поддерживал финансовую помощь для учащихся школы мисс Портер , Сумма продажи составила 3,9 миллиона долларов, включая новый рекорд аукциона для Carmen.
Мы отметили нашу 275 годовщину 11 марта; В тот день, в 1744 году, Sotheby’s осуществила свою первую продажу в Лондоне на Exeter Exchange в Стрэнд. Аукцион «нескольких сотен скудных и ценных книг во всех областях образованной литературы» достиг в общей сложности 826 фунтов стерлингов.
Нобелевская премия по экономическим наукам, присуждаемая Фридриху фон Хайеку, одному из величайших умов двадцатого века, достигла 1,1 миллиона фунтов / 1,5 миллиона долларов, что является новым рекордом для любого предмета, продаваемого в одной онлайн-продаже на Sotheby’s за
Наша серия весенних аукционов в Гонконге достигла 482 млн. Долл. США / 3,78 млрд. Гонконгских долларов, что является вторым по величине показателем в истории компании. АЛЬБОМ KAWS уличного художника KAWS попал в заголовки газет, когда он был продан за $ 14,8 млн. / HK $ 116 млн., Установив новый рекорд аукциона для художника. Дополнительные моменты недели включали в себя: рекордный объем продаж по любой серии вин; овальный бриллиант весом 88,22 карата, проданный за 13,8 млн. долл. США / 108 млн. гонконгских долларов; и «Без названия» (1958) китайского художника Зао Воуки, проданная за 14,8 млн. долларов / 116 млн. гонконгских долларов с прибылью в пользу Художественного фонда Соломона Р. Гуггенхайма
Икона импрессионизма из знаменитой серии «Стога сена» Клода Моне, Меул 1890 года, была продана за 110,7 млн. Долларов в нашей ночной распродаже импрессионизма и современного искусства. Этот результат представляет собой: запись аукциона для любой работы Моне; первое произведение искусства импрессионистов, преодолевшее порог в 100 миллионов долларов на аукционе; и самая высокая цена аукциона
Мы представляем публике наши недавно отремонтированные и отремонтированные галереи в Нью-Йорке. Разработанный в сотрудничестве с Sotheby’s Шохей Шигемацу, всемирно признанной архитектурной фирмой OMA New York, этот редизайн включает в себя огромные новые галереи, которые мы разработали, чтобы обеспечить оптимальное выставочное пространство для всего – от отдельных предметов до обширных коллекций, и может вместить работы искусство любого
Всю весну знаменитые художники, имеющие тесные связи с Музеем Молота в Калифорнийском университете в Лос-Анджелесе, пожертвовали работы в поддержку создания нового Фонда художников, который будет напрямую поддерживать новаторскую выставочную программу музея и работать с новыми художниками. В рамках наших ночных и дневных аукционов современного искусства «Художники для Музея Молота» представили работы таких художников, как Марк Брэдфорд, Рашид Джонсон, Чарльз Гейнс и Марк Гротян. Основной момент группы был Розовым Царапиной Брэдфорда, исключительно ярким примером картин художника смешанных СМИ 2018, которые достигли 3 миллионов долларов. 40 подаренных работ были проданы, вместе они достигли $ 12,4
О Сотбис
Sotheby’s объединил коллекционеров с произведениями искусства мирового класса с 1744 года. Sotheby’s стал первым международным аукционным домом, когда он расширился из Лондона в Нью-Йорк (1955), первым, кто сделал продажи в Гонконге (1973), Индия (1992) и Франция (2001), а также первый международный аукционный дом изобразительных искусств в Китае (2012). Сегодня Sotheby`s располагает глобальной сетью из 80 офисов в 40 странах и представляет аукционы в 10 различных торговых залах, включая Нью-Йорк, Лондон, Гонконг и Париж. Sotheby`s предлагает коллекционерам ресурсы Sotheby’s Financial Services, единственной в мире компании, предоставляющей полный спектр финансовых услуг, для
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