Sotheby's International Realty:
1859 Bel Air Road Los Angeles, California, 90077 United States

Sotheby’s International Realty:

1859 Bel Air Road Los Angeles, California, 90077 United States

 

Enveloped in the lush landscape and bound by the masterful vision of icons in quality and thoughtful execution, award-winning architectural firm Tag Front and world-renowned interior designer Cesar Giraldo, 1859 Bel Air Road offers 20,000 square feet of venerable beauty and an artful abundance of sophistication.
Sotheby's International Realty:1859 Bel Air Road Los Angeles, California, 90077 United States

Sotheby’s International Realty:
1859 Bel Air Road Los Angeles, California, 90077 United States

The sleek curvature of the exterior of the house is a work of art in itself, with clean lines, geometric shapes, and a contemporary design that exudes sophistication and elegance. An eco-green living wall and a manicured pathway above a striking water feature encompass the 350-foot width of frontage and lead to a moment of arrival, peering above the clouds and extending to the views of the ocean, Catalina Island, and the canyons from Bel Air.
The grand, masterpiece spiral staircase connects two stories, appears suspended, and was carefully engineered with aluminum and steel, immediately immersing guests in the home’s meticulous design. A free-flowing main level dialogues with the outdoor veranda from the sunken formal living room and intimate entertainment spaces, to the breakfast nook and Poliform chef’s kitchen with a seamless caterer’s preparation galley ideally hidden directly behind.

The architecture is modern yet the amenities are luxurious

Each statement room is designed with a subtle transition from the last, the architecture is modern yet the amenities are luxurious. The master suite is a true oasis, with a fireplace, a sitting area, two walk-in closets, and a spa-like shower with tubs, steam shower, and dual vanities. Three-story walls of glass drape a bamboo cove exposing the incredible backyard scape totaling 1.6 acres with an outdoor lanai, a substantial infinity pool and spa, and an effortless flow over the canyon.
The lower level allows an ultimate experience in leisure and wellness, complete with a playroom, theater, gym with signature TechnoGym equipment, a wine lounge for over 1,152 bottles, and additional bedrooms to complete the nine-bedroom, ten-bath, three-powder-room offering. One of the premier tri-level estates in Bel Air, a first and last of its kind, 1859 is a home of impeccable attention to detail, an unmistakable eye for global design, and one of the finest vast view lots in Los Angeles. All in all, this Bel Air modern masterpiece is a true gem, offering the ultimate in luxury living. With its stunning design, top-of-the-line finishes, and state-of-the-art amenities, this is the perfect home for one who wants the best of everything. If you’re in the market for a high-end property, this Bel Air mansion is a must-see. Don’t miss your chance to own a piece of real estate history.
Sotheby's International Realty: 1859 Bel Air Road Los Angeles, California, 90077 United States

Sotheby’s International Realty:
1859 Bel Air Road Los Angeles, California, 90077 United States

$68,000,000

9

13 Full

20,000 Sq Ft.

1.39 Acre(s)

 

copyright © Photos: all rights reserved : www.sothebysrealty.com

 

Remarkable Rubens and Bronzino Paintings Lead Masters Week to $100M Sales

Remarkable Rubens and Bronzino Paintings Lead Masters Week to $100M Sales

BY WILL FENSTERMAKER | JAN 30, 2023
Paintings by the Old Masters sold for $26.9 million and $10.7 million respectively.

The Old Masters are at it again: Sotheby’s annual Masters Week auctions again surpassed $100 million in total sales. The highlight of the week was the expertly assembled Fisch Davidson Collection, one of the most important collections of Baroque art to ever appear at auction. All ten lots sold in this $49.6 million white-glove event, led by Salome Presented with the Head of Saint John the Baptist (1609) by Sir Peter Paul Rubens. Part of the Spanish Royal Collection from 1666 to 1700, the shocking and masterful painting – made by a then-unknown artist just returned from Italy – sold for $26.9 million, establishing the third-highest price for the artist.

“Today’s white-glove result for the Fisch Davidson collection was a tribute both to the drama and splendor of these Baroque masterpieces, and to the combination of passion and meticulous dedication with which the collection was put together over the decades,” says George Wachter, Sotheby’s Chairman and Co-Worldwide Head of Old Master Paintings. “I always believed these works would inspire the next generation of Old Master collectors all over the world, and indeed they did.”

Bidding Battle for Bronzino’s “Portrait of a Young Man with a Quill and a Sheet of Paper”

Remarkable Rubens and Bronzino Paintings Lead Masters Week to $100M Sales

Remarkable Rubens and Bronzino Paintings Lead Masters Week to $100M Sales

Bidding Battle for Bronzino’s “Portrait of a Young Man with a Quill and a Sheet of Paper”

Thursday’s Master Paintings auction was led by a riveting portrait by Bronzino (Agnolo di Cosimo) that possibly depicts the artist himself. Its sale for $10.7 million – doubling its high estimate and setting a world record for the artist – marks a resolution for the painting’s remarkable and tragic journey. Painted circa 1527, the portrait is one of Bronzino’s earliest and was once owned by Sir William Temple, a prominent diplomat, politician and essayist. Over the years it was incorrectly attributed to a number of different artists and passed through multiple owners, eventually entering the collection of Ilse Hesselberger, heir to a German sewing-machine company fortune, and Franz Hesselberger, a businessman from Munich.

In 1938 Nazis forced Ilse Hesselberger to sell her property, including the Bronzino portrait, to finance the construction of a transit camp and three years later she was murdered in the Kaunas Concentration Camp. The Nazi architect Gerdy Troost possessed the work – falsely attributed to Jacopino del Conte – for some time before it was recovered by the Allied Monuments Men after the war and displayed in a German office block. At last, only last year was the Bronzino portrait restituted to Ilse Hesselberger’s heirs, then sold by the estate to benefit a number of charities in New York.

THE $10.7M SALE OF THIS BRONZINO PORTRAIT RESTORES ILSE HESSELBERGER TO THE IMPORTANT PAINTING’S HISTORIC PROVENANCE.

“It was a privilege to witness the record-breaking sale of this extraordinary work at Sotheby’s today, knowing that the proceeds will benefit Selfhelp Community Services and The Lighthouse Guild,” says Raymond V.J. Schrag, President of Selfhelp Community Services. “This work now enters a new chapter of its life, and we are so pleased that through today’s sale Ilse Hesselberger’s name has rightfully been written back into its fascinating and long history.”

Especially strong results were seen by Dutch Masterpieces from the Theiline Scheumann Collection, totaling $8.1 million, while throughout the week, auction records were set for Bronzino, Master of the Spinola Annunciation ($2.4 million), Lieve Pietersz Vershuier ($1.1 million), Master H.B. with the Griffin Head ($441,000), Christian Ezdorf ($264,400, breaking the record set by the same work in 2020) and Isaak van Ruisdael ($176,400). More than a third of the works offered had been off the market for over 30 years, and participation was global across 18 different countries. Institutions made a number of acquisitions – including Bernardo Cavallino’s Saint Bartholomew ($3.9 million) by the National Gallery of London; Anna Dorothea Therbusch’s portrait of a scientist seated at a desk by candlelight by The Cleveland Museum of Art ($441,000); and a moving painting of a young man asleep before an open book by an artist active in the circle of Rembrandt van Rijn acquired by the Stockholm Nationalmuseum ($945,000) – that will see these magnificent works return to public view.

RM Sotheby’s | The Most Valuable Car in the World Mercedes-Benz 300 SLR Uhlenhaut Coupé soldfor an all-time record price of 135 million EUR to establish “Mercedes-Benz Fund”

  • All time record: One of two ultra-rare original 300 SLR Uhlenhaut Coupés from the Mercedes-Benz Classic Collection has been auctioned for 135 million EUR to a private collector, making it the most valuable car of all time.
  • Using this value to drive change: The proceeds will be used to establish a worldwide “Mercedes Benz Fund” that will provide educational and research scholarships in the areas of environmental science and decarbonisation for young people.

Stuttgart.  A Mercedes-Benz 300 SLR Uhlenhaut Coupé from 1955 has been sold at auction for a record price of 135 million EUR to a private collector. This icon of automotive history is an absolute rarity – one of just two prototypes built at the time. Named after its creator and chief engineer, Rudolf Uhlenhaut, it is considered to be one of the finest examples of automotive engineering and design by automotive experts and enthusiasts worldwide.

“The 300 SLR Uhlenhaut Coupés are milestones in sports car development and key historical elements that have shaped our brand. The decision to sell one of these two unique sports cars was taken with very sound reasoning – to benefit a good cause. The proceeds from the auction will fund a global scholarship programme. With the “Mercedes-Benz Fund” we would like to encourage a new generation to follow in Rudolf Uhlenhaut’s innovative footsteps and develop amazing new technologies, particularly those that support the critical goal of decarbonisation and resource preservation,” says Ola Källenius, CEO of Mercedes-Benz Group AG. “At the same time, achieving the highest price ever paid for a vehicle is extraordinary and humbling: A Mercedes-Benz is by far the most valuable car in the world.”

Historische Aufnahmen des legendären Mercedes-Benz 300 SLR Uhlenhaut Coupé.

“As a global company and as a luxury brand we bear a great level of responsibility towards society,” says Renata Jungo Brüngger, Member of the Board of Management of Mercedes-Benz Group AG for Integrity and Legal Affairs, who is responsible for the governance of the “Mercedes-Benz Fund“. “The proceeds from the sale of the 300 SLR Uhlenhaut Coupé provide us with a unique opportunity to strengthen our commitment with a long-term flagship project: We will establish the global scholarship programme “Mercedes-Benz Fund” supporting young people in their studies, commitment and actions towards a more sustainable future. We are convinced that access to education in these areas will be crucial in encountering the great challenges of our time and contribute to greater stability, prosperity and social cohesion.”

Ola Källenius, Vorsitzender des Vorstands der Mercedes-Benz Group AG und Renata Jungo Brüngger, Mitglied des Vorstands der Mercedes-Benz Group AG für Integrität und Recht vor dem Mercedes-Benz 300 SLR Uhlenhaut Coupé bei „The Economics of Desire“ an der Côte d’Azur

Seed capital for scholarship programmes from proceeds

The proceeds from the auction of the 300 SLR Uhlenhaut Coupé serve as seed capital for the global initiative. Mercedes-Benz is committed to investing additional resources in the coming years. The “Mercedes Benz Fund” will be divided into two sub-categories: University Scholarships in order to connect, educate and encourage students to realize/conduct research on environmental science projects and School Scholarships focussing on pupils to realize local environmental projects in their communities. The programme funds will be directed to individuals who otherwise do not have the financial means for their projects and career paths. The programme will go beyond financially supporting the young people and include extracurricular elements like Mercedes-Benz mentorships opening up new career prospects. The “Mercedes Benz Fund” will be jointly developed with and managed by an experienced partner which is currently being evaluated. The detailed set-up and roll-out planning as well as the partner organisation will be announced later this year.

Das Motiv zeigt eines der beiden 300 SLR Uhlenhaut Coupés zusammen mit dem Erfinder Rudolf Uhlenhaut. Dieses Fahrzeug ist im Mercedes-Benz Museum ausgestellt.

History and auction of 300 SLR Uhlenhaut Coupé

The sale of the 300 SLR Uhlenhaut Coupé took place on May 5th at an auction held at the Mercedes-Benz Museum in cooperation with renowned auctioneer RM Sotheby’s. The invitees were among selected Mercedes-Benz customers and international collectors of cars and art, who share the corporate values of Mercedes-Benz. The 300 SLR Uhlenhaut Coupé sold at auction was part of the non-public vehicle collection belonging to Mercedes-Benz Classic, comprising more than 1100 automobiles from the invention of the automobile in 1886 until today.

“We are proud that we can contribute with our historical collection to this initiative connecting the past with the future of engineering and decarbonisation technology”, says Marcus Breitschwerdt, Head of Mercedes Benz Heritage. “The private buyer has agreed that the 300 SLR Uhlenhaut Coupé will remain accessible for public display on special occasions, while the second original 300 SLR Coupé remains in company ownership and will continue to be displayed at the Mercedes-Benz Museum in Stuttgart.“

Offert-Zeichnung zu dem wertvollsten Auto der Welt: Das Mercedes-Benz 300 SLR Uhlenhaut Coupé.
Quotation drawing of the most valuable car in the world: the Mercedes-Benz 300 SLR Uhlenhaut Coupé.

The special circumstances behind its creation, its unique design and its innovative technology have endowed the 300 SLR Uhlenhaut Coupé with a remarkable level of mystique that endures to this day. The design of the 300 SLR Uhlenhaut Coupé set benchmarks that put it among the world’s most significant automotive icons – not least on account of its distinctive “gullwing” doors. Added to this is the outstanding performance delivered by its thoroughbred racing technology. Together, both have secured the 300 SLR Uhlenhaut Coupé its acclaimed position in sports car mythology and a very special place in the hearts of Mercedes fans around the world.

More information about the Mercedes-Benz 300 SLR Uhlenhaut Coupé is available in our web special.

Lamborghini NFT Space Time Memory on auction with the start of the lunar year. A bridge between the physical and the digital world, this project celebrates human space exploration

Lamborghini NFT Space Time Memory on auction with the start of the lunar year. A bridge between the physical and the digital world, this project celebrates human space exploration

Lamborghini NFT Space Time Memory on auction with the start of the lunar year. A bridge between the physical and the digital world, this project celebrates human space exploration

Lamborghini NFT Space Time Memory on auction with the start of the lunar year. A bridge between the physical and the digital world, this project celebrates human space exploration

Sant’Agata Bolognese27 January 2022 – Auction details for the first-ever NFT (non-fungible token) of Automobili Lamborghini are now confirmed. Lamborghini has partnered with NFT PRO and RM Sotheby’s and will receive bids on the five pairs of physical and digital artworks by the renowned artist Fabian Oefner between February 1st, the first day of the new lunar year, and February 4th. The auction for the first of the five NFTs will take place on nft.lamborghini.com start at 4:00 pm CET, while each of the other auctions will start and end 15 minutes later then their preceding one. Every auction will last for 75 hours and 50 minutes, the exact time it took Apollo 11 to leave Earth and enter the moon’s orbit – not the only reference to human space exploration.

The physical artwork, the Space Key, contains carbon fiber pieces that Lamborghini sent to the International Space Station back in 2020, as a part of a joint research project. Engraved with a unique QR code, these carbon fiber parts link the digital element, are a series of five photographs of a Lamborghini Ultimae, lifting off toward the stars. The images depict five separate moments within seconds from each other as the car rises above the earth. Its parts, the engine, the transmission, the suspension and hundreds of nuts and bolts are shooting away from the chassis like the exhaust flame of a rocket.

What may look like a computer-generated image is in fact entirely created from elements of the real world: the artist captured more than 1500 individual parts of a real car. The photograph of the earth`s curvature was made by sending a weather balloon equipped with a camera to the edge of the stratosphere. The artist then carefully assembled all of these images into an artificial moment in time. Each of the five NFTs has more than 600 Million pixels. As one starts to zoom in, hidden details of these hyperrealistic photographs are revealed. The resolution is so enormous, that you can read tiny markings on the firing order of the V12 engine or marvel at the different milling patterns on the transmission cog wheels. The longer you look at the composition, the more secrets you discover…

The artist, Fabian Oefner, on the idea behind his creation: “For me, ‘Space Time Memory’ is an analogy to the memories we make in life. Memories are rooted in the physical world; we make them in reality. We then store them in our brains, what could be considered the digital world. I often wonder, what is more precious to me, the actual moment or the memory of that moment? Analog to that, I wonder with the ever-increasing amount of digital realities around us, what is more precious, reality itself or the copies and derivatives of it, that exist in the digital universe.”

At the start of the project, Oefner meticulously studied the engineering plans of the Lamborghini Aventador Ultimae and created an accurate sketch of what the final photograph will look like. Based on that sketch, Lamborghini prepared all the necessary parts and components of a production ready Ultimae. The pieces were then photographed by Oefner and his team in a makeshift photo studio right next to the production line at the Lamborghini Factory in Sant’Agata Bolognese. Upon his return to his studio in the US, where the artist works and lives near New York City, he combined the countless images into the composition envisioned in the sketch. It took Oefner and his team more than 2 months to create a moment, which is shorter than the blink of an eye.

“We’re thrilled to have been chosen as preferred NFT partner by such an iconic brand as Lamborghini and incredible artist, Fabian Oefner”, says Christian Ferri, CEO of NFTPro™. “We pride ourselves for being the #1 enterprise NFT solution in the market, serving the largest category leaders in the world, and working with Lamborghini and Fabian Oefner validates even further our position. Our company is committed to supporting Lamborghini throughout the NFT journey and are humbled to be working with such a visionary team in the years to come”.

What are NFTs?

NFTs (non-fungible tokens) are unique identifiers recorded on a distributed ledger known as Blockchain and tied to a digital asset such as pictures, videos, music, or other records (e.g. vehicle VIN numbers). Each token is unique, allowing their owners to guarantee asset authenticity, scarcity, programmability and trackability over the internet.

About Fabian Oefner

Fabian Oefner’s work explores the boundaries between time, space and reality. He creates fictional moments and spaces, that look and feel absolutely real, yet aren’t. Through this, Oefner dissects the different components of reality and gives us a clearer understanding of how we perceive and define it. Inspired by science, Oefner’s approach to art is highly methodical and at the same time playful for unexpected moments to happen. He creates carefully orchestrated works, that are planned down to the last detail as well as pieces, that use a loose framework for art to happen.

About RM Sotheby’s

RM Sotheby’s is the world’s largest collector car auction house by total sales. With 40 years of proven results in the collector car industry, RM’s vertically integrated range of services, from auctions (live and online) and private sales to estate planning and financial services, coupled with an expert team of Car Specialists and an international footprint, provide an unsurpassed level of service to the global collector car market. RM Sotheby’s is currently responsible for six of the top ten most valuable motor cars ever sold at auction. 2022 has seen RM Sotheby’s move into offering NFTs, collaborating with both clients and partners, working alongside NFT PRO, to bring to market leading NFT projects that have a strong automotive theme.

About NFT PRO

NFTPro™ is the #1 enterprise white label NFT solution for global brands, making NFT campaigns seamless, easily executed, and on-brand. Thanks to an enterprise-grade platform, proprietary methodology and enterprise-level support, they help global enterprises strategize, create, sell, and distribute NFT-based digital authentic assets to engage communities, drive new revenue streams, and boost cross-sales of physical products while ensuring full company control, sustainability, and global regulatory compliance.

IN THIS CELEBRATORY YEAR MARKING THE 300TH ANNIVERSARY OF PIERRE JAQUET-DROZ’S BIRTH, THE MAISON UNVEILS AN EXCEPTIONAL UNIQUE PIECE RESERVED FOR THE “ONLY WATCH” CHARITY AUCTION.

For the ninth consecutive time, Jaquet Droz is proud to donate a unique piece of its own creation, designed exclusively for Only Watch, a charity sale to benefit the Association Monégasque contre les Myopathies (Monegasque Association against Muscular Dystrophy), and featuring a degree of technical ambition and aesthetic never-before achieved: A Grande Seconde Skelet-One Tourbillon adorned with a plique-à-jour enamel dial.

The original idea was to extend the initial purpose of the Grande Seconde to provide its owner with the finest and most accurate reading of the seconds—hence its largely dimensioned and off-center dial at 6 o’clock, exclusively dedicated to this effect. How could this precision be achieved? By adding a tourbillon. This escapement, itself a genuine watchmaking complication, aims to compensate for the harmful effects undergone by a timepiece that performs across multiple planes, all subjected to the force of gravity which alters its precision.

The tourbillon of the new Grande Seconde Skelet-One Tourbillon “Only Watch” was born of Jaquet Droz’s in-house expertise, but entirely reworked in the purest chronometric approach. Thanks to its realization in titanium and the elimination of the sapphire bridges, the cage has been lightened and optimized with regards to its chronometric functions. The balance spring and pallet lugs are made of silicon. Highly open to let light pass through, the tourbillon gives the illusion of being both large and lightweight all at once. Completely revised and placed at noon, it accords the piece a dedicated identity of strength and technicality.

The underlying aesthetic architecture is as technical as it is unique. The skeleton structure is brand new: while the original Skelet-One favored soft and supple curves, the Grande Seconde Skelet-One Tourbillon “Only Watch” focuses on straight lines, angles, modernity and perfect symmetry. This very contemporary skeletonization is as technical as its highly precise tourbillon movement can be, furthering the technical and aesthetic consistency of the piece. Its bridges, finished in black, confer a powerful matte appearance. The tourbillon cage follows the geometry of the skeleton movement, with a triple cross shape which, once a minute, aligns perfectly with its bridges.

For Only Watch, Jaquet Droz put to work its Ateliers d’Art as well, in order to produce a highly exclusive plique-à-jour dial, made specially for the famous charity sale. Once again, whereas the Maison’s most recent plique-à-jour creations featured curves and soft, slightly domed lines, the Skelet-One Tourbillon “Only Watch” is made up of various straight and geometric sections separated by white gold, thus forming a dial which has been entirely polished flat. The Maison achieved this unprecedented result by applying an extremely fine diamond powder polish to each area of the enamel, the only kind capable of achieving this thickness.

Every tone of enamel has been painstakingly selected for the model and fired at a very high temperature several times in a row. The choice of these colors therefore owes nothing to chance: a color chart was proposed by Only Watch associating different tones with certain characteristics. The Maison thus translated these variations of red, orange and yellow into an expression of happiness, passion, optimism and even energy—all values that support the cause championed by Only Watch.

An aesthetic and technical achievement, the first Grande Seconde Skelet-One with tourbillon, the first with plique-à-jour enamel, a new geometry of skeleton movement, a fully updated tourbillon… the Grande Seconde Skelet-One Tourbillon “Only Watch” is many things. It’s also the perfect match between an age-old complication and craftsmanship on the one hand, and an eminently modern technique and geometry on the other. A rare, precise balance, like any Jaquet Droz timepiece, which foreshadows all the ambitions of the Maison’s future Skelet-One collection.

Christie’s Watches Online: The New York Edition

A selection of highlights from our upcoming sale

Patek Philippe, Perpetual Calendar, Chronograph, Platinum, Diamonds, Ref. 3990E

CIRCA: 1994
CASE MATERIAL: Platinum, Diamonds
CASE DIAMETER: 35.5mm
MOVEMENT NO’:876.839
CASE NO’: 2.945.342
DIAL: Black, Diamonds
MOVEMENT: Manual
FUNCTIONS: Perpetual Calendar, Chronograph
BOX: Yes
PAPERS: No
ACCESSORIES: Patek Philippe Platinum and Diamond Tang Buckle, An Additional White Diamond Patek Philippe Dial, A Patek Philippe Extract From the Archives Confirming Date of Sale: September 14th, 1994, Product Literature, Patek Philippe Service Box, Patek Philippe Presentation Box
$150,000-250,000


Patek Philippe, American Calendar Pocket Watch, 18K Yellow Gold, Ref. 725/4

CIRCA: 1969
CASE MATERIAL: 18k Yellow Gold
CASE DIAMETER: 46mm
MOVEMENT NO’: 931.257
CASE NO’: 327.503
DIAL: White
MOVEMENT: Manual
FUNCTIONS: American Calendar, Digital Display, Moonphases,
Subsidiary Seconds
BOX: No
PAPERS: No
ACCESORIES: A Patek Philippe Extract From the Archives Confirming
Date of Sale April 17th, 1973
$30,000-50,000


Patek Philippe, Retailed by Hausmann & Co., 18K Gold Wristwatch, Ref. 570, Formerly Owned by Andy Warhol

CIRCA:1954
CASE MATERIAL: 18k Yellow Gold
CASE DIAMETER: 35.5mm
DIAL: Silver
MOVEMENT: Manual
FUNCTIONS: Time Only
BOX: No
PAPERS: No
ACCESSORIES: A Patek Philippe Extract from the Archives confirming date of sale on June 20, 1955, Sotheby’s 1988 Jewelry and Watches Catalogs, featuring this watch as Lot 264 of the December section ‘The Andy Warhol Collection’
$45,000-95,000


Cartier, Crash, 18K Pink Gold, Ref. W1544251

CIRCA: 2003
CASE MATERIAL: 18k Pink Gold
CASE DIAMETER: 38mm X 23mm
DIAL: White
MOVEMENT: Manual
FUNCTIONS: Time Only
BOX: No
PAPERS: No
ACCESSORIES: 18k Pink Gold Cartier Deployant Buckle, Cartier Sales Receipt Dated December 31, 2003, A Cartier Valuation Report for insurance value Dated September 27, 20
$40,000-60,000


Rolex, Triple Calendar, Chronograph, Steel, Ref. 6036

CIRCA: 1963
CASE MATERIAL: Steel
CASE DIAMETER: 36.5mm
SERIAL NO: 943969
DIAL: White
MOVEMENT: Manual
FUNCTIONS: Day, Date, Month, Chronograph
CALIBER: 72C
BOX: No
PAPERS: No
$80,000-120,000


Breguet, 18K White Gold, Skeletonized, Tourbillion, Ref. 3355

CIRCA: 2010s
CASE MATERIAL: 18k White Gold
CASE DIAMETER: 36mm
DIAL: Skeletonized
MOVEMENT: Manual
FUNCTIONS: Skeletonized, Tourbillon
BOX: No
PAPERS: No
ACCESSORIES: White Gold Tang Buckle
$30,000-50,000


Rolex, Chronograph, Steel, Ref. 6034

CIRCA: 1963
CASE MATERIAL: Steel
CASE DIAMETER: 36.5mm
SERIAL: 907700
BRACELET MATERIAL: Steel
BRACELET SIZE: Approximately 165mm Overall Length
DIAL: White
MOVEMENT: Manual
FUNCTIONS: Chronograph
BOX: No
PAPERS: No
$20,000-40,000


Rolex, Sea Dweller, “Great White”, Steel, Ref. 1665

CIRCA: 1978 CASE MATERIAL: Steel
CASE DIAMETER: 40mm
SERIAL: 5410564
BRACELET MATERIAL: Steel
BRACELET SIZE: Approximately 185mm Overall Length
DIAL: Black
MOVEMENT: Automatic
FUNCTIONS: Date,
BOX: No
PAPERS: No
ACCESSORIES: Original Crystal Included
$18,000-24,000


Patek Philippe, Nautilus, Steel, Diamonds, Ref. 3800/1

CIRCA: 1996
CASE MATERIAL: Steel
CASE DIAMETER: 35.5mm
MOVEMENT NO’: 3.021.860
CASE NO’:4.009.746
BRACELET MATERIAL: Steel
BRACELET SIZE: Approximately 175mm Overall Length
DIAL: Black, Diamonds
MOVEMENT: Automatic
FUNCTIONS: Date
BOX: Yes
PAPERS: No
ACCESSORIES: Patek Philippe Outer Box, Patek Philippe Presentation Box, A Patek Philippe Extract from the Archives, Confirming Date of Sale February, 26th 1997
$30,000-50,000


Patek Philippe, Perpetual Caledar Chronograph, Yellow Gold, Ref. 5970J, Double Sealed

ψ This image is of a similar watch of the same model for display purposes only and is not the actual watch being offered for sale nor included in this lot. The endangered species strap is also shown for display purposes only and is not for sale. The actual watch for sale will be supplied with a calf leather strap.
CIRCA: 2008
CASE MATERIAL: 18k Yellow Gold
CASE DIAMETER: 40mm
DIAL: White
MOVEMENT: Manual
FUNCTIONS: Perpetual Calendar, Chronograph, Moonphases
BOX: Yes
PAPERS: Yes
ACCESSORIES: 18k Yellow Gold Patek Philippe Buckle, Patek Philippe Certificate of Origin, Patek Philippe Presentation Box, Leather Folder, Product Literature
ψ Please note the endangered species strap is shown for display purposes only and is not for sale. Upon sale, this watch bag will be cut and the watch will be supplied to the buyer with a non CITES strap (not shown). For further information please refer to the Conditions of Sale.
$100,000-150,000

SOTHEBY’S

Monet, Basquiat and Twombly Headline a $702 Million Week of Auctions

BY SOTHEBY’S | MAY 12, 2021

An epic week of auctions that brought together a stellar array of Impressionist, Modern and Contemporary Art was led by a three-auction evening which realized a total $596.8 million. Conducted by Sotheby’s auctioneer Oliver Barker, the live-streamed event featured in-room bidders in New York, telephone bidders in London, Hong Kong and New York, and online bidders from around the world, who all vied for remarkable artworks by Monet, Picasso, Warhol and Basquiat, and many other exceptional artists of the 20th and 21st centuries.

Warhol, Still, Richter and Diebenkorn Lead the Marion Collection

Starting off the evening was American Visionary: The Collection of Mrs. John L. Marion, an auction of extraordinary works from the collection of legendary philanthropist and arts patron Mrs. John L. Marion. Totalling $157.2 million, the sale featured works representing the height of achievement in the American Abstract Expressionist and Pop art movements. Among the highlights was Richard Diebenkorn’s luminous Ocean Park #40, 1971, which sold for $27,265,500 – setting a new auction record for the California artist. New auction records were also reached for a work by Kenneth Noland, whose 1958 painting Rocker sold for $4,255,000, and Larry Rivers’s Africa I, 1961–62, which achieved $2,077,000. Other exciting moments from the auction were the sale of Clyfford Still’s PH-125 (1948-No. 1), 1948, which achieved $30,712,500 and Andy Warhol’s larger-than-life Elvis 2 Times, 1963, which sold for $37,032,000.

Watch Bidding Battle for Diebenkorn

Watch Bidding Battle for Diebenkorn

100% Sold Contemporary Art Auction Brings $218.3 Million

Demand for Contemporary luminaries continued in the white glove Contemporary Art Evening Auction, propelled by Jean-Michel Basquiat and Cy Twombly, bringing a total $218.3 million. The auction included works from the Collection of Morris and Rita Pynoos, the Collection of Kay Unger and Hidden Harmony: An Exquisite Private Collection, among others.

Top lots from the evening included Basquiat’s Versus Medici, 1982, which achieved $50,820,000 and Twombly’s Untitled (Rome), 1970, which sold for $41,628,000.

A lively bidding battle of nearly seven minutes took place for Robert Colescott’s George Washington Carver Crossing the Delaware: Page from an American History Textbook, 1975. The work achieved $15,201,000, more than 16 times Colescott’s previous auction record of $912,500.

Watch Bidding Battle for Banksy

Watch Bidding Battle for Banksy

Banksy’s Love is in the Air sparked another bidding face-off. After nearly 14 minutes, the 2004 painting – a quintessential example from the artist’s oeuvre – achieved $12,903,000. In a world first for a fine auction house, bidders on the work had the option of making their payment in cryptocurrency.

Auction records were set for Elizabeth Peyton, Raymond Pettibon and Jeff Koons (whose Quad Elvis sold for $9.5 million, setting a record for a painting by the artist).

Monet Steals the Show with $70.4 million Water Lilies

Capping the trio of marquee auctions and driven by a wonderful example of Claude Monet’s waterlilies, the Impressionist & Modern Art Evening Sale brought a total $221.3 million.

Le Bassin aux nymphéas, an exquisite example of Monet’s most iconic series, achieved $70,353,000 following a heated bidding battle lasting nearly five minutes between five different bidders. The result makes the painting among the top five most expensive works by the artist to be sold at auction.

Watch Bidding Battle for Monet

Watch Bidding Battle for Monet

Other star lots included Pablo Picasso’s striking portrait of Françoise Gilot, entitled Femme assise en costume vert ($20,946,000); Paul Cézanne’s poignant Nature morte: pommes et poires ($19,969,350); and a painting from Amedeo Modigliani’s mature period,Jeune fille assise, les cheveux dénoués (Jeune fille en bleu) ($16,350,000).

Leonor Fini’s arresting Autoportrait au scorpion, the only self-portrait the artist chose not to sell in her lifetime, set a new auction record for the artist at $2,319,000.

‘This is one of the best specimens discovered,’ says James Hyslop, head of Christie’s Science & Natural History department. Unearthed in 1987, less than a century after the existence of Tyrannosaurus rex had first become known, STAN — named after his discoverer Stan Sacrison — represents one of the most complete fossil skeletons of the most famous dinosaur species ever to have lived.

6–8 October 2020

Found in 1987 and one of the most complete fossils of its kind, Stan is going up for sale Oct. 6. $6,000,000+.

Christie’s Auctions | The life and times of STAN — one of the most complete T. Rex skeletons ever found

Human beings have only been aware of T. rex since the dawn of the 20th century, after remains were first documented by the legendary palaeontologist, Barnum Brown.

In 1900 and 1902, ‘Mr Bones’, as the then assistant curator of the American Museum of Natural History was known, found partial skeletons in Wyoming and on the Montana side of the Hell Creek Formation. (The same landscape of Upper Cretaceous rocks where STAN was found across the border in South Dakota.)

 


T. rex, soon after dubbed ‘the prizefighter of antiquity’, has been a subject of global fascination ever since — a fusion of science, history and popular culture in the public imagination.

Quickly adopted by cinema, the most fearsome of dinosaurs appeared in The Lost World (1925), fought the climactic battle with King Kong (1933) and shared a striking resemblance to Godzilla (1954). Its most spectacular screen role came in 1993 with Jurassic Park, in which it became a monster for the ages.

Christie’s Auctions

A male Tyrannosaurs rex. From the Hell Creek Formation, 16 meters below the K-T boundary, Maastrichtian, Late Cretaceous (circa 67 million years ago). Approx. 190 bones surviving and mounted on custom frame with additional cast elements. A separate display for the original skull and teeth. Size: 37 x 13 x 6 ft (1128 x 396 x 183 cm). Estimate: $6,000,000-8,000,000. Offered in the 20th Century Evening Sale on 6 October at Christie’s in New York

STAN will be offered on 6 October in the 20th Century Evening Sale at Christie’s in New York — ‘a once in a generation chance’, according to Hyslop. ‘There simply aren’t T. rexes like this coming to market. It’s an incredibly rare event when a great one is found.

‘It is such an iconic piece of the 20th century, and fits so well in the context we are offering it.’ Archetype, movie star, pop-culture celebrity, it is fitting that STAN will make his auction debut alongside masterpieces of modern and contemporary art.

‘T. rex is a brand name in a way that no other dinosaur is,’ says Hyslop.‘It sits very naturally against a Picasso, a Jeff Koons or an Andy Warhol.’

Born in the Badlands

STAN lived in the late Cretaceous period — the prehistoric age that ended mysteriously and abruptly some 65 million years ago with the mass extinction of the dinosaurs.

He was born, grew up and died in a humid, semi-tropical region of an island continent identified as Laramidia, an area known today as the Badlands, which spans North and South Dakota, Wyoming and Montana in the United States of America.

The vulnerable, feathered youngster
Hatched from an elongated egg much like a modern bird, STAN was defenceless as an infant and, according to recent scientific research, covered in feathers. Many of his fellow hatchlings would have perished by the age of one, victims to scavengers or cannibalised by another T. rex.

Although he would grow up to become an apex predator, STAN remained vulnerable as a juvenile. No larger than a small turkey, he required the constant protection of his parents. Between the ages of six and 18, however, he underwent an astonishing growth spurt of an estimated six pounds per day.

Almost 40 feet long, nose to tail, with incredible eyesight
At his largest, STAN would have boasted a body mass of between seven and eight tons — twice as heavy as the average modern African elephant. He measured a towering 13 feet high, and almost 40 feet long with his heavy tail fully outstretched.

His aquiline snout once housed an intricate system of blood vessels, functioning as a giant biological air conditioner. With eyes the size of baseballs, STAN would have been able to pinpoint another dinosaur from six kilometres away — a range far superior to any bird of prey today.

Added to these attributes, STAN possessed an impressive sense of smell, as revealed by the internal structure of his enormous skull. Although a preserved T. rex brain has yet to be found, the impression left behind reveals that the largest part of the brain was dedicated to the ‘olfactory bulbs’.

Agility, cunning and brute strength — STAN’s bite could easily have crushed a car
The large space set aside for these ‘bulbs’ confirms STAN was a carnivore. They would also have equipped him for hunting at night and over long distances. Through this potent combination of agility, cunning, and brute strength, STAN would have thrived as a predator with no competitors or threats other than his fellow T. rexes.

While his short, two-fingered forearms were less than impressive — prone to disease and, unfortunately given his prodigious appetite, too short to reach his mouth — they most probably came in useful for seizing prey or carcasses.

This is just as well, for it is thought STAN could eat up to 500lbs of meat in one bite. He had as many as 58 teeth, the longest of which measures 11½ inches. Each tooth has serrated edges which could crush and slice straight through the flesh and bone of its prey.

In 2005, STAN’s skull was reproduced and tested to recreate a bite force of four tons per square inch — easily enough to crush a car. A 2012 study concluded that STAN’s front teeth had probably evolved to grip and pull, while his side teeth tore flesh and his back teeth sliced chunks of meat, forcing them down into the throat.

In the swamps and forests where he lived, STAN survived attacks from his own species
Further study of STAN’s impressive skull reveals that his life was not exactly carefree. Vicious puncture wounds neatly fitting a T. rex tooth strongly suggest he was himself a wounded warrior who suffered attacks by his own species. Though unaccustomed to running from anything, his powerful thigh muscles enabled STAN to move at a speed of between 10 and 25 mph.

STAN and his kind lived in coastal swamps and forested valleys close to rivers, which attracted a variety of prey. Although debate has raged as to whether the T. rex was a hunter or a scavenger, STAN was fully equipped for pursuit independently or in a group of Tyrannosaurs (aptly known as a ‘terror’).

His killer instinct was confirmed during the excavation of his skeleton in 1992, when he was found with the fossilised and partially digested remains of an Edmontosaurus, a large duck-billed dinosaur, and a Triceratops, a hulking three-horned dinosaur which, despite being a herbivore and potential prey to the T. rex, would have been a formidable opponent. These bones each had bite marks, revealing how STAN could hunt, kill, and devour even the largest and most well-protected herbivores.

Amateur palaeontologist Stan Sacrison’s incredible discovery
After STAN died and decomposed, his skeleton was gradually blanketed and compacted by sediment, sand and mud. The incredible survival of his skeleton is the result of fossilisation, a transformational process which took place over millions of years.

Over time, STAN’s organic bones were mineralised by water seeping through the sediment, which then hardened into the stone relics discovered in the spring of 1987, when amateur palaeontologist Stan Sacrison went searching for traces of dinosaurs within the Hell Creek Formation, and uncovered a dinosaur’s fossilised hip bone, which was later confirmed to have been STAN’s.

20th-century-new-york

The most widely exhibited dinosaur of all time

Each individual fossil from STAN’s skeleton had to be prised carefully from the rock, then stored and recorded. Following more than 30,000 hours of labour, STAN was erected on a custom mount to reflect his former glory. He was given a public unveiling on Hill City’s Main Street in South Dakota, followed by his global ‘debut’ as the centrepiece of Japan’s T. rex World Exposition in 1995.

More than 30 years after his discovery, STAN is recognised and revered as a scientific and cultural sensation. As one of the two most complete T. rex skeletons ever found — and the most reproduced as casts in history — he is almost certainly the most viewed and widely exhibited dinosaur of all time.

STAN is now on view at Christie’s in New York. Email TREX@christies.com to request an appointment.

Fuente y fotografias: Christie’s

 RM Sotheby´s1960 Porsche 356 RSR Outlaw by MOMO/Emory

RM | Online Only – SHIFT/MONTEREY 14 – 15 AUGUST 2020

Chassis No.
109153

Made available through RM Sotheby’s, this 1960 Porsche 356 RSR Outlaw Coupe was customized in a collaboration between Milan-based Momo and Rod Emory, who cut his teeth working with Outlaws. The foundation is a 964-generation Porsche 911 with striking aluminum body wrapping its way around the exterior. The twin-turbocharged Emory-Rothsport Outlaw-4 engine gives the sports car plenty of grunt at 394 hp.

Third-generation car customizer/renowned early Porsche expert Rod Emory pulled a lifetime of automotive expertise together to create an exotic 1960 Porsche 356 RSR. As a grandson of one of Los Angeles’s first hot-rod shop owners, the son of the Baja Bug creator, and a former Top Fuel mechanic and competitive off-road racer, Rod was able to leverage every ounce of his automotive DNA in this builder’s dream project.

“It started back in 2012 when I had my friend Greg Macey sketch a concept I had had in mind for quite some time,” Rod Emory says. “The idea was to create an homage to the Porsche works 935 cars of the 1970s while retaining our Emory 356 Outlaw styling. Greg did phenomenal sketches, which we posted on Instagram. MOMO CEO Henrique Cisneros reached out and asked what it would take to turn the concept into reality. Once we zeroed in on the details, we had a second rendering done by Avedis Djinguelian to serve as a more representative style guide to the finished product. The actual build time was about four full years.”

As with other Emory Outlaw and Emory Special builds, the project began with the perfect donor car: a 1960 356B T5 coupe whose roof was undamaged but the rest of the body panels were destined for scrap.

With fresh experience combining a 356 body and 911 chassis in the world’s first AWD 356 (the Emory/Independent Fabrication 356C4S project), Rod’s crew knew where to nip/tuck to combine the best of the two Porsche sportscar iterations, some 35 years apart in age. The result is a seamless super-performance concoction whose 356 silhouette is artfully preserved, thanks to its factory greenhouse and doors. This car is an example of Emory Motorsports’ highest-performance “RS” designated cars.

To merge the Porsche unibodies, the difference in wheelbase was essentially split (85mm) with a clever redistribution of the length. However, all of the stock 964 suspension pick-up points were retained. Also, the engine frame section was tailored to a length appropriate for a 356-correct air-cooled four.

Speaking of which, the exotic Emory-Rothsport twin-turbo Outlaw-4 engine produced a whopping 393 horsepower on Rothsport Racing’s engine dyno – incredible in a car that weighs only 1,950 pounds. This proprietary engine block, developed by and only available in Emory Motorsports builds, is a collaboration between Rod Emory and Jeff Gamroth of Rothsport Racing. The “Outlaw-4” engine’s architecture is based on the dry-sump Porsche 3.6L powerplant from the 1990s. To get the crazy power, Rothsport Racing created a purpose-built fuel-injection system with a one-off intake plenum and twin-plug distributor, managed by a Motec computer. The RSR race-inspired twin-turbo system uses two Garrett GT28R ball-bearing turbos with Turbosmart wastegates, backed by custom intercoolers. A dash-mounted 935-style boost control knob allows dialing up as much as 1.2 bar boost from the turbos.

Other Outlaw-4 details include a full-flow oil system with remote filter and cooler, plumbed with XRP lines and fittings. Also, Rothsport Racing fabricated a custom 3-2-1 stainless-steel exhaust system, which ends with a muffler-less straight pipe. The fuel system includes an 18-gallon Fuel Safe fuel cell, cradling a Radium FCST fuel delivery system.

The 356 RSR’s suspension was designed around the extreme power-to-weight ratio. Ride is controlled by KW coilovers with 1.5 inches of on-demand lift to negotiate driveway aprons. Eisenlohr Racing Products front camber plates and mono-ball mounts make for additional adjustability. Flatter cornering is made possible by Tarett Engineering swaybars. Also, the 964 non-power rack-and-pinion steering and brakes were retained, albeit with custom Coleman Racing rotors and hats.

Competition components were one of the project’s springboards, but street-legality was the goal. Rod Emory has an affinity for the MOMO 5-spoke wheels with centerlock hubs from the Porsche works 935. Wheels like those were at the top of his must-have list. One bespoke set of MOMO Heritage center-lock wheels were created just for this car; fronts are 17×7 and the rears are 17×8, wrapped in Pirelli P Zero Trofeo R tires.

“People had strong reactions when we debuted the 356 RSR at Luftgekühlt this past May,” Rod Emory said. “It was too over-the-top even for some of the forgiving purists – something we’re used to after being branded Outlaws by the period-correct owners decades ago – but the car definitely attracted a lot of attention and now serves as a benchmark for what we can do with Porsche’s extremely flexible platforms.”

Text: 9tro

RM Sotheby’s - Online auction Only: SHIFT / Monterey 2020

RM Sotheby’s is thrilled to announce an online auction unlike any other, Online Only: SHIFT/Monterey, bringing its record-breaking, world-renowned Monterey sale to the auction house’s proprietary Online Only platform.

THE LARGEST ONLINE AUCTION OF ITS KIND

POWERED BY THE GLOBAL LEADER IN COLLECTOR CAR AUCTIONS

Set for the original Monterey live auction week, Online Only: SHIFT/ Monterey will open for bidding on 6 August, with lots closing 13–15 August, and will present approximately 150 exceptional collector cars on rmsothebys.com—an offering of a caliber never before seen in an online sale. The online Monterey sale will build not only on RM Sotheby’s historic Monterey results, but also on the success of the company’s Online Only auctions over the last several months, including its recent shift of the Palm Beach auction to the virtual platform.

The new format is backed by the RM Sotheby’s experience, harnessing the expert team of car specialists, start-to-finish concierge level of service, transparent research, and global network reaching collectors in more than 75 countries for which RM Sotheby’s is known—all via a secure, proprietary online platform. Additional digital components and new media formats will be implemented leading up to the auction to enhance the bidder experience, while RM Sotheby’s will also further utilize its numerous, secure global locations to physically showcase consignments for limited preview ahead of the sale.

Early car highlights and additional details for Online Only: SHIFT / Monterey, including bidding terms of business, will be announced in the coming weeks. Interested consignors are invited to contact an RM Sotheby’s car specialist to discuss entering their important car.

The auction is approaching fast, and consignment space is limited. Follow the instructions to the right to consign your car today. The event will attract the top collectors and enthusiasts from around the globe into one room while your car is sold. As market leaders in the collector car industry, you can rest assured that RM Sotheby’s will exhaustively research, market, and present your vehicle to the people it needs to reach.