HIGH

JEWELER’S

BEYOND THE LIGHT

AN INITIATIVE JOURNEY TO THE HEART OF ANCIENT EGYPT

This year, Valérie Messika explores the fascinating and mysterious allure of ancient Egypt. She presents a collection of solar and powerful high jewelry: Beyond the Light, an incandescent shower of gold and diamonds, a promise of eternal radiance. The Parisian Maison dreams of a unique and mystical journey. A magical odyssey where passion, audacity and excellence make up a fascinating and majestic collection of art without equal.

The artistic director perfectly combines her inspirations and her know-how. Through a purity of graphic shapes and lines, an imperial look and exceptional stones, Valérie Messika conducts a subtly tinged retro-futurist symphony of Egypt and its hypnotic mythology. Unique and innovative sets in which diamonds are transformed piece by piece result in a vibrant and mystical jewelery collection.

AKH-BA-KA

THE ODYSSEY OF AN EXCEPTIONAL DIAMOND

The Maison of Messika is writing a new chapter in its history with an extraordinary 33-carat diamond, an extraordinary stone that illuminates the centerpiece of the 2022 High Jewelery collection . Valérie Messika dares to take on an unexpected challenge by creating Akh-Ba-Ka, a set with a design inherently inspired by ancient Egyptian mythology and style, conceived in diamonds and white gold. The Heroic Diamonds featured in the game are 15 rare gems cut from the same 110-carat rough diamond.

In ancient Egyptian mythology, KA symbolizes vital energy and BA represents transformation, from flight to the afterlife. From the union of these forces springs AKH, the transfiguration of a person towards the light. Therefore Akh-Ba-Ka is transcendence, a fascinating epic of a diamond in the rough, as well as a story of transmission, family and unique know-how.

Explore the exceptional stones that are the essence of this creation  by clicking here

THE RENAISSANCE OF AN EXTRAORDINARY ROUGH STONE

The 110-carat diamond is a bold venture that began at the Lucara mine in Botswana.

The mapping of the modular composition is followed by the moment of metamorphosis of this 110-carat rough gem into 15 cut diamonds. A meticulous effort, the precision of the work is inspired by the very nature of the rough diamond, which dictates what shapes it should take. The devotion and experience of the diamond dealer have joined with the bold instinct of the designer to bring this 110-carat rough diamond back to life in an incredible and unique high jewelery set that marks a milestone in the history of Messika Maison.

A UNIQUE MASTERY FOR AN EXCEPTIONAL NECKLACE

A true masterpiece within the ensemble, the necklace features 2,550 diamonds, totaling 71.49 carats. Its contemporary yet progressive design reinterprets the mythical Egyptian winged scarab through an ingenious combination of diamonds and faceted white gold. At the center of this extraordinary necklace, the 33-carat diamond is inserted through a subtle set of pendants. The strength of this gem comes from its extraordinary properties: classified D for its color and FI for its clarity. Therefore, this special stone is of a very rare purity. Its incomparable radiance makes it almost incandescent.

To bring out the best in a 33-carat diamond requires vision and know-how backed by exceptional craftsmanship. The creation of Akh-Ba-Ka required over 1,000 man hours, four to five full-time jewelers over 6 months using 800 diamond paves to set the 33-carat diamond. For this adventure in design, the House has multiplied the challenges by designing a transformable piece. The structure that cradles the 33-carat stone can be detached from the necklace to become a brooch. Another challenge more brilliantly taken up by master jewelers.

 

The new High Jewelry collection, Dior Print

The Dior Print high jewelry collection was presented at an exceptional event on June 4 at the Grand Hotel Timeo in Taormina, Sicily. Its 137 pieces -by Victoire de Castellane- sublimely celebrate the art of haute couture through a poetic gala.

Giving a third dimension to the power of prints and patterns, these precious creations were revealed alongside haute couture silhouettes imagined by Maria Grazia Chiuri through a dreamlike double staging. During the cocktail, lively paintings inspired by antiquity highlighted the long white dresses that reinvent the peplum technique.

The dinner was followed by a magical parade in which trompe l’oeil velvet and embroideries that evoke lace and guipure animated daring models. The enchanting show was a true blend of Parisian chic with Italian dolce vita.

Having long wished to “draw prints on jewelry,” Victoire de Castellane brings the idea to life. Liberty prints, checks, stripes, and tie-dye are among the ultra-precious motifs in the Dior Print high jewelry collection, comprising 137 joyful, virtuoso pieces that seem to swirl like a haute couture gown. After exploring lace in Dior Dior Dior in 2018, textile dye effects in Tie & Dior in 2020, and braids in Galons Dior in January 2022, Victoire de Castellane opens a new chapter in the history of Dior high jewelry, whose collections always build on preceding storylines.

While Couture remains an endless source of inspiration for the House, it is with matchless audacity that the new Dior Print borrows its designs. The whimsical concept – transposing the motif of a two-dimensional fabric onto three-dimensional jewelry – gave rise to 35 “printed” parures adorned with checks and stripes, tie-dye color gradations, geometric motifs and Liberty prints that mesmerize while their extreme fluidity caresses the skin like a silky breeze.

Each print motif is conceived like fabric in miniature, with the couturier’s hand apparent in seemingly crisp-cut earrings, ribbon-like undulations forming chokers and plastrons, and floral embellishments transposed into rings and necklaces. Not to mention cushion-like volumes that are mastered to perfection on flamboyant drop earrings, pendants and sensual, voluminous cufflinks. The color associations in which Dior excels play an essential role in highlighting each piece’s motifs. The Dior Print collection stands out for the realism of its prints, which are literally transcended by the beauty of the stones used and the exceptional savoir-faire of the Parisian ateliers in which they are made.

In order for the motifs to translate to jewelry’s reduced scale, the jewelers adjusted both the types of setting and the density of gem placement. “When ribbons undulate, the print must follow,” Victoire de Castellane stipulated. To ensure that the checks and stripes perfectly match the movement and contours of each jewel, special attention was given to relief and perspective. “As with couture, it’s a process that requires a series of adjustments. The work is all the more precise due to the settings’ curved surfaces, which distort prints and lines,» notes the Creative Director of Dior Joaillerie. Showing extraordinary mastery, the 137 pieces in the Dior Print collection beckon French high jewelry down paths that are as dazzling as they are unexpected: for the masterpiece parure, Victoire de Castellane brings together floral prints and stripes. The necklace — an interlacing of multicolored ribbons in three colors of gold — is a technical feat. To create its articulated links, master jewelers borrowed a specialized savoir-faire from watchmaking, while the mashup of printed motifs brimming with multicolored gems is nothing less than spectacular. In the same spirit, Dior mixes flowers and stripes with bold gems on jewels emblematic for the originality of their style, such as a necklace in noble metal worked like fabric, a ravishing 11.92-carat Colombian emerald nestled in its folds.

DIOR PRINT In the family of check motifs, Dior reinterprets navy in sapphires and diamonds. From this classically masculine print, Victoire de Castellane coaxes out the essence of truly feminine chic, for example on a ribbon necklace adorned with an extraordinary 12.07-carat Madagascar sapphire, a double ring set with a nearly six-carat Ceylon sapphire, or drop earrings whose edges appear sliced clean, as if snipped with scissors. Elsewhere, stripes mingle with flowers whose petals are striated with pink, violet and blue sapphires, white diamonds, and mauve amethysts on rings, necklaces, earrings and an eye-catching secret watch. The color and quality of center stones appear enhanced, such as a 8.02-carat lilac sapphire from Madagascar on the pistil of the Dior Print Emerald necklace. Floral motifs, meanwhile, are magnified by a ruby, spinel and yellow diamond Liberty print embellishing white gold braiding as well as pendants and rings with cushion-cut gems. Among the jewels in this ensemble, Victoire de Castellane designed two ribbon necklaces that enlace the neck: one illuminates its wearer with a marvelous 10.05-carat cushion-cut D Flawless white diamond.

The other features a dazzling 3.04-carat Fancy Vivid yellow diamond. In a less figurative register, Dior Print celebrates abstract motifs that bring a new energy to classic high jewelry parures. In a “crazy tossing of stones,” the Creative Director of Dior Joaillerie turns a tangle of different-sized diamonds into a random, graphic – and highly beautiful – symphony of rings, cuffs and asymmetrical necklaces. Among the most spectacular are a 11.58-carat D Flawless pear diamond, a 14.66 carat Burmese sapphire, and a 10.27 carat ruby from Mozambique. Gems of character for a collection with an outsized personality. And for which the high jewelry workshops of Paris have

On Tuesday September 28th, 2021 actresses Léa Seydoux and Ana de Armas attended the world premiere of No Time To Die wearing jewelry by Chopard

Léa selected to wear a pair of “Nuage”  earrings featuring brilliant-cut diamonds (totalling 3.77cts) Lea also selected an exquisite butterfly ring featuring pear shaped diamonds (totaling 14.5cts) in 18-carat white gold from The Haute Joaillerie collection and Precious Lace collections.

Ana selected to wear a pair of earrings featuring brilliant pear cut diamonds (totaling 26.78cts) a ring featuring a marquise brilliant cut diamond (totaling 9ct) with further brilliant cut diamonds set in 18-carat white gold, another ring featuring emerald cut diamonds (7.45ct) set in FairMined white gold, a pair of round brilliant solitaire earrings and lastly a ring featuring diamonds in 18-carat white gold.

 

 

 

 

 

The new Torsade de Chaumet High Jewellery collection -THE ART OF MOVEMENT

The new Torsade de Chaumet High Jewellery collection –THE ART OF MOVEMENT

Like a series of snapshots, the new Torsade de Chaumet High Jewellery collection achieves the feat of suspending motion in gold and gemstones. Inspired by the Maison’s long heritage and its naturalistic creations, this collection plays with endless possibilities offered by a dynamic twist.

DISCOVER THE COLLECTION

The first jeweller to open on the legendary Place Vendôme in 1812, Chaumet pays tribute to the origins of the Maison with the Torsade de Chaumet collection. Inspired by the movement of the frieze wrapping the Vendôme column, these creations offer a modern and fresh revisiting of the twist – “torsade” in French – in an ode to movement and life.

INTERLACING DIAMONDS

Whether tightly coiled or loose, winding gracefully or flowing freely, these versatile twists achieve the prowess of freezing the vivacity of a movement in gold and diamond.

From the classic brilliant-cut to the rose-cut, or even the ascher-cut reimagined as a nod to Place Vendôme, these virtuoso creations are true sculptures of light enhanced by multiple sizes of diamonds in an interplay of radiance and relief.

Chaumet’s signature jewel, the Torsade de Chaumet tiara encapsulates the grace of interlacing twists dancing freely around a line of diamonds. A creation which appears to defy gravity and celebrates 200 years of mastery of Chaumet’s High Jewellery atelier.

LIGHT AND COLOURS

Ceylon sapphires, Mozambique rubies, Colombian emeralds… Like a painter, Chaumet punctuates torsades of light with precious touches of colour.

Sources of emotion, the stones have been individually selected for their extraordinary aura. Whether they honour the Chaumet blue or a passionate red, these creations convey the Maison’s emblematic art of colour with grandeur.

CHOPARD

Red Carpet Collection

A jewellery ‘Paradise’

It is a uniquely magical moment, the most glamorous event of the year. For the Cannes Festival, which Chopard has been officially partnering since 1998, the Maison’s workshops annually rise to a new pinnacle of creativity by reinventing the miracle of the Red Carpet Collection.

A stunning demonstration of jewellery-making prowess lighting up a lifelong passion for the cinema and paying tribute to the actresses who embody its radiant energy during the legendary ascent of the staircase. With the opening of the Cannes Festival on 6 July 2021, Chopard’s Co-President and Artistic Director, Caroline Scheufele, is unveiling all 74 creations composing this collection, themed around a fabulous haven of fantasy. Paradise expresses all the dreamy richness of which Caroline Scheufele is capable, flinging wide open the doors to the palaces of the imagination.

Theatre of dreams

Each piece of jewellery stems from an emotion, each culminating from an idea in a creation. Then comes the sketch, the mosaic of precious stones, colours like destinations, and a wild desire to share. For the opening of the Cannes Festival  (6 to 17 July) , Caroline Scheufele is unveiling the traditional Red Carpet Collection.. A creative universe whose texture and density unfold in the dazzling landscape of her imagination. Like a director, this keen film-lover orchestrates each of her collections around a real narrative, a master canvas within which her creations come to life and give substance to her vision.

Paradise, a haven of marvels

The Paradise-themed Red Carpet Collection 2021 takes us into a universe dear to the Maison: that of unspoilt, generous and sublime nature. A dreamlike and fertile place, permanently accessible to everyone, free to imagine its contours and to go there to recharge their batteries as they please. A ‘Paradise’ to be found within oneself, according to one’s imagination and desires. A realm of all possibilities.

When instilling a baroque, fanciful spirit into the Collection, Caroline Scheufele drew inspiration from the lush nature of the mythological or real places populating her fantasy repertoire. A bountiful Garden of Eden, where precious stones are picked like berries, where plants and an

imals offer their songs and spectacular colours; a secret landmark, like the island of Pantelleria, where the telluric depth of the volcanic rocks is reflected in the crystalline transparency of the waters where Caroline Scheufele loves to immerse her gaze; or a supernatural, vision of nature resembling that of the fantasy film Avatar, a metaphorical space in which to find refuge, to escape the hostility of reality and to find a new lease on life.

Among the countless references enlivening Caroline Scheufele’s majestic world, the Artistic Director has brilliantly enlisted a whole range of creative resources. She explained: “The Red Carpet Collection always gives me the opportunity to give free rein to my creativity and this year I was inspired by the idea of Paradise: I wanted our creations to invite women on a journey towards a comforting haven, an imaginary world brimming with dreams and optimism.” She continued: “There are various ways of envisaging one’s personal Paradise and I have tried to give life to these multiple worlds within the Red Carpet Collection through creations honouring fauna, flora and the finest gemstones, as well as by designing jewellery that is part of the fantasy of movies.”

“The Red Carpet Collection is a jewellery masterpiece made possible by the skill of all the artisans who pool their talents in our Haute Joaillerie ateliers. Each of these creations is a work of art in itself.

Chopard, sculptor of wonders

Among the Chopard Haute Joaillerie collections, Red Carpet is the one that embodies the ultimate dazzlement, nourished by Caroline Scheufele’s curious and lively view of the world. This collection also highlights the extraordinary work of the Artisans who exercise their skills in Chopard’s Haute Joaillerie’s Geneva workshops, the largest in Switzerland. From design to volume, from goldsmithing to gemsetting craftsmanship, these Artisans combine their talents in giving life to this collection of 74 creations corresponding to the number of years since the Cannes Festival first began.

Each year, the challenge of creating a collection of this magnitude in the same workshop is taken up by the Artisans, who apply their own genius and expertise to each creation. In this respect, the Red Carpet Collection symbolises the quintessence of classic jewellery-making expertise and carefully preserved tradition, nurtured by a fresh eye and a genuine avant-garde spirit. It is in this commitment of heart and mind, expressed through the nobility of hand craftsmanship, that the emotion of this new collection unfolds, impelled by the fertile spirit of fabulous odysseys.

PIAGET - SHIVA SAFAI Valentines Day Gifts

VALENTINE’S DAY WITH SHIVA SAFAI

A traditional symbol of BEAUTY, LOVE, and ROMANCE, the rose shows your Extraordinary Love like no other flower.

The eternal Piaget Rose Collection will show your Valentine that Extraordinary Love can last FOREVER.

CHOPARD – ساعة المجوهرات “Magari” عمل فني من مجموعة Red Carpet

من بين كنوز مجموعة Red Carpet الرمزية من شوبارد ، تشهد ساعة المجوهرات الأوتوماتيكية “Magari” بوضوح على حب الدار لأجمل ماسات الألماس المأخوذة من فضل الأرض الطبيعي.

تحتفل الروح الإبداعية لدار شوبارد ومبادر رحلتها إلى الرفاهية المستدامة ، الرئيس المشارك والمدير الفني كارولين شوفوليه بعجائب الطبيعة من خلال مجموعة Red Carpet الجديدة. من بين 73 من إبداعات Haute Joaillerie المكونة من هذا النعش الثمين – وهو رقم تكريم لمهرجان كان السينمائي 73 الذي كان من المفترض أن يعقد في عام 2020 – تشيد ساعة المجوهرات “Magari” بالأحجار الكريمة الاستثنائية. بفضل خبرتهم الفريدة ، قام الحرفيون في الدار التي تتخذ من جنيف مقراً لها بتزيين مينا هذه الساعة الأوتوماتيكية باحتياطي الطاقة لمدة 40 ساعة بتويج دقيق من الماس على شكل كمثرى يبلغ مجموعها أكثر من 32 قيراطًا. تم ضبط الساعة على التوالي عند الساعة 12 و 6 ، باللون الوردي الفاخر والماس الأزرق الفاخر على شكل كمثرى يزن قيراط كل منهما ، مما يعزز هذه الساعة بهالة من النقاء والنبل. لقد تم اختيارهم خصيصًا بسبب تألقهم وألوانهم الفريدة ، والتي تم إبرازها بشكل مذهل من خلال ارتباطها بالماس الأبيض الذي ترتديه بقية ساعات المجوهرات هذه.

المينا مزينة بترصيع الأحجار الدقيقة الدقيقة ، في حين أن السوار مرصوف بالكامل بالماس ، على شكل نهر مع انعكاساته البراقة التي تمتد على طول المعصم. تكريمًا لجمال الطبيعة والحوار مع الضوء ، صُنعت ساعة المجوهرات “Magari” بأكملها من الذهب الأبيض عيار 18 قيراطًا مما يعكس التزام شوبارد بالرفاهية المستدامة.

في ورش عمل شوبارد بجنيف ، جمع أكثر من 30 حرفيًا موهوبًا مواهبهم في دفع حدود الجدوى – من الخطوط إلى الأحجام ، من صياغة الذهب إلى الأحجار الكريمة – لإعطاء الحياة للمجوهرات التي تتكون منها مجموعة Red Carpet المرموقة.

The Graff name is synonymous with the world’s finest yellow diamonds. With insight from three industry experts, Maria Dulton uncovers their extraordinary journey from rare rough stones to polished beauty.

The name Graff is synonymous with the best yellow diamonds in the world.

If any stone can capture joy, the yellow diamond wins hands down. On the drabbest of days, the golden light from a perfect yellow radiates wellbeing like the warmth of a hazy summer afternoon. Could a yellow diamond be a contradiction of world order, a shard of sunlight captured forever in a virtually indestructible mineral born in the mysterious depths of our planet?

Science tells us otherwise, and it is nitrogen, the rather less romantic element, that billions of years ago differentiated a colourless diamond from its daffodil-bright sibling.

The yellow is the only coloured diamond whose grading begins on the lower end of the GIA D-Z grading scale and continues into the ‘Fancy’ hues, giving yellows the widest and most fascinating range of variants.

The most prized are the four Fancy grades, from Fancy Light to top-of-the-range Fancy Vivid, with its perfect equilibrium of colour and saturation.

Until the discovery of diamonds in South Africa in the second half of the 19th century, few yellow diamonds had been found. Those from existing sources in India and Brazil were considered natural wonders worthy of curiosity cabinets and royal collections.

But today, yellow diamonds are one of the most sought-after gems, and that is in no small part thanks to four decades of work by Laurence Graff, who was one of the first to shine the spotlight on Fancy yellow diamonds at a time when only white would do.

Laurence Graff recalls the moment in New York, in the 1970s, when a diamond cutter showed him a 31 carat yellow diamond. He was taken aback by how the radiant cut maximised its colour. Following his heart, he bought the stone, and from that moment on it could be said he had contracted an enduring case of yellow fever.

It wasn’t long before he acquired and recut his first headline-grabbing yellow, the 47.39 carat Star of Bombay, followed since by almost two dozen more outstanding yellow diamonds that are among the finest of their kind in the world.

“Today, yellow diamonds are one of the most sought-after gems, and that is in no small part thanks to four decades of work by Laurence Graff.”

Ever the innovator, ground-breaking techniques were developed by Graff to find new cuts that would best enhance the colour of a diamond. Today, discerning connoisseurs know that if they are looking for an exquisite yellow diamond, they will find it in Graff’s peerless collection.

At 118.08 carats, the Delaire Sunrise remains one of the most famous stones cut by Graff and the largest Fancy Vivid Yellow square emerald cut diamond in the world.

Beyond the perfect Fancy Vivid there is a growing interest in more unusual hues, from Brownish Yellow to Fancy Deep Orange Yellow. But, whichever you choose, the sun will never set on a yellow diamond’s ability to spread its brilliant and joyful glow.

ALAN HART

— The Scientist —

Gemmologist and CEO of GEM-A

As the former Head of the Earth Sciences Collection at the Natural History Museum in London, and now CEO of the Gemmological Association of Great Britain, I see diamonds from a scientist’s perspective. But yellow diamonds hold a very special appeal.

At the British Museum there are drawers and drawers of white diamonds, but it is coloured diamonds that attract your attention. You just don’t see them that often, as only one in every 10,000 diamonds discovered displays colour.

While colourless diamonds are almost uniform, I am fascinated by the cause of the colour in diamonds, as each one has a unique history – whether it is the amount of boron present in blues, the structure of nitrogen in yellow diamonds, or the strain on the molecular lattice that gives pinks their rosy tones.

Each nuance of colour has its own story that began in the earth billions of years ago. From its primordial state to observing the light effects and final colour achieved by a master cutter, the journey of a polished coloured diamond is perhaps one of the longest and most wondrous of any object on earth.

The vast majority of diamonds, including yellows, were formed deep within the earth some three billion years ago, at depths usually greater than 140km. Here, in a part of the mantle that is relatively rigid, carbon is transformed under great temperature and pressure into a diamond.

However, with a yellow diamond, the key difference is the inclusion of the element nitrogen within its structure. This causes the diamond to absorb light in the blue region of the visible spectrum, resulting in the yellow colour that we see.

“A yellow diamond is a window into the workings of our planet.”

The Fancy Vivid grading for a yellow diamond is light to medium in tone. It should not be too dark and have a very high saturation or strength of colour.

In this category, the deep yellow colour is shown to its best effect, making it the most desirable colour grade. Although, beauty is in the eye of the beholder, and other grades and colours can be every bit as pleasing.

Beyond its attractiveness, a yellow diamond is a window into the workings of our planet. While a jeweller seeks out perfection, as a scientist I am interested in the imperfections.

Each trapped particle can tell us what minerals are forming deep within the planet that help to understand our earth, and even if there might be diamonds on other planets.

And, remember, as we live on a dynamic planet, beneath our very feet diamonds are still being formed that may see the light of day millions of years from now.

PHILIPPE FURCAGE

— The Diamond Cutter —

Master Cutter at Safdico

Polishing a yellow diamond is all about keeping the colour within the stone and bringing it from the bottom to the top of the diamond. The colour should reflect back from the uppermost facet and not shine through, which is the opposite of what a polisher aims for in a colourless diamond. It is a skill that only a master cutter with at least 10 years’ experience can attempt. You may have noticed that coloured diamonds often display a cut that is modified compared to their colourless counterparts, as again this helps hold the colour in the diamond. This is why most yellow diamonds are modified oval, cushion or pear cuts with the lower facets and corners angled, or modified to increase the intensity of the colour. For the same reason, you don’t often see a round brilliant cut yellow diamond with a deep culet, which would water down the colour.

At the wheel, all we have is our eyes and some basic tools, and we really have to look for the colour. Each stone is different and a research project in its own right.

It takes about six weeks to polish a one carat yellow diamond within the overall three-month process. But a big diamond can take a year or more to polish.

We progress very slowly and gently, as yellow diamonds are more stressed than colourless diamonds due to their crystallisation process, which means they react differently at the wheel.

It is also important to take into consideration the provenance of a coloured rough diamond as geological differences affect the hue and intensity in different ways, and how the diamond reacts to the polishing process.

An experienced cutter can look at a rough diamond and evaluate what the final colour will be. This is down to experience, as often we are looking at diamonds at auction and are not able to make a window into the stone. But, even so, we can fairly accurately estimate the intensity and purity of colour.

Once a yellow diamond is in our possession, we aim to take the colour up a level, from say Fancy Intense to Fancy Vivid, but it is always a gamble and not an exact science. Within each colour grade there are many subtleties of shades and intensity, so it is about finding the most beautiful cut for each stone.

This is the old art of the polisher that only experience can teach.

ANNE-EVA GEFFROY

— The Designer —

Design Director at Graff

The range of yellow diamonds with which I work is exceptional in terms of colour, quality, cut and quantity. Few jewellers have the luxury of such a wide range of yellows at their fingertips, from the traditional colour gradings — Light to Vivid — but also exceptional examples of other colours such as Deep Orange Yellow and Brownish Yellow.

Because we have many valuable diamonds and also some of the rarest in the world, the design of a yellow diamond jewel is often based around the stone. I don’t dream up an idea and then look for the diamonds – I start with the stones. And in our atelier, diamonds, the epitome of femininity, are always referred to as ‘she’.

It is vital to know the stones intimately so I hold them in my hands every day. Our London studio faces north, which offers the perfect light for looking at diamonds. I spend a lot of time studying each one, even before my initial gouache drawings take shape.

With yellow diamonds in particular, I love making bracelets or watches that feature more than one stone. You don’t see this very often as other designers simply don’t have the yellow diamonds to choose from to create these magnificent combinations.

When you see a bracelet or earrings made from dozens of yellow diamonds, the colours are so vibrant that they look almost unreal. And there is a skill to combining them so that the Vivid diamonds, the brightest of them all, don’t steal the show.

“A ring is the purest way to present a yellow diamond, through gestures you share its beauty from all sides.”

Unlike other jewellers, even after the gold frame of the jewel has been crafted downstairs in the workshop, it comes back to my team and we play with the angles and height of each stone to maximise the harmony and beauty until it is just right.

We have to be prepared to start from scratch if something is not perfect, as our aim is to create a balance in the architecture of each jewel, which has to be as natural as breathing.

We set yellow diamonds in yellow gold claws and baskets for the simple reason that it is less visible when looking into the stone, even if the rest of the jewel is in white gold.

Yellow diamonds combine best with white diamonds, particularly in necklaces or bracelets, as they make the colours more intense.

An exceptional yellow diamond, in my opinion, should be set into a ring. Whereas in a necklace you create a pattern that you fill with stones, a ring is the purest and most simple way to present a stone.

And don’t forget that on your hand you share your stone through your gestures, and with each movement you see the beauty of a yellow diamond from all sides.

Chaumet Secrets

Maison Chaumet le ofrece un nuevo viaje fuera del tiempo con #ChaumetatHome.

Esperando darle la bienvenida en breve.

Chaumet Secrets

Chaumet Secrets

Estén atentos y a salvo.

Adorno de tiara, aigrette u corpiño, este par de alas evoca la independencia y la fuerza del carácter de su prestigioso propietario, el multimillonario Gertrude Vanderbilt Whitney. Creada en 1910, adornada con esmalte translúcido y engastada con 1.274 diamantes, esta joya transformable reinterpreta las alas de las valquirias, inspiradas en las óperas de Wagner.

Ya en 1906, Maison Chaumet estaba ofreciendo un estilo de tiara decididamente moderno con un motivo de sol radiante. En 1914, la princesa Yusupova eligió este estilo de moda para su nuera y sobrina del zar, la legendaria y bella Gran Duquesa Irina de Rusia. Oculto durante la Revolución de 1917, la tiara del resplandor solar se perdió para siempre.

Para su boda con el Príncipe Sixto de Borbón-Parma celebrada en 1919, Hedwige de La Rochefoucauld-Doudeauville recibió esta tiara fucsia. Ahora parte de la colección patrimonial de la Maison, la tiara fucsia sigue siendo una de las creaciones más emblemáticas de Chaumet.

Chaumet Secrets

OUR MAISON

La historia de Chaumet ha estado entrelazada con la Historia de Francia desde su fundación en 1780, en París. De hecho, la Maison se convirtió rápidamente en el joyero oficial de la emperatriz Josephine. El savoir-faire de la Alta Joyería de la Maison se ha transmitido a través de generaciones de joyeros durante casi 240 años. Elaboradas en el corazón del lugar Vendôme, las creaciones de joyería y relojería reflejan estas habilidades excepcionales y rinden homenaje al estilo parisino.