Van Cleef & Arpels opens its first boutique in Barcelona

La Maison ha abierto su nueva boutique en España en una de las calles comerciales más famosas de Barcelona:

Van Cleef & Arpels opens its first boutique in Barcelona
Van Cleef & Arpels opens its first boutique in Barcelona

Paseo de Gracia. Adornada con los famosos mosaicos de Antoni Gaudí, la amplia avenida une la Plaza de Cataluña con el barrio de Gracia. Ubicada en 77 Paseo de Gracia, la boutique Van Cleef & Arpels está idealmente ubicada en un edificio que refleja el modernismo tradicional catalán. Detrás de este ventanal se esconde un gran espacio de 286 m² que se abre a la calle comercial a través de un gran ventanal flanqueado por dos puertas decoradas con elaborados trabajos de forja.

Emulando la historia de Barcelona, la fachada de la tienda está adornada con un extenso mosaico diseñado por Mathilde Jonquière. Inspirándose en la obra de Gaudí que se puede admirar en el Parque Güell y la Casa Batlló, el artista creó tres frescos hechos con teselas de pasta de vidrio, que forman un camafeo colorido en tonos de blanco, crema, oro y platino. Rodeando las vitrinas con estos preciosos motivos, estos mosaicos representan una serie de nubes dispuestas en un patrón que casa la transparencia con la opalescencia, acabados mate con reflejos brillantes. Las teselas, colocadas y pegadas a mano mediante la técnica del trencadís, juegan con las luces de la ciudad, como si fueran auténticas nubes atravesadas por los rayos del sol.

En la entrada, Corteccia, una lámpara de araña hecha a medida por Veronese y compuesta por nueve tubos de cristal de Murano, guía a los visitantes a la biblioteca y a la serie de salas. El segundo piso de la boutique cubre un gran espacio, invitando al visitante a descubrir las creaciones de Van Cleef & Arpels, expuestas en vitrinas o majestuosamente dispuestas bajo lámparas de araña de cristal. Oculto a la vista, un espacio privado amueblado con lujosos sillones y una estantería de madera oscura está discretamente separado por una partición decorativa adornada con diseños geométricos calados inspirados en el motivo del triforio que aparece en un Minaudière de 1937.

Las colecciones emblemáticas de Van Cleef & Arpels, como Perlée, Alhambra y Frivole, y creaciones relojeras que celebran su savoir-faire se exhiben en esta vitrina Art Déco, que ofrece un momento de serenidad atemporal.

Van Cleef & Arpels abre su primera boutique en Barcelona Horario: De lunes a sábado: de 11:30 a 19:30
Domingo: 12:00 a 20:00 Ubicación: Paseo de Gracia, 77,08008 Barcelona, Cataluña 08008, España+34 93 036 96 96

HIGH

JEWELER’S

BEYOND THE LIGHT

AN INITIATIVE JOURNEY TO THE HEART OF ANCIENT EGYPT

This year, Valérie Messika explores the fascinating and mysterious allure of ancient Egypt. She presents a collection of solar and powerful high jewelry: Beyond the Light, an incandescent shower of gold and diamonds, a promise of eternal radiance. The Parisian Maison dreams of a unique and mystical journey. A magical odyssey where passion, audacity and excellence make up a fascinating and majestic collection of art without equal.

The artistic director perfectly combines her inspirations and her know-how. Through a purity of graphic shapes and lines, an imperial look and exceptional stones, Valérie Messika conducts a subtly tinged retro-futurist symphony of Egypt and its hypnotic mythology. Unique and innovative sets in which diamonds are transformed piece by piece result in a vibrant and mystical jewelery collection.

AKH-BA-KA

THE ODYSSEY OF AN EXCEPTIONAL DIAMOND

The Maison of Messika is writing a new chapter in its history with an extraordinary 33-carat diamond, an extraordinary stone that illuminates the centerpiece of the 2022 High Jewelery collection . Valérie Messika dares to take on an unexpected challenge by creating Akh-Ba-Ka, a set with a design inherently inspired by ancient Egyptian mythology and style, conceived in diamonds and white gold. The Heroic Diamonds featured in the game are 15 rare gems cut from the same 110-carat rough diamond.

In ancient Egyptian mythology, KA symbolizes vital energy and BA represents transformation, from flight to the afterlife. From the union of these forces springs AKH, the transfiguration of a person towards the light. Therefore Akh-Ba-Ka is transcendence, a fascinating epic of a diamond in the rough, as well as a story of transmission, family and unique know-how.

Explore the exceptional stones that are the essence of this creation  by clicking here

THE RENAISSANCE OF AN EXTRAORDINARY ROUGH STONE

The 110-carat diamond is a bold venture that began at the Lucara mine in Botswana.

The mapping of the modular composition is followed by the moment of metamorphosis of this 110-carat rough gem into 15 cut diamonds. A meticulous effort, the precision of the work is inspired by the very nature of the rough diamond, which dictates what shapes it should take. The devotion and experience of the diamond dealer have joined with the bold instinct of the designer to bring this 110-carat rough diamond back to life in an incredible and unique high jewelery set that marks a milestone in the history of Messika Maison.

A UNIQUE MASTERY FOR AN EXCEPTIONAL NECKLACE

A true masterpiece within the ensemble, the necklace features 2,550 diamonds, totaling 71.49 carats. Its contemporary yet progressive design reinterprets the mythical Egyptian winged scarab through an ingenious combination of diamonds and faceted white gold. At the center of this extraordinary necklace, the 33-carat diamond is inserted through a subtle set of pendants. The strength of this gem comes from its extraordinary properties: classified D for its color and FI for its clarity. Therefore, this special stone is of a very rare purity. Its incomparable radiance makes it almost incandescent.

To bring out the best in a 33-carat diamond requires vision and know-how backed by exceptional craftsmanship. The creation of Akh-Ba-Ka required over 1,000 man hours, four to five full-time jewelers over 6 months using 800 diamond paves to set the 33-carat diamond. For this adventure in design, the House has multiplied the challenges by designing a transformable piece. The structure that cradles the 33-carat stone can be detached from the necklace to become a brooch. Another challenge more brilliantly taken up by master jewelers.

 

. Anya Taylor-Joy, Cynthia Erivo, Florence Pugh and Yusra Mardini step out on the red carpet at the 76th British Academy Film Awards wearing Tiffany designs

Alfombra roja en la 76.ª edición de los Premios de Cine de la Academia Británica con diseños de Tiffany .

Londres llamando. Anya Taylor-Joy , Cynthia Erivo , Florence Pugh y Yusra Mardin pisan la alfombra roja de la 76ª edición de los Premios de Cine de la Academia Británica con diseños de Tiffany . #BAFTA #TiffanyAndCo

. Anya Taylor-Joy, Cynthia Erivo, Florence Pugh and Yusra Mardini step out on the red carpet at the 76th British Academy Film Awards wearing Tiffany designs

. Anya Taylor-Joy, Cynthia Erivo, Florence Pugh and Yusra Mardini step out on the red carpet at the 76th British Academy Film Awards wearing Tiffany designs

 

 

Julia Roberts and Chopard’s yellow diamond at the Cannes Film Festival

Campaign Happy Diamonds captures the actress’ radiance in a campaign created by filmmaker Xavier Dolan.

Julia Roberts sparkled in a beautiful necklace in Fairmined-certified ethical 18-carat white and yellow gold adorned with a rare central yellow diamond weighting over 100 carats and set with pear-shaped and cushion-shaped diamonds totalling 54.67 carats from the Red Carpet Collection.

Julia-Roberts-in-Chopard-©Giulia-Parmigiani

Julia-Roberts-in-Chopard-©Giulia-Parmigiani

Julia Roberts brilla con joyas de Chopard

 Julia Roberts brilló en la alfombra roja del Festival de Cine de Cannes luciendo un magnífico collar realizado en oro blanco y amarillo ético de 18k y un diamante Amarillo excepcional de más de 100 quilates y engastado con diamantes talla pera y talla cojín por un total de 54.67 quilates, de la Colección Red Carpet.

Julia-Roberts,-with-Caroline-Scheufele,-in-Chopard-on-20-May-2022

Julia-Roberts,-with-Caroline-Scheufele,-in-Chopard

The new High Jewelry collection, Dior Print

The Dior Print high jewelry collection was presented at an exceptional event on June 4 at the Grand Hotel Timeo in Taormina, Sicily. Its 137 pieces -by Victoire de Castellane- sublimely celebrate the art of haute couture through a poetic gala.

Giving a third dimension to the power of prints and patterns, these precious creations were revealed alongside haute couture silhouettes imagined by Maria Grazia Chiuri through a dreamlike double staging. During the cocktail, lively paintings inspired by antiquity highlighted the long white dresses that reinvent the peplum technique.

The dinner was followed by a magical parade in which trompe l’oeil velvet and embroideries that evoke lace and guipure animated daring models. The enchanting show was a true blend of Parisian chic with Italian dolce vita.

Having long wished to “draw prints on jewelry,” Victoire de Castellane brings the idea to life. Liberty prints, checks, stripes, and tie-dye are among the ultra-precious motifs in the Dior Print high jewelry collection, comprising 137 joyful, virtuoso pieces that seem to swirl like a haute couture gown. After exploring lace in Dior Dior Dior in 2018, textile dye effects in Tie & Dior in 2020, and braids in Galons Dior in January 2022, Victoire de Castellane opens a new chapter in the history of Dior high jewelry, whose collections always build on preceding storylines.

While Couture remains an endless source of inspiration for the House, it is with matchless audacity that the new Dior Print borrows its designs. The whimsical concept – transposing the motif of a two-dimensional fabric onto three-dimensional jewelry – gave rise to 35 “printed” parures adorned with checks and stripes, tie-dye color gradations, geometric motifs and Liberty prints that mesmerize while their extreme fluidity caresses the skin like a silky breeze.

Each print motif is conceived like fabric in miniature, with the couturier’s hand apparent in seemingly crisp-cut earrings, ribbon-like undulations forming chokers and plastrons, and floral embellishments transposed into rings and necklaces. Not to mention cushion-like volumes that are mastered to perfection on flamboyant drop earrings, pendants and sensual, voluminous cufflinks. The color associations in which Dior excels play an essential role in highlighting each piece’s motifs. The Dior Print collection stands out for the realism of its prints, which are literally transcended by the beauty of the stones used and the exceptional savoir-faire of the Parisian ateliers in which they are made.

In order for the motifs to translate to jewelry’s reduced scale, the jewelers adjusted both the types of setting and the density of gem placement. “When ribbons undulate, the print must follow,” Victoire de Castellane stipulated. To ensure that the checks and stripes perfectly match the movement and contours of each jewel, special attention was given to relief and perspective. “As with couture, it’s a process that requires a series of adjustments. The work is all the more precise due to the settings’ curved surfaces, which distort prints and lines,» notes the Creative Director of Dior Joaillerie. Showing extraordinary mastery, the 137 pieces in the Dior Print collection beckon French high jewelry down paths that are as dazzling as they are unexpected: for the masterpiece parure, Victoire de Castellane brings together floral prints and stripes. The necklace — an interlacing of multicolored ribbons in three colors of gold — is a technical feat. To create its articulated links, master jewelers borrowed a specialized savoir-faire from watchmaking, while the mashup of printed motifs brimming with multicolored gems is nothing less than spectacular. In the same spirit, Dior mixes flowers and stripes with bold gems on jewels emblematic for the originality of their style, such as a necklace in noble metal worked like fabric, a ravishing 11.92-carat Colombian emerald nestled in its folds.

DIOR PRINT In the family of check motifs, Dior reinterprets navy in sapphires and diamonds. From this classically masculine print, Victoire de Castellane coaxes out the essence of truly feminine chic, for example on a ribbon necklace adorned with an extraordinary 12.07-carat Madagascar sapphire, a double ring set with a nearly six-carat Ceylon sapphire, or drop earrings whose edges appear sliced clean, as if snipped with scissors. Elsewhere, stripes mingle with flowers whose petals are striated with pink, violet and blue sapphires, white diamonds, and mauve amethysts on rings, necklaces, earrings and an eye-catching secret watch. The color and quality of center stones appear enhanced, such as a 8.02-carat lilac sapphire from Madagascar on the pistil of the Dior Print Emerald necklace. Floral motifs, meanwhile, are magnified by a ruby, spinel and yellow diamond Liberty print embellishing white gold braiding as well as pendants and rings with cushion-cut gems. Among the jewels in this ensemble, Victoire de Castellane designed two ribbon necklaces that enlace the neck: one illuminates its wearer with a marvelous 10.05-carat cushion-cut D Flawless white diamond.

The other features a dazzling 3.04-carat Fancy Vivid yellow diamond. In a less figurative register, Dior Print celebrates abstract motifs that bring a new energy to classic high jewelry parures. In a “crazy tossing of stones,” the Creative Director of Dior Joaillerie turns a tangle of different-sized diamonds into a random, graphic – and highly beautiful – symphony of rings, cuffs and asymmetrical necklaces. Among the most spectacular are a 11.58-carat D Flawless pear diamond, a 14.66 carat Burmese sapphire, and a 10.27 carat ruby from Mozambique. Gems of character for a collection with an outsized personality. And for which the high jewelry workshops of Paris have

The Chopard Insofu Emerald

Chopard presents a wonder of nature

A gem of exceptional size and purity: a 6,225-carat rough emerald

A landmark stone, an extraordinary discovery lighting up the history of jewellery. The culmination of a quest and a promise of marvels to come. Named Chopard Insofu (‘insofu’ meaning elephant in Bemba, the language of the people living in  the region of origin of the stone), this exceptional and rare stone discovered in the Kagem mine in Zambia is one of the most important ever found in terms of both weight (6,225 carats) and quality. Experts detected the enormous potential of this gift of the Earth, still in its rough state and clearly brimming with possibilities: remarkable jewels will be carved from this emerald of extremely rare purity and quality. A fabulous treasure which – in the hands of the finest stone-cutters – will give rise to a collection of unique and singular gems, the beginnings of a forthcoming Haute Joaillerie collection.

From La Vie en Rose to the Garden of Kalahari, Chopard’s jewellery history has always been punctuated by exceptional stones. This fascination for the magnetism and sovereign beauty of stones has informed the choices and career path of Caroline Scheufele. As Co-President and Artistic Director of Chopard, she has taken the development of Haute Joaillerie to an unprecedented level of excellence – a trajectory that she pursues in symbiosis with her deep-felt convictions regarding responsible and sustainable luxury. The Chopard workshops thus give birth to jewellery creations exuding the incomparable radiance of a resolutely ethical approach. They sparkle with gems of uncommon beauty featuring a clearly traceable history – from their place of origin to the way in which they have been cut and designed in order to light up a more just and responsible world.

The Chopard Insofu Emerald, a stone of infinite possibilities

It is a quest for the most beautiful fruits of the Earth formed by the miraculous conjunction of space and time. Zambia is a land renowned for the incredible fertility of its geological strata. It is estimated that the precious stones to come were already forming their nourishing cocoon 500 million years ago and leading gemstone mining company Gemfields has learned all the secrets of this biotope through respectful exploration. It is here, in the open-pit mine in Kagem, at the heart of a rich and well-preserved biotope, that an emerald of rare size and purity was found in 2010: 6,225 carats – a weight that instantly endowed the Chopard Insofu Emerald with legendary, epoch-making status. The Kagem mine is run by Gemfields, a leader in emerald extraction. Gemfields has implemented in Zambia respectful exploration and responsible mining practices.

Insofu is a name showing respect for this emerald’s land of origin, since it means “elephant” in the Bemba language because of its shape evoking the animal’s trunk. Its impressive size arouses respect and admiration, just like the venerable pachyderm itself.

Like all treasures, Chopard Insofu does not disclose all its secrets at once. That is also of course what makes it so beautiful and holds particularly true in the case of emeralds: in their raw state, no one can really foresee or make any definite pronouncements on their exact nature. Unlike a diamond, which can be analysed with precision to determine how the final stones will look, emerald is a dark stone that will only reveal its full potential during the cutting process. It is also the most fragile gem of all: a wrongly positioned impact can shatter the stone into a multitude of irrecoverable fragments. In a noble gesture from a true gem-lover, Caroline Scheufele has chosen to accept the challenge of this fragile and splendid beauty. This traceability enables Caroline Scheufele to accompany each stage of the gemstone’s development, right the way through to the final piece of jewellery. Starting with the rough gemstone that she has identified and sourced, she will first follow the cutting process as closely as possible, ensuring that she already has an intimate knowledge of the collection of different gems, from which she will subsequently draw inspiration to design the Haute Joaillerie collection. She says: “It is profoundly moving to be confronted with the beauty and mystery of such a treasure, collected from the depths of the Earth, formed millions of years ago, and which has come to us at last to be enhanced by the hand of artisans who will reveal the full extent of its beauty while transcribing the emotions it arouses”. These intensely personal ties that she weaves throughout the successive transformations enable her to develop a uniquely sensitive lapidary’s connection with the precious stones that will compose her collections, and thus to engage in a creative process with incomparable narrative power.  Caroline Scheufele continues “Ever since I was a child, I have been fascinated by precious stones and lucky enough to work with some of the most beautiful in the world. For reasons that escape any form of rationale, some of them blow you away immediately, but the feeling that overcame me with the Insofu Emerald surpassed any emotion I have ever known. From the moment I saw it, I knew that it would be a hugely important stone for Chopard and I am immensely excited to begin this adventure today.”

While precious stones preciously safeguard the mysteries of their inclusions that will only be revealed at the time of cutting, specialists are nonetheless capable of assessing the overall quality of a rough emerald and thus predicting the promises it harbours. Sean Gilbertson, director of Gemfields, detected exceptional potential in this particular stone: “Insofu, like the mighty elephant after which it is named, commands a sense of wonder. The size and quality of the crystal make it a rare find indeed and we are highly excited to see what secrets the gem reveals. We salute DiaColor and Chopard on their prescience in recognising the captivating enchantment of delivering a dedicated capsule collection of jewellery crafted from a single emerald crystal, and one that set an historic milestone for traceability back to the mine-of-origin, the holy grail for consumers wanting supreme comfort in the origin of their coloured gemstones.” Chopard Insofu is also the first emerald of such size and purity to meet traceability requirements.

Traceability, a responsible vision of each production stage

In the fast-paced world we live in, it is sometimes difficult to establish a link between the glamour and beauty of a piece of Haute Joaillerie and its place of origin. Yet gemstones embody the memory of the Earth. They bear witness to an activity far older than any form of human life and precisely because they express a form of permanence, they engage our responsibility towards the world of tomorrow. Knowing where they come from and knowing that the conditions under which they are mined are respectful of the environment from which they originate – as well as of the communities involved throughout the supply chain – is an inseparable part of the pride we take in wearing a precious stone.

Caroline Scheufele has led Chopard to be a pioneer in terms of sustainability within the field of Haute Joaillerie. She rapidly became aware of her responsibility to change practices and evolve the norms implicit in the luxury industry. This involved replacing a form of opacity with transparency and awareness as the question of respectful sourcing and traceability of raw materials does indeed lie at the heart of ethical issues.

After becoming a member of the Responsible Jewellery Council, Chopard launched its Journey to Sustainable Luxury in 2013. A pioneer in the use of Fairmined-certified gold, the Maison presented the Green Carpet Collection, an Haute Joaillerie capsule crafted only from responsibly mined materials. It embodies the assurance that the entire jewellery production chain remains under control, from gold and gemstone mines to red carpet. Over the years, the collection has welcomed numerous gold creations set with responsibly mined diamonds, opals and Paraiba tourmalines. In 2016, Chopard also integrated responsible emeralds into its collection through a partnership with Gemfields. Caroline Scheufele has worked tirelessly to put in place the elements enabling this strategic vision to be well established today at all levels of the Maison, including within its creative teams. As she explains: “By purchasing a raw stone, we are able to follow its entire journey through to final creation. Chopard will cut the raw emerald and collect all the cut gems emerging from it, which our ateliers will use for our jewellery creations. We ensure a complete chain of traceability which is rare for stones of such quality.” This quest for transparency – aimed at ensuring conscious and controlled sourcing from suppliers demonstrating responsible practices at a social, environmental and economic level – embodies the enduring nobility of a Journey driven by heart-felt conviction and elegance.

Chopard and exceptional precious stones, a timeless love story

The premise of all creation is wonderment – that which is inherent in a vision of life to come. When Caroline Scheufele observes precious stones, the brightest sparkle is in her own eyes. Of all gemstones, emeralds remain the ultimate symbol of femininity: the depth and vibratory frequency emitted by the purest colours cast a unique spell. An intuition, undeniable magnetism, a call – before any form of scientific analysis, the bond that is forged at first sight with a precious stone remains purely instinctive. The Chopard Insofu Emerald exudes this particular aura. Its purity is a promise, yet the quality of its inclusions is what makes it extraordinarily alive. The feeling of the jewellery to come, as well as a sense of the precious hours that will be lit up by their flamboyant sparkle, is a real dance that begins in Caroline Scheufele’s mind when gazing at an exceptional stone.

Chopard’s Co-President and Artistic Director has shown a genuine fascination for stones throughout her Haute Joaillerie collections, including La Vie en Rose, and the Garden of Kalahari – a complete jewellery set designed from an exceptionally pure rough 342-carat diamond. They are at the heart of her inspiration and creative process – which she sees, above all, as a way of highlighting the intrinsic beauty of each stone. Colours, shapes and forms of resonance: a precious stone guides the jewellery symphony orchestrated around it. An extraordinary garden where poetry, light and brilliance are the only rules of the game. In its simplest form or transfigured, the stone represents the origin of a jewellery creation and the place where it is invented.

Unanimously recognised and celebrated for the outstanding expertise of its ateliers as well as its boundless creativity, Chopard Haute Joaillerie is more than ever dedicated to sourcing exceptional stones in order to celebrate their enduring beauty. This strategic decision signals its entry into an age of maturity and embeds its commitment to sustainable luxury in a determination to maintain absolute creative consistency. By acquiring an exceptional stone discovered in a responsibly run mine, then supervising each stage of its transformation right up to the final Haute Joaillerie creations that are extracted and sculpted from it, Chopard is rendering the entire jewellery process both transparent and traceable, thereby adopting a stance that is rare indeed the luxury scene. At the heart of its Journey towards Sustainable Luxury, Chopard enshrines an awareness that no jewellery triumph can be celebrated without unfailing respect for the nobility of its original materials, as well as the integrity of their path through each stage of their transformation

On Tuesday September 28th, 2021 actresses Léa Seydoux and Ana de Armas attended the world premiere of No Time To Die wearing jewelry by Chopard

Léa selected to wear a pair of “Nuage”  earrings featuring brilliant-cut diamonds (totalling 3.77cts) Lea also selected an exquisite butterfly ring featuring pear shaped diamonds (totaling 14.5cts) in 18-carat white gold from The Haute Joaillerie collection and Precious Lace collections.

Ana selected to wear a pair of earrings featuring brilliant pear cut diamonds (totaling 26.78cts) a ring featuring a marquise brilliant cut diamond (totaling 9ct) with further brilliant cut diamonds set in 18-carat white gold, another ring featuring emerald cut diamonds (7.45ct) set in FairMined white gold, a pair of round brilliant solitaire earrings and lastly a ring featuring diamonds in 18-carat white gold.

 

 

 

 

 

The new Torsade de Chaumet High Jewellery collection -THE ART OF MOVEMENT

The new Torsade de Chaumet High Jewellery collection –THE ART OF MOVEMENT

Like a series of snapshots, the new Torsade de Chaumet High Jewellery collection achieves the feat of suspending motion in gold and gemstones. Inspired by the Maison’s long heritage and its naturalistic creations, this collection plays with endless possibilities offered by a dynamic twist.

DISCOVER THE COLLECTION

The first jeweller to open on the legendary Place Vendôme in 1812, Chaumet pays tribute to the origins of the Maison with the Torsade de Chaumet collection. Inspired by the movement of the frieze wrapping the Vendôme column, these creations offer a modern and fresh revisiting of the twist – “torsade” in French – in an ode to movement and life.

INTERLACING DIAMONDS

Whether tightly coiled or loose, winding gracefully or flowing freely, these versatile twists achieve the prowess of freezing the vivacity of a movement in gold and diamond.

From the classic brilliant-cut to the rose-cut, or even the ascher-cut reimagined as a nod to Place Vendôme, these virtuoso creations are true sculptures of light enhanced by multiple sizes of diamonds in an interplay of radiance and relief.

Chaumet’s signature jewel, the Torsade de Chaumet tiara encapsulates the grace of interlacing twists dancing freely around a line of diamonds. A creation which appears to defy gravity and celebrates 200 years of mastery of Chaumet’s High Jewellery atelier.

LIGHT AND COLOURS

Ceylon sapphires, Mozambique rubies, Colombian emeralds… Like a painter, Chaumet punctuates torsades of light with precious touches of colour.

Sources of emotion, the stones have been individually selected for their extraordinary aura. Whether they honour the Chaumet blue or a passionate red, these creations convey the Maison’s emblematic art of colour with grandeur.

CHOPARD

Red Carpet Collection

A jewellery ‘Paradise’

It is a uniquely magical moment, the most glamorous event of the year. For the Cannes Festival, which Chopard has been officially partnering since 1998, the Maison’s workshops annually rise to a new pinnacle of creativity by reinventing the miracle of the Red Carpet Collection.

A stunning demonstration of jewellery-making prowess lighting up a lifelong passion for the cinema and paying tribute to the actresses who embody its radiant energy during the legendary ascent of the staircase. With the opening of the Cannes Festival on 6 July 2021, Chopard’s Co-President and Artistic Director, Caroline Scheufele, is unveiling all 74 creations composing this collection, themed around a fabulous haven of fantasy. Paradise expresses all the dreamy richness of which Caroline Scheufele is capable, flinging wide open the doors to the palaces of the imagination.

Theatre of dreams

Each piece of jewellery stems from an emotion, each culminating from an idea in a creation. Then comes the sketch, the mosaic of precious stones, colours like destinations, and a wild desire to share. For the opening of the Cannes Festival  (6 to 17 July) , Caroline Scheufele is unveiling the traditional Red Carpet Collection.. A creative universe whose texture and density unfold in the dazzling landscape of her imagination. Like a director, this keen film-lover orchestrates each of her collections around a real narrative, a master canvas within which her creations come to life and give substance to her vision.

Paradise, a haven of marvels

The Paradise-themed Red Carpet Collection 2021 takes us into a universe dear to the Maison: that of unspoilt, generous and sublime nature. A dreamlike and fertile place, permanently accessible to everyone, free to imagine its contours and to go there to recharge their batteries as they please. A ‘Paradise’ to be found within oneself, according to one’s imagination and desires. A realm of all possibilities.

When instilling a baroque, fanciful spirit into the Collection, Caroline Scheufele drew inspiration from the lush nature of the mythological or real places populating her fantasy repertoire. A bountiful Garden of Eden, where precious stones are picked like berries, where plants and an

imals offer their songs and spectacular colours; a secret landmark, like the island of Pantelleria, where the telluric depth of the volcanic rocks is reflected in the crystalline transparency of the waters where Caroline Scheufele loves to immerse her gaze; or a supernatural, vision of nature resembling that of the fantasy film Avatar, a metaphorical space in which to find refuge, to escape the hostility of reality and to find a new lease on life.

Among the countless references enlivening Caroline Scheufele’s majestic world, the Artistic Director has brilliantly enlisted a whole range of creative resources. She explained: “The Red Carpet Collection always gives me the opportunity to give free rein to my creativity and this year I was inspired by the idea of Paradise: I wanted our creations to invite women on a journey towards a comforting haven, an imaginary world brimming with dreams and optimism.” She continued: “There are various ways of envisaging one’s personal Paradise and I have tried to give life to these multiple worlds within the Red Carpet Collection through creations honouring fauna, flora and the finest gemstones, as well as by designing jewellery that is part of the fantasy of movies.”

“The Red Carpet Collection is a jewellery masterpiece made possible by the skill of all the artisans who pool their talents in our Haute Joaillerie ateliers. Each of these creations is a work of art in itself.

Chopard, sculptor of wonders

Among the Chopard Haute Joaillerie collections, Red Carpet is the one that embodies the ultimate dazzlement, nourished by Caroline Scheufele’s curious and lively view of the world. This collection also highlights the extraordinary work of the Artisans who exercise their skills in Chopard’s Haute Joaillerie’s Geneva workshops, the largest in Switzerland. From design to volume, from goldsmithing to gemsetting craftsmanship, these Artisans combine their talents in giving life to this collection of 74 creations corresponding to the number of years since the Cannes Festival first began.

Each year, the challenge of creating a collection of this magnitude in the same workshop is taken up by the Artisans, who apply their own genius and expertise to each creation. In this respect, the Red Carpet Collection symbolises the quintessence of classic jewellery-making expertise and carefully preserved tradition, nurtured by a fresh eye and a genuine avant-garde spirit. It is in this commitment of heart and mind, expressed through the nobility of hand craftsmanship, that the emotion of this new collection unfolds, impelled by the fertile spirit of fabulous odysseys.

Bvlgari announces the appointment of Chiara Ferragni as a new PR ambassador. A long-time client of the Roman high jewelry house, the global fashion opinion leader and entrepreneur shares with Bvlgari the same joyful, independent, bold and authentic approach which has enchanted millions of followers across the globe.

In her new role, Chiara Ferragni will support the brand in communicating its core values to a cross-generational, international audience.

In the images shot in a Milano studio by photographer Giulio Rustichelli, Chiara Ferragni poses wearing some of Bvlgari’s most iconic jewelry styles, spanning from the signature B.Zero1 collection and the Serpenti and Serpenti Viper range to a stunning Monete high jewelry necklace.

“We are honored to welcome Chiara Ferragni to the Bvlgari family as new Global ambassador,” says Bvlgari chief executive officer Jean-Christophe Babin. “I think that Chiara perfectly embodies the most authentic spirit of our company, which is rooted in highly positive values, including joy, creativity, beauty, magnificence, quality, but also grace and generosity. In her new role, Chiara will be an incredible alley to make our messages resonate across also the young generations. She is also for me as CEO an extraordinary sparring partner on fashion and luxury trends.”

“I’m so proud to be part of the Bvlgari family because there is a strong bond not only with the brand, but also with Jean-Christophe Babin and Lucia Silvestri, states Chiara Ferragni. The Bvlgari legacy is about audacity, boldness and iconic Italian design famous all over the world, all values that we share since ever. This is the reason why we are joining forces to focus on having a social impact with our future activities.”