Twenty~4, the Patek Philippe ladies
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A new face for the Twenty~4, the Patek Philippe ladies

A new face for the Twenty~4, the Patek Philippe ladies’ watch born to accompany every moment of the modern woman’s life

A new face for the Twenty~4, the Patek Philippe ladies

A new face for the Twenty~4, the Patek Philippe ladies

The manufacture is stepping up the allure of its Twenty~4 collection exclusively for women with a fresh interpretation of the original “manchette” or cuff-style quartz model in steel of 1999. It is launching two new versions adorned with white-gold applied Arabic numerals and white-gold applied trapeze-shaped hour markers. Designed as stylish companions to every facet of an active lifestyle, these Twenty~4 references 4910/1200A- 001 with a blue sunburst dial and 4910/1200A-010 with a gray sunburst dial stand out more than ever as paragons of timeless feminine elegance.

A new face for the Twenty~4, the Patek Philippe ladies

A new face for the Twenty~4, the Patek Philippe ladies

Since 1839, timepieces for women have always featured prominently in Patek Philippe’s collections – whether as the pocket watches or pendant watches of the nineteenth century or the wristwatches that first emerged in the early twentieth century. Several milestones in the manufacture’s history also relate to watches destined for women, such as the first true wristwatch made in Switzerland, created for a Hungarian countess in 1868, and the Geneva company’s very first striking wristwatch, a five-minute repeater housed in a small platinum case with an integrated chain bracelet in 1916.

A new face for the Twenty~4, the Patek Philippe ladies

A new face for the Twenty~4, the Patek Philippe ladies

A modern classic

In 1999, Patek Philippe strengthened its privileged links with feminine watch lovers by launching its first collection dedicated exclusively to women. The aim was to meet the demands of the independent active woman who sought a timepiece with an assertive personality able to adapt to her modern lifestyle. A watch of timeless elegance that would complement her fashionable business wear and most elegant evening wear. It would be her ally on every occasion, uniting contemporary design, technical excellence and impeccable craftsmanship.

Twenty~4, the Patek Philippe ladies

Twenty~4, the Patek Philippe ladies

Conceived, as its name suggested, for every hour of the day and night, at work, at home and during leisure activities, the new Twenty~4 stood out by its original art-deco-inspired “manchette” or cuff design, featuring a cambered rectangular case that followed the contours of a woman’s wrist and a metallic bracelet that felt exceptionally smooth and comfortable.

The first three Twenty~4 models of 1999 (references 4910/10A) were also distinguished by their pairing of steel with diamonds, an association unique at the time, with the precious stones set in two rows highlighting the rectangular shape of the two-tier case. The dials, adorned with the two applied Roman numerals XII and VI and diamond hour-markers, offered a choice of threecolors: “Forever Black”, “Eternal Gray” and “Timeless White”. An elegant modern advertising campaign marked the launch of this new women-only timepiece, with the slogan “Who will you be in the next 24 hours?” shining the spotlight on the watch’s versatility. The creation of the Twenty~4 strengthened women’s perception of Patek Philippe as a brand of direct relevance and appeal to them. It reminded them that the manufacture developed and built not only the most technically innovative and complex timepieces but those most aesthetically striking and refined.

Twenty~4, the Patek Philippe ladies

Twenty~4, the Patek Philippe ladies

A great success

Blessed with its strong identity and a design tailor-made to live the lives of modern discerning women, the Twenty~4 quartz “manchette” model was a great success from the start and has established itself in the last two decades as one of the manufacture’s best-sellers. Over the years it has appeared in rose gold and white gold, with other dial colors (brown and blue), in a small format complementing the medium-size models, on satin straps, in dazzling Haute Joaillerie versions (including two endowed with manually wound mechanical movements) and in a yellow-gold model without diamonds on the case. Now seen as epitomizing the classic modern style, the Twenty~4 has represented, for many women, their right of entry into the Patek Philippe universe. It has consolidated the manufacture’s position as a major player in the women’s watch market and paved the way for the expansion of other women’s lines, such as the Calatravas, as well as the complications that are useful in everyday situations (the Annual Calendar, the time-zone watches and the chronographs) and even the grand complications (perpetual calendar, split-seconds chronograph and minute repeater).

The time of the Twenty~4 Automatic

In 2018, Patek Philippe responded to women’s increasing interest in mechanical watches by launching the Twenty~4 Automatic. While its bracelet retains the same exclusive design, with the broad, gently cambered central links framed by delicate two-tier outer links, this Reference 7300, endowed with a caliber 324 S C self-winding movement, stands out from the quartz-driven “manchette” model by its round case, its bezel lit with a double row of diamonds in a “dentelle” (lacework) setting, and the applied Arabic numerals on the dial, these last providing a distinctly contemporary note. This model is available in steel and in rose gold, with a choice of dial colors, and in a jewelry version with gem-set crown, lugs and bracelet. Patek Philippe also produces an Haute Joaillerie model in rose gold, paved throughout with diamonds, showcasing the “random” or “snow” setting. The launch of this new incarnation of timeless feminine elegance was accompanied by an advertising campaign that excited widespread interest. It gave center stage to a “Twenty~4 woman”: independent, sure of her taste and making her own way in the world.

New Twenty~4 references 4910/1200A-001 & 4910/1200A-010

Patek Philippe is continuing the renewal of its Twenty~4 collection by reinterpreting the original model, the medium-size (25.1 x 30 mm) quartz “manchette” watch in steel. It is issuing two new versions in which the Roman numerals give way to the white-gold applied Arabic numerals 12 and 6 and the diamond hour markers are replaced by applied trapeze-shaped hour markers, also in white gold. This new face constitutes the first major change to the Twenty~4 of 1999 – and an aesthetic evolution in step with the design of the Twenty~4 Automatic. The two new references feature a dial decorated with a blue sunburst (4910/1200A-001) or with a gray sunburst enriched by a gradation to black at the periphery (4910/1200A-010). Their white-gold applied numerals and hour markers and white-gold baton-style hands all have a luminous coating ensuring excellent legibility in the dark. The fine grooved rays of the sunburst emanating from the center of the dial play with the light, lending a refined but dynamic touch.

The distinctive shape of the two-tier rectangular case is underlined by two rows of 18 Top Wesselton Pure diamonds (approx. 0.42 ct) set with textbook precision. A Calatrava Cross, emblem of the Patek Philippe manufacture, embellishes the crown. The supple, comfortable bracelet, fitted with a fold-over clasp, is a jewel in its own right. Each component is manually finished and fully polished. The Patek Philippe caliber E15 quartz movement is made with the same devotion to fine workmanship as the manufacture’s mechanical movements. The new references 4910/1200A-001 and 4910/1200A-010 with Arabic numerals replace the previous references 4910/10A-001, 4910/10A-010, 4910/10A-011 and 4910/10A-012 with Roman numerals.

“Rituals of my Life”

The launch of these two new Twenty~4 models is accompanied by a digital communication campaign addressing modern women sure of their taste, with an affinity for beauty and fine design. They are independent women, living life to the full, with a range of interests. Patek Philippe chose as central theme “Rituals of my Life”: the precious personal moments that punctuate the modern woman’s life – such as the finishing touches before an evening out; a pause for a moment’s serenity at sunrise; or the luxury of taking time for herself by reading a book or performing the movements that bring her physical and mental wellbeing. Essential, intimate moments that are part of a woman’s life today and that some choose to feature as scenes to be shared with friends on the social media. The slogan “Begin your own tradition” underlines the link with the famous Patek Philippe “Generations” campaign by inviting the Twenty~4 woman to begin a long-term relationship with a brand that shares her values. The images and videos work together with a film describing the creative philosophy behind the Twenty~4 collection: a model of timeless design that has become a modern classic and the gold standard for the “manchette” watch. All of which is set to strengthen Patek Philippe’s increasing success in the ladies’ watch segment and in the hearts of women for whom style and beauty must pass the test of time.

For more information about the new Twenty~4, please visit:
https://www.patek.com/en/company/news/introducing-the-new-twenty4

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CHOPARD -The timeless watch of the contemporary gentleman – L.U.C XPS

The timeless watch of the contemporary gentleman

L.U.C XPS

A taste for sleek design

A timeless example of the L.U.C collection’s great classics, the L.U.C XPS expresses its sense of purity and simplicity through two new versions with a bracelet composed of fine rectangular ethical gold links and a third option with a nubuck calfskin strap. Equipped with the ultra-thin L.U.C 96.12-L chronometer certified mechanical movement with automatic winding and a 65-hour power reserve – stemming from the watchmaking expertise of the Artisans at Chopard Manufacture – L.U.C XPS timepieces are based on meticulous hand-finishing and a keen sense of detail. The result is a work of horological precision and style.

The timeless watch of the contemporary gentleman

Elegance is the ability to adapt to circumstances with a touch of natural brilliance. To show yourself at your best, whatever the occasion. The L.U.C. XPS timepiece is a must for all men of taste. Made of ethical 18-carat rose gold, it embodies the ultimate elegance of a masculine wardrobe. On a first version, the ruthenium grey dial is matched by an anthracite grey nubuck calfskin strap ensuring pleasing chromatic harmony. Two other versions, with a silver-toned or ruthenium grey dial, feature a metal bracelet with seven rows of fine rectangular links in 18-carat ethical rose gold, reminiscent of gold ingots.

These three new models from L.U.C XPS remain loyal to the style and the chic fit on the wrist of the L.U.C. collection’s line of ultra-thin watches. They measure 40 mm in diameter and 7.2 mm thick, a perfectly ergonomic ratio ensuring optimal proportions, a symbol of assertive elegance. Thanks to their slightly slimmer lugs, the case easily naturally follows the curve of the wrist. In addition, the sapphire crystal protecting the slightly domed dial makes it easy to slip this exceptional timepiece under a shirt sleeve, further accentuating the softness of its design.

The dial is adorned with a satin-brushed sunburst finish. The three-dimensional finely structured and gilded three-dimensional “Dauphine fusée” hands lend a sophisticated touch to the watch, while its discreet hour-markers are shaped like raised facetted arrows. The satin-brushed case middle creates a striking contrast with a rounded and polished bezel, while the “Chronometer” label beneath the logo asserts the rank and vocation of the movement bearing the Chopard Manufacture signature.

Mechanical nobility

L.U.C XPS timepieces are powered by a mechanical movement with automatic winding via a 22-carat gold micro-rotor: the L.U.C 96.12-L calibre whose high inertia optimises efficiency and guarantees an approximately 65-hour power reserve thanks to the Twin technology invented by Chopard. The “S” in the XPS name refers to the small seconds at 6 o’clock. This is required by the Swiss Official Chronometer Testing Institute (COSC), which uses this display to determine the accuracy of movements it certifies. All L.U.C XPS models, like all L.U.C. timepieces with this hand, are inspected and approved by this official body, which awards the much-coveted ‘chronometer’ title. A powerful token of punctuality – the fundamental form of elegance sometimes referred to as the politeness of kings.

Technical details

L.U.C XPS in ethical 18-carat rose gold

Case:

Ethical 18-carat rose gold

Total diameter                                                                     40.00 mm

Thickness                                                                             7.20 mm

Water resistance                                                                30 metres

Stainless steel crown with L.U.C logo                             5.00 mm

Vertical satin-brushed sides and inter-horn space

Polished bezel and case-back

Glare-proofed sapphire crystal

Exhibition caseback

 

Movement:

Mechanical movement with automatic winding             L.U.C 96.12-L

Winding via a 22-carat gold micro-rotor

Number of components                                                     172

Total diameter:                                                                    27.40 mm

Thickness:                                                                           3.30 mm

Number of jewels:                                                               29

Frequency:                                                                          28,800 vph (4 Hz)

Power reserve:                                                                     65 hours

Two barrels, Chopard Twin technology

Balance-spring with terminal curve

Bridges adorned with Côtes de Genève motif

Chronometer certified (COSC)

Dial and hands:

Silver-toned or ruthenium grey dial, satin-brushed sunburst finish centred around the L.U.CHOPARD logo

Finely snailed small seconds

Gilded numeral and appliques

Gilded Dauphine-type hours and minutes hands

Gilded baton-type small seconds hand

 

Functions and displays:

Central display of the hours and minutes

Small seconds display at 6 o’clock

Stop-seconds device

 

Strap and clasp/buckle:

Bracelet in ethical 18-carat rose gold or strap in anthracite nubuck calfskin

Folding clasp in ethical 18-carat rose gold for the gold bracelet

Pin buckle in ethical 18-carat rose gold for the nubuck calfskin strap

Ref. 161948-5003 – in ethical 18-carat rose gold with ruthenium grey dial and anthracite nubuck calfskin strap

Ref. 161948-5004 – in ethical 18-carat rose gold with ruthenium grey dial and gold bracelet

Ref. 161948-5001 – in ethical 18-carat rose gold with silver-toned dial and gold bracelet

 

 

 

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RICHARD MILLE – RM 27-04 TOURBILLON RAFAEL NADAL

RICHARD MILLE – RM 27-04 TOURBILLON RAFAEL NADAL

CELEBRATING A 10-YEAR PARTNERSHIP

Manual winding tourbillon movement with hours and minutes
• Calibre can resist accelerations of over 12,000 g’s, a record for Richard Mille
• Case produced in a brand new material exclusive to the watchmaking brand: TitaCarb®
• Limited edition of 50 watches

Two men, each with a dream. A dream of pushing back the boundaries of time, or those of performance. One of them on clay, keeping his eyes on the ball; the other with his face turned to time itself. Yet both combine technique, harmony and accuracy while resisting the hard knocks, and inevitable shocks of sporting life.

For Rafael Nadal, ‘unstoppable’ is the word that best expresses the spirit of Richard Mille and his teams. Achieving the impossible. This has been the brand’s credo for the past decade in designing the unique pieces worn by the Spaniard on the world’s tennis courts. And the latest product of their partnership, the RM 27-04, is no exception to this golden rule.

The RM 27-04 balances a lightweight design–at 30 grams including the strap–with tremendous resistance. Its tourbillon calibre, which is suspended within the case, can resist accelerations of more than 12,000 g’s, a record for Richard Mille. The movement is entirely supported by a micro-blasted mesh just 855 square millimetres in surface, comprised of a single cable in braided steel measuring 0.27mm in diameter, and held in place by two tensioners in PVD-treated 5N gold. This construction is unprecedented in the world of watchmaking.

Inspired by the same principle as the strings of a tennis racquet, the watchmaker anchors the steel cable to a tensioner positioned at 5 o’clock and then begins to create the mesh, tying each of the main strings before adding the cross strings. Weaving above and below the main strings, the cable passes 38 times through the hollow bezel in grade 5 titanium before finishing in a tensioner positioned at 10 o’clock. The movement is positioned diagonally, connected to the mesh by five grade 5 polished titanium hooks with 5N gold PVD coating that extend from the back of the baseplate.

However, the singularities of the RM 27-04 do not end with its mesh. The case, with its sandblasted and polished surfaces, is also innovative in its use of an exclusive material, TitaCarb®. This highperformance polyamide has been strengthened with a 38.5% carbon fibre content.

This addition of carbon gives TitaCarb® exceptional tensile strength—370 MPa (3,700 kg/cm2)—making it one of the most resistant polymers in the world.

This new model fits in perfectly with the previous watch collections created for the Spanish champion. It is unique in more ways than one, as it also marks the 10th anniversary of the partnership between

Rafael Nadal and Richard Mille. Initially a purely professional rapport, the collaboration between the 12-time French Open winner and the founder of the brand that bears his name has since turned into a solid friendship. A ‘ very special’ relationship, according to the Majorcan, this friendship grows constantly from their mutual trust and admiration for their respective careers.

The RM 27-04 is the new ally on court for ‘ Rafa’, whose shortened version of his name is engraved on the case band. This watch, a limited edition of 50 pieces, will accompany Rafael Nadal in his quest for new trophies.

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L.U.C XP Il Sarto Kiton
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CHOPARD – L.U.C XP Il Sarto Kiton timepiece

With the L.U.C XP Il Sarto Kiton timepiece, Chopard is introducing its first partnership with the Kiton Ateliers, masters of Italian tailoring. This strictly limited edition of 100 ultra-thin watches in beadblasted DLC-coated steel is soberly attired with a houndstooth-patterned dial and a slate-coloured cashmere strap lined with red alligator leather. Mechanical excellence is guaranteed by the L.U.C 96.53-L mechanical movement with automatic winding, equipped with a tungsten micro-rotor and Chopard Twin technology ensuring a power reserve lasting more than two days. The best of Swiss Haute Horlogerie and Italian sprezzatura.

L.U.C XP Il Sarto Kiton

Elegance is a matter of simplicity

Expertise

Known for its elegance imbued with a spirit of purity and simplicity, the ultra-thin L.U.C XP timepiece is nattily attired in a ‘suit’ made to measure by the artisans of the Kiton Ateliers. The encounter between the Swiss watchmaker and the Neapolitan couturier appears to have been written in the stars. Both representing family Maisons committed to the same vision of craftsmanship and tradition, these two great names in masculine elegance have combined their know-how in creating the L.U.C XP Il Sarto Kiton watch. On the one hand, Karl-Friedrich Scheufele – Co-President of Chopard and the man behind the creation of Chopard Manufacture in 1996 – with his vision of traditional Haute Horlogerie firmly focused on the contemporary world and 21st century innovations. On the other hand, the fertile creativity of the disciples of Ciro Paone, the founder of the Kiton ateliers in 1968, who believed that: “Men are an inexhaustible source of inspiration, each of their steps is a call to creation“.

“L.U.C. is a collection of Haute Horlogerie watches that stands out for its distinctive character. Our partnership with Kiton is an entirely logical move, in that over the years our two family Maisons have proven the excellence of their craftsmanship and their fertile creativity”, says Karl-Friedrich Scheufele. The result is a highly exclusive timepiece, produced in a numbered 100-piece limited edition.

Allure

First and foremost, the L.U.C XP Il Sarto Kiton is perfectly proportioned thanks to a 40 mm diameter case that is a mere 7.2 mm thick. This ultra-thin look enables genuine wearer comfort and imposes an aura of simplicity, two imperatives that sum up the philosophy of the L.U.C collection and contribute to its elegance, thereby echoing Ciro Paone’s motto: “Elegance must be associated with simplicity”.

The allure of this timepiece also lies in its chromatic uniformity: a beautiful black silhouette, subtly carved out from the slate grey shades of the beadblasted DLC (Diamond-Like Carbon) steel case, dial and strap.

Achieved by galvanic treatment and lacquered finishes, the Kiton Ateliers’ signature is evident at first glance on the brass dial thanks to the Neapolitan tailor’s houndstooth motif that has been a firm favourite since it purchased at auction the wardrobe of King Edward VIII of England, who was hailed, if not for his ephemeral reign, at least for his elegance as an acknowledged dandy.

Against this dark background, the golden Arabic numerals matching the hour-markers and fusée-type Dauphine hands make the hours and minutes perfectly legible. The quarter-hour indications and the Kiton logo at 6 o’clock add a subtle red touch that is picked up in the topstitching on the strap. Testimony to the same artisanal approach, the latter is handmade, free of any chemical treatment and comes in a soft blend of Mongolian cashmere, wool and flannel with a slight touch of elastane, ensuring enhanced wearer comfort. This opulent wristband is lined with red alligator leather as is a second black alligator leather strap also sold with the model.

Accuracy

Because all the timepieces produced in Chopard Manufacture’s watchmaking workshops are amply matched by mechanical perfection, the L.U.C XP Il Sarto Kiton incorporates an in-house movement, the L.U.C 96.53-L calibre. Ultra-thin at just 3.3 mm thick, this is an evolution of Chopard Manufacture’s first L.U.C 96.01-L movement, synonymous with watchmaking excellence and applied in a multitude of new interpretations since it was first presented in 1996.

Like its illustrious ancestor, and thanks to Chopard Twin technology, the mechanical movement L.U.C 96.53-L with automatic winding is equipped with twin barrels ensuring a 58-hour power reserve. It is powered by a micro-rotor made of tungsten, a high-density alloy facilitating optimal winding. Featuring movement bridges finely decorated with “Côtes de Genève”, the L.U.C XP Il Sarto Kiton watch is equally beautiful inside and out, which is precisely why its precious calibre is visible through a transparent case-back.

L.U.C: a collection for gentlemen

The L.U.C. collection embodies the perfect blend of virility and sensitivity, humility and charisma that define the modern-day gentleman. It epitomises an ideal alliance between aesthetics and mechanics, celebrated by those who make their existence a quest for fine craftsmanship and regard inward and outward beauty as an art of living. It is for them that Chopard – an independent family Maison drawing upon the ancestral expertise of its master-watchmakers – performs all stages of production in its Geneva and Fleurier workshops: from movement design to quality control through product design, case stamping and machining, the manufacture of movement components, as well as their hand decoration, surface treatment, polishing, assembly and adjustment.

NOTES FOR JOURNALISTS

Chopard

Founded in 1860 by Louis-Ulysse Chopard, the Maison Chopard is an independent watchmaking and jewellery company that faithfully cultivates artisanal expertise handed down from generation to generation. Today, the Scheufele family manages Chopard according to the values of craftsmanship, creativity and ethics. Through its partnerships with the Cannes Film Festival and the Mille Miglia classic car rally, Chopard is known worldwide for the elegance of its creations. In 1996, Karl-Friedrich Scheufele (Co-President) created Chopard Manufacture in Fleurier (Switzerland) and revived the successful Haute Horlogerie legacy bequeathed by the founder of the Maison. Since 2018, thanks to its own foundry and ongoing investments in promoting sustainable luxury, Chopard has used 100% ethical gold in the production of all its gold timepieces and jewellery.

Technical details

L.U.C XP Il Sarto Kiton

100-piece limited edition in DLC-coated steel

Case:

Beadblasted DLC-coated steel

Total diameter                                                                       40.00 mm

Thickness                                                                              7.20 mm

Water resistance                                                                   30 metres

Crown in beadblasted DLC-coated steel                             5.00 mm

Beadblasted bezel, case-back, flanks and space between the lugs

Glare-proofed sapphire crystal

Exhibition case-back – tinted glass

Movement:

Mechanical with automatic winding                                       L.U.C 96.53-L

Number of components                                                         172

Total diameter                                                                       27.4 mm

Thickness                                                                              3.30 mm

Number of jewels                                                                  29

Frequency                                                                             28,800 vph (4 Hz)

Power reserve                                                                       58 hours

Two barrels – Chopard Twin technology

Winding via a tungsten alloy micro-rotor

Balance-spring with flat terminal curve

Bridges adorned with Côtes de Genève motif

Dial and hands:

Black and grey dial, houndstooth motif inspired by Kiton fabric

Lacquered finish

Gilt Arabic numerals and hour-markers

Gilt Dauphine-type hours and minutes hands

Functions and displays:

Central display of the hours and minutes

Strap and buckle:

Kiton fabric strap made of grey and black cashmere, red alligator leather with red topstitching

Pin buckle in DLC-coated steel

Ref. 168592-3003 – in beadblasted DLC-coated steel

100-piece limited edition

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Why the Constellation is OMEGA’s Star of Precision

Today, the famous Constellation collection is OMEGA’s defining symbol of precision and watchmaking expertise.  Even its emblem, represented by an observatory under the stars, signals its historic links to a legacy unlike any other.

Why the Constellation is OMEGA’s Star of Precision

Remembering the world’s first family of certified chronometers


Although the very first Constellation model was launched in 1952, you need to go back several decades to begin tracing its origins of accuracy. Perhaps the best place to start is the famous era of observatory trials, between 1919 and 1971, when OMEGA achieved 93 victories and set 72 world records at the observatories at Kew-Teddington, Neuchatel and Geneva.

These observatory trials were once the “Academy Awards” of chronometry. Not only were they rigorous and intense, but they were also the most exacting in the watch industry. During the late 19th and 20th centuries, watch manufacturers and their master watchmakers spent significant amounts of time and resources in preparation for the trials, showcasing the complex science of precision and the ability to make each movement tick in perfect rhythm.

One of the most significant years for OMEGA came in 1933, when the company achieved a world record for precision in every single category at the observatory of Kew-Teddington in England. The company then repeated this achievement in 1936, when it returned to the same observatory.

That may be impressive enough, but in 1945, the Geneva Observatory introduced the “wristwatch-sized” movement category to its annual precision contests, and in the eight years that followed, OMEGA won an incredible six times.

By this time, the Swiss brand had well established its dominance in the world of precision awards. The name “OMEGA” was by now synonymous with the most exacting standards anywhere in the world.

It was therefore no surprise, when in 1948, OMEGA celebrated its 100th anniversary by offering customers its first chronometer-certified wristwatch with an automatic movement. This model, named the “Centenary”, was greeted with such delight by connoisseurs of precision, that OMEGA recognised the need for a fully established collection with the same official status.

Here is where the Constellation arrived. Following the success of the “Centenary”, the now-iconic Constellation collection was unveiled on the market in 1952. This moment was the first time that any brand had created a family of watches that consisted only of certified chronometers. It was a huge signal of intent and undeniably proved the brand’s dedication to accuracy.

And what about that famous observatory symbol on the caseback? The medallion was created with a design reminiscent of the Geneva Observatory, while the eight stars represented those two world records of 1933 and 1936, and the six “wristwatch-sized” contests won between 1945 and 1952.

Still today, we are reminded of the Constellation’s heritage, and OMEGA’s own achievements, with every new model that enters the collection. Even better, the Master Chronometer certification now awarded to each Constellation watch proves that its promise of the industry’s highest standard of precision and performance remains irrefutably true.

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PERRELET – Turbine Yacht

The “Yacht-Diver” collection is an invitation to dive beneath waves on a new marine journey.The timepieces in this collection combine technical performance with a nautical style inspired by the most prestigious ships.

PERRELET – Turbine Yacht

The 47 mm-diameter steel case of the Turbine Yacht, water-resistant to 200 meters, comes in several colors thanks to a black or bronze-toned PVD coating. The dial is enlivened by a titanium turbine featuring 11 blades reminiscent of a submarine propeller, rotating above a resolutely marine-themed décor of parallel lines evoking the teakwood decking of a yacht. The under-dial is further enhanced by a central metal applique. The Turbine Yacht will thus offer the possibility of keeping to the set course and following a given direction thanks to the integrated windrose function.

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GIRARD-PERREGAUX HERITAGE & DUTY – For over 229 years a high-end Swiss watch Manufacture

GIRARD-PERREGAUX

HERITAGE & DUTY

For over 229 years, Girard-Perregaux, a high-end Swiss watch Manufacture, has been seeking horological perfection in both technical and aesthetic terms. The brand’s origins date back to Geneva in 1791, when Jean-François Bautte, whose workshops were acquired by Girard-Perregaux in 1906, created his first watches. The brand name was established in 1856 in the watchmaking town of La Chaux-de-Fonds, thanks to the marriage of Constant Girard and Marie Perregaux.Throughout its history, Girard-Perregaux has consistently perpetuated this expertise, placing its watches firmly in the vanguard of horological innovation, as confirmed by the 100 patents currently held by the Maison.

JEAN- FRANÇOIS BAUTTE

Girard-Perregaux’s oldest roots lie in the work of Jean-François Bautte, the Geneva watchmaker-jeweller who presented his first creations in 1791 and whose succession was acquired in 1906 by Girard-Perregaux, born in 1856 from the union of Constant Girard and Marie Perregaux.

Bautte was born on March 26th 1772 in Geneva. At just 12 years old, having been orphaned at an early age, he began serving a series of apprenticeships as a jeweller, goldsmith and case assembler. Endowed with lively and passionately dedicated mind-set, he also gained a knowledge of watchmaking and engine-turning (guillochage). His undeniable qualities as an artisan were backed by remarkable commercial abilities. From 1795 onwards, Jean-François Bautte began travelling to sell his creations. He developed his fabrique (the French name for watch production facilities), which was the most comprehensive that had ever existed, employing 180 workers there, assisted by 120 home-based artisans.

In addition to his boutique in Geneva, Bautte also owned a branch in Paris, as well as another in Florence. Correspondence from the Russian and Danish courts testify to his close ties with European elites.  His renown was such that no eminent foreign visitors to Geneva missed out on the opportunity to visit his Maison, following the example of Balzac, Dumas and the future Queen Victoria.

LA CHAUX-DE-FONDS

’ Watchmaking metropolis’ is the nickname acquired by the town of La Chaux-de-Fonds. The city has been living in step with the rhythms of watchmaking since the late 17th century. From the early 19th century onwards, after the great fire that devastated the town in 1794, a brilliant urban planning scheme was implemented. The streets were to be wide and straight, running from east to west and thus following the path of the sun. The height of the houses was strictly regulated. In an age when artificial light was ineffective, watchmakers thus enjoyed the best possible lighting, that of the sun. This distinctive feature that is unique in the world has earned La Chaux-de-Fonds a place on the UNESCO list of World Heritage sites.

It was thus a natural move for Girard-Perregaux to establish its Manufacture there. But rather than housing its workshops in a brand-new, soulless construction, Girard-Perregaux installed them in a beautifully restored early 20th century building.

The origins

LA CHAUX-DE-FONDS

’ Watchmaking metropolis’ is the nickname acquired by the town of La Chaux-de-Fonds. The city has been living in step with the rhythms of watchmaking since the late 17th century. From the early 19th century onwards, after the great fire that devastated the town in 1794, a brilliant urban planning scheme was implemented. The streets were to be wide and straight, running from east to west and thus following the path of the sun. The height of the houses was strictly regulated. In an age when artificial light was ineffective, watchmakers thus enjoyed the best possible lighting, that of the sun. This distinctive feature that is unique in the world has earned La Chaux-de-Fonds a place on the UNESCO list of World Heritage sites.

It was thus a natural move for Girard-Perregaux to establish its Manufacture there. But rather than housing its workshops in a brand-new, soulless construction, Girard-Perregaux installed them in a beautifully restored early 20th century building.

The Manufacture

PILAR OF THE SWISS WATCHMAKING

By developing and manufacturing its components entirely in-house, Girard-Perregaux can legitimately lay claim to the status of a ‘Manufacture’. The brand seeks perfection expressed not only through the immediately visible external appearance of its timepieces, but also through their hidden faces: their movements.

Constant Girard-Perregaux considered movements as a technical element of his watches, yet enhanced their architecture to the point of making them an unmistakable signature feature. His immediately identifiable watches earned Girard-Perregaux the highest distinctions, as was the case with the Esmeralda, Tourbillon with Three Gold Bridges presented in 1889 at the Universal Exhibition in Paris and rewarded by a gold medal.

New markets

CONQUERING THE WORLD

During the second half of the 19th century, it became vital for Girard-Perregaux to find new markets. In an age when journeys were long and often perilous, watchmakers were prepared to set off for remote destinations.

In 1859, Constant Girard-Perregaux’s brother-in-law François Perregaux headed for Singapore where he spent over a year, before settling in Japan. He noted that the time measurement system was completely different to that prevailing in the West, which meant that watches were of no use there. He thus decided to have Girard-Perregaux produce authentic objects of curiosity greatly appreciated by rich Japanese clients. This marked the start of the brand’s longstanding presence in the country.

In 1865, Girard-Perregaux opened a dealership in Buenos Aires, headed by another of Constant Girard-Perregaux’s brothers-in-law, Henri Perregaux. It was to welcome some of the Manufacture’s finest creations: tourbillons, minute repeaters and other refined Grande Complication models with weighty, richly decorated cases that delighted wealthy South American clients.

The Chronometry

THE QUEST FOR PRECISION

The birth of chronometry dates back to the mid-19th century. Constant Girard-Perregaux took an early interest in the tourbillon, which served to achieve superior regularity of rate. He focused his research on the actual structure of the movement and the shape of its components. From the mid-1850s onwards, he began working on creating a timepiece equipped with a tourbillon regulator fitted on a calibre with three parallel bridges. Presented at the Universal Exhibition in Paris in 1867, this watch won him a first medal.
In 1957, the watchmakers of the Manufacture introduced the Gyromatic, an ultra-thin high-performance automatic winding system enabling the production of remarkably thin watches. This principle reached its peak in 1965 in equipping the world’s first ever high-frequency mechanical self-winding movement, the Gyromatic HF, beating at a rate of 36,000 vibrations per hour.

At the end of the 1960s, Swiss watchmakers, who considered watches above all as precision instruments, decided to take a further step in this direction by resorting to quartz. In 1971, Girard-Perregaux presented the first quartz watch ever produced in Switzerland, whose 32,768 Hertz frequency has become the benchmark among manufacturers worldwide.

From the idea to the object

RESEARCH & DEVELOPMENT

Progressing from the first idea of a watch to the finalised object takes time. Throughout a process involving studies and analyses, as well as scale models and prototypes, the initial concept is repeatedly verified and adjusted. Once the machining, decoration and assembly operations have been determined for each of the components, production of the new mechanism can begin.

Presented as a first prototype in 2008 and manufactured as of 2013, the Constant Escapement L.M. represented a technological revolution in the watch industry. It enabled Girard-Perregaux to solve a problem that had been occupying the profession for over five centuries: that of constant force. And yet the idea is in fact brilliantly simple: a silicon blade placed at the heart of the escapement stores up the decreasing energy from the barrels and transmits it in a smooth and regular manner.

Behind the case

ABOVE AND BEYOND VISIBLE ASPECTS

Because a watch must be as beautiful inside as it is on the outside, and because the tiny imperfections of machining are detrimental to the smooth running of a mechanical movement, today – just as in 1791– all components pass through the hands of experienced bevellers.

In producing its movements, Girard-Perregaux works with the most innovative technologies, particularly in the development and machining phases of the various components. The decoration, assembly and adjustment stages are entirely performed by hand, using traditional methods. Long months at the bench are required to accomplish these feats, even though they often remain concealed behind the steel or gold exterior of the case.

 

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A new feminine look for Audemars Piguets royal oak concept flying tourbillon
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A new feminine look for Audemars Piguet’s royal oak concept flying tourbillon

Le Brassus, July 2020—Swiss Haute Horlogerie manufacturer Audemars Piguet is delighted to present a new take on its women’s Royal Oak Concept Flying Tourbillon, which pursues the collection’s interweaving of refined feminine aesthetics and complicated micro-mechanics.

A new feminine look for Audemars Piguets royal oak concept flying tourbillon

Royal Oak Concept Frosted Gold Flying Tourbillon

A new feminine look for Audemars Piguets royal oak concept flying tourbillon

A new feminine look for Audemars Piguets royal oak concept flying tourbillon

Available in 18-carat pink or white gold, the new Royal Oak Concept Flying Tourbillon combines the case’s shimmering Frosted Gold finish with a contemporary dial composed of multiple layers. For the first time, the Royal Oak Concept’s case is adorned with Frosted Gold—an ancient Florentine jewellery technique revisited by jewellery designer Carolina Bucci and adapted to adorn the Manufacture’s watches. Tiny indentations are created on the gold surface with a diamond-tipped tool, giving a sparkle effect similar to that of precious stones, like diamond dust. Superposed to the bezel’s polished bevels, this finishing highlights the watch’s design codes, while capturing attention from a distance.


The shimmering case nicely frames the multi-layered dial composed of four juxtaposed circles of increasing size and graded hues of blue emanating from the flying tourbillon cage at 6 o’clock. The graded nuances and sunburst motif further accentuate the dial’s depth and refinement. The flying tourbillon cage also presents a modern design with openworked gold-toned circles topped with an elegant touch of brilliant-cut diamonds. No hour-markers have been included on the dial to enhance the purity of this contemporary design.


Combining tradition and modernity, these watches are powered by hand-wound Manufacture calibre 2964. The flying tourbillon—a high-end complication compensating for the effect of gravity on a watch—is today considered as of one the greatest expressions of watchmaking art. Only a few expert watchmakers retain the necessary skills for its realisation. The movement’s circular motif, visible through the sapphire caseback recalls the dial’s pattern. The alternation of sandblasting and satin-brushing also echoes the finishes of the Frosted Gold case and sunburst dial.


The two highly contemporary models are adorned with a blue “large square-scale” alligator strap for an elegant contrast. An additional blue textured rubber strap with constellation motif, recalling the Frosted Gold case, is also available. Both straps are complemented with a folding clasp adorned with Frosted Gold for a refined look to the slightest detail.

A new feminine look for Audemars Piguets royal oak concept flying tourbillon

“Born in Le Brassus, raised around the world.”

TECHNICAL SPECIFICATIONS
Royal Oak Concept Frosted Gold Flying Tourbillon // 38.5 mm
26630OR.GG.D326CR.01
FUNCTIONS
Flying tourbillon, hours and minutes.
CASE
Hammered 18-carat pink gold case, glareproofed sapphire crystal and caseback, crown set with a translucent sapphire cabochon, water-resistant to 20m.
DIAL
Multi-layered, graded blue dial with sunburst pattern, pink gold Royal Oak hands with luminescent coating.
STRAP
Hand-stitched “large square-scale” blue alligator strap with hammered 18-carat pink gold AP folding clasp. Additional shiny blue textured rubber strap.
MOVEMENT SPECIFICATIONS
Hand-wound Manufacture Calibre 2964
Total diameter 29.5 mm (12 ¾ lignes)
Total thickness 6.63 mm
Number of parts 207
Number of jewels 17
Minimum power reserve guaranteed 72 h
Frequency of balance wheel 3 Hz (21,600 vibrations/hour)
4
Royal Oak Concept Frosted Gold Flying Tourbillon // 38.5 mm
26630BC.GG.D326CR.01
FUNCTIONS
Flying tourbillon, hours and minutes.
CASE
Hammered 18-carat white gold case, glareproofed sapphire crystal and caseback, crown set with a translucent sapphire cabochon, water-resistant to 20m.
DIAL
Multi-layered, graded blue dial with sunburst pattern, white gold Royal Oak hands with luminescent coating.
STRAP
Hand-stitched “large square-scale” blue alligator strap with hammered 18-carat pink gold AP folding clasp. Additional shiny blue textured rubber strap.
MOVEMENT SPECIFICATIONS
Hand-wound Manufacture Calibre 2964
Total diameter 29.5 mm (12 ¾ lignes)
Total thickness 6.63 mm
Number of parts 207
Number of jewels 17
Minimum power reserve guaranteed 72 h
Frequency of balance wheel 3 Hz (21,600 vibrations/hour)

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Ulysse Nardin – Hourstriker Phantom a Limited Edition with Devialet

Devialet, the French company that’s revolutionizing high definition audio with its luxury oval speakers, and the legendary watchmakers Ulysse Nardin are working together to create a limited edition of 85 striking watches: an enhanced audible experience worn on the wrist.

Ulysse Nardin – Hourstriker Phantom a Limited Edition with Devialet

 Doing things in half-measures is not a part of Ulysse Nardin or Devialet’s DNA. Since the inception of both brands, each has been driven by their desire to showcase their work to the world. For one, high-flying timepieces, for the other, new revolutionary sound systems, both thanks to their patented technologies. By combining the strengths of their two Research and Development departments, the two brands have come together to create a unique sound experience in the form of one exceptional watch: the Hourstriker Phantom. The acoustic performance and sound quality make it an unparalleled striking watch in the watchmaking industry.

“Our main goal was to create a high-performance striking watch” explains Patrick Pruniaux, CEO of Ulysse Nardin.  “Moreover, it was fate: Emmanuel Nardin, one of Devialet’s founders who co-developed the Hourstriker Phantom model is in fact a descendant of the Ulysse Nardin family. You simply couldn’t make it up. “

THE ULTIMATE SOUND FOR THE DISCERNING CONNOISSEUR

Devialet offers some of the most advanced “made in France” sound systems in the world, for those music fans in search of the perfect listening experience, thanks to Devialet’s more than 160 patented technologies. Their flagship product, The Phantom, a new generation of high-definition connected speakers, is capable of creating sound up to 108 dB SPL (the Gold Phantom model being the most powerful in the collection). It is the size of a motorcycle helmet and generates unrivaled quality of sound for an intense and revolutionary emotional experience. Phantom now puts its name to Ulysse Nardin’s new striking mechanism.

HEAR THE TIME

If Devialet speakers have won over music fans, the Hourstriker Phantom will appeal to those passionate about striking watches. This watch that rings on the hour and half-hour on command, not only allows you to tell the time, but also to hear it.

Before there was electric lighting, striking watches were originally conceived with the aim to ring on the hour in the dark and are the embodiment of a genuine dream. Since the 1980s, under the impetus of Rolf Schnyder, Ulysse Nardin is one of the first watchmakers to bring these timekeepers back to life.

Hand in hand, Devialet engineers, experts in distortion phenomena, collaborated with Ulysse Nardin’s watchmakers specialized in sound to redefine each step in the audio signal chain sent from Ulysse Nardin’s striking mechanisms to deliver the best performance ever recorded on a striking watch, 85 dB to 100mm.

With a classic striking mechanism, a hammer hits a timbre generating sound frequencies, when emitted, tells the time on command. However, in the Hourstriker Phantom, the heel of the timbre is fixed by a system of torsion arms that change the direction of the action forces induced by the timbre’s vibrations. In a classic system, the forces produced are essentially in the watch’s movement, which generates a small amount of air that is then displaced by the various components of the watch. With the Hourstriker Phantom, the action forces created by the timbre thus find their way outside of the watch itself. These

forces are vigorously transferred using a transmission arm to a thin membrane, which is found on the bottom side of the watch. As the membrane has a large surface area, a large amount of air is displaced,

which results in a high sound level. One could compare this to a loudspeaker and its cone and membrane.

The bottom side of the watch is perforated with eight openings under its membrane that allows the sound to travel and contains the UN-610 automatic manufacture movement. The result is stunning and all the sonic potential of this timepiece appears to be released, amplified, and enhanced. Its fully polished 43 mm titanium case also amplifies the sound and extends its resonance to 85 decibels, an unrivaled level of sound in the world of watchmaking.

“This new Hourstriker Phantom is the very essence of Devialet expertise expressed through a timepiece: a refined object with an optimized compactness/performance ratio and unbridled power. If Devialet products are looking to give the listener the impression that the artist is right in front of them, then this new Ulysse Nardin striking watch gives the sensation of a real musical instrument”, concludes Patrick Pruniaux.

The watch’s face is adorned with a satin-brushed anthracite dial inspired by Chladni’s figures, formed by the materialization of vibratory waves, a nod to the Devialet Phantom’s protective net placed over the tweeter. Hidden under this sculpted lace-like net, tinted glass obscures the watch’s movement for an ultra-contemporary look. A small, but original feature, the “rose gold” colored hands point towards the Arabic numeral indexes, all tilted outwards, in single file and in a clockwise direction, just like a navy compass. At three o’clock, a small “rose gold” chip disappears and reappears depending on whether you want to activate or deactivate the striking mechanism (ON/OFF button). At CHF 72,500, the Hourstriker Phantom has become the most affordable striking watch on the market. The piece is enhanced by a black alligator strap and will be sold as a limited edition of 85 pieces, evoking the 85 decibels that it majestically reaches.

About Ulysse Nardin – Manufacture of Freedom

Ulysse Nardin is the Pioneering Manufacture inspired by the sea and delivering innovative timepieces to free spirits.

Founded by Mr. Ulysse Nardin in 1846 and a proud member of the global luxury group Kering since November 2014, Ulysse Nardin has written some of the finest chapters in the history of Haute Horlogerie. The company’s earliest renown came from its links to the nautical world: its marine chronometers are among the most reliable ever made, still sought by collectors around the world. A pioneer of cutting-edge technologies and the innovative use of materials like silicon, the brand is one of the few with the in-house expertise to produce its own high-precision components and movements. This exceptional level of watchmaking excellence has earned Ulysse Nardin membership in the most exclusive circle of Swiss watchmaking, the Fondation de la Haute Horlogerie. Today, from its sites in Le Locle and La Chaux-de-Fonds in Switzerland, the brand’s continuing quest for horological perfection centers around five collections: The Marine, the Diver, the Classico, the Executive and the Freak. In 2019, Ulysse Nardin introduces the X-factor in watchmaking. www.ulysse-nardin.com

 

TECHNICAL SPECIFICATIONS

References                            6103-132

Movement                              UN-610 movement

Power reserve                         42 hours

Case                                      Polished titanium

Diameter                                43 mm

Water resistance                    30 m

Strap                                     Black alligator strap fastened with a folding clasp

Price                                      CHF 72,500

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H. Moser & Cie Pioneer Centre Seconds Swiss Mad Red

Neuhausen am Rheinfall, July, 2020 – True to its name, the Pioneer Centre Seconds Swiss Mad Red is a pioneering timepiece with a spirit of adventure. Comfortable and designed for everyday wear, its design is imbued with references to the industrial world. Equipped with an attractive yet durable steel case, this intrepid beauty is designed to tackle any situation, thriving as well off the beaten track as it does in daily life. For this bold-looking model, H. Moser & Cie. chose a brand-new dial, set to turn heads with its warm and vibrant tones: the Swiss Mad Red fumé.

H. Moser & Cie Pioneer Centre Seconds Swiss Mad Red

A BOLD MODEL FOR CONNOISSEURS

With its strong character, the Pioneer Centre Seconds Swiss Mad Red is designed to appeal to the connoisseur. Its dial is literally mesmerising. As rare in nature as it is in Haute Horlogerie, red is synonymous with life, power and passion. In certain cultures, it is a symbol of joy and good fortune. It adds an exquisite touch to this resolutely stylish model, with its bold non-conformity.

Protected by a domed sapphire crystal, the dial of the Swiss Mad Red fumé is equipped with faceted indices, topped with Superluminova®-filled dots, as are the hour and minute hands, which are partially skeletonised.

At the heart of the Pioneer Centre Seconds Swiss Mad Red model beats the HMC 200 movement. Designed, developed and produced in-house, this calibre is equipped with a regulating organ manufactured by H. Moser & Cie.’s sister company, Precision Engineering AG.

Decorated with the famous Moser double stripes on the bridges and the main plate, and housing a large engraved oscillating weight, the calibre HMC 200 is 100% Swiss, 100% Moser. Boasting a minimum power reserve of three days, the Pioneer Centre Seconds Swiss Mad Red is an experienced travel and lifelong companion, ready to face any challenge, even those under water as it is water-resistant to 12 ATM.

H. Moser & Cie.’s own and unique take on Haute Horlogerie.

www.h-moser.com

TECHNICAL SPECIFICATIONS – PIONEER CENTRE SECONDS SWISS MAD RED

Reference 3200-1207, steel model, Swiss Mad Red fumé dial, black rubber strap

Case

Solid steel

Diameter: 42.8 mm

Height without sapphire crystal: 10.6 mm

Domed sapphire crystal

See-through case back

Screw-in crown adorned with an “M”

Water-resistant to 12 ATM

Dial

Swiss Mad Red fumé with sunburst pattern

Applique indexes, with hour markers in Superluminova®

Leaf-shaped hands, partially skeletonised

Superluminova® luminescent elements on hands

Movement

HMC 200 self-winding calibre

Diameter: 32.0 mm or 14 1/4 lignes

Height: 5.5 mm

Frequency: 21,600 Vib/h

27 jewels

Automatic bi-directional pawl winding system

Engraved oscillating weight

Power reserve: minimum of 3 days

Hacking seconds

Original Straumann® Hairspring with flat overcoil

Finish with Moser stripes

Functions

Hours and minutes

Central seconds

Strap

Black rubber strap

Steel pin buckle, engraved with the H. Moser & Cie. logo

REFERENCE & PHOTOS

Pioneer Centre Seconds Swiss Mad Red, reference 3200-1207, steel model, Swiss Mad Red fumé dial, black rubber strap

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