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The #FR2NCK MULLER Vanguard bridges Swiss luxury watchmaking and Japanese street fashion

Just in time to herald the impending Year of the Rabbit, Franck Muller and Tokyo-based streetwear label #FR2 have jointly unveiled the #FR2NCK MULLER Vanguard. This marks the first collaboration between the two brands, and sees Franck Muller adopting the distinctive design language of #FR2 on its trademark Vanguard watch. The result is an edgy, fashion-forward timepiece with a dial anchored by #FR2’s iconoclastic rabbit motif, sitting a mid the signature numerals and tonneau case of Franck Muller.

The #FR2NCK MULLER Vanguard bridges Swiss luxury watchmaking and Japanese street fashion by melding the elements from each universe, complete with its creators’ signature touches. This is immediately apparent on the dial, where Franck Muller’s timeless yet avant-garde aesthetic has taken on street style sensibilities. A matte white dial base starts things off by establishing a high key aesthetic, upon which black hands, markings, and appliqué indices lie.

The high contrast, monochromatic look comes complete with a delightful quirk at seven o’clock. Here, Franck Muller has situated #FR2’s provocative Fxxking Rabbits motif in lieu of hour markers, with one rabbit’s red eye providing the sole spot of colour on the dial. In the dark, the #FR2NCKMULLER Vanguard also offers an idiosyncratic twist. Super-Luminova has been selectively applied such that the skeletonised obelisk hands, indices and graphical motif leap out from the dial in the absence of light.

The stark, bold design extends to the rest of the watch. This includes Franck Muller’s tonneau-shaped Vanguard case, which has been rendered in a new carbon and glass fibre composite – a first for the brand, and one that will be reserved for Southeast Asia – exclusive models only. To create the light yet strong material, carbon powder and glass fibres are combined, before the resulting mass is impregnated with a bonding resin. The mixture is then baked at 150 degrees Celsius for three hours under 200 tons of pressure, to finally yield a composite that can then be machined into the necessary components. Due to random variations in how the mix are compressed, every watch case will offer a unique pattern of striations. The final touch here is the white nylon strap, which has been emblazoned with black text in a typographic style that will be familiar to street fashion aficionados.

Franck Muller’s work with #FR2 is a rare example of the Swiss watchmaker’s collaboration with external brands, which has been limited to a small, select group of partners. “#FR2’s founder Ryo Ishikawa isn’t just an iconic figure in Tokyo’s streetwear scene,” shares Sharon Lim, CEO of Franck Muller SEA. “As the creative force behind Fxxking Rabbits, he has adopted a muti-disciplinary approach to his label’s creations while maintaining a fiercely independent spirit. These are values that we believe in and identify with at Franck Muller, which makes this Southeast Asia Exclusive a natural collaboration. Of course, the product that we have come up with speaks to that.”

The #FR2NCK MULLER Vanguard is a limited edition of 800 pieces, and is available across Southeast Asia and Australia since 6 January 2023.

About #FR2

#FR2, also known as Fxxking Rabbits, is the brain child of Ryo Ishikawa, an elder statesman in the world of Japanese street fashion who’s perhaps best known for founding fashion imprint Vanquish. Following its establishment in 2014, #FR2 quickly attracted a following with its signature rabbit and “Smoking Kills” motifs, as well as its products’ bold photographic prints. Along the way, Ishikawahas also set the brand apart with provocative campaign images – which he personally lensed – and tongue-in-cheek approach to fashion. From hoodies and candy-dispensing disposable cameras, the brand offers an eclectic range of apparel and objet d’art that’s arguably the most intimately Ishikawa’s yet.

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Roger Dubuis - Excalibur Spider Huracán Monobalancier
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Roger Dubuis – Excalibur Spider Huracán Monobalancier

Roger Dubuis – Excalibur Spider Huracán Monobalancier

Ready, set, go: Roger Dubuis roars across the starting line to reveal the Maison is now the official timing partner of the 2022 Goodwood Festival of Speed. The new collaboration is set to whip up pleasure-seeking visitors with a series of unforgettable thrills and emotions.

The hyper watchmaker already boasts two renowned partnerships within the motorsport’s universe, creating adrenaline-charged masterpieces with racing legend Lamborghini Squadra Corse and premium tyre expert Pirelli. Welcoming another partner to the fold with the Goodwood Festival of Speed is a natural next step. In honour of the new collaboration, Roger Dubuis is proud to unveil the Excalibur Spider Huracán Monobalancier (MB). Born to race, the new timepiece boasts an expressive blend of hyper materials and hyper mechanics.

THRILLING MECHANICS, RAGING PERFORMANCE

The new Excalibur Spider Huracán MB reflects the DNA of Lamborghini Squadra Corse combined with the horological excellence of the Maison. Powered by an automatic RD630 calibre, the 45-mm diameter Excalibur Spider Huracán channels the same exhilarating performance as its motoring namesake. Strong visual cues are inspired from the Huracán GT3 EVO2, including the honeycomb motif made famous by the supercar, with its hexagonal dashboard paralleled in the shape of the calibre. Built like an engine, the calibre’s twin barrels and 12° tilted balance wheel also represent the movement signature associated with Lamborghini Squadra Corse. When viewed from the back, the skeletonised movement reveals the 360° oscillating rim weight. This reproduces the like-for-like speed effect of a Huracán wheel rim, as well as emulating its design. Finally, a crown inspired by the supercar’s racing nuts is paired with an upper calibre strut-bar bridge design reminiscent of those found on the V10 engine itself. When visionary engineers meet incredible watchmakers, iconic timepieces are born.

HYPER-TECH MATERIALS MEET INSPIRING RACING CODES

Both Roger Dubuis and Lamborghini Squadra Corse compulsively seek out hyper-tech materials to fulfil their obsession with shaping the future. Just as Lamborghini Squadra Corse chooses carbon fibre for its racing cars, Roger Dubuis crafts the new Excalibur Spider Huracán MB case, bezel, and crown from pure white Mineral Composite Fibre (MCF). Exclusively developed in-house, this hyper-tech material illustrates the Maison’s technical mastery. The 100% integrated Manufacture found that engineering silica via a Sheet Molding Compound (SMC) process could produce a material 13% lighter than SMC carbon. Not only does this lightness make it extremely comfortable to wear on the wrist, it also enables the creation of intricate designs thanks to a sturdy structure. Always seeking out the most expressive aesthetics, the pure white MCF is further elevated with embellishments in striking green, intense red and electrifying yellow to honour the design of the Huracán GT3 EVO. The same shades are also found on the white rubber strap, which features green calf leather perforated with tiny holes to reveal the red beneath. Intricate stitching in red adds to the audacious look, while a Quick Release System ensures ultimate versatility. As exclusive as the Festival of Speed Driver’s Club, the Excalibur Spider Huracán MB is reserved for a select tribe only and therefore limited to 88 pieces.

Join us to discover the Maison’s latest roaring creation and explore iconic timepieces at the Roger Dubuis booth at Goodwood Festival of Speed from June 23rd to June 26th. Adrenaline-seekers beware: This is going to be an epic weekend.

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Girard-Perregaux – Tourbillon with three flying bridges Aston Martin Edition

Girard-Perregaux – Tourbillon with three flying bridges -Aston Martin Edition

  • New Tourbillon with Three Flying Bridges – Aston Martin Edition celebrates the shared passions of the two luxury brands
  • This is the first timepiece to be offered after Girard-Perregaux was announced as Official Watch Partner of Aston Martin in February
  • World premiere – black calf leather strap featuring Girard-Perregaux’s exclusive Rubber Alloy
  • Just 18 Tourbillon with Three Flying Bridges – Aston Martin Edition will be made

La Chaux-de-Fonds – Switzerland: The first timepiece borne of the recently announced partnership between Girard-Perregaux and Aston Martin has been revealed today. The Tourbillon with Three Flying Bridges – Aston Martin Edition unites the watchmaking expertise of Girard-Perregaux with Aston Martin’s unique knowledge of luxury and performance.

Both brands demonstrate a passion for refined craftsmanship and have been working together, sharing their understanding of design, materials and technology. This latest model celebrates the iconic Three Bridges pocket watch from the 19th century in a decidedly contemporary way, down to the smallest details, including the strap. The latter is a world premiere, presented in black calf leather and featuring Rubber Alloy, an innovative rubber insert injected with white gold. The design of the strap is intended to evoke thoughts of Aston Martin racing cars of the past.

Upholding Girard-Perregaux tradition, this model skilfully plays with proportions and shapes much to the delight of aesthetes.The 44 millimetre case of the Tourbillon with Three Flying Bridges – Aston Martin Edition is formed of Grade 5 titanium, a strong, hypoallergenic alloy selected by Aston Martin for its
lightweight properties. It is suffused with black DLC (Diamond-Like Carbon), bestowing the watch with a stealthy appearance. Interestingly, titanium ore was discovered in Great Britain, the home of Aston Martin, back in 1791 by an English clergyman, William Gregor, in the same year Girard-Perregaux was founded.

A sapphire crystal ‘box’ is positioned front of house, as well as to the rear, coaxing light to illuminate the case interior, thereby augmenting readability. The movement eschews a mainplate, sitting between both panes of sapphire crystal and seemingly floating in mid-air. Three bridges, an iconic signature of Girard-Perregaux, span the dial and are formed of titanium with black PVD (Physical Vapour Deposition) treatment and polished angles. The design endows the timepiece with an airy appearance, affording breathtaking views of movement components ordinarily hidden from view. While Girard-Perregaux has a long history of making the invisible visible, in this instance it has ventured off-piste, creating a watch whose movement appears to levitate within the case. This is achieved by paring back the movement, causing the mainplate to seemingly disappear, thereby creating the illusion of the movement flying within the case. It was this particular characteristic that led to the term ‘Flying Bridges’.


The cage of the tourbillon, positioned in the lower portion of the dial, is ‘lyre-shaped’, a characteristic found on all the company’s tourbillons dating back to the 19th century. A blued hand affixed to the cage imparts the running seconds. The tourbillon cage, measuring a mere 10mm in diameter, is composed of 79 components which collectively weigh only 0.25 grams. This remarkably low figure helps mitigate energy consumption.

The barrel, positioned at 12 o’clock, is openworked, affording partial views of the mainspring. A white gold micro-rotor, positioned beneath the barrel, energises the mainspring and, unlike most automatic watches, it grants unobstructed views of the movement. The car company’s name is engraved on the vertical flank of the micro-rotor and is filled with white luminescent treatment which appears blue in restricted light. Likewise, the indexes and hands are also treated with white luminescent treatment and, once again, emit a blue glow in dim light.

Patrick Pruniaux, CEO of Girard-Perregaux, said, “We are delighted to partner with Aston Martin, entrusting their team with arguably our most iconic timepiece, delivering a fresh perspective on Haute Horlogerie. Rarely do we work with others to reinterpret the Three Bridges, however, on this occasion, we have made an exception, mindful of Aston Martin’s prowess for design.

“When viewing the design of an Aston Martin, you will note the firm’s distinctive front grille, first seen on the DB Mark III of the late 50s. Likewise, the scoops and side strakes found on the company’s modern-day models are functional elements, intended to improve airflow while enriching the overall appearance of each car.”

“At Girard-Perregaux we share a similar philosophy. For example, when the Maison released the now-legendary Tourbillon with Three Gold Bridges in 1867, it transformed three functional elements into attractive aesthetic features and demonstrated an approach that we continue to employ today. Finally, this latest partnership provides a fascinating chapter in Girard-Perregaux’s 230-year history.”Marek Reichman, Aston Martin Executive Vice President and Chief Creative Officer adds: ‘The greatest of the challenges we faced with the design of this new timepiece were those of scale, as you can imagine. We had to consider lines and proportion on a far smaller scale than we are used to in the realm of automotive design. That said, good design is good design, whether it is a watch or a car, the principles remain the same. I’m delighted with the finished watch and congratulate everyone who worked on this project as this collaboration has produced a timepiece of great beauty.

The Tourbillon with Three Flying Bridges – Aston Martin Edition, a limited edition of 18 pieces, is immediately available worldwide in all authorised Girard-Perregaux retailers.

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Hublot and Takashi Murakami
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CLASSIC FUSION TAKASHI MURAKAMI SAPPHIRE RAINBOW

CLASSIC FUSION TAKASHI MURAKAMI SAPPHIRE RAINBOW

Hublot and Takashi Murakami unveil the second timepiece of their collaboration: the Classic Fusion Takashi Murakami Sapphire Rainbow. This new watch takes the smiling flower, the iconic theme of the Japanese artist’s work, and transforms it into a whirlwind of transparency and colour. Hublot loves Art!

After launching the first timepiece at the beginning of the year – an All Black watch, which became an instant collector’s item – Hublot and Takashi Murakami are continuing to transpose the Japanese artist’s Kawaii world into horology, by introducing the Classic Fusion Takashi Murakami Sapphire Rainbow watch. This new piece, still based on the smiling flower, the iconic theme of Murakami’s work, has moved from black to colour with transparent effects.  

The technicians in Hublot’s workshops have created a unique setting with this new work of art, a transparent background through which we can contemplate both the artist’s work and the intricate mechanics of the watchmakers in Nyon. Reusing the characteristic features of the Classic Fusion model, this 45mm-diameter case is cut from sapphire crystal, a technological feat pioneered by Hublot.

The smiling flower presents a mischievous smile on a three-dimensional face that literally emerges from the watch dial, extending out beyond the sapphire crystal. 12 colourful petals rotate around this face, and their polychromatic effect is achieved by setting 487 stones representing the colours of the rainbow: rubies, pink sapphires, amethysts, blue sapphires, tsavorites, yellow and orange sapphires. Thanks to an ingenious ball-bearing system specially developed by Hublot’s engineers, the petals start turning under the watch crystal and bring Takashi Murakami’s smiling flower to life.  

In the beating heart of the watch, the Nyon watchmakers have placed the company’s HUB1214 calibre, here without the stopwatch function. This movement has a power reserve of 72 hours.

Targeting Contemporary Art insiders, the Classic Fusion Takashi Murakami Sapphire Rainbow watch is available in a limited edition of 100 numbered pieces. 

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Excalibur Gully Monotourbillon
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Roger Dubuis’ DNA – EXCALIBUR GULLY MONOTOURBILLON

Roger Dubuis’ DNA – EXCALIBUR GULLY MONOTOURBILLON

Searching for inspiration in the most unexpected places is in Roger Dubuis’ DNA. This includes uniting with world-famous urban culture artists who share its common values to break the rules, showcase radical expertise and obsess daily over the design of the future. Continuing on a journey to create boundary-breaking masterpieces in the world of Hyper Horology, Roger Dubuis is proud to introduce the second of its URBAN ART TRIBE timepieces with the Excalibur Gully Monotourbillon.

Gully, the French graffiti-turned-studio artist, follows the path started by Dr. Woo after being granted access to Roger Dubuis’ most important room: the manufacture itself. Taking on the same creative challenge to reinterpret the astral signature of the iconic Excalibur Monotourbillon, he presents his vision of the star by uniting it with his colourful world of graffiti.

BRINGING TWO WORLDS TOGETHER

Extravagant, determined and disruptive, Gully is as bold and bright in his ideas as Roger Dubuis. Having created a name for himself graffitiing throughout France in the nineties and noughties, he left the streets behind to maintain his anonymity. Now he works in a studio and exhibits his work at respected galleries. Master of appropriations, Gully’s art combines all movements, from hyperrealism to pop art, as well as surrealism and cubism, to create facetious and narrative masterworks that travel the history of art as if seen through a child’s eyes. Talking about his craft, Gully says: “Bringing different worlds together is my trademark. This project has that ethos at its core, making it an obvious collaboration for us both.”

Never one to shy away from a challenge, Roger Dubuis made the decision to recraft and reshape its own work of art – the Excalibur Monotourbillon – earlier this year. Through the exceptional skill and ingenuity of its watchmakers, the perfect conditions were created for the URBAN ART TRIBE collaboration. The use of clean cut lines on both case and movement as well as modern and technical materials not only raises the timepiece to an even higher standard, but also makes it an exciting canvas for creativity. In providing this pure, versatile space, it becomes the playground on which Gully expresses himself.

A MASTERPIECE REMASTERED

Gully unites two worlds into a new singular masterpiece by combining the Maison’s high watchmaking expertise with his fun artistic flair. Consciously appropriating the astral signature and merging it with his graffiti, the star is lifted to new heights by his style. As a nod to his very first street works, Gully’s lettered tag uses the famous single-line technique. Starting from the centre of the timepiece, his hand moves straight towards 11 o’clock, drawing the preliminary draft of a G. The line then heads towards 3 o’clock, but changes direction half-way to partially design a Y. Finally, the line reaches 9, then 12, 6 and 3, before it moves to the centre of the tourbillon and across to 4 o’clock. Returning the line to the centre, it becomes clear that two L’s have been drawn. He finishes the run by drawing a U partially around the tourbillon. Look carefully at the letters born out of this continuous movement as the artist not only reinterprets the Roger Dubuis star but also signs the dial. Look closer still and it becomes apparent that two new stars have been created, levitating in parallel harmony on the top left and bottom right of the dial. From a single line to a singular masterpiece.

Inspired by the spray paint used in urban art, the Maison’s watchmakers filled the letters with luminescent coloured lacquer while the hour markers and the hands are filled withSuper-Luminova™*.The bright modern shades recall the artist’s universe, while creating aesthetic harmony and a one-of-a-kind finish.Imbued with a further technical feat, the Excalibur Gully Monotourbillon glows under UV light as the Maison’s obsession withluminescence shines through.

Gully adds: “To collaborate with expert craftsmen in industries that I am unfamiliar with helps me grow in my understanding of the world – and of art itself. Together we have created something singular, entirely new, and inimitable.”

The watchmakers’ technical talent is further evident in the RD512SQ calibre itself. By reducing the tourbillon weight, the power reserve is radically optimised to 72 hours, providing the option of leaving the watch unworn over weekends. What’s more, to be sealed with a highly demanding signature in fine watchmaking – the Poinçon de Genève – requires the manual decoration of every component, as well as unexpected and antinomic decorations, such as sandblasted top surfaces and polished angles. Underscored by rarity and limited to just eight pieces, the Excalibur Gully Monotourbillon is housed in a 42 mm Dark Grey DLC Titanium case and mounted on a black calf leather strap, interchangeable with a Quick Release System for ultimate comfort and flexibility.

Together with its friends, the Maison shows what happens when rules are rejected and creativity is unleashed. In bringing a visionary artist together with incredible watchmakers, Roger Dubuis proves once again it is unquestionably the most exciting way to experience Hyper Horology.

NO RULES. OUR GAME.

*Roger Dubuis is not owner of the trademark Super Luminova™

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Patek Philippe – 5905/1A FLYBACK CHRONOGRAPH

Patek Philippe 

5905/1A
FLYBACK CHRONOGRAPH. ANNUAL CALENDAR.

A resolutely sporty version in steel with an integrated bracelet and a sunburst green dial Launched as a platinum model in 2015, then in rose gold in 2019,
Reference 5905 combines two practical and easy-to-use complications: a self-winding flyback chronograph and a patented Annual Calendar. The Manufacture is reinterpreting the style of this much sought-after model by unveiling a first version in steel – a rare metal in the Patek Philippe collections – with a three-link integrated bracelet. This bold and casual design renews the way a Patek Philippe complication watch is worn on a daily basis.

The extremely rhythmical dial features a new elegant and contemporary sunburst olive green color. It ensures excellent legibility for the additional functions, with a central chronograph hand, a large 60-minute subdial at 6 o’clock and three day/date/month apertures arranged in an arc for instant reading of the Annual Calendar indications. There is also a discreet day/night indicator at 6 o’clock that is useful for ensuring accurate date setting. Visible through the transparent sapphire caseback, caliber CH 28-520 QA 24H remains faithful to the traditional column wheel for the transmission of chronograph commands. However, instead of a toothed-wheel horizontal clutch, it has a vertical disk-type clutch. This modern technical solution causes almost no wear and tear, and the central chronograph seconds hand can also be used as a permanent (running) seconds display.

The patented Annual Calendar automatically takes account of 30- and 31-day months, requiring only one correction per year, on March 1st.

It is equipped with a patented Patek Philippe fold-over clasp secured by four independent catches. The new Reference 5905/1A-001 is joining existing References 5905P-001 in platinum with a blue dial and 5905R-001 in rose gold with brown dial

5905/1A-001
Available for the first time in steel, the Reference 5905 self-winding flyback chronograph with Annual Calendar radiates a resolutely sporty look. The rhythmic dial features an elegant and casual “sunburst” olive green color. The integrated bracelet is enhanced by contrasting polished and satin finishes. Thanks to the vertical disk-type clutch, the central chronograph seconds hand can be used as a permanent (running) seconds display.

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Watches and Wonders Geneva 2022

Watches and Wonders Geneva | Nearly 40 watchmaking Maisons to exhibit at the physical Salon in 2022

After two entirely digital editions, the key watchmaking industry event is confirmed to take place in Geneva both in a physical format – in the halls of Palexpo – and digitally, via the watchandwonders.com platform. Nearly 40 watch and jewellery brands will gather at this watchmaking summit for the first time over 7 days – from 30 March to 5 April 2022.

The next Watches and Wonders Geneva, which is eagerly awaited after two years of being entirely online, is already shaping up for 2022. More than a trade show, this watchmaking summit will bring together the main industry players, with the arrival of new brands such as Hublot, TAG Heuer and Zenith from the LVMH Group, Grand Seiko, Oris and the jeweller Van Cleef & Arpels who is making its return to the Salon.

 

Reputed brands such as Chanel, Chopard, Patek Philippe, Rolex and Tudor will also be exhibiting for the first time in Geneva. Not to mention other major Maisons, such as Cartier, Hermès, IWC Schaffhausen, Jaeger-LeCoultre, Piaget, Ulysse Nardin and Vacheron Constantin, who have been regulars for many years.

All these players will vibrate to the rhythm of a thrilling watch-industry week and will be showcased in one single setting at Palexpo. The Carré des Horlogers will welcome fifteen independent designer-craftsmen and women at the centre of the exhibition.

A hybrid, flexible concept.

After proving its agility over the last two events, Watches and Wonders Geneva is moving to a hybrid format so that visitors can above all have a face-to-face experience but also participate on line, depending on the changing context of the pandemic.

Everything has been thought through and organised to ensure that the product presentations, new product launches, keynotes, panel discussions and conferences be followed in Geneva by visitors onsite, but also, for those who are unable to travel, remotely, via the www.watchesandwonders.com platform. All the content will be available online, live or in replay.

But nothing can ever replace in-person experience. Industry players have clearly stated their desire to get together around the products. They want their guests to be able to see and touch the exceptional pieces, to discuss, debate and interact on site.

Watches and Wonders Geneva 2022 promises once again to be a great success but also a wonderful reunion. Whether in Geneva or elsewhere in the world, make a date for this leading watchmaking summit, from 30 March to 5 April 2022!

EXHIBITING BRANDS | A. LANGE & SÖHNE | BAUME & MERCIER |

CARTIER | CHANEL | CHOPARD | GRAND SEIKO | HERMÈS | HUBLOT | IWC SCHAFFHAUSEN | JAEGER-LECOULTRE | MONTBLANC | ORIS | PANERAI | PARMIGIANI FLEURIER | PATEK PHILIPPE | PIAGET | ROGER DUBUIS | ROLEX | TAG HEUER | TUDOR | ULYSSE NARDIN | VACHERON CONSTANTIN | VAN CLEEF & ARPELS | ZENITH CARRÉ DES HORLOGERS | ANGELUS | ARMIN STROM | ARNOLD & SON | CYRUS | CZAPEK | FERDINAND BERTHOUD | GRÖNEFELD | MOSER & CIE. | LAURENT FERRIER | LOUIS MOINET | REBELLION TIMEPIECES | RESSENCE | RUDIS SYLVA | SPEAKE-MARIN | TRILOBE

More information at watchesandwonders.com

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THE ROLLS-ROYCE BOAT TAIL TIMEPIECES: AN ARTISTIC COLLABORATION WITH BOVET 1822

THE ROLLS-ROYCE BOAT TAIL TIMEPIECES: AN ARTISTIC COLLABORATION WITH BOVET 1822

Rolls-Royce Boat Tail is a pure expression of its owners’ interests, influences and passions, with every detail minutely considered. We have enjoyed working with BOVET 1822 to create a pair of exquisite timepieces that also serve as Boat Tail’s dashboard clocks. In doing so we have together created historically significant items of detail, precision, and beauty.

  • Rolls-Royce collaborates with Swiss master horologists BOVET 1822 to create unique timepieces for first Boat Tail coachbuilt commission
  • Pair of reversible tourbillon timepieces, each designed to be worn on the wrist, used as a table clock, pendant or pocket timepiece, or placed within the fascia as Boat Tail’s Timepiece
  • Timepieces and dashboard holder took 3,000 hours to develop and manufacture
  • Five-day power reserve and tourbillon mechanism ensure the timepieces keep perfect time when used as dashboard clocks

“Rolls-Royce Boat Tail is a pure expression of its owners’ interests, influences and passions, with every detail minutely considered. We have enjoyed working with BOVET 1822 to create a pair of exquisite timepieces that also serve as Boat Tail’s dashboard clocks. In doing so we have together created historically significant items of detail, precision, and beauty. These remarkable objets d’art, unique to the first iteration of Boat Tail, represent the finest examples of the skills and values shared by our two great luxury Houses.”
Torsten Müller-Ötvös, Chief Executive Officer, Rolls-Royce Motor Cars

“I am so proud of the BOVET 1822 team, who worked in tandem with their counterparts at Rolls-Royce to produce something truly spectacular. The owners of the coachbuilt car, and these bespoke timepieces, are personal friends, as well as valued collectors of BOVET 1822. It was important to do the very best for them – two completely unique pieces that are unlike anything we have ever done before.”
Pascal Raffy, Owner, BOVET 1822


A MOMENT IN TIME

The clock in a Rolls-Royce motor car frequently assumes a jewel-like status, often becoming a canvas for the client to tell the story of their commission in miniature. For Rolls-Royce Boat Tail, the recently unveiled, first of three, coachbuilt creations, in which every element has been created to the owners’ exact specifications, this iconic centrepiece has been elevated to new technical and aesthetic heights.

In a spirit of warm collaboration, Rolls-Royce Motor Cars and Swiss master watchmakers, BOVET 1822, have created a pair of unique timepieces for Boat Tail and its owners. This ambitious undertaking brought together designers, engineers and craftspeople from both luxury Houses, in a magnificent demonstration of their shared values of excellence, precision, heritage, artistry, innovation and attention to detail.

The timepieces are unique to both the horological and automotive worlds. Made as a pair – in lady’s and gentleman’s versions – they are reversible, and housed in BOVET 1822’s patented Amadeo case, which allows them to be worn on the wrist, or used as a table clock, pendant or pocket-watch, as well as being placed front and centre in Boat Tail’s fascia as the motor car’s own timepiece. Both are fitted with tourbillon mechanisms to ensure perfect accuracy.

IN KEEPING WITH TRADITION

BOVET 1822 initially earned its reputation making luxury pocket-watches for wealthy patrons in China; today, it is renowned worldwide for its exquisite timepieces featuring hand-painted dials, detailed engraving and finely finished visible mechanisms.

The timepieces, created for this first iteration of Boat Tail, have specially designed 18K white gold cases and feature matching front dials with the same Caleidolegno veneer found on the aft deck of Boat Tail itself, and are finished with the owner-couples’ names. The gentleman’s timepiece is highly polished; the lady’s is ornately engraved then filled with blue lacquer.

On the reverse side, the dials are more individual. The gentleman’s features an aventurine dial with the celestial arrangement of the night sky over the place of his birth on his birth date; the lady’s is decorated with an ornate miniature painting of a flower bouquet on a mother-of-pearl dial. This design is a traditional BOVET 1822 motif, chosen by and personalised for the owner.

Both reverse dials have hand-engraved Bespoke sculptures of Boat Tail, complete with wheels, door handle, mirrors and other fine details. By working closely together, the teams at Rolls-Royce and BOVET 1822 were able to achieve a precise colour match between the lacquer on this tiny work of art and the full-size motor car.

Further close cooperation was required to ensure the timepieces conformed to the demands of their unique role as motor car clocks. In watchmaking, weight is rarely an issue for a complex timepiece, but in this instance, there was a limit on the combined permissible weight of the timepieces and their holders. BOVET 1822 met this requirement by creating an entirely new 44mm white gold case. In addition, the timepieces and holders also had to be tested to automotive-industry standards for vibration and crash safety – something never previously undertaken on mechanisms of this kind.

At a conservative estimate, the timepieces’ design, engineering, sculptures, miniature painting, marquetry, bespoke movements and cases took a total of 3,000 hours to complete.

THE TRANSFORMATIVE TOURBILLON

When a pocket-watch is left static in one position for any length of time, the effect of gravity on key moving parts can impair its accuracy. At the end of the 18th Century, watchmakers solved this problem by developing the tourbillon, where the escapement and balance wheel are mounted in a cage that slowly revolves, cancelling out the gravitational effect. In a wristwatch, the wearer’s natural physical movements diminish the need for the tourbillon. However, when that same timepiece is mounted vertically in a car dashboard for many hours at a time, the tourbillon truly comes into its own.

BOVET 1822 is a specialist in tourbillion timepieces, for which it holds a number of patents and has received many awards including the Aiguille d’Or, watchmaking’s highest honour. It is also one of the only companies in the watch industry to manufacture its own spirals and regulating organs. To reduce potential impact from the vibration from the car, the tourbillon has pivots rather than the traditional ball bearings; a heavier balance wheel and an increased oscillation rate to aid precision. Finally, the tourbillon bridge is finished with a miniaturised Spirit of Ecstasy handcrafted in gold.

The timepieces have an astonishing five-day power reserve, rather than the 42-48 hours of a ‘standard’ watch, to allow for their role as motor car clocks.

DASHBOARD HOLDER MECHANISM: PERFECT PRECISION 

The holder mechanism is unique to Rolls-Royce Boat Tail and was designed by BOVET 1822 engineers and the Rolls-Royce Coachbuild design team from a blank sheet of paper. Although in a Rolls-Royce vibration is naturally reduced to an absolute minimum – undetectable vibrations are inevitably still present. This highly complex mounting assembly serves to isolate the timepieces from these micro-vibrations. It also ensures they operate silently, are easy to mount and remove from the dashboard and, above all, remain safe and secure.

These challenges were unlike any normally encountered in watchmaking and car manufacture. From the start, BOVET 1822 was determined to follow a purely mechanical approach in keeping with its tradition of Swiss handcrafted production. The engineers’ innovative solution was to keep all the system’s moving parts external, with the dashboard providing a solid setting for the holder. Finally, Rolls-Royce ensured that when the holder is not housing one of the time pieces, it can be covered with a beautiful engraved and lacquered display plaque.  Below the clock, the dashboard is fitted with a special drawer, lined with the same leather as Boat Tail’s seats, which serves as a safekeeping receptacle to house the timepieces, straps, chain and pendant when not in use.

ROLLS-ROYCE BOAT TAIL TIMEPIECES FACTS & FIGURES

Case Size: Bespoke; diameter – 44mm; thickness – 14mm

Case Type: 18K white gold Fleurier case; BOVET 1822 bow at 12 o’clock; 49 components

Case Function: Amadeo Convertible System; reversible; pocket watch on chain; pendant watch on necklace; table clock; dashboard clock

Case Finishing: Men’s timepiece is high polish finish; Women’s timepiece is hand-engraved then filled with blue lacquer

Movement: Bespoke 60-second tourbillon; manual-wind; 284 components (without dial and hands); 21,600 v/h

Functions: Hours and minutes on both sides (reverse hand-fitting); power reserve indicator on front

Power Reserve: 5 days

Men’s Front Dial: Hand-made wood marquetry dial; hand-engraved Spirit of Ecstasy sculpture fixed to the tourbillon bridge; “A Special Timepiece Commission” on the dial

Women’s Front Dial: Hand-made wood marquetry dial; hand-engraved 18K white gold Spirit of Ecstasy sculpture; “A Special Timepiece Commission” on the dial

Men’s Reverse Dial: Blue aventurine glass with sky chart of owner’s birth day and birth place; hand-engraved bespoke Boat Tail sculpture, lacquered to match the colour of the car then miniature painted by hand to add the details; lady’s name engraved on the mirror-polished (by hand by the watchmaker) tourbillon bridge

Women’s Reverse Dial: Miniature hand-painting of flower bouquet on mother-of-pearl dial (based on historical BOVET 1822 timepiece, customised); hand-engraved bespoke Boat Tail sculpture, lacquered to match the colour of the car then miniature painted by hand to add the details; gentleman’s name (engraved on the mirror-polished (by hand by the watchmaker) tourbillon bridge

Dashboard Holder: Aluminium and Titanium; 51 components; Engraving of two Rolls-Royce Boat Tails in a white gold case, to match that of the timepieces, to place inside when the timepiece is not present (100% engineered, designed, and produced in-house by BOVET)

In-car Drawer: to hold timepieces, straps, chain, necklace

Independent laboratory certification: shock, temperature, humidity, vibration

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Jaeger-Lecoultre presents the Reverso Tribute minute repeater

Jaeger Lecoultre presents the Reverso tribute minute repeater

Ninety years after the birth of the Reverso, and 150 years after creating its first minute repeater, Jaeger-LeCoultre presents the Reverso Tribute Minute Repeater. Offered in a limited edition of 10 pieces, this exquisite new timepiece unites two of the key themes that have defined La Grande Maison for much of its history: an exceptional expertise in chiming watches and the timeless story of the Reverso.

With its distinctive Art Deco lines and swivelling case, the Reverso is one of the world’s most recognisable wristwatches. Its story embodies Jaeger-LeCoultre’s eternal pursuit of beauty and aesthetic refinement, expanding the Reverso’s stylistic realm by harnessing the full potential of its unique design. Allied to this is the Manufacture’s endlessly inventive quest for technical advancement – from the revolutionary idea of a case that could be flipped over, and the ingenious mechanism that made it possible, to the development of complications specific to the Reverso.

 

A distinguished legacy in chiming watches

In the 1990s, amid the rebirth of mechanical watchmaking that followed the quartz crisis, the Reverso – with its distinctive rectangular case – became the vehicle through which the Manufacture would redevelop its expertise in high complications. Having mastered the added challenge that rectangular movements dictate an entirely different architecture from that of traditional round movements – a particularly demanding challenge for chiming mechanisms – Jaeger-LeCoultre presented the Reverso Répétition Minutes in 1994. It was the first time the Maison had miniaturised a minute repeater for a wristwatch and was the world’s first rectangular minute repeater movement.

In fact, Jaeger-LeCoultre’s mastery of chiming mechanisms dates back to the very foundation of the Manufacture in 1833, and its deep expertise is today confirmed by an archive of more than 200 chiming calibres. Since that first Reverso minute repeater of the 1990s, Jaeger-LeCoultre’s engineers and designers have redefined the benchmark for acoustic quality, harnessing new technology in service of this noble tradition.

A new expression for the Minute Repeater

Embodying technical advances such as Jaeger-LeCoultre’s patented trebuchet hammers, silent regulator and a new generation of gongs, the Reverso Tribute Minute Repeater is powered by a revised version of Calibre 944 – a movement entirely conceived, designed and produced within the Manufacture. The new timepiece is distinguished by dials on both the front and reverse sides, bringing a fresh visual expression to the timeless Reverso design, as well as to the minute repeater mechanism itself. While the dials both display the same time, they are very different in character – one exuberant, the other more sober. Both are a testament to the beauty of fine movement decoration and the exceptional level of craftsmanship that resides within the Manufacture.

The front dial is entirely skeletonised, revealing the full complexity of the minute repeater mechanism and presenting a mesmerising display of moving parts when the minute repeater is activated. Beneath a large bow-shaped bridge that sweeps from 11 o’clock to 7 o’clock, the components appear almost to be floating in three dimensions, the sense of visual depth and transparency enhanced by faceted indexes that are cantilevered from the chemin de fer minutes track. With a gleaming golden finish, the bridge, hour markers, gongs and several other components perfectly match the colour of the rose-gold watch case.

While the exuberance of the front dial contrasts with the rectilinear geometry of the Reverso case, the relative sobriety of the reverse dial echoes and amplifies those straight lines. Vertical Côtes de Genève stripes extend over the entire height of the main plate, which also serves as the dial. Showcasing the timekeeping mechanism, with subtle colour accents provided by blued screws and golden hands and hour markers, the cool silver tone of the metal provides an elegant counterpoint to the warm rose gold of the case.

Set into the side of the watch case, the slider that activates the chimes has been specially designed for the new Reverso Tribute Minute Repeater to be as slim as possible, without sacrificing ergonomics. Visually complementing the Art Deco lines of the case, the effect is one of great refinement.

In showcasing both technical complexity and the aesthetic crafts, the Reverso Tribute Minute Repeater underlines the eternal modernity of the Reverso design, marrying the technical prowess of the Manufacture Jaeger-LeCoultre to its eternal quest for new forms of visual expression.

 

TECHNICAL SPECIFICATIONS

REVERSO TRIBUTE MINUTE REPEATER

Case material: Pink Gold

Case dimensions: 51.1 x 31 mm

Case thickness: 11.41 mm

Movement: Jaeger-LeCoultre Calibre 944, manually wound

Functions: Hours and Minutes on two dials, minute repeater

Power reserve: 35 hours

Water resistance: 30 m

Strap: Brown alligator

Limited edition of 10 pieces

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HUBLOT BIG BANG DJ SNAKE

HUBLOT BIG BANG DJ SNAKE

The most streamed French artist in the world, with a slew of international hits, DJ Snake is joining forces with Hublot to unveil an exclusive creation: the Big Bang DJ Snake. A watch boasting a myriad of facets, just like the talented artist who inspired it.

“To be able to wear – and also offer my fans – a watch which reflects my personality is something that has been very important to me since the start of my partnership with Hublot. I am delighted to have been able to combine my inspiration with the expertise of the fantastic watchmakers and technicians at this Swiss brand.” – DJ Snake


“DJ Snake turns everything he touches to gold! We are thrilled to have been able to channel his outstanding creativity into this new limited edition piece. The result is truly multifaceted, just like DJ Snake’s talents!” – Ricardo Guadalupe, HUBLOT CEO

DJ Snake has such a huge presence in today’s musical landscape that he needs no introduction. The electronic music star first came to public attention with the track “Turn Down For What”, released in 2013. Since then, the hits have racked up: “Lean On”, “Loco Contigo”, “Let Me Love You” with Justin Bieber, and “Selfish Love” with Selena Gomez. Diplo, Kanye West, Lil Jon… the collaborations keep on coming! He became the first French artist to have two songs with over a billion plays on Spotify, and the awards have rained down: Billboard Music Awards; MTV Music Awards; and no fewer than three NRJ Music Awards.

Hublot and DJ Snake have been partners since January 1st 2018, when he presided over the decks at Hublot’s closing evening during the FIFA World Cup in Russia.

Three years later, the first watch of this partnership is being unveiled:  The Big Bang DJ Snake.

The instantly recognizable and iconic design of the Big Bang now has an iridescent shine, with countless blue and purple hues. The bezel and the six titanium components of the 45-mm case are treated with a special and technical manufacturing process, similar to a black PVD treatment.  During the process, the different components of the watch must each be placed in specific positions when they are coated with different colors. The result is an optical effect in which the colors of the watch change depending on the light and when viewed from different angles. Not only that, but the surface of the parts was hardened before the iridescent treatment in order to improve its adherence. This operation is a complex one as it is difficult to obtain the same gradation of colour on each of the 100 watches being produced. The cut-outs on the outer edge of the bezel were designed by DJ Snake himself. These notches make the Big Bang DJ Snake immediately recognisable, distinguishing it from other collections. An illustration of the “Art of Fusion” philosophy so dear to Hublot!

On the upper face of the sapphire dial in the same colours as the case, a globe is featured, the signature of the electronic music star. A nod both to his travels across the planet for his concerts and to the fact that his hits have made the world his home. The lower section is skeletonised and treated to create sections with a black fumé finish.

This semi-transparent finish allows a glimpse of the famous calibre HUB1242 UNICO movement, a flyback chronograph with a power reserve of 72 hours.

Limited to 100 pieces, the Big Bang DJ Snake will be supplied with two straps which are easily interchangeable thanks to Hublot’s patented One Click system. The first is made from rubber, with a grey, black and purple camouflage pattern echoing the myriad colours reflected by the watch case. The second, also rubber, has a black ribbed structure. The clasp on these straps also features the same “Newton’s Rings” effect as the case and bezel.

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