The Salon has revealed its dates, confirming that it will be opening to the general public with a two-part program.
The next edition of Watches and Wonders Geneva will be held from 9 to 15 April 2024 in Geneva’s Halles de Palexpo. New for next year, the general public will be able to attend the event over a long 3-day weekend, from Saturday to Monday inclusive. Press and trade visitors will have access to the Salon throughout the week.

The 2024 edition intends to build on the success of 2023, further raising Geneva’s profile as an international watchmaking destination. The program will again unfold in two parts – at Palexpo and In the City – with an evening event on Thursday 11 April in the heart of town. The aim is to get the people of Geneva and local players even more involved in this major watchmaking event.

All the brands taking part in Watches and Wonders Geneva 2024 will be announced at a later date, along with the full program.

CHOPARD

Red Carpet Collection

A jewellery ‘Paradise’

It is a uniquely magical moment, the most glamorous event of the year. For the Cannes Festival, which Chopard has been officially partnering since 1998, the Maison’s workshops annually rise to a new pinnacle of creativity by reinventing the miracle of the Red Carpet Collection.

A stunning demonstration of jewellery-making prowess lighting up a lifelong passion for the cinema and paying tribute to the actresses who embody its radiant energy during the legendary ascent of the staircase. With the opening of the Cannes Festival on 6 July 2021, Chopard’s Co-President and Artistic Director, Caroline Scheufele, is unveiling all 74 creations composing this collection, themed around a fabulous haven of fantasy. Paradise expresses all the dreamy richness of which Caroline Scheufele is capable, flinging wide open the doors to the palaces of the imagination.

Theatre of dreams

Each piece of jewellery stems from an emotion, each culminating from an idea in a creation. Then comes the sketch, the mosaic of precious stones, colours like destinations, and a wild desire to share. For the opening of the Cannes Festival  (6 to 17 July) , Caroline Scheufele is unveiling the traditional Red Carpet Collection.. A creative universe whose texture and density unfold in the dazzling landscape of her imagination. Like a director, this keen film-lover orchestrates each of her collections around a real narrative, a master canvas within which her creations come to life and give substance to her vision.

Paradise, a haven of marvels

The Paradise-themed Red Carpet Collection 2021 takes us into a universe dear to the Maison: that of unspoilt, generous and sublime nature. A dreamlike and fertile place, permanently accessible to everyone, free to imagine its contours and to go there to recharge their batteries as they please. A ‘Paradise’ to be found within oneself, according to one’s imagination and desires. A realm of all possibilities.

When instilling a baroque, fanciful spirit into the Collection, Caroline Scheufele drew inspiration from the lush nature of the mythological or real places populating her fantasy repertoire. A bountiful Garden of Eden, where precious stones are picked like berries, where plants and an

imals offer their songs and spectacular colours; a secret landmark, like the island of Pantelleria, where the telluric depth of the volcanic rocks is reflected in the crystalline transparency of the waters where Caroline Scheufele loves to immerse her gaze; or a supernatural, vision of nature resembling that of the fantasy film Avatar, a metaphorical space in which to find refuge, to escape the hostility of reality and to find a new lease on life.

Among the countless references enlivening Caroline Scheufele’s majestic world, the Artistic Director has brilliantly enlisted a whole range of creative resources. She explained: “The Red Carpet Collection always gives me the opportunity to give free rein to my creativity and this year I was inspired by the idea of Paradise: I wanted our creations to invite women on a journey towards a comforting haven, an imaginary world brimming with dreams and optimism.” She continued: “There are various ways of envisaging one’s personal Paradise and I have tried to give life to these multiple worlds within the Red Carpet Collection through creations honouring fauna, flora and the finest gemstones, as well as by designing jewellery that is part of the fantasy of movies.”

“The Red Carpet Collection is a jewellery masterpiece made possible by the skill of all the artisans who pool their talents in our Haute Joaillerie ateliers. Each of these creations is a work of art in itself.

Chopard, sculptor of wonders

Among the Chopard Haute Joaillerie collections, Red Carpet is the one that embodies the ultimate dazzlement, nourished by Caroline Scheufele’s curious and lively view of the world. This collection also highlights the extraordinary work of the Artisans who exercise their skills in Chopard’s Haute Joaillerie’s Geneva workshops, the largest in Switzerland. From design to volume, from goldsmithing to gemsetting craftsmanship, these Artisans combine their talents in giving life to this collection of 74 creations corresponding to the number of years since the Cannes Festival first began.

Each year, the challenge of creating a collection of this magnitude in the same workshop is taken up by the Artisans, who apply their own genius and expertise to each creation. In this respect, the Red Carpet Collection symbolises the quintessence of classic jewellery-making expertise and carefully preserved tradition, nurtured by a fresh eye and a genuine avant-garde spirit. It is in this commitment of heart and mind, expressed through the nobility of hand craftsmanship, that the emotion of this new collection unfolds, impelled by the fertile spirit of fabulous odysseys.

code-11-59-by-audemars-piguet-tourbillon-openworked-only-watch-unique-piece-2019

Le Brassus, – Swiss Haute Horlogerie Manufacturer Audemars Piguet presents its Only Watch unique piece 2019: the two-tone Code 11.59 by Audemars Piguet Tourbillon Openworked.

CODE 11.59 BY AUDEMARS PIGUET – TOURBILLON OPENWORKED ONLY WATCH UNIQUE PIECE 2019

The unique model’s two-tone case emphasizes the architectural complexity of Code 11.59 by Audemars Piguet. Its 18-carat pink gold octagonal middle case subtly contrasts with the 18-carat white gold extra-thin bezel, lugs and caseback. Satin-brushed, bevelled and polished, the bezel, lugs and case present refined finishing techniques usually found on calibres. The caseback is engraved with “Unique Piece.”

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code-11-59-by-audemars-piguet-tourbillon-openworked-only-watch-unique-piece-2019

This watch houses a hand-wound tourbillon openworked movement, calibre 2948. Its rhodium-toned openworked plate, finished with vertical traits-tirés, is enhanced by pink gold-toned titanium tourbillon and barrel bridges with polished rhodium-toned angles. Echoing the two-tone colour of the case, the decoration of this movement amplifies the watch’s multi-tiered construction. With 70 hand-polished angles, the hand finishing on this movement pushes the openworking art to new heights.


The opaline silver-toned white gold inner bezel nicely frames the openworked movement and accentuates the extra-thinness of the watch’s bezel, barely visible around the dial. The long 18-carat pink gold hands add yet another subtle touch of colour.

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code-11-59-by-audemars-piguet-tourbillon-openworked-only-watch-unique-piece-2019code-11-59-by-audemars-piguet-tourbillon-openworked-only-watch-unique-piece-2019

This unique model comes with a black alligator strap, which further highlights the refinement and artistry of the watch’s case and movement.
François-Henry Bennahmias, Audemars Piguet Chief Executive Officer, rejoices over Audemars Piguet’s participation in this event: “We are proud to contribute to this charity auction once more and help advance scientific and medical research.”

TECHNICAL SPECIFICATIONS
Code 11.59 by Audemars Piguet Tourbillon Openworked // 41mm
26600CR.OO.D002CR.99
FUNCTIONS
Tourbillon, hours and minute.
CASE
18-carat pink gold case, 18-carat white gold bezel, lugs and caseback, glareproofed sapphire crystal and caseback, water-resistant to 30m.
DIAL
Opaline silver-toned 18-carat white gold inner bezel, openworked, 18-carat pink gold hands.
STRAP
Hand-stitched “large square scale” black alligator strap with 18-carat white gold folding clasp.
MOVEMENT
Hand-wound Manufacture calibre 2948
Total diameter: 31.65 mm (14 lignes)
Total thickness: 4.97 mm
Number of parts: 196
Number of jewels: 19
Minimal guaranteed power reserve: 80 h
Frequency of balance wheel: 3 Hz (21,600 vibrations/hour)
Join the #AudemarsPiguet & discussions @AudemarsPiguet

About Audemars Piguet

Audemars Piguet is the oldest fine watchmaking manufacturer still in the hands of its founding families (Audemars and Piguet). Since 1875, the company has written some of the finest chapters in the history of Haute Horlogerie, including a number of world firsts. In the Vallée de Joux, at the heart of the Swiss Jura, numerous masterpieces are created in limited series embodying a remarkable degree of horological perfection, including daring sporty models, classic and traditional timepieces, splendid ladies’ jewellery-watches, as well as one-of-a-kind creations. www.audemarspiguet.com
©Audemars Piguet 2019

Artisans-de-Geneve-John-McEnroe-Lefty-Project-Rolex-Submariner-01-800x450

An incomparable game, a unique style; John McEnroe is an iconoclastic personality. A legend in the history of tennis. This incredible champion has offered us one of the greatest challenges: to make a skeleton version of his Submariner Date.

ARTISANS DE GENÈVE

Presents the John McEnroe Lefty Project Rolex Submariner

THE JOHN MCENROE LEFTY PROJECT

Not many can pull off this level of design without taking away the essence of the original model. Nevertheless, the Swiss workshop shows how years of experience can impart a stunning level of detail. After checking with the company’s official webpage, it’s clear that this John McEnroe collaboration might be a one-off piece.

Artisans-de-Geneve-John-McEnroe-Lefty-Project-Rolex-Submariner-01-800x450

Artisans-de-Geneve-John-McEnroe-Lefty-Project-Rolex-Submariner-01-800×450

This personalization has been requested by a private customer. It is a sample of our know-how and of the personalization services made upon request of our customers. If you would like to customize your timepiece in the same way or following your wishes, please contact us. Please note that due to the limited capacity of our workshops, we are not able to satisfy every demands so please accept our apologies in advance.

Knowing that there is only one in existence just adds to its value. Hence, let’s dive in and check out what Artisans de Genève brings to the table. Starting off with a Rolex Submariner Date, the team is focusing on reworking some of its components. The open-work dial with indices in black adds to the overall magnificence.

Mechanical
play

John McEnroe wanted his watch to have a modern and elegant look, full of finesse. Extremely technical and audacious, The John McEnroe Project is characterized by an entirely skeletonized movement, graphic lines, and monochromes tones. A distinctive feature of this unique timepiece, the crown has been repositioned to the left, so that John “Lefty” can continue to wear it during his games without risking injury.

THE BEZEL

The steel bezel displays a tungsten insert for a perfect harmony.

THE DATE DISC

The original date disc has been replaced by a polished sapphire piece enriched by the transferring. An extremely meticulous work requiring a perfect balance between know-how and technicality.

THE CASE

The horns of the case are angled at 45 degrees, the bevels are polished while the band is satin-finished. The bottom of the case is sandblasted. An elegant and delicate work magnifying each element.

Skeleton 3135
Movement

the 3135 movement was reworked entirely with extreme precision. The skeleton is cut, beveled and finished by hand. We have added under the date window a luminescence material: luminova to allow a precise reading of time in the dark.
Engineering work of art that required hundreds of hours of work to maintain the technical and functional features of the original version while offering a unique aesthetic.

The Craftsmen’s
View

“My father was a great admirer of John McEnroe. He didn’t miss any of his games. All my childhood, I was surrounded by this passion. His personality, immense talent and character have been as much a source of inspiration as his ongoing quest for perfection. Thank you, dad.”

JOHN ISAAC. CREATIVE DIRECTOR