Tag Archive for: 2020

Brioni introduces its Autumn-Winter 2020 ‘Tailoring Legends’

Brioni introduces its Autumn/Winter 2020 ‘Tailoring Legends’ advertising campaign featuring brand ambassador Brad Pitt.

Lensed in Los Angeles by photographer Mikael Jansson, Pitt is portrayed in black and white images, capturing his laidback and effortless appeal.

The series of portraits stand out with an intimate atmosphere that contrasts with Pitt’s strong personality and brings his iconic sense of style to a selection of Brioni’s finest ready-to-wear and eveningwear options from the Autumn/Winter 2020 Collection.

“I’ve always admired 
Brioni’s elegant and timeless designs. 
The brand embodies creativity, 
quality and excellence.”

– Brad Pitt

In a year where there are no medals, we celebrate the 20 year anniversary of OVERTHETOP™. Honoring the games that never happened, and those who stand in a world of uncertainty, it’s only right to re-introduce the product that defined disruption.

Oakley – Precious Mettle OVERTHETOP™ 2020 for 20th-Anniversary

Bold, Boundary-Pushing Style Challenges Status Quo Decades After First Release

Thursday, August 6, 2020 – Oakley® is bringing back the OVERTHETOP, the unique, disruptive design that was unveiled on the world’s biggest sports stage twenty years ago. To celebrate the anniversary, Oakley will release the “Precious Mettle OVERTHETOP” tomorrow, as the 2020 Summer Games would have been coming to an end.

The new iteration has been created from the original mold, featuring the same revolutionary, stemless design that fits over the top of the head rather than around it. Best known and worn for its innovative aesthetic, OVERTHETOP was originally designed to solve the problem of eyewear bouncing on a runner’s face.

“When creating new products, our goal is to find a solution to a problem our athletes are facing,” says Brian Takumi Vice President of Product Creative at Oakley. “The OVERTHETOP was born with the purpose of minimizing pressure points and reducing bounce created by force, specifically in our Track & Field athletes. We knew the design was very unique, but we never expected all the attention we received from around the world– the product truly created a global moment.”

Oakley put the innovation to the test in Sydney at the 2000 Summer Games, when popular sprinter Ato Boldon – known for his bold eyewear on the track – debuted the OVERTHETOP in the Men’s 100 meters. Boldon wearing the unusual eyewear quickly became one of the Games’ most memorable images and one of the most disruptive moments in Oakley history.

“Twenty years later, I still remember the rush,” says Ato Boldon, four-time medallist in Track and Field. “Wearing the Oakley OVERTHETOP in Sydney was an iconic moment in my career, and I can’t thank Oakley enough for pushing the boundaries and continuing to create eyewear that allows athletes to perform at their best on the world stage.”

With a gradient color treatment that fades from aged gold to silver and bronze, the eyewear is launched in recognition of the Games that didn’t happen and pays tribute to those who have the mettle to push through and overcome adversity.

Born from the original mold used in 2000, these will be the last issue of products to come from this tool. Only 20 units of the Precious Mettle OVERTHETOP have been produced worldwide and each will retail for $2,000 exclusively on Oakley.com. The stemless design is manufactured with O Matter™, a frame material for durable, lightweight comfort. Each frame is stamped with a unique serial number and comes equipped with Oakley’s leading Prizm™? Lens Technology, designed to enhance color and contrast so athletes can see more detail.

Precious Mettle OVERTHETOP™

It takes a unique frame of mind to stand the test of time. Born from the original mold used in 2000 and as the last issue to come from the tool, this is your moment to make history. The Precious Mettle colorway of aged gold, silver, and bronze celebrates something bigger than finishing first, second or third. It honors the victory of humanity.

Oakley Precious Mettle OVERTHETOP launches Friday, August 7, 2020 at 9AM PST exclusively on www.oakley.com.

Capturing the journey of reality to fantasy is Burberry’s new TB Summer Monogram collection designed by Chief Creative Officer Riccardo Tisci. Starring supermodel Kendall Jenner, the campaign blends dreamlike CGI with geometric worlds inspired by skate parks and swimming pools. Shot at home by Kendall on her computer, the campaign embodies the free-spirited collection and the optimism of summer.

Kendall Jenner in Burberry’s new summer campaign.

The summer-inspired collection features luxury quilted Lola bags made from an environmentally conscious material primarily made using renewable resources. Bumbags, totes and a limited edition monogram surfboard also feature in the collection.

Riccardo Tisci paid tribute to fashion house founder, Thomas Burberry with bold interlocking TB initials printed in cobalt blue with orange accents. Speaking on the new collection, Kendall Jenner said, “Riccardo wanted to collaborate closely with me to bring this collection to life in a number of ways – he encouraged me to interpret the campaign myself, which was such an exciting opportunity! I loved being able to add my own personal touch to the campaign as I captured the collection through a series of self-portraits that I took at home.”

The Chief Creative Officer also spoke on the collection stating, “‘This is my second monogram collection at Burberry and for me, the collection is all about celebrating the strength of the duality of feminine and masculine energy, blurring the lines and exploring this notion of youthful expression.”

more Burberry.com

Catch the light of Bvlgari’s most iconic collections, from the dazzling seduction outlined by Serpenti, even the feminine curves of Diva’s Dreams.

Freedom. Renaissance. Escape. After the global uncertainties and the long time spent at home, Bulgaria 2020 Summer Campaign The return of life to simple pleasures with celebrating!

Bulgaria Summer Campaign, world famous jewelry brand 2020

Happiness is always said to be hidden in small and beautiful things like the sun in your hair, the fresh air, the sensation of water on your skin or the appearance of floating flowers of colors that evoke all these senses.

Bulgaria2020 Summer Campaign. It refers to these small and simple joys that only nature can give, it takes you one step closer to freedom and it is a carefree life that we all dream of. summer feeling celebrating.

To capture the perfect moment and happiness. Bulgaria Young fashion photographer with strong women in Italy Zoe Natale MannellaSmart in collaboration with the most successful photographers, from Helmut Newton to Peter Lindbergh, iconic and stylist Alice who emphasizes confident Italian femininity the Gentilucc and Greta who captures the perfect beauty with her Varlese flaws with 2020 Summer Campaign met in

BulgariaThe source of emotions for colors. This season, when the newfound energy, excitement and vitality were celebrated, Bulgaria, charming 216 with a world-wide kaleidoscope of boutique Decorate storefront 940.

Striking, sensual and lively flowers, Bvlgari’s iconic jewel of evoking the brilliance and richness of the charming Maison’s unique color palette comes with designs. 2020 Summer Campaign lush green flowers opens the door to a world of hedonism and pleasure, as well as seeming to float on water.

  • The first hybrid vehicle in Maserati’s history
  • Developed by the Maserati Innovation Lab of Modena
  • The vehicle will be produced at the Avvocato Giovanni Agnelli Plant (AGAP) at Grugliasco (Turin)

New Ghibli Hybrid: the first electrified vehicle in Maserati’s history

Modena, 16 July 2020 – The spark of electrification ignites Maserati’s future: with the new Ghibli Hybrid, the Trident Brand enters the world of electrification.

The new Ghibli Hybrid represents one of the most ambitious projects for Maserati, which after the announcement of the new engine for the MC20 super sports car now sets the seal on another step forward towards the brand’s new Era.

The choice to introduce the hybrid technology on the Ghibli sedan is no coincidence: this model, with over 100,000 units produced since its launch in 2013, perfectly embodies the Modena-based manufacturer’s DNA.

In fact, the challenge facing Maserati was to enter the world of electrification without altering the brand’s core philosophy and values. The result? The creation of the best possible hybrid. What’s more, Ghibli Hybrid will retain the unmistakable sound that has always distinguished every Maserati.

The arrival of the new Ghibli Hybrid thus expands the Maserati range, which is now even more competitive and responsive to the demands of the market.

Design
Ghibli Hybrid is immediately recognisable, thanks in part to the new design of both exterior and interior. The common denominator of the restyling, developed by the Centro Stile Maserati, is the blue colour, chosen to identify all cars with hybrid technology and the new world they represent.

On the exterior, the blue colour characterises the three iconic side air ducts, the brake calipers and the thunderbolt in the oval that encloses the Trident on the rear pillar. The same blue colour reappears inside the car, in particular on the embroidered seams of the seats. The new Ghibli Hybrid also introduces new stylistic contents, starting from the new front grille, with bars redesigned to represent a tuning fork, a musical device that emits a sound of extreme purity, and which also evokes the Trident symbol itself. There are significant changes at the rear of the car, where the light clusters have been completely restyled, with a boomerang-like profile inspired by the 3200 GT and the Alfieri concept car.

Mild Hybrid
In perfect harmony with its DNA, Maserati has chosen a hybrid solution focused primarily on improving performance, while also reducing fuel consumption and cutting emissions.

The hybrid technology exploits kinetic energy the car accumulates when in motion, recovering it and transforming it into electricity during deceleration and braking, and storing it in a battery.

The innovative powertrain, the outcome of in-depth engineering development work by the technicians and engineers of the Maserati Innovation Lab in Modena, combines an internal combustion engine (4 cylinders, turbo, displacement of 2.0 l) with a 48 volt alternator and an additional electric supercharger (e-Booster), supported by a battery. This solution is unique in its segment, and is the first in a new generation of powertrains, with the perfect trade-off between performance, efficiency and driving pleasure.

The battery is mounted in the rear of the car, with benefits in terms of improved weight distribution.

This version weighs about 80 kg less than the Diesel.

Thanks to maximum power output of 330 hp and torque of 450 Nm delivered from just 1,500 rpm, the new Ghibli Hybrid’s performance data are very impressive: top speed of 255 km/h and acceleration from 0 to 100 km/h in 5.7 seconds.

Ghibli Hybrid occupants will still revel in the unmistakable sound that characterises all Maserati models, thanks to the optimised exhaust, which includes specially designed resonators.

Connectivity
Ghibli Hybrid also marks the debut of the new Maserati Connect program, which enables a constant connection with the car: the information exchange continues when on the move, to improve the services offered to the driver. As well as updating the software packages, the system performs checks on the car and monitors the Safety Security services in emergencies.

The Maserati Intelligent Assistant multimedia system is latest-generation, based on digital inputs from Android Automotive, software that delivers an innovative User Experience fully customisable to the driver’s personal preferences. The multimedia system’s HD screen, with new graphics, more user-friendly and without surrounds, is increased in size from 8”4 to 10”1. A new instrument panel with digital devices and new graphics is also introduced.

Electrification the Maserati way
The new Ghibli Hybrid represents the first step in a plan that will lead to the electrification of  all new Maserati models. The Brand’s first all-electric cars will be the new GranTurismo and GranCabrio, scheduled for 2021.

Maserati S.p.A.
Maserati produces a complete range of unique cars with an amazing personality, immediately recognisable anywhere. With their style, technology and innately exclusive character, they delight the most discerning, demanding tastes and have always been an automotive industry benchmark. Ambassadors of this heritage are the Quattroporte flagship, the Ghibli sports sedan, and the Levante, Maserati’s very first SUV. A complete range, with petrol and diesel engines, rear and all-wheel drive, the finest materials and outstanding engineering. A tradition of successful cars, each of them redefining what makes an Italian sports car in terms of design, performance, comfort, elegance and safety.

LEICA M10-R

The Leica M10-R opens up new dimensions of image quality with its high resolution of over 40 megapixels. The image sensor captures even the smallest details, so photographers can dive deeper into every scene.

The Leica M10-R with 40 Megapixel color sensor

LEICA M10-R

Redefining image quality.

Defying conventional wisdom, where increased resolution means sacrificing low-light performance, the M10-R boasts a much higher megapixel count over its 24 megapixel M10 brethren while also delivering lower levels of noise – ensuring it can be used in any and all environments for a wide range of photographic disciplines.

No other M-Camera is geared towards maximum image quality in such an uncompromising manner like the Leica M10-R.

Thus the camera fully realizes the capabilities of the prime M-Lenses and offers new stylistic and compositional approaches to the photographer.

Increased resolution
for highest detail rendition

With a resolution of over 40 megapixels, the Leica M10-R’s newly developed image sensor is able to capture even the finest textures and details.

Its base sensitivity of ISO 100, combined with fast Leica M-Lenses, makes it easy and flexible for shooting wide open and achieving maximum background blur and strong bokeh even in bright daytime light.

On the other end of the spectrum, the new sensor allows for a longer maximum exposure time of 16 minutes, lending the user more creative freedom when capturing star trails, motion blur or bringing out the tiniest amount of light in a nighttime landscape. All of this versatility at these new heights of resolution and higher dynamic range make the M10-R an imaging powerhouse for any application.

2020 TUATARA HYPERCARS DEBUT

PHILADELPHIA, PENNSYLVANIA

The SSC Tuatara is a hypercar that alters reality on several automotive design and engineering fronts. The Tuatara project, code named “Exceed”, began in 2009, when SSC North America Founder and CEO Jerod Shelby began to look to the future for a successor to the company’s record-breaking SSC Ultimate Aero, which held the Guinness World Record for Fastest Production Car in the World from 2007 to 2010. From there, he assembled a collaboration of industry leading individuals and firms to enhance the SSC engineering team.

“The team had to reflect the achievements that we set out to accomplish, which is why we gathered the best in the industry to push the vision of the Tuatara forward. The team has not only achieved that original vision, but has surpassed it by an incredible margin.” – Jerod Shelby, CEO / Lead Designer

The body and aerodynamics of the Tuatara were designed in collaboration with world renowned automotive designer Jason Castriota. Penning the design of legacy brand automobiles such as Maserati and Ferrari, his insight into timeless and striking form would help move the SSC brand forward with a hypercar design that would endure the test of time. Likewise, the science of aerodynamics and thermal efficiency had to not only blend seamlessly into the artful exterior, but be pushed to new limits, ensuring an unparalleled coefficient of drag.

“The resulting aerodynamics package sets the Tuatara apart from our competitors. Not only does the car boast a class leading 0.279 drag coefficient, but also maintains an identical aero balance from 100 mph to well over 300 mph, resulting in an incredibly stable and predictable car that instills absolute confidence in the driver.” – Jason Castriota

Beneath the carbon fiber skin of the Tuatara is a robust carbon fiber monocoque, engineered with safety, durability, performance, and aesthetics in mind. The monocoque brings all of the critical sub-assemblies together into an aggregated form, as well as contours to the shape of the ergonomic cockpit surrounding the driver and passenger. Composed entirely of carbon fiber, the light weight frame provides uncompromising safety thanks to its systematic crash structures and durable design. The beautiful carbon fiber composition was not left to be unnoticed, as exposed areas of the monocoque are visible, both subtly and notably across the car. For over a century, Washington State has been a global leader in aerospace innovation. SSC North America tapped into this extraordinary potential by collaborating with aerospace design firms and suppliers based in Washington that could provide carbon fiber components that meet the strict aerospace standards. Further collaboration between the SSC engineering team and Nevada based Customs Factory bolstered the design, engineering, and development of the lightweight Tuatara skeleton, an all carbon work of art leading the hypercar industry for safety and performance.

Jerod and his team at SSC North America are founded on the pursuit of extreme performance. As such, the vision of the Tuatara embodied creating a hypercar with unprecedented power, speed, and versatility. Furthermore, the powerplant had to be as unique as the Tuatara itself and the driving experience it affords. SSC North America engineers started from the ground up, designing a bespoke engine in collaboration with Tom Nelson of Nelson Racing Engines. From a groundbreaking intake system, to a unique flat-plane crank configuration, to a form so exceptional it is designated as a work of automotive art, the SSC Twin Turbo V8 revolutionizes the potential of hypercar powerplants. Producing 1,350 horsepower with 91 octane or a massive 1,750 horsepower with E85, the SSC V8 pairs with a CIMA 7 speed transmission, integrated with a state-of-the-art Automac AMT system, providing sub-100 millisecond shifting capabilities in Track Mode.

After two decades of achieving top tier performance, one of the most underestimated goals and achievements of SSC North America is the diversity of drivability that SSC hypercars deliver. The aggressive capabilities of the Tuatara may be apparent through the astonishing aerodynamics and power it boasts, but the vision of the car was to achieve the rare ability for the car to transform its capabilities at the touch of a button. Integrated into the Tuatara are advanced automated systems, granting the driver the ability to completely alter the suspension, ride height, handling, acceleration, shifting, and overall drivability. Sport Mode, the default configuration, sets the car at 4.0″ front and 4.5″ rear ride height, as well as a transmission configuration to allow for docile shifting for ease of operation and city street environments. Track Mode lowers the ride height to 2.74″ front and 3.25″ rear, adjusts the geometry of the suspension for extreme track-level handling, substantially increased shift responsiveness, and dynamically activating a rear wing control surface, adjusting pitch and height based on speed to maintain deliberate airflow and balanced precision downforce. While braking, the active rear wing deflects accordingly, spoiling the airflow and delivering superior braking capabilities. Front Lift Mode offers convenience in situations that would otherwise limit the low ride height of the Tuatara. The front suspension is lifted an additional 40mm, allowing for clearance over speed bumps or other raised surfaces. Ease of transport is achieved through this adjusted ride height as well.

With an extreme level of performance at the driver’s disposal, operator and passenger comfort and connectivity is key to the unprecedented experience that the Tuatara has to offer. Dihedral opening doors offer both spacious cab egress and stunning curbside attraction, as well as ease of use. At the press of a button, the hydraulically actuated doors open effortlessly, welcoming the individual to a well appointed cockpit. Safety is immediately apparent as exposed carbon fiber encases the cab. Each and every detail of the pure and purposeful interior has been designed to maximize the ability to focus on the task at hand, redefining all paradigms of speed, distraction free. The driver is seamlessly connected to the car through a user focused digital HMI (human-machine interface) driver display, designed to provide crucial driving information to the driver in an easily navigable yet striking design. On the center console sits a readily available touch screen system, offering the driver all of the vehicle’s toggles, controls, diagnostics, and entertainment in a practical user interface. At the touch of the screen, the driver has access to the multiple driving modes, tire pressures, complete diagnostics, climate control, music, and more. At the center of the driver’s helm is the Tuatara steering wheel with custom paddle shifts, accessible buttons and toggles, and a shift light indicator to overtly prompt the driver during intense track handling situation. Passengers as tall as 6’5″ will fit comfortably in the cabin, even with sporting a race helmet.

The SSC Tuatara personifies over a decade of a methodical, passionate, and innovative undertaking to create a car that exceeds measure on all fronts. It is a truly bespoke American hypercar that involves the collaboration and efforts of hundreds of dedicated individuals on a global scale.

“I am extremely proud of our team. We have created the full package – looks, performance, and artwork all rolled into one. The last 10 years have been a journey to excellence making this February 7th public debut even sweeter and more rewarding. And it is only the beginning!” – Jerod Shelby.

SSC North America will produce one hundred (100) Tuatara hypercars, all manufactured at the company headquarters in Richland, Washington, USA. Manhattan Motorcars of New York is the exclusive Northeast United States Authorized Tuatara Dealership. An extensive options list gives customers a chance to make each Tuatara truly unique, with high speed and track-centered configurations available.

Debido al estado reciente del mundo, el Metropolitan Museum of Art tuvo que posponer su exitosa exhibición de arte del Instituto de Vestuario de primavera 2020, “About Time: Fashion and Duration”, Met Gala, que originalmente se planeó para el 4 de mayo de 2020.

Unraveling Details About Met Gala's "About Time: Fashion and Duration" Unraveling Details About Met Gala’s “About Time: Fashion and Duration” Unraveling Details About Met Galas About Time Fashion and Duration

Met About “About Time: Fashion and Duration” se estableció para explorar la capacidad única de la moda de viajar en el tiempo, fusionando estilos de ropa de diferentes períodos para crear ‘nuevas’ ideas, avanzar en ciclos al mismo tiempo que avanzar y garantizar que algunos estilos se consideran atemporales y efímeros. ¡Vamos a ver!

Unraveling Details About Met Gala's "About Time: Fashion and Duration" Unraveling Details About Met Gala’s “About Time: Fashion and Duration” Discover The Luxury Fashion Garments Behind The Postponed Met Gala 12

Unraveling Details About Met Gala's "About Time: Fashion and Duration" Unraveling Details About Met Gala’s “About Time: Fashion and Duration” Discover The Luxury Fashion Garments Behind The Postponed Met Gala 9

Izquierda: Suit, Gabrielle Chanel, primavera / verano de 1963; Colección de trajes del museo de Brooklyn en el MET, un regalo del Museo de Brooklyn, 2009; Don de Jane Holzer, 1977 | Derecha: Suit, Karl Lagerfeld para la casa de Chanel, primavera / verano de 1994; cortesía de la colección CHANEL Patrimoine, París; todas las imágenes de prendas de vestir © Nicholas Alan Cope, cortesía del Museo Metropolitano de Arte

Unraveling Details About Met Gala's "About Time: Fashion and Duration" Unraveling Details About Met Gala’s “About Time: Fashion and Duration” Discover The Luxury Fashion Garments Behind The Postponed Met Gala 10

Izquierda: Dress, Iris Van Herpen, Otoño / Invierno 2012–13 Alta Costura; regalo de Iris Van Herpen, en honor a Harold Koda, 2016 | Derecha: Ballgown, Charles James, 1951; Colección de trajes del museo de Brooklyn en el MET, un regalo del Museo de Brooklyn, 2009; Donación del Sr. y la Sra. Robert Coulson, 1964

Mientras que el Met todavía está cerrado, la organización decidió compartir su colección curada de prendas contemporáneas e históricas que traza un siglo y medio de moda. Programado para abrir al público el 29 de octubre de 2020, el trabajo presentado data de 1870, en honor al 150 aniversario del museo.

Unraveling Details About Met Gala's "About Time: Fashion and Duration" Unraveling Details About Met Gala’s “About Time: Fashion and Duration” Discover The Luxury Fashion Garments Behind The Postponed Met Gala 1

Izquierda: vestido de cena, señora Arnold; Colección de trajes del museo de Brooklyn en el MET, un regalo del Museo de Brooklyn, 2009; regalo de Sally Ingalls, 1932 | Derecha: Ensemble, Comme des Garçons, Otoño / Invierno 2004–5; cortesía de Comme des Garçons

Unraveling Details About Met Gala's "About Time: Fashion and Duration" Unraveling Details About Met Gala’s “About Time: Fashion and Duration” Discover The Luxury Fashion Garments Behind The Postponed Met Gala 2

izquierda: chaqueta de montar, Morin Blossier; regalo de la señorita Irene Lewisohn, 1937 | Derecha: conjunto, Nicolas Ghesquière para Louis Vuitton, Primavera / Verano 2018; colección de cortesía Louis Vuitton

Unraveling Details About Met Gala's "About Time: Fashion and Duration" Unraveling Details About Met Gala’s “About Time: Fashion and Duration” Discover The Luxury Fashion Garments Behind The Postponed Met Gala 3

izquierda: vestido de noche, semanas; Colección de trajes del museo de Brooklyn en el MET, un regalo del Museo de Brooklyn, 2009; donación del patrimonio de la señora Arthur F. Schermerhorn, 1957 | derecha: vestido, Comme des Garçons, Otoño / Invierno 2012–13; cortesía de Comme des Garçons

Presentado íntegramente con prendas negras, el “Sobre el tiempo: moda y duración” de Met Gala enfatiza la evolución de las siluetas y el uso de detalles secundarios. Con la colección de piezas que van desde 1870 hasta el presente, los curadores tienen como objetivo conectar el concepto de “duración” con debates sobre diversidad, inclusión, sostenibilidad y otras cuestiones éticas que seguramente expresarán un impacto continuo durante la próxima década de la moda de lujo. Empleando el concepto de la durée (duración) de Henri Bergson, explorará cómo la ropa genera asociaciones temporales que combinan pasado, presente y futuro. Virginia Woolf será la “narradora fantasma” de la exposición.

Unraveling Details About Met Gala's "About Time: Fashion and Duration" Unraveling Details About Met Gala’s “About Time: Fashion and Duration” Discover The Luxury Fashion Garments Behind The Postponed Met Gala 4

izquierda: vestido, Jean-Paul Gaultier, Otoño / Invierno 1984–85; compra, regalos de amigos del instituto de disfraces, 2010 | derecha: vestido de noche “tulipán”, Charles James; regalo de Elizabeth de Cuevas, 2015

Unraveling Details About Met Gala's "About Time: Fashion and Duration" Unraveling Details About Met Gala’s “About Time: Fashion and Duration” Discover The Luxury Fashion Garments Behind The Postponed Met Gala 5izquierda: conjunto, Viktor & Rolf, primavera / verano 2005; en préstamo del museo central, Utrecht | derecha: vestido de noche, Madeleine Vionnet, 1939; regalo de la Sra. Harrison Williams, 1952

Unraveling Details About Met Gala's "About Time: Fashion and Duration" Unraveling Details About Met Gala’s “About Time: Fashion and Duration” Discover The Luxury Fashion Garments Behind The Postponed Met Gala 6

izquierda: vestido de tarde, americano, ca. 1877; regalo de Theodore Fischer Ells, 1975 | derecha: falda de “bumster”, Alexander McQueen, Otoño / Invierno 1995–96, edición 2010; cortesía de Alexander McQueen

Una línea de tiempo de 120 prendas se desplegará en dos galerías adyacentes fabricadas como enormes caras de reloj y organizadas en torno al principio de sesenta minutos de moda. Cada “minuto” contará con un par de prendas: el trabajo principal que representa la naturaleza lineal de la moda y el trabajo secundario su carácter cíclico. Cada par estará conectado a través de forma, motivo, material, patrón, técnica o decoración. Por ejemplo, un vestido negro de seda de princesa faille de finales de la década de 1870 se combinará con una falda “bumster” de Alexander McQueen de 1995.

Unraveling Details About Met Gala's "About Time: Fashion and Duration" Unraveling Details About Met Gala’s “About Time: Fashion and Duration” Discover The Luxury Fashion Garments Behind The Postponed Met Gala 7izquierda: vestido de noche, probablemente estadounidense, ca. 1928; regalo de Richard Martin y Harold Koda, 1992 | derecha: vestido, John Galliano, Primavera / Verano 1997, edición 2008; regalo de John Galliano, 2012

Unraveling Details About Met Gala's "About Time: Fashion and Duration" Unraveling Details About Met Gala’s “About Time: Fashion and Duration” Discover The Luxury Fashion Garments Behind The Postponed Met Gala 8

izquierda: chaqueta de noche, Elsa Schiaparelli, invierno 1938–39; regalo de la señora Pauline Potter, 1950 | derecha: conjunto de “espejos rotos”, Yves Saint Laurent, Otoño / Invierno 1978–79; cortesía del Museo Yves Saint Laurent París © Yves Saint Laurent

Unraveling Details About Met Gala's "About Time: Fashion and Duration" Unraveling Details About Met Gala’s “About Time: Fashion and Duration” Discover The Luxury Fashion Garments Behind The Postponed Met Gala 11

Todas las prendas primarias serán negras, para enfatizar sus siluetas en evolución, y la segunda será negra o blanca, para subrayar sus asociaciones que se refuerzan mutuamente. La exposición concluirá con una pequeña selección de prendas de 2020 que vincula el concepto de duración con debates sobre diversidad, inclusión, sostenibilidad, trazabilidad, transparencia, longevidad, colaboración y otros temas éticos relacionados con la próxima década de la moda. La exposición irá acompañada de un catálogo.

Todavía está por verse el diseño teatral del espacio de la galería, que se presentará este otoño.

“La moda está indeleblemente conectada con el tiempo. No solo refleja y representa el espíritu de los tiempos, sino que también cambia y se desarrolla con los tiempos, sirviendo como un reloj especialmente sensible y preciso. A través de una serie de cronologías, la exposición utilizará el concepto de duración para analizar los giros y vueltas temporales de la historia de la moda “. – Andrew Bolton, el curador de Wendy Yu a cargo del instituto de disfraces de Met Gala

Private Collection Boca do Lobo Unraveling Details About Met Gala’s “About Time: Fashion and Duration” bl private collection 750

Pharrell Williams, Margaret Qualley, Angèle, and more have gathered to show off the maison’s chic new shades.What do singer Angèle, actresses Isabelle Adjani and Margaret Qualley, and musicians Pharrell Williams and Sébastien Tellier all have in common?

#CHANELEyewear #CHANELSunglasses

The Spring-Summer 2020 Eyewear Campaign — CHANEL

Belgian singer-songwriter and musician Angèle, American singer, rapper, songwriter, record producer, fashion designer, and entrepreneur Pharrell Williams, French singer and songwriter Sébastien Tellier, American actress and model Margaret Qualley and French film actress and singer Isabelle Adjani light up Chanel Spring-Summer 2020 eyewear campaign. Photographed by Karim Sadli, each artist picked up a sunglass design from the Chanel Spring-Summer 2020 eyewear collection that matched their specific aura while displaying Chanel’s classic motifs.

Margaret Qualley has selected a butterfly frame in black metal, linked with a string of white pearls.

The oversized rectangular design in black acetate worn by Pharrell Williams is decorated with fine metal plaques engraved with a motif that evokes a woven tweed.

Angèle wears an oval design with a contrasting frame to which a necklace of grey faux pearls is attached.

Isabelle Adjani chose large square sunglasses in black acetate with the name CHANEL running along one of the temples.

An XL rectangular shield worn by Sébastien Tellier honors the tweed that swathes its frame. The double C takes shape as a patch and signs the temples.

Chanel Spring-Summer 2020 eyewear campaign spotlights five pairs of sunglasses, each of which features an intricate level of detail that expresses the captivating personalities of the respective muses while also highlighting the multifaceted yet cohesive ‘je ne sais quoi’ of the Chanel house.

Yiqing Yin, A new talent joins the “One of not many” communication campaign

May 26th, 2020 – Vacheron Constantin is delighted to unveil its latest talent to join the “One of not many” communication campaign. Yiqinq Yin, a youthful prodigy in the world of Haute Couture, is joining the roster of talents who have chosen to collaborate with the Maison. She will epitomise the Égérie collection, dedicated to women and launched by the Manufacture in February 2020.

Born in Beijing in 1985, Yiqing Yin has been traveling the world since her childhood. At the age of four, she left China for Australia and France. A graduate of the École Nationale Supérieure des Arts Décoratifs in Paris, and armed with her innovative vision of Couture, Yiqing Yin sees garments as both a second skin and a supple, floaty envelope. Exploring the dynamic potential of pleats, she imagines vibrant structures that are never static but instead all about volumes in motion, and experiments with the way garments fall in a quest for smoothly flowing lines. She thus designs loose shapes with staggering structures. She admits her attraction to “an intuitive method of creation, a sensory wandering and a search for voluntary accidents”.

Acknowledged and respected within the select circle of Haute Couture connoisseurs, her universe naturally chimed with that of Vacheron Constantin. Yiqing Yin shares with the watchmakers and artisans of the Maison a concern for detail and a desire for discovery.

Ties were thus woven between Haute Couture and Haute Horlogerie, two worlds where craftsmanship, expertise and rarity would be nothing without passion and creativity, a vocation that is constantly being challenged and reinvented in step with successive creations. The Égérie collection symbolises this encounter through the pleated dial and the off-centre aesthetic of its design.

The “One of not many” campaign presented in 2018 showcases talents whose personality and work express the constant quest for excellence, openness to the world and the spirit of innovation and creation characterising Vacheron Constantin. Singular, visionary and passionate, they are recognised experts in their own field, thereby also reflecting the concept of connoisseurs.

About Yiqing Yin

A graduate of ENSAD (École Nationale Supérieure des Arts Décoratifs de Paris), Yiqing Yin was awarded the Grand Prix de la Création de la Ville de Paris in 2009. Following the Hyères International Fashion Festival in 2010, her dreamy creations were staged in the windows of the Ministry of Culture, at the Chaillot National Theatre and then at the prestigious Joyce Gallery. In June 2011, she won the ANDAM (Association Nationale pour le Développement des Arts de la Mode/ANDAM Fashion Award Paris) and held her first runway showing during the Haute Couture Paris Fashion Week. That same year, Yiqing Yin was one of eight young “designers to watch” selected by the French edition of Vogue. In 2013, Maison Léonard appointed the young designer to head its ready-to-wear collections. Yiqing Yin also works with prestigious brands such as Cartier, Guerlain, Hermès, Swarovski and Lancôme.

Since 2012, Maison Yiqing Yin has been officially included in the Fédération Française de la Couture official calendar as a guest member. In December 2015, the Fédération Française de la Mode rewarded her work through the attribution of the Haute Couture appellation.

As a complete artist, Yiqing Yin also explores other artistic worlds. In 2013, at the invitation of the Venice Biennale, she created the artwork In-Between. For her Blooming Ashes collection, she combined fabric with light in the Stellar dress, in collaboration with sculptor Bastien Carré. She has also worked in the world of dance by designing the stage costumes of the étoile ballet dancers Dorothée Gilbert and Mathieu Ganio for Tristan and Iseult, directed by Giorgio Mancini.

Yiqing Yin has been regularly invited to participate in art exhibitions around the world for several years. The exhibition titled “A world of Feathers” staged at the Museum of Ethnography in Stockholm; the “Haute Dentelle” exhibition at the Cité de la Dentelle in Calais; as well as the “Animalia Fashion” exhibition at Palazzo Pitti in Florence, are just some of the many events where she presents the major pieces of her Haute Couture collections. She was also a guest of honour, exhibitor, lecturer and member of the jury at the Arts of Fashion Foundation Symposium held in the Asian Art Museum in San Francisco in December 2019. Finally, she is delighted to be working on a film project that will be released in the course of 2020.