Tag Archive for: Collection

BUGATTI Eyewear

BUGATTI and legendary optical designer larry sands launch the first-ever Bugatti eyewear collection

Launched at a prestigious private event at the hotel Principe di Savoia in Milan, Italy, Collection One brings together the essence of the Bugatti brand as the pinnacle in automobile luxury, performance and design with the genius of Larry D. Sands, a freethinking pioneer in the optical fashion space.

The nine-style set comprising of 37 pieces available in different materials – including palladium, 925 sterling silver, carbon fiber and Macassar ebony – melds heritage with modernity, delivering a visual identity that is stimulated by past and present iconic Bugatti design languages but reinterpreted in contemporary optical aesthetic form that embodies the world of tomorrow. Taking inspiration from Ettore Bugatti’s vision – “If comparable, it is no longer Bugatti” – Collection One successfully captures and transfers Bugatti’s core values into exclusive eyewear pieces that are at the vanguard of fashion, creating desirable and luxurious accessories. Such hallmarks can only be envisioned, formed and then fully realized by a true leader in their respected field, which is why Bugatti sought to collaborate with the very best when launching its new eyewear collection.

To state that Larry is a trendsetter in the optical fashion world would be an understatement; his career, spanning over 60 years, is legendary, having helped shape, create and execute an incredibly wide range of eyewear pieces and collections for the leading fashion houses and eyewear brands.

“When I got the call from Bugatti, I was a little surprised, but to be approached by the world’s most powerful and luxurious auto manufacturer, to create their eyewear, was an honor,” he said. “Everything I do is unexpected, and Bugatti Eyewear is some of my most unexpected work yet. Expectation is the enemy of creativity.”

The creative synthesis between Larry and Bugattito create eyewear that stands true to Ettore’s vision took two years to complete. Harnessing the alchemy that can be brought to the fore when two pioneering visionaries work together, Collection One goes beyond current design norms and boundaries.

Materials and manufacturing techniques never seen before in the eyewear industry were developed and employed to create Collection One. Each piece is meticulously crafted in Japan, from solid 925 sterling silver trim with genuine 18k gold and palladium; the most expensive materials in the world.

The use of Positive Vapor Deposition (PVD) – a process in which a solid material is vaporized in a vacuum and deposited onto the surface of the product – is another key breakthrough for the eyewear industry that’s been first successfully employed during the creation of Collection One. The PVD acts as a Diamond Like Coating, a surface that is highly resistant to wear and is also used throughout the development and production of Bugatti automobiles.

The use of carbon fiber and Macassar ebony is another impeccable design iteration that pays homage to Bugatti’s automobiles, as does the use of the famed red enamel Macaron. An intricate custom wirecore, developed in sheets to mirror the timeless grill pattern that adorns each Bugatti hyper sports car’s horseshoe radiator, forms an exquisite fusion of the ‘then’ and ‘now’ on each of the 37 examples.

Wiebke Ståhl, Managing Director of Bugatti International, added: “The decision to partner with such an auspicious, revered and experienced artist as Larry Sands is testament to our shared design ideals and vision for outstanding quality to achieve truly iconic products. Creating this new luxury eyewear is also key to our portfolio as it closes a strategic gap in Bugattis diversified brand lifestyle collection; I couldn’t be more excited to finally launch our new Bugatti Eyewear!”

Collection One was showcased at the MIDO Optical Trade Show on February 4 2023 in Milan, Italy, and will be available in highly exclusive boutiques. Retail prices from $1,295 to $15,000. Further information will be available soon on www.bugattieyewear.com.

More Info: Jean Bugatti

The new High Jewelry collection, Dior Print

The Dior Print high jewelry collection was presented at an exceptional event on June 4 at the Grand Hotel Timeo in Taormina, Sicily. Its 137 pieces -by Victoire de Castellane- sublimely celebrate the art of haute couture through a poetic gala.

Giving a third dimension to the power of prints and patterns, these precious creations were revealed alongside haute couture silhouettes imagined by Maria Grazia Chiuri through a dreamlike double staging. During the cocktail, lively paintings inspired by antiquity highlighted the long white dresses that reinvent the peplum technique.

The dinner was followed by a magical parade in which trompe l’oeil velvet and embroideries that evoke lace and guipure animated daring models. The enchanting show was a true blend of Parisian chic with Italian dolce vita.

Having long wished to “draw prints on jewelry,” Victoire de Castellane brings the idea to life. Liberty prints, checks, stripes, and tie-dye are among the ultra-precious motifs in the Dior Print high jewelry collection, comprising 137 joyful, virtuoso pieces that seem to swirl like a haute couture gown. After exploring lace in Dior Dior Dior in 2018, textile dye effects in Tie & Dior in 2020, and braids in Galons Dior in January 2022, Victoire de Castellane opens a new chapter in the history of Dior high jewelry, whose collections always build on preceding storylines.

While Couture remains an endless source of inspiration for the House, it is with matchless audacity that the new Dior Print borrows its designs. The whimsical concept – transposing the motif of a two-dimensional fabric onto three-dimensional jewelry – gave rise to 35 “printed” parures adorned with checks and stripes, tie-dye color gradations, geometric motifs and Liberty prints that mesmerize while their extreme fluidity caresses the skin like a silky breeze.

Each print motif is conceived like fabric in miniature, with the couturier’s hand apparent in seemingly crisp-cut earrings, ribbon-like undulations forming chokers and plastrons, and floral embellishments transposed into rings and necklaces. Not to mention cushion-like volumes that are mastered to perfection on flamboyant drop earrings, pendants and sensual, voluminous cufflinks. The color associations in which Dior excels play an essential role in highlighting each piece’s motifs. The Dior Print collection stands out for the realism of its prints, which are literally transcended by the beauty of the stones used and the exceptional savoir-faire of the Parisian ateliers in which they are made.

In order for the motifs to translate to jewelry’s reduced scale, the jewelers adjusted both the types of setting and the density of gem placement. “When ribbons undulate, the print must follow,” Victoire de Castellane stipulated. To ensure that the checks and stripes perfectly match the movement and contours of each jewel, special attention was given to relief and perspective. “As with couture, it’s a process that requires a series of adjustments. The work is all the more precise due to the settings’ curved surfaces, which distort prints and lines,» notes the Creative Director of Dior Joaillerie. Showing extraordinary mastery, the 137 pieces in the Dior Print collection beckon French high jewelry down paths that are as dazzling as they are unexpected: for the masterpiece parure, Victoire de Castellane brings together floral prints and stripes. The necklace — an interlacing of multicolored ribbons in three colors of gold — is a technical feat. To create its articulated links, master jewelers borrowed a specialized savoir-faire from watchmaking, while the mashup of printed motifs brimming with multicolored gems is nothing less than spectacular. In the same spirit, Dior mixes flowers and stripes with bold gems on jewels emblematic for the originality of their style, such as a necklace in noble metal worked like fabric, a ravishing 11.92-carat Colombian emerald nestled in its folds.

DIOR PRINT In the family of check motifs, Dior reinterprets navy in sapphires and diamonds. From this classically masculine print, Victoire de Castellane coaxes out the essence of truly feminine chic, for example on a ribbon necklace adorned with an extraordinary 12.07-carat Madagascar sapphire, a double ring set with a nearly six-carat Ceylon sapphire, or drop earrings whose edges appear sliced clean, as if snipped with scissors. Elsewhere, stripes mingle with flowers whose petals are striated with pink, violet and blue sapphires, white diamonds, and mauve amethysts on rings, necklaces, earrings and an eye-catching secret watch. The color and quality of center stones appear enhanced, such as a 8.02-carat lilac sapphire from Madagascar on the pistil of the Dior Print Emerald necklace. Floral motifs, meanwhile, are magnified by a ruby, spinel and yellow diamond Liberty print embellishing white gold braiding as well as pendants and rings with cushion-cut gems. Among the jewels in this ensemble, Victoire de Castellane designed two ribbon necklaces that enlace the neck: one illuminates its wearer with a marvelous 10.05-carat cushion-cut D Flawless white diamond.

The other features a dazzling 3.04-carat Fancy Vivid yellow diamond. In a less figurative register, Dior Print celebrates abstract motifs that bring a new energy to classic high jewelry parures. In a “crazy tossing of stones,” the Creative Director of Dior Joaillerie turns a tangle of different-sized diamonds into a random, graphic – and highly beautiful – symphony of rings, cuffs and asymmetrical necklaces. Among the most spectacular are a 11.58-carat D Flawless pear diamond, a 14.66 carat Burmese sapphire, and a 10.27 carat ruby from Mozambique. Gems of character for a collection with an outsized personality. And for which the high jewelry workshops of Paris have

CHOPARD

Red Carpet Collection

A jewellery ‘Paradise’

It is a uniquely magical moment, the most glamorous event of the year. For the Cannes Festival, which Chopard has been officially partnering since 1998, the Maison’s workshops annually rise to a new pinnacle of creativity by reinventing the miracle of the Red Carpet Collection.

A stunning demonstration of jewellery-making prowess lighting up a lifelong passion for the cinema and paying tribute to the actresses who embody its radiant energy during the legendary ascent of the staircase. With the opening of the Cannes Festival on 6 July 2021, Chopard’s Co-President and Artistic Director, Caroline Scheufele, is unveiling all 74 creations composing this collection, themed around a fabulous haven of fantasy. Paradise expresses all the dreamy richness of which Caroline Scheufele is capable, flinging wide open the doors to the palaces of the imagination.

Theatre of dreams

Each piece of jewellery stems from an emotion, each culminating from an idea in a creation. Then comes the sketch, the mosaic of precious stones, colours like destinations, and a wild desire to share. For the opening of the Cannes Festival  (6 to 17 July) , Caroline Scheufele is unveiling the traditional Red Carpet Collection.. A creative universe whose texture and density unfold in the dazzling landscape of her imagination. Like a director, this keen film-lover orchestrates each of her collections around a real narrative, a master canvas within which her creations come to life and give substance to her vision.

Paradise, a haven of marvels

The Paradise-themed Red Carpet Collection 2021 takes us into a universe dear to the Maison: that of unspoilt, generous and sublime nature. A dreamlike and fertile place, permanently accessible to everyone, free to imagine its contours and to go there to recharge their batteries as they please. A ‘Paradise’ to be found within oneself, according to one’s imagination and desires. A realm of all possibilities.

When instilling a baroque, fanciful spirit into the Collection, Caroline Scheufele drew inspiration from the lush nature of the mythological or real places populating her fantasy repertoire. A bountiful Garden of Eden, where precious stones are picked like berries, where plants and an

imals offer their songs and spectacular colours; a secret landmark, like the island of Pantelleria, where the telluric depth of the volcanic rocks is reflected in the crystalline transparency of the waters where Caroline Scheufele loves to immerse her gaze; or a supernatural, vision of nature resembling that of the fantasy film Avatar, a metaphorical space in which to find refuge, to escape the hostility of reality and to find a new lease on life.

Among the countless references enlivening Caroline Scheufele’s majestic world, the Artistic Director has brilliantly enlisted a whole range of creative resources. She explained: “The Red Carpet Collection always gives me the opportunity to give free rein to my creativity and this year I was inspired by the idea of Paradise: I wanted our creations to invite women on a journey towards a comforting haven, an imaginary world brimming with dreams and optimism.” She continued: “There are various ways of envisaging one’s personal Paradise and I have tried to give life to these multiple worlds within the Red Carpet Collection through creations honouring fauna, flora and the finest gemstones, as well as by designing jewellery that is part of the fantasy of movies.”

“The Red Carpet Collection is a jewellery masterpiece made possible by the skill of all the artisans who pool their talents in our Haute Joaillerie ateliers. Each of these creations is a work of art in itself.

Chopard, sculptor of wonders

Among the Chopard Haute Joaillerie collections, Red Carpet is the one that embodies the ultimate dazzlement, nourished by Caroline Scheufele’s curious and lively view of the world. This collection also highlights the extraordinary work of the Artisans who exercise their skills in Chopard’s Haute Joaillerie’s Geneva workshops, the largest in Switzerland. From design to volume, from goldsmithing to gemsetting craftsmanship, these Artisans combine their talents in giving life to this collection of 74 creations corresponding to the number of years since the Cannes Festival first began.

Each year, the challenge of creating a collection of this magnitude in the same workshop is taken up by the Artisans, who apply their own genius and expertise to each creation. In this respect, the Red Carpet Collection symbolises the quintessence of classic jewellery-making expertise and carefully preserved tradition, nurtured by a fresh eye and a genuine avant-garde spirit. It is in this commitment of heart and mind, expressed through the nobility of hand craftsmanship, that the emotion of this new collection unfolds, impelled by the fertile spirit of fabulous odysseys.