Tag Archive for: Collection

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Sotheby’s Hong Kong Presents the Most Significant Chinese Works of Art Sale Series to Take Place in the Last Decade

Sotheby’s Hong Kong Presents the Most Significant Chinese Works of Art Sale Series to Take Place in the Last Decade

Hong Kong
Convergence of the Finest Private Collections from the World’s Greatest Chinese Art Collectors
Dr Wou Kiuan, Mr Joseph Lau & Sir Joseph Hotung, and more

(Left to Right)

The Private Collection of Joseph Lau
A Fine Blue and White ‘Lotus Scroll’ Vase, Meiping, Ming Dynasty, Yongle Period
Est: HK$ 25 – 35 million / US$ 3.2 – 4.5 million

The Dr Wou Kiuan Collection
A Magnificent Ruby-Ground Yangcai ‘Trigrams’ Reticulated Vase,
Seal Mark and Period of Qianlong
Est: HK$ 60 – 120 million / US$ 7.6 – 15.3 million

The Personal Collection of the late Sir Joseph Hotung
A Unique and Highly Important Moulded Blue and White Barbed ‘Fish’ Charger, Yuan Dynasty
Est: HK$ 30 – 50 million / US$ 3.8 – 6.4 million

Auction: 8 – 9 October 2022

This October, Sotheby’s Hong Kong presents the most significant Chinese Works of Art sale series with the convergence of the finest private collections from the world’s greatest Chinese art collectors including Dr Wou Kiuan, Mr Joseph Lau and Sir Joseph Hotung. The star lot of this season is a Magnificent Ruby-Ground yangcai ‘Trigrams’ Reticulated Vase from the Qianlong period (Est: HK$ 60 – 120 million / US$ 7.6 – 15.3 million) from the Dr Wou Kiuan Collection Part II, a carefully curated sale presenting six masterpieces from the 18th century. The collection of Joseph Lau, comprising 11 imperial gems, occupies pride of place among the very finest ever assembled in the field. At the heart of Sir Joseph Hotung’s personal collection is an array of masterpieces which charts many of the peaks in China’s long history, from the Neolithic Period to the Qing dynasty. Adding to this season’s strong line-up of renowned private collections are a selection of Ming and Qing jades from the collection of Victor Shaw and a group of archaic artworks from an important Japanese collection.

This Autumn sale series marks a once-in-a lifetime opportunity for collectors and enthusiasts of Chinese art. Very rarely will you see such a superlative line-up from the world’s most celebrated Chinese art collections. We will be offering fresh to market masterpieces in almost each and every field of Chinese art and this is possibly the most anticipated sale series Sotheby’s has ever hosted.

NICOLAS CHOW, CHAIRMAN, ASIA AND CHAIRMAN, CHINESE WORKS OF ART

These illustrious private collections not only showcase the impeccable taste, vision and passion of this century’s most influential Chinese art collectors, but also offer a window to the extraordinary depth and breadth of Chinese art forms.

XIBO WANG, HEAD OF DEPARTMENT OF CHINESE CERAMICS AND WORKS OF ART

A Journey Through China’s History: The Dr Wou Kiuan Collection Part II

Following on from the success of Part I in New York in March and the record-breaking first Hong Kong chapter in April, the carefully curated sale presents six masterpieces from the 18th century showcasing the unparalleled technical mastery in the imperial kilns in Jingdezhen, including a group of enamelled porcelains formerly from the Fonthill heirlooms which have not surfaced the market in around half a century. Highlights include a Qianlong magnificent and possibly unique ruby-ground yangcai ‘trigrams’ reticulated vase, corroborated by the court archives to have been made either in 1743 or immediately thereafter. The vase is a tangible testament to the unprecedented and unparalleled culmination of technical virtuosity in porcelain production between 1741 and 1743, fuelled by an imperial reprimand from the Qianlong Emperor. (Catalogue essay available upon request)

A MAGNIFICENT RUBY-GROUND YANGCAI ‘TRIGRAMS’ RETICULATED VASE,
SEAL MARK AND PERIOD OF QIANLONG
H. 31 CM
EST: HK$ 60,000,000 – 120,000,000 / US$ 7,644,000 – 15,287,000

Another highlight also endowed with the Fonthill provenance is a magnificent pair of yangcai ‘butterfly’ vases superbly enamelled on a bright pink ground in a manner imbued with Western influences and fired to perfection.

A MAGNIFICENT PAIR OF YANGCAI ‘BUTTERFLY’ VASES,
SEAL MARKS AND PERIOD OF QIANLONG
H. 47 CM
EST: HK$ 40,000,000 – 60,000,000 / US$ 5,096,000 – 7,644,000

Gems of Imperial Porcelain from the Private Collection of Joseph Lau Part II

The name Joseph Lau resonates with collectors around the globe and it is one that stands for excellence. Chinese art stands at the genesis of Joseph Lau’s adventure with art and it is on Chinese art that he cut his exacting eye before expanding his horizons. Lau assembled one of the finest collections of Chinese porcelain ever, articulated around masterpieces, each representative of the best of a certain period and type, and handpicked from the most prestigious collections.

This season’s offerings include a very fine blue and white porcelain dating from the Yongle period in the early 15th century, the pinnacle of underglaze-blue decorated wares and a period much celebrated for imperial patronage in the arts.

A FINE BLUE AND WHITE ‘LOTUS SCROLL’ VASE, MEIPING,
MING DYNASTY, YONGLE PERIOD
31.4 CM
EST: HK$ 25,000,000 – 35,000,000 / US$ 3,185,000 – 4,459,000

This meiping decorated with a lotus scroll is remarkably elegant in its potting and represents the epitome of that classic shape. Similar examples are known in the palace museums in Beijing and Taipei as well as in the Middle Eastern Royal collections of the Ottoman sultans which attest to their universal appeal and high status.

A FINE AND OUTSTANDING DOUCAI AND FAMILLE-ROSE ‘SANDUO’ MOONFLASK,
SEAL MARK AND PERIOD OF QIANLONG
31.3 CM
EST: HK$ 20,000,000 – 30,000,000 / US$ 2,548,000 – 3,822,000

This magnificent circular flask brilliantly enamelled with fruit represents a particularly ambitious and unusual combination of the doucai and fencai schemes, which brings out the ripe fruit. The present example is superior in all aspects, from the quality of the painting, richness of the cobalt, clarity of the glaze to its pristine condition.

Hotung: The Personal Collection of the late Sir Joseph Hotung

The late Sir Joseph Hotung (1930-2021) was respected and revered in the art world for his jade collection and for his philanthropy. What is much less known is his discriminating eye for the quality and design, and the personal collection formed at his house in London as a backdrop to his life – seen only by a privileged few. The series of dedicated sales begin in Hong Kong with a focus on the Chinese masterpieces in his collection and are divided into Evening and Day sales. The works on offer, ranging from Neolithic jades and bronzes from Shang – Han dynasties to Ming dynasty furniture and modern Chinese paintings, each represent the most sought-after of their period and type. Highlights include a unique and highly important moulded blue and white barbed ‘fish’ charger from the Yuan dynasty and an important and outstanding bronze male chimera, bixie, from the Han dynasty, the latter endowed with a prestigious provenance and illustration history tracing back to as early as the 1920s in Paris.

A UNIQUE AND HIGHLY IMPORTANT MOULDED BLUE AND WHITE BARBED ‘FISH’ CHARGER,
YUAN DYNASTY
47.8 CM
EST: HK$ 30,000,000 – 50,000,000 / US$ 3,822,000 – 6,370,000

This dish is unique and was done with an attention to detail that is exceptional even among this rare group of relief-moulded dishes of the Yuan dynasty. Not only is its relief decoration extraordinarily crisp and detailed, but the popular fish design is here also rendered in a highly individual manner that knows few close comparisons. It is a masterpiece that combines the best and rarest Yuan blue-and-white styles.

AN IMPORTANT AND OUTSTANDING BRONZE MALE CHIMERA, BIXIE,
HAN DYNASTY
L. 27 CM, H. 18 CM
EST: HK$ 6,000,000 – 8,000,000 / US$ 764,500 – 1,019,000

This Han dynasty bronze chimera, powerfully rendered with vitality and strength, is a tour de force of Chinese bronzes at their peak. In addition to the prestigious Stoclet provenance, the sculpture’s publication and exhibition history can be traced back to as early as the first half of the 20th century, setting it apart from other archaic bronzes in private hands and even the most important museum examples.

Important Chinese Art including Jades from the Victor Shaw Collection

The Important Chinese Art auction presents a tightly curated sale including masterworks spanning five millennia, from the Neolithic period through to the Qing dynasty. Highlights include an extremely rare Qianlong period chenxiang mirror ‘raree’ cabinet and a Shang dynasty marble frog.

The ‘raree’ box, possibly commissioned in the 17th year (1752), is set with a mirror flanked by two circular holes through which the Qianlong Emperor would have peeped through to view painted pictures, one of which being his most poignant and enigmatically titled double-portrait, ‘One or Two?’ The powerfully carved box cabinet not only showcases the influence of Western mechanism in 18th century court in China, but is possibly the only example known to be employed by the Qianlong Emperor to ponder on the nuances between the literal reflection of the self and self-identity.

AN IMPORTANT AND SUPERBLY CARVED IMPERIAL CHENXIANGMU MIRROR ‘RAREE’ CABINET,
QING DYNASTY, QIANLONG PERIOD,
POSSIBLY COMMISSIONED IN THE 17TH YEAR (1752)
75.5 BY 16 BY H. 66 CM
EST: HK$ 5,000,000 – 8,000,000 / US$ 637,000 – 1,019,000

The Shang dynasty marble frog belongs to a very rare group of marble carvings marking the dawn of Chinese sculpture. Ever so skilfully and minimalistically carved, the sculpture has truly stood the test of time in its timeless aesthetic. Also from the same important Japanese collection as the marble frog is a group of archaic artworks, including a splendidly decorated gold and silver inlaid sword-hilt, also not seen on the market for over 30 years.

AN OUTSTANDING CARVED MARBLE RECUMBENT FROG,
SHANG DYNASTY
25.3 BY 15.4 BY H. 12.5 CM
EST: HK$ 3,000,000 – 4,000,000 / US$ 382,000 – 509,600
AN EXCEPTIONAL AND RARE GOLD AND SILVER-INLAID BRONZE SWORD HILT,
LATE EASTERN ZHOU – EARLY WESTERN HAN DYNASTY
17.5 CM
EST: HK$ 1,500,000 – 2,000,000 / US$ 191,000 – 255,000

The sale also includes a carefully selected group of Ming – Qing jades from the collection of Victor Shaw (1935-2020), who was renowned not only for his discerning eye but also his philanthropic pursuits.

A RARE WHITE JADE ‘GARDEN AND LADY’ OPENWORK BOULDER,
QING DYNASTY, QIANLONG PERIOD
H. 10.8 CM
EST: HK$ 700,000 – 900,000 / US$ 89,000 – 115,000
A WHITE JADE ARCHAISTIC ‘DUCK AND LOTUS’ GROUP,
QING DYNASTY, 18TH CENTURY
13.8 CM
EST: HK$ 500,000 – 600,000 / US$ 63,700 – 76,500FOTOGRAPHY & TEXT “Courtesy Sotheby’s”.

 

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Sotheby’s Hong Kong Presents the Most Significant Chinese Works of Art Sale Series to Take Place in the Last Decade

Sotheby’s Hong Kong Presents the Most Significant Chinese Works of Art Sale Series to Take Place in the Last Decade

Hong Kong
Convergence of the Finest Private Collections from the World’s Greatest Chinese Art Collectors
Dr Wou Kiuan, Mr Joseph Lau & Sir Joseph Hotung, and more

(Left to Right)

The Private Collection of Joseph Lau
A Fine Blue and White ‘Lotus Scroll’ Vase, Meiping, Ming Dynasty, Yongle Period
Est: HK$ 25 – 35 million / US$ 3.2 – 4.5 million

The Dr Wou Kiuan Collection
A Magnificent Ruby-Ground Yangcai ‘Trigrams’ Reticulated Vase,
Seal Mark and Period of Qianlong
Est: HK$ 60 – 120 million / US$ 7.6 – 15.3 million

The Personal Collection of the late Sir Joseph Hotung
A Unique and Highly Important Moulded Blue and White Barbed ‘Fish’ Charger, Yuan Dynasty
Est: HK$ 30 – 50 million / US$ 3.8 – 6.4 million

Auction: 8 – 9 October 2022

This October, Sotheby’s Hong Kong presents the most significant Chinese Works of Art sale series with the convergence of the finest private collections from the world’s greatest Chinese art collectors including Dr Wou Kiuan, Mr Joseph Lau and Sir Joseph Hotung. The star lot of this season is a Magnificent Ruby-Ground yangcai ‘Trigrams’ Reticulated Vase from the Qianlong period (Est: HK$ 60 – 120 million / US$ 7.6 – 15.3 million) from the Dr Wou Kiuan Collection Part II, a carefully curated sale presenting six masterpieces from the 18th century. The collection of Joseph Lau, comprising 11 imperial gems, occupies pride of place among the very finest ever assembled in the field. At the heart of Sir Joseph Hotung’s personal collection is an array of masterpieces which charts many of the peaks in China’s long history, from the Neolithic Period to the Qing dynasty. Adding to this season’s strong line-up of renowned private collections are a selection of Ming and Qing jades from the collection of Victor Shaw and a group of archaic artworks from an important Japanese collection.

This Autumn sale series marks a once-in-a lifetime opportunity for collectors and enthusiasts of Chinese art. Very rarely will you see such a superlative line-up from the world’s most celebrated Chinese art collections. We will be offering fresh to market masterpieces in almost each and every field of Chinese art and this is possibly the most anticipated sale series Sotheby’s has ever hosted.

NICOLAS CHOW, CHAIRMAN, ASIA AND CHAIRMAN, CHINESE WORKS OF ART

These illustrious private collections not only showcase the impeccable taste, vision and passion of this century’s most influential Chinese art collectors, but also offer a window to the extraordinary depth and breadth of Chinese art forms.

XIBO WANG, HEAD OF DEPARTMENT OF CHINESE CERAMICS AND WORKS OF ART

A Journey Through China’s History: The Dr Wou Kiuan Collection Part II

Following on from the success of Part I in New York in March and the record-breaking first Hong Kong chapter in April, the carefully curated sale presents six masterpieces from the 18th century showcasing the unparalleled technical mastery in the imperial kilns in Jingdezhen, including a group of enamelled porcelains formerly from the Fonthill heirlooms which have not surfaced the market in around half a century. Highlights include a Qianlong magnificent and possibly unique ruby-ground yangcai ‘trigrams’ reticulated vase, corroborated by the court archives to have been made either in 1743 or immediately thereafter. The vase is a tangible testament to the unprecedented and unparalleled culmination of technical virtuosity in porcelain production between 1741 and 1743, fuelled by an imperial reprimand from the Qianlong Emperor. (Catalogue essay available upon request)

A MAGNIFICENT RUBY-GROUND YANGCAI ‘TRIGRAMS’ RETICULATED VASE,
SEAL MARK AND PERIOD OF QIANLONG
H. 31 CM
EST: HK$ 60,000,000 – 120,000,000 / US$ 7,644,000 – 15,287,000

Another highlight also endowed with the Fonthill provenance is a magnificent pair of yangcai ‘butterfly’ vases superbly enamelled on a bright pink ground in a manner imbued with Western influences and fired to perfection.

A MAGNIFICENT PAIR OF YANGCAI ‘BUTTERFLY’ VASES,
SEAL MARKS AND PERIOD OF QIANLONG
H. 47 CM
EST: HK$ 40,000,000 – 60,000,000 / US$ 5,096,000 – 7,644,000

Gems of Imperial Porcelain from the Private Collection of Joseph Lau Part II

The name Joseph Lau resonates with collectors around the globe and it is one that stands for excellence. Chinese art stands at the genesis of Joseph Lau’s adventure with art and it is on Chinese art that he cut his exacting eye before expanding his horizons. Lau assembled one of the finest collections of Chinese porcelain ever, articulated around masterpieces, each representative of the best of a certain period and type, and handpicked from the most prestigious collections.

This season’s offerings include a very fine blue and white porcelain dating from the Yongle period in the early 15th century, the pinnacle of underglaze-blue decorated wares and a period much celebrated for imperial patronage in the arts.

A FINE BLUE AND WHITE ‘LOTUS SCROLL’ VASE, MEIPING,
MING DYNASTY, YONGLE PERIOD
31.4 CM
EST: HK$ 25,000,000 – 35,000,000 / US$ 3,185,000 – 4,459,000

This meiping decorated with a lotus scroll is remarkably elegant in its potting and represents the epitome of that classic shape. Similar examples are known in the palace museums in Beijing and Taipei as well as in the Middle Eastern Royal collections of the Ottoman sultans which attest to their universal appeal and high status.

A FINE AND OUTSTANDING DOUCAI AND FAMILLE-ROSE ‘SANDUO’ MOONFLASK,
SEAL MARK AND PERIOD OF QIANLONG
31.3 CM
EST: HK$ 20,000,000 – 30,000,000 / US$ 2,548,000 – 3,822,000

This magnificent circular flask brilliantly enamelled with fruit represents a particularly ambitious and unusual combination of the doucai and fencai schemes, which brings out the ripe fruit. The present example is superior in all aspects, from the quality of the painting, richness of the cobalt, clarity of the glaze to its pristine condition.

Hotung: The Personal Collection of the late Sir Joseph Hotung

The late Sir Joseph Hotung (1930-2021) was respected and revered in the art world for his jade collection and for his philanthropy. What is much less known is his discriminating eye for the quality and design, and the personal collection formed at his house in London as a backdrop to his life – seen only by a privileged few. The series of dedicated sales begin in Hong Kong with a focus on the Chinese masterpieces in his collection and are divided into Evening and Day sales. The works on offer, ranging from Neolithic jades and bronzes from Shang – Han dynasties to Ming dynasty furniture and modern Chinese paintings, each represent the most sought-after of their period and type. Highlights include a unique and highly important moulded blue and white barbed ‘fish’ charger from the Yuan dynasty and an important and outstanding bronze male chimera, bixie, from the Han dynasty, the latter endowed with a prestigious provenance and illustration history tracing back to as early as the 1920s in Paris.

A UNIQUE AND HIGHLY IMPORTANT MOULDED BLUE AND WHITE BARBED ‘FISH’ CHARGER,
YUAN DYNASTY
47.8 CM
EST: HK$ 30,000,000 – 50,000,000 / US$ 3,822,000 – 6,370,000

This dish is unique and was done with an attention to detail that is exceptional even among this rare group of relief-moulded dishes of the Yuan dynasty. Not only is its relief decoration extraordinarily crisp and detailed, but the popular fish design is here also rendered in a highly individual manner that knows few close comparisons. It is a masterpiece that combines the best and rarest Yuan blue-and-white styles.

AN IMPORTANT AND OUTSTANDING BRONZE MALE CHIMERA, BIXIE,
HAN DYNASTY
L. 27 CM, H. 18 CM
EST: HK$ 6,000,000 – 8,000,000 / US$ 764,500 – 1,019,000

This Han dynasty bronze chimera, powerfully rendered with vitality and strength, is a tour de force of Chinese bronzes at their peak. In addition to the prestigious Stoclet provenance, the sculpture’s publication and exhibition history can be traced back to as early as the first half of the 20th century, setting it apart from other archaic bronzes in private hands and even the most important museum examples.

Important Chinese Art including Jades from the Victor Shaw Collection

The Important Chinese Art auction presents a tightly curated sale including masterworks spanning five millennia, from the Neolithic period through to the Qing dynasty. Highlights include an extremely rare Qianlong period chenxiang mirror ‘raree’ cabinet and a Shang dynasty marble frog.

The ‘raree’ box, possibly commissioned in the 17th year (1752), is set with a mirror flanked by two circular holes through which the Qianlong Emperor would have peeped through to view painted pictures, one of which being his most poignant and enigmatically titled double-portrait, ‘One or Two?’ The powerfully carved box cabinet not only showcases the influence of Western mechanism in 18th century court in China, but is possibly the only example known to be employed by the Qianlong Emperor to ponder on the nuances between the literal reflection of the self and self-identity.

AN IMPORTANT AND SUPERBLY CARVED IMPERIAL CHENXIANGMU MIRROR ‘RAREE’ CABINET,
QING DYNASTY, QIANLONG PERIOD,
POSSIBLY COMMISSIONED IN THE 17TH YEAR (1752)
75.5 BY 16 BY H. 66 CM
EST: HK$ 5,000,000 – 8,000,000 / US$ 637,000 – 1,019,000

The Shang dynasty marble frog belongs to a very rare group of marble carvings marking the dawn of Chinese sculpture. Ever so skilfully and minimalistically carved, the sculpture has truly stood the test of time in its timeless aesthetic. Also from the same important Japanese collection as the marble frog is a group of archaic artworks, including a splendidly decorated gold and silver inlaid sword-hilt, also not seen on the market for over 30 years.

AN OUTSTANDING CARVED MARBLE RECUMBENT FROG,
SHANG DYNASTY
25.3 BY 15.4 BY H. 12.5 CM
EST: HK$ 3,000,000 – 4,000,000 / US$ 382,000 – 509,600
AN EXCEPTIONAL AND RARE GOLD AND SILVER-INLAID BRONZE SWORD HILT,
LATE EASTERN ZHOU – EARLY WESTERN HAN DYNASTY
17.5 CM
EST: HK$ 1,500,000 – 2,000,000 / US$ 191,000 – 255,000

The sale also includes a carefully selected group of Ming – Qing jades from the collection of Victor Shaw (1935-2020), who was renowned not only for his discerning eye but also his philanthropic pursuits.

A RARE WHITE JADE ‘GARDEN AND LADY’ OPENWORK BOULDER,
QING DYNASTY, QIANLONG PERIOD
H. 10.8 CM
EST: HK$ 700,000 – 900,000 / US$ 89,000 – 115,000
A WHITE JADE ARCHAISTIC ‘DUCK AND LOTUS’ GROUP,
QING DYNASTY, 18TH CENTURY
13.8 CM
EST: HK$ 500,000 – 600,000 / US$ 63,700 – 76,500FOTOGRAPHY & TEXT “Courtesy Sotheby’s”.

 

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, , , , , ,

Sotheby’s Hong Kong Presents the Most Significant Chinese Works of Art Sale Series to Take Place in the Last Decade

Sotheby’s Hong Kong Presents the Most Significant Chinese Works of Art Sale Series to Take Place in the Last Decade

Hong Kong
Convergence of the Finest Private Collections from the World’s Greatest Chinese Art Collectors
Dr Wou Kiuan, Mr Joseph Lau & Sir Joseph Hotung, and more

(Left to Right)

The Private Collection of Joseph Lau
A Fine Blue and White ‘Lotus Scroll’ Vase, Meiping, Ming Dynasty, Yongle Period
Est: HK$ 25 – 35 million / US$ 3.2 – 4.5 million

The Dr Wou Kiuan Collection
A Magnificent Ruby-Ground Yangcai ‘Trigrams’ Reticulated Vase,
Seal Mark and Period of Qianlong
Est: HK$ 60 – 120 million / US$ 7.6 – 15.3 million

The Personal Collection of the late Sir Joseph Hotung
A Unique and Highly Important Moulded Blue and White Barbed ‘Fish’ Charger, Yuan Dynasty
Est: HK$ 30 – 50 million / US$ 3.8 – 6.4 million

Auction: 8 – 9 October 2022

This October, Sotheby’s Hong Kong presents the most significant Chinese Works of Art sale series with the convergence of the finest private collections from the world’s greatest Chinese art collectors including Dr Wou Kiuan, Mr Joseph Lau and Sir Joseph Hotung. The star lot of this season is a Magnificent Ruby-Ground yangcai ‘Trigrams’ Reticulated Vase from the Qianlong period (Est: HK$ 60 – 120 million / US$ 7.6 – 15.3 million) from the Dr Wou Kiuan Collection Part II, a carefully curated sale presenting six masterpieces from the 18th century. The collection of Joseph Lau, comprising 11 imperial gems, occupies pride of place among the very finest ever assembled in the field. At the heart of Sir Joseph Hotung’s personal collection is an array of masterpieces which charts many of the peaks in China’s long history, from the Neolithic Period to the Qing dynasty. Adding to this season’s strong line-up of renowned private collections are a selection of Ming and Qing jades from the collection of Victor Shaw and a group of archaic artworks from an important Japanese collection.

This Autumn sale series marks a once-in-a lifetime opportunity for collectors and enthusiasts of Chinese art. Very rarely will you see such a superlative line-up from the world’s most celebrated Chinese art collections. We will be offering fresh to market masterpieces in almost each and every field of Chinese art and this is possibly the most anticipated sale series Sotheby’s has ever hosted.

NICOLAS CHOW, CHAIRMAN, ASIA AND CHAIRMAN, CHINESE WORKS OF ART

These illustrious private collections not only showcase the impeccable taste, vision and passion of this century’s most influential Chinese art collectors, but also offer a window to the extraordinary depth and breadth of Chinese art forms.

XIBO WANG, HEAD OF DEPARTMENT OF CHINESE CERAMICS AND WORKS OF ART

A Journey Through China’s History: The Dr Wou Kiuan Collection Part II

Following on from the success of Part I in New York in March and the record-breaking first Hong Kong chapter in April, the carefully curated sale presents six masterpieces from the 18th century showcasing the unparalleled technical mastery in the imperial kilns in Jingdezhen, including a group of enamelled porcelains formerly from the Fonthill heirlooms which have not surfaced the market in around half a century. Highlights include a Qianlong magnificent and possibly unique ruby-ground yangcai ‘trigrams’ reticulated vase, corroborated by the court archives to have been made either in 1743 or immediately thereafter. The vase is a tangible testament to the unprecedented and unparalleled culmination of technical virtuosity in porcelain production between 1741 and 1743, fuelled by an imperial reprimand from the Qianlong Emperor. (Catalogue essay available upon request)

A MAGNIFICENT RUBY-GROUND YANGCAI ‘TRIGRAMS’ RETICULATED VASE,
SEAL MARK AND PERIOD OF QIANLONG
H. 31 CM
EST: HK$ 60,000,000 – 120,000,000 / US$ 7,644,000 – 15,287,000

Another highlight also endowed with the Fonthill provenance is a magnificent pair of yangcai ‘butterfly’ vases superbly enamelled on a bright pink ground in a manner imbued with Western influences and fired to perfection.

A MAGNIFICENT PAIR OF YANGCAI ‘BUTTERFLY’ VASES,
SEAL MARKS AND PERIOD OF QIANLONG
H. 47 CM
EST: HK$ 40,000,000 – 60,000,000 / US$ 5,096,000 – 7,644,000

Gems of Imperial Porcelain from the Private Collection of Joseph Lau Part II

The name Joseph Lau resonates with collectors around the globe and it is one that stands for excellence. Chinese art stands at the genesis of Joseph Lau’s adventure with art and it is on Chinese art that he cut his exacting eye before expanding his horizons. Lau assembled one of the finest collections of Chinese porcelain ever, articulated around masterpieces, each representative of the best of a certain period and type, and handpicked from the most prestigious collections.

This season’s offerings include a very fine blue and white porcelain dating from the Yongle period in the early 15th century, the pinnacle of underglaze-blue decorated wares and a period much celebrated for imperial patronage in the arts.

A FINE BLUE AND WHITE ‘LOTUS SCROLL’ VASE, MEIPING,
MING DYNASTY, YONGLE PERIOD
31.4 CM
EST: HK$ 25,000,000 – 35,000,000 / US$ 3,185,000 – 4,459,000

This meiping decorated with a lotus scroll is remarkably elegant in its potting and represents the epitome of that classic shape. Similar examples are known in the palace museums in Beijing and Taipei as well as in the Middle Eastern Royal collections of the Ottoman sultans which attest to their universal appeal and high status.

A FINE AND OUTSTANDING DOUCAI AND FAMILLE-ROSE ‘SANDUO’ MOONFLASK,
SEAL MARK AND PERIOD OF QIANLONG
31.3 CM
EST: HK$ 20,000,000 – 30,000,000 / US$ 2,548,000 – 3,822,000

This magnificent circular flask brilliantly enamelled with fruit represents a particularly ambitious and unusual combination of the doucai and fencai schemes, which brings out the ripe fruit. The present example is superior in all aspects, from the quality of the painting, richness of the cobalt, clarity of the glaze to its pristine condition.

Hotung: The Personal Collection of the late Sir Joseph Hotung

The late Sir Joseph Hotung (1930-2021) was respected and revered in the art world for his jade collection and for his philanthropy. What is much less known is his discriminating eye for the quality and design, and the personal collection formed at his house in London as a backdrop to his life – seen only by a privileged few. The series of dedicated sales begin in Hong Kong with a focus on the Chinese masterpieces in his collection and are divided into Evening and Day sales. The works on offer, ranging from Neolithic jades and bronzes from Shang – Han dynasties to Ming dynasty furniture and modern Chinese paintings, each represent the most sought-after of their period and type. Highlights include a unique and highly important moulded blue and white barbed ‘fish’ charger from the Yuan dynasty and an important and outstanding bronze male chimera, bixie, from the Han dynasty, the latter endowed with a prestigious provenance and illustration history tracing back to as early as the 1920s in Paris.

A UNIQUE AND HIGHLY IMPORTANT MOULDED BLUE AND WHITE BARBED ‘FISH’ CHARGER,
YUAN DYNASTY
47.8 CM
EST: HK$ 30,000,000 – 50,000,000 / US$ 3,822,000 – 6,370,000

This dish is unique and was done with an attention to detail that is exceptional even among this rare group of relief-moulded dishes of the Yuan dynasty. Not only is its relief decoration extraordinarily crisp and detailed, but the popular fish design is here also rendered in a highly individual manner that knows few close comparisons. It is a masterpiece that combines the best and rarest Yuan blue-and-white styles.

AN IMPORTANT AND OUTSTANDING BRONZE MALE CHIMERA, BIXIE,
HAN DYNASTY
L. 27 CM, H. 18 CM
EST: HK$ 6,000,000 – 8,000,000 / US$ 764,500 – 1,019,000

This Han dynasty bronze chimera, powerfully rendered with vitality and strength, is a tour de force of Chinese bronzes at their peak. In addition to the prestigious Stoclet provenance, the sculpture’s publication and exhibition history can be traced back to as early as the first half of the 20th century, setting it apart from other archaic bronzes in private hands and even the most important museum examples.

Important Chinese Art including Jades from the Victor Shaw Collection

The Important Chinese Art auction presents a tightly curated sale including masterworks spanning five millennia, from the Neolithic period through to the Qing dynasty. Highlights include an extremely rare Qianlong period chenxiang mirror ‘raree’ cabinet and a Shang dynasty marble frog.

The ‘raree’ box, possibly commissioned in the 17th year (1752), is set with a mirror flanked by two circular holes through which the Qianlong Emperor would have peeped through to view painted pictures, one of which being his most poignant and enigmatically titled double-portrait, ‘One or Two?’ The powerfully carved box cabinet not only showcases the influence of Western mechanism in 18th century court in China, but is possibly the only example known to be employed by the Qianlong Emperor to ponder on the nuances between the literal reflection of the self and self-identity.

AN IMPORTANT AND SUPERBLY CARVED IMPERIAL CHENXIANGMU MIRROR ‘RAREE’ CABINET,
QING DYNASTY, QIANLONG PERIOD,
POSSIBLY COMMISSIONED IN THE 17TH YEAR (1752)
75.5 BY 16 BY H. 66 CM
EST: HK$ 5,000,000 – 8,000,000 / US$ 637,000 – 1,019,000

The Shang dynasty marble frog belongs to a very rare group of marble carvings marking the dawn of Chinese sculpture. Ever so skilfully and minimalistically carved, the sculpture has truly stood the test of time in its timeless aesthetic. Also from the same important Japanese collection as the marble frog is a group of archaic artworks, including a splendidly decorated gold and silver inlaid sword-hilt, also not seen on the market for over 30 years.

AN OUTSTANDING CARVED MARBLE RECUMBENT FROG,
SHANG DYNASTY
25.3 BY 15.4 BY H. 12.5 CM
EST: HK$ 3,000,000 – 4,000,000 / US$ 382,000 – 509,600
AN EXCEPTIONAL AND RARE GOLD AND SILVER-INLAID BRONZE SWORD HILT,
LATE EASTERN ZHOU – EARLY WESTERN HAN DYNASTY
17.5 CM
EST: HK$ 1,500,000 – 2,000,000 / US$ 191,000 – 255,000

The sale also includes a carefully selected group of Ming – Qing jades from the collection of Victor Shaw (1935-2020), who was renowned not only for his discerning eye but also his philanthropic pursuits.

A RARE WHITE JADE ‘GARDEN AND LADY’ OPENWORK BOULDER,
QING DYNASTY, QIANLONG PERIOD
H. 10.8 CM
EST: HK$ 700,000 – 900,000 / US$ 89,000 – 115,000
A WHITE JADE ARCHAISTIC ‘DUCK AND LOTUS’ GROUP,
QING DYNASTY, 18TH CENTURY
13.8 CM
EST: HK$ 500,000 – 600,000 / US$ 63,700 – 76,500FOTOGRAPHY & TEXT “Courtesy Sotheby’s”.

 

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Sotheby’s Hong Kong Presents the Most Significant Chinese Works of Art Sale Series to Take Place in the Last Decade

Sotheby’s Hong Kong Presents the Most Significant Chinese Works of Art Sale Series to Take Place in the Last Decade

Hong Kong
Convergence of the Finest Private Collections from the World’s Greatest Chinese Art Collectors
Dr Wou Kiuan, Mr Joseph Lau & Sir Joseph Hotung, and more

(Left to Right)

The Private Collection of Joseph Lau
A Fine Blue and White ‘Lotus Scroll’ Vase, Meiping, Ming Dynasty, Yongle Period
Est: HK$ 25 – 35 million / US$ 3.2 – 4.5 million

The Dr Wou Kiuan Collection
A Magnificent Ruby-Ground Yangcai ‘Trigrams’ Reticulated Vase,
Seal Mark and Period of Qianlong
Est: HK$ 60 – 120 million / US$ 7.6 – 15.3 million

The Personal Collection of the late Sir Joseph Hotung
A Unique and Highly Important Moulded Blue and White Barbed ‘Fish’ Charger, Yuan Dynasty
Est: HK$ 30 – 50 million / US$ 3.8 – 6.4 million

Auction: 8 – 9 October 2022

This October, Sotheby’s Hong Kong presents the most significant Chinese Works of Art sale series with the convergence of the finest private collections from the world’s greatest Chinese art collectors including Dr Wou Kiuan, Mr Joseph Lau and Sir Joseph Hotung. The star lot of this season is a Magnificent Ruby-Ground yangcai ‘Trigrams’ Reticulated Vase from the Qianlong period (Est: HK$ 60 – 120 million / US$ 7.6 – 15.3 million) from the Dr Wou Kiuan Collection Part II, a carefully curated sale presenting six masterpieces from the 18th century. The collection of Joseph Lau, comprising 11 imperial gems, occupies pride of place among the very finest ever assembled in the field. At the heart of Sir Joseph Hotung’s personal collection is an array of masterpieces which charts many of the peaks in China’s long history, from the Neolithic Period to the Qing dynasty. Adding to this season’s strong line-up of renowned private collections are a selection of Ming and Qing jades from the collection of Victor Shaw and a group of archaic artworks from an important Japanese collection.

This Autumn sale series marks a once-in-a lifetime opportunity for collectors and enthusiasts of Chinese art. Very rarely will you see such a superlative line-up from the world’s most celebrated Chinese art collections. We will be offering fresh to market masterpieces in almost each and every field of Chinese art and this is possibly the most anticipated sale series Sotheby’s has ever hosted.

NICOLAS CHOW, CHAIRMAN, ASIA AND CHAIRMAN, CHINESE WORKS OF ART

These illustrious private collections not only showcase the impeccable taste, vision and passion of this century’s most influential Chinese art collectors, but also offer a window to the extraordinary depth and breadth of Chinese art forms.

XIBO WANG, HEAD OF DEPARTMENT OF CHINESE CERAMICS AND WORKS OF ART

A Journey Through China’s History: The Dr Wou Kiuan Collection Part II

Following on from the success of Part I in New York in March and the record-breaking first Hong Kong chapter in April, the carefully curated sale presents six masterpieces from the 18th century showcasing the unparalleled technical mastery in the imperial kilns in Jingdezhen, including a group of enamelled porcelains formerly from the Fonthill heirlooms which have not surfaced the market in around half a century. Highlights include a Qianlong magnificent and possibly unique ruby-ground yangcai ‘trigrams’ reticulated vase, corroborated by the court archives to have been made either in 1743 or immediately thereafter. The vase is a tangible testament to the unprecedented and unparalleled culmination of technical virtuosity in porcelain production between 1741 and 1743, fuelled by an imperial reprimand from the Qianlong Emperor. (Catalogue essay available upon request)

A MAGNIFICENT RUBY-GROUND YANGCAI ‘TRIGRAMS’ RETICULATED VASE,
SEAL MARK AND PERIOD OF QIANLONG
H. 31 CM
EST: HK$ 60,000,000 – 120,000,000 / US$ 7,644,000 – 15,287,000

Another highlight also endowed with the Fonthill provenance is a magnificent pair of yangcai ‘butterfly’ vases superbly enamelled on a bright pink ground in a manner imbued with Western influences and fired to perfection.

A MAGNIFICENT PAIR OF YANGCAI ‘BUTTERFLY’ VASES,
SEAL MARKS AND PERIOD OF QIANLONG
H. 47 CM
EST: HK$ 40,000,000 – 60,000,000 / US$ 5,096,000 – 7,644,000

Gems of Imperial Porcelain from the Private Collection of Joseph Lau Part II

The name Joseph Lau resonates with collectors around the globe and it is one that stands for excellence. Chinese art stands at the genesis of Joseph Lau’s adventure with art and it is on Chinese art that he cut his exacting eye before expanding his horizons. Lau assembled one of the finest collections of Chinese porcelain ever, articulated around masterpieces, each representative of the best of a certain period and type, and handpicked from the most prestigious collections.

This season’s offerings include a very fine blue and white porcelain dating from the Yongle period in the early 15th century, the pinnacle of underglaze-blue decorated wares and a period much celebrated for imperial patronage in the arts.

A FINE BLUE AND WHITE ‘LOTUS SCROLL’ VASE, MEIPING,
MING DYNASTY, YONGLE PERIOD
31.4 CM
EST: HK$ 25,000,000 – 35,000,000 / US$ 3,185,000 – 4,459,000

This meiping decorated with a lotus scroll is remarkably elegant in its potting and represents the epitome of that classic shape. Similar examples are known in the palace museums in Beijing and Taipei as well as in the Middle Eastern Royal collections of the Ottoman sultans which attest to their universal appeal and high status.

A FINE AND OUTSTANDING DOUCAI AND FAMILLE-ROSE ‘SANDUO’ MOONFLASK,
SEAL MARK AND PERIOD OF QIANLONG
31.3 CM
EST: HK$ 20,000,000 – 30,000,000 / US$ 2,548,000 – 3,822,000

This magnificent circular flask brilliantly enamelled with fruit represents a particularly ambitious and unusual combination of the doucai and fencai schemes, which brings out the ripe fruit. The present example is superior in all aspects, from the quality of the painting, richness of the cobalt, clarity of the glaze to its pristine condition.

Hotung: The Personal Collection of the late Sir Joseph Hotung

The late Sir Joseph Hotung (1930-2021) was respected and revered in the art world for his jade collection and for his philanthropy. What is much less known is his discriminating eye for the quality and design, and the personal collection formed at his house in London as a backdrop to his life – seen only by a privileged few. The series of dedicated sales begin in Hong Kong with a focus on the Chinese masterpieces in his collection and are divided into Evening and Day sales. The works on offer, ranging from Neolithic jades and bronzes from Shang – Han dynasties to Ming dynasty furniture and modern Chinese paintings, each represent the most sought-after of their period and type. Highlights include a unique and highly important moulded blue and white barbed ‘fish’ charger from the Yuan dynasty and an important and outstanding bronze male chimera, bixie, from the Han dynasty, the latter endowed with a prestigious provenance and illustration history tracing back to as early as the 1920s in Paris.

A UNIQUE AND HIGHLY IMPORTANT MOULDED BLUE AND WHITE BARBED ‘FISH’ CHARGER,
YUAN DYNASTY
47.8 CM
EST: HK$ 30,000,000 – 50,000,000 / US$ 3,822,000 – 6,370,000

This dish is unique and was done with an attention to detail that is exceptional even among this rare group of relief-moulded dishes of the Yuan dynasty. Not only is its relief decoration extraordinarily crisp and detailed, but the popular fish design is here also rendered in a highly individual manner that knows few close comparisons. It is a masterpiece that combines the best and rarest Yuan blue-and-white styles.

AN IMPORTANT AND OUTSTANDING BRONZE MALE CHIMERA, BIXIE,
HAN DYNASTY
L. 27 CM, H. 18 CM
EST: HK$ 6,000,000 – 8,000,000 / US$ 764,500 – 1,019,000

This Han dynasty bronze chimera, powerfully rendered with vitality and strength, is a tour de force of Chinese bronzes at their peak. In addition to the prestigious Stoclet provenance, the sculpture’s publication and exhibition history can be traced back to as early as the first half of the 20th century, setting it apart from other archaic bronzes in private hands and even the most important museum examples.

Important Chinese Art including Jades from the Victor Shaw Collection

The Important Chinese Art auction presents a tightly curated sale including masterworks spanning five millennia, from the Neolithic period through to the Qing dynasty. Highlights include an extremely rare Qianlong period chenxiang mirror ‘raree’ cabinet and a Shang dynasty marble frog.

The ‘raree’ box, possibly commissioned in the 17th year (1752), is set with a mirror flanked by two circular holes through which the Qianlong Emperor would have peeped through to view painted pictures, one of which being his most poignant and enigmatically titled double-portrait, ‘One or Two?’ The powerfully carved box cabinet not only showcases the influence of Western mechanism in 18th century court in China, but is possibly the only example known to be employed by the Qianlong Emperor to ponder on the nuances between the literal reflection of the self and self-identity.

AN IMPORTANT AND SUPERBLY CARVED IMPERIAL CHENXIANGMU MIRROR ‘RAREE’ CABINET,
QING DYNASTY, QIANLONG PERIOD,
POSSIBLY COMMISSIONED IN THE 17TH YEAR (1752)
75.5 BY 16 BY H. 66 CM
EST: HK$ 5,000,000 – 8,000,000 / US$ 637,000 – 1,019,000

The Shang dynasty marble frog belongs to a very rare group of marble carvings marking the dawn of Chinese sculpture. Ever so skilfully and minimalistically carved, the sculpture has truly stood the test of time in its timeless aesthetic. Also from the same important Japanese collection as the marble frog is a group of archaic artworks, including a splendidly decorated gold and silver inlaid sword-hilt, also not seen on the market for over 30 years.

AN OUTSTANDING CARVED MARBLE RECUMBENT FROG,
SHANG DYNASTY
25.3 BY 15.4 BY H. 12.5 CM
EST: HK$ 3,000,000 – 4,000,000 / US$ 382,000 – 509,600
AN EXCEPTIONAL AND RARE GOLD AND SILVER-INLAID BRONZE SWORD HILT,
LATE EASTERN ZHOU – EARLY WESTERN HAN DYNASTY
17.5 CM
EST: HK$ 1,500,000 – 2,000,000 / US$ 191,000 – 255,000

The sale also includes a carefully selected group of Ming – Qing jades from the collection of Victor Shaw (1935-2020), who was renowned not only for his discerning eye but also his philanthropic pursuits.

A RARE WHITE JADE ‘GARDEN AND LADY’ OPENWORK BOULDER,
QING DYNASTY, QIANLONG PERIOD
H. 10.8 CM
EST: HK$ 700,000 – 900,000 / US$ 89,000 – 115,000
A WHITE JADE ARCHAISTIC ‘DUCK AND LOTUS’ GROUP,
QING DYNASTY, 18TH CENTURY
13.8 CM
EST: HK$ 500,000 – 600,000 / US$ 63,700 – 76,500FOTOGRAPHY & TEXT “Courtesy Sotheby’s”.

 

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Sotheby’s Hong Kong Presents the Most Significant Chinese Works of Art Sale Series to Take Place in the Last Decade

Sotheby’s Hong Kong Presents the Most Significant Chinese Works of Art Sale Series to Take Place in the Last Decade

Hong Kong
Convergence of the Finest Private Collections from the World’s Greatest Chinese Art Collectors
Dr Wou Kiuan, Mr Joseph Lau & Sir Joseph Hotung, and more

(Left to Right)

The Private Collection of Joseph Lau
A Fine Blue and White ‘Lotus Scroll’ Vase, Meiping, Ming Dynasty, Yongle Period
Est: HK$ 25 – 35 million / US$ 3.2 – 4.5 million

The Dr Wou Kiuan Collection
A Magnificent Ruby-Ground Yangcai ‘Trigrams’ Reticulated Vase,
Seal Mark and Period of Qianlong
Est: HK$ 60 – 120 million / US$ 7.6 – 15.3 million

The Personal Collection of the late Sir Joseph Hotung
A Unique and Highly Important Moulded Blue and White Barbed ‘Fish’ Charger, Yuan Dynasty
Est: HK$ 30 – 50 million / US$ 3.8 – 6.4 million

Auction: 8 – 9 October 2022

This October, Sotheby’s Hong Kong presents the most significant Chinese Works of Art sale series with the convergence of the finest private collections from the world’s greatest Chinese art collectors including Dr Wou Kiuan, Mr Joseph Lau and Sir Joseph Hotung. The star lot of this season is a Magnificent Ruby-Ground yangcai ‘Trigrams’ Reticulated Vase from the Qianlong period (Est: HK$ 60 – 120 million / US$ 7.6 – 15.3 million) from the Dr Wou Kiuan Collection Part II, a carefully curated sale presenting six masterpieces from the 18th century. The collection of Joseph Lau, comprising 11 imperial gems, occupies pride of place among the very finest ever assembled in the field. At the heart of Sir Joseph Hotung’s personal collection is an array of masterpieces which charts many of the peaks in China’s long history, from the Neolithic Period to the Qing dynasty. Adding to this season’s strong line-up of renowned private collections are a selection of Ming and Qing jades from the collection of Victor Shaw and a group of archaic artworks from an important Japanese collection.

This Autumn sale series marks a once-in-a lifetime opportunity for collectors and enthusiasts of Chinese art. Very rarely will you see such a superlative line-up from the world’s most celebrated Chinese art collections. We will be offering fresh to market masterpieces in almost each and every field of Chinese art and this is possibly the most anticipated sale series Sotheby’s has ever hosted.

NICOLAS CHOW, CHAIRMAN, ASIA AND CHAIRMAN, CHINESE WORKS OF ART

These illustrious private collections not only showcase the impeccable taste, vision and passion of this century’s most influential Chinese art collectors, but also offer a window to the extraordinary depth and breadth of Chinese art forms.

XIBO WANG, HEAD OF DEPARTMENT OF CHINESE CERAMICS AND WORKS OF ART

A Journey Through China’s History: The Dr Wou Kiuan Collection Part II

Following on from the success of Part I in New York in March and the record-breaking first Hong Kong chapter in April, the carefully curated sale presents six masterpieces from the 18th century showcasing the unparalleled technical mastery in the imperial kilns in Jingdezhen, including a group of enamelled porcelains formerly from the Fonthill heirlooms which have not surfaced the market in around half a century. Highlights include a Qianlong magnificent and possibly unique ruby-ground yangcai ‘trigrams’ reticulated vase, corroborated by the court archives to have been made either in 1743 or immediately thereafter. The vase is a tangible testament to the unprecedented and unparalleled culmination of technical virtuosity in porcelain production between 1741 and 1743, fuelled by an imperial reprimand from the Qianlong Emperor. (Catalogue essay available upon request)

A MAGNIFICENT RUBY-GROUND YANGCAI ‘TRIGRAMS’ RETICULATED VASE,
SEAL MARK AND PERIOD OF QIANLONG
H. 31 CM
EST: HK$ 60,000,000 – 120,000,000 / US$ 7,644,000 – 15,287,000

Another highlight also endowed with the Fonthill provenance is a magnificent pair of yangcai ‘butterfly’ vases superbly enamelled on a bright pink ground in a manner imbued with Western influences and fired to perfection.

A MAGNIFICENT PAIR OF YANGCAI ‘BUTTERFLY’ VASES,
SEAL MARKS AND PERIOD OF QIANLONG
H. 47 CM
EST: HK$ 40,000,000 – 60,000,000 / US$ 5,096,000 – 7,644,000

Gems of Imperial Porcelain from the Private Collection of Joseph Lau Part II

The name Joseph Lau resonates with collectors around the globe and it is one that stands for excellence. Chinese art stands at the genesis of Joseph Lau’s adventure with art and it is on Chinese art that he cut his exacting eye before expanding his horizons. Lau assembled one of the finest collections of Chinese porcelain ever, articulated around masterpieces, each representative of the best of a certain period and type, and handpicked from the most prestigious collections.

This season’s offerings include a very fine blue and white porcelain dating from the Yongle period in the early 15th century, the pinnacle of underglaze-blue decorated wares and a period much celebrated for imperial patronage in the arts.

A FINE BLUE AND WHITE ‘LOTUS SCROLL’ VASE, MEIPING,
MING DYNASTY, YONGLE PERIOD
31.4 CM
EST: HK$ 25,000,000 – 35,000,000 / US$ 3,185,000 – 4,459,000

This meiping decorated with a lotus scroll is remarkably elegant in its potting and represents the epitome of that classic shape. Similar examples are known in the palace museums in Beijing and Taipei as well as in the Middle Eastern Royal collections of the Ottoman sultans which attest to their universal appeal and high status.

A FINE AND OUTSTANDING DOUCAI AND FAMILLE-ROSE ‘SANDUO’ MOONFLASK,
SEAL MARK AND PERIOD OF QIANLONG
31.3 CM
EST: HK$ 20,000,000 – 30,000,000 / US$ 2,548,000 – 3,822,000

This magnificent circular flask brilliantly enamelled with fruit represents a particularly ambitious and unusual combination of the doucai and fencai schemes, which brings out the ripe fruit. The present example is superior in all aspects, from the quality of the painting, richness of the cobalt, clarity of the glaze to its pristine condition.

Hotung: The Personal Collection of the late Sir Joseph Hotung

The late Sir Joseph Hotung (1930-2021) was respected and revered in the art world for his jade collection and for his philanthropy. What is much less known is his discriminating eye for the quality and design, and the personal collection formed at his house in London as a backdrop to his life – seen only by a privileged few. The series of dedicated sales begin in Hong Kong with a focus on the Chinese masterpieces in his collection and are divided into Evening and Day sales. The works on offer, ranging from Neolithic jades and bronzes from Shang – Han dynasties to Ming dynasty furniture and modern Chinese paintings, each represent the most sought-after of their period and type. Highlights include a unique and highly important moulded blue and white barbed ‘fish’ charger from the Yuan dynasty and an important and outstanding bronze male chimera, bixie, from the Han dynasty, the latter endowed with a prestigious provenance and illustration history tracing back to as early as the 1920s in Paris.

A UNIQUE AND HIGHLY IMPORTANT MOULDED BLUE AND WHITE BARBED ‘FISH’ CHARGER,
YUAN DYNASTY
47.8 CM
EST: HK$ 30,000,000 – 50,000,000 / US$ 3,822,000 – 6,370,000

This dish is unique and was done with an attention to detail that is exceptional even among this rare group of relief-moulded dishes of the Yuan dynasty. Not only is its relief decoration extraordinarily crisp and detailed, but the popular fish design is here also rendered in a highly individual manner that knows few close comparisons. It is a masterpiece that combines the best and rarest Yuan blue-and-white styles.

AN IMPORTANT AND OUTSTANDING BRONZE MALE CHIMERA, BIXIE,
HAN DYNASTY
L. 27 CM, H. 18 CM
EST: HK$ 6,000,000 – 8,000,000 / US$ 764,500 – 1,019,000

This Han dynasty bronze chimera, powerfully rendered with vitality and strength, is a tour de force of Chinese bronzes at their peak. In addition to the prestigious Stoclet provenance, the sculpture’s publication and exhibition history can be traced back to as early as the first half of the 20th century, setting it apart from other archaic bronzes in private hands and even the most important museum examples.

Important Chinese Art including Jades from the Victor Shaw Collection

The Important Chinese Art auction presents a tightly curated sale including masterworks spanning five millennia, from the Neolithic period through to the Qing dynasty. Highlights include an extremely rare Qianlong period chenxiang mirror ‘raree’ cabinet and a Shang dynasty marble frog.

The ‘raree’ box, possibly commissioned in the 17th year (1752), is set with a mirror flanked by two circular holes through which the Qianlong Emperor would have peeped through to view painted pictures, one of which being his most poignant and enigmatically titled double-portrait, ‘One or Two?’ The powerfully carved box cabinet not only showcases the influence of Western mechanism in 18th century court in China, but is possibly the only example known to be employed by the Qianlong Emperor to ponder on the nuances between the literal reflection of the self and self-identity.

AN IMPORTANT AND SUPERBLY CARVED IMPERIAL CHENXIANGMU MIRROR ‘RAREE’ CABINET,
QING DYNASTY, QIANLONG PERIOD,
POSSIBLY COMMISSIONED IN THE 17TH YEAR (1752)
75.5 BY 16 BY H. 66 CM
EST: HK$ 5,000,000 – 8,000,000 / US$ 637,000 – 1,019,000

The Shang dynasty marble frog belongs to a very rare group of marble carvings marking the dawn of Chinese sculpture. Ever so skilfully and minimalistically carved, the sculpture has truly stood the test of time in its timeless aesthetic. Also from the same important Japanese collection as the marble frog is a group of archaic artworks, including a splendidly decorated gold and silver inlaid sword-hilt, also not seen on the market for over 30 years.

AN OUTSTANDING CARVED MARBLE RECUMBENT FROG,
SHANG DYNASTY
25.3 BY 15.4 BY H. 12.5 CM
EST: HK$ 3,000,000 – 4,000,000 / US$ 382,000 – 509,600
AN EXCEPTIONAL AND RARE GOLD AND SILVER-INLAID BRONZE SWORD HILT,
LATE EASTERN ZHOU – EARLY WESTERN HAN DYNASTY
17.5 CM
EST: HK$ 1,500,000 – 2,000,000 / US$ 191,000 – 255,000

The sale also includes a carefully selected group of Ming – Qing jades from the collection of Victor Shaw (1935-2020), who was renowned not only for his discerning eye but also his philanthropic pursuits.

A RARE WHITE JADE ‘GARDEN AND LADY’ OPENWORK BOULDER,
QING DYNASTY, QIANLONG PERIOD
H. 10.8 CM
EST: HK$ 700,000 – 900,000 / US$ 89,000 – 115,000
A WHITE JADE ARCHAISTIC ‘DUCK AND LOTUS’ GROUP,
QING DYNASTY, 18TH CENTURY
13.8 CM
EST: HK$ 500,000 – 600,000 / US$ 63,700 – 76,500FOTOGRAPHY & TEXT “Courtesy Sotheby’s”.

 

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artworks by Andy Warhol
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“Andy Warhol: Cars” – Mercedes-Benz Art Collection muestra las obras maestras de Warhol en Los Ángeles

“Andy Warhol: Cars” – Mercedes-Benz Art Collection muestra las obras maestras de Warhol en Los Ángeles

Stuttgart/Los Angeles
  • 23 de julio de 2022 al 22 de enero de 2023 en el Petersen Automotive Museum de Los Ángeles
  •  Exposición presenta 40 obras de la importante serie Cars de Andy Warhol 
  • Las obras se exhiben junto con cinco de los modelos de vehículos Mercedes-Benz retratados por Warhol
  • La serie regresa a los EE. UU. por primera vez en más de 30 años

Del 23 de julio de 2022 al 22 de enero de 2023 , la Colección de Arte de Mercedes-Benz exhibirá algunos de sus tesoros más importantes y posiblemente más conocidos en el Petersen Automotive Museum de Los Ángeles: la exposición “Andy Warhol:  Cars  – Works”. de la colección de arte Mercedes-Benz” presenta 27 serigrafías sobre lienzo y 13 dibujos de la mundialmente famosa  Cars de Andy Warhol serie. En las imágenes, el artista pop estadounidense utiliza ocho modelos seleccionados de Mercedes-Benz para documentar la historia del automóvil, desde el Benz Patent Motor Car de 1886 hasta el automóvil de investigación C 111-II construido en 1970. En el Petersen Automotive Museum, uno de los museos automotrices más grandes del mundo, las obras se exhiben junto con cinco de los ocho vehículos retratados por Warhol, incluido el auto de carreras Mercedes-Benz Formula One W 196 R con carrocería aerodinámica, el Mercedes-Benz 300 SL “Gullwing” Coupé (W 198) y el coche de carreras de Fórmula Mercedes-Benz de 750 kilogramos W 125.

Renate Wiehager, Directora de la Colección de Arte Mercedes-Benz: “Desde la aclamada presentación en el Museo Guggenheim de Nueva York en 1988, la  serie Cars de Andy Warhol  ha sido invitada en los principales museos del mundo. Estamos muy complacidos de que después de más de 30 años, ahora se vuelva a ver extensamente en los EE. UU. El nombre Warhol tiene una atracción ‘mítica’ en el contexto del arte, como lo demuestra el número de visitantes a sus exposiciones. Esto también es cierto para la marca Mercedes-Benz en su contexto, que, materializado en el símbolo de la estrella, tiene un campo seguro de connotaciones: bello, rápido, moderno, lujoso, de calidad”.

Renata Jungo Brüngger, miembro del Consejo de Administración de Mercedes-Benz Group para Integridad y Asuntos Legales, también es responsable de la Colección de Arte Mercedes-Benz: “Estamos encantados de volver a hacer accesibles estas excelentes imágenes a una amplia audiencia internacional en la exposición de Los Ángeles y así contribuir a la promoción de la cultura y la educación. Porque ese es precisamente el objetivo de nuestra colección de arte: con nuestro compromiso social con la cultura y la educación, queremos crear un beneficio reconocible para el bien común. Las obras de arte de Andy Warhol han inspirado a personas durante generaciones, al igual que los vehículos Mercedes-Benz. Dos grandes marcas se encuentran en la   serie Cars ”.

La  serie Cars  : enlace legendario entre Andy Warhol y Mercedes-Benz

La serie  Cars  es uno de los últimos grupos coherentes de obras de Andy Warhol antes de su muerte en febrero de 1987. El artista creó la serie a fines del año 1986/87 en nombre de la entonces Daimler-Benz AG con motivo de la 100 aniversario del automóvil. Originalmente, se planearon 80 imágenes de 20 modelos de automóviles de ocho décadas diferentes, pero solo se pudieron completar 36 serigrafías sobre lienzo y 13 dibujos. Hasta la fecha, 30 serigrafías y los dibujos de la serie forman parte de la Colección de Arte Mercedes-Benz. Las obras son accesibles en los distintos sitios del Grupo Mercedes-Benz para los empleados y el público en visitas guiadas registradas.

Renate Wiehager: “Warhol se vio a sí mismo como socio de situaciones de encargo cuyo objetivo era transferir un producto a otro contexto: al contexto del arte, al contexto del ‘aura de Warhol’. Sin embargo, tal transferencia de productos tiene éxito sobre todo cuando dos productos se encuentran en el mismo plano. La alianza de la comisión entre Andy Warhol y Mercedes-Benz puede describirse como un golpe de suerte en “igualdad de condiciones”. Dos productos top se han encontrado aquí, cada uno de los cuales es absolutamente ‘top’ en su campo”.

En su  serie Cars  , Andy Warhol se dedica por primera vez a un producto industrial de origen europeo. Después de las “Botellas de Coca-Cola”, las “Latas de sopa Campbell” o los billetes de dólar que hicieron famoso al estadounidense en la década de 1960, una marca legendaria de la historia automotriz alemana es ahora el foco de su arte. Con los ocho modelos de vehículos retratados, Warhol muestra simultáneamente la capacidad de cambio y el carácter histórico de un producto. Para la serie anterior de Warhol con motivos de Campbell’s, Heinz o Del Monte, era de vital importancia que los productos estadounidenses se pudieran entregar en todas partes y estuvieran disponibles sin fin. En las pinturas de Warhol de la década de 1980, este “ahora-temporalidad” se transforma en una actitud que también permite el pasado y el desarrollo.

obras de arte de Andy Warhol

obras de arte de Andy Warhol

La colección de arte de Mercedes-Benz

La Colección de Arte Mercedes-Benz fue fundada en 1977 y es hoy una de las colecciones corporativas europeas más importantes con reputación internacional. La colección incluye alrededor de 3.000 obras de más de 650 artistas. El interés temprano, inicialmente relacionado con obras pictóricas, se dirigió a artistas del sur de Alemania. Estos incluyeron profesores y estudiantes de la Academia de Stuttgart como Adolf Hölzel, Oskar Schlemmer, Willi Baumeister, Hans Arp y Max Bill. Mientras tanto, la Colección de Arte Mercedes-Benz también incluye arte internacional y tiene un claro perfil basado en el arte y la ciencia. Esto se basa en la estructura sistemática de la colección con un enfoque de contenido concentrado en el arte abstracto-constructivo, conceptual y minimalista, así como en la fotografía contemporánea y el arte de los medios.

Las exposiciones de las obras en la empresa, en el Mercedes-Benz Contemporary en Potsdamer Platz Berlin y en museos internacionales (Nueva York, Detroit, Johannesburgo, Tokio, Singapur, Sao Paulo y Buenos Aires), permiten al público interesado en el arte interactuar con la colección a gran escala. Además, la Colección de Arte Mercedes-Benz otorga premios de patrocinio para el arte joven y ofrece un programa educativo complementario para escolares. La colección corporativa pone gran énfasis en los procesos sostenibles: por ejemplo, muestra exposiciones temáticas en diferentes lugares y utiliza materiales y tecnología para los conceptos de exposición de forma multifuncional. Al mismo tiempo, planifica el embalaje y el transporte de manera eficiente y para un uso a largo plazo, y reduce las distancias de viaje en la medida de lo posible.

Más información sobre la Mercedes-Benz Art Collection está disponible en Internet:  mercedes-benz.art/

Los boletos para la exhibición y más información sobre el Museo del Automóvil Petersen en Los Ángeles están disponibles en  www.Petersen.org .

La Fundación Andy Warhol llama la atención sobre el hecho de que el permiso para reproducir las imágenes se otorga únicamente para su uso junto con  reportajes de los medios sobre la exposición “Andy Warhol:  Cars  – Works from the Mercedes-Benz Art Collection” en el Petersen Automotive Museum en Los Ángeles  del 23 de julio de 2022 al 22 de enero de 2023. Todas las reproducciones de las imágenes deben ir acompañadas de la siguiente  leyenda :  © 2022 The Andy Warhol Foundation for the Visual Arts, Inc. / Con licencia de Artists Rights Society (ARS), Nueva York . . Las reproducciones digitales de las imágenes solo pueden publicarse con una resolución no superior a 72 dpi y un tamaño de máx. 4 pulgadas (ancho x alto). Es posible que las imágenes no se ofrezcan para su descarga.

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artworks by Andy Warhol
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“Andy Warhol: Cars” – Mercedes-Benz Art Collection shows Warhol’s masterpieces in Los Angeles

“Andy Warhol: Cars” – Mercedes-Benz Art Collection shows Warhol’s masterpieces in Los Angeles

Stuttgart/Los Angeles
  • July 23, 2022 to January 22, 2023 at the Petersen Automotive Museum in Los Angeles
  • Exhibition presents 40 artworks from Andy Warhol’s important Cars series
  • Works are exhibited together with five of the Mercedes-Benz vehicle models portrayed by Warhol
  • Series is back in the US for the first time in over 30 years

From July 23, 2022 to January 22, 2023, the Mercedes-Benz Art Collection will showcase some of its most top-class and arguably best-known treasures at the Petersen Automotive Museum in Los Angeles: the exhibition “Andy Warhol: Cars – Works from the Mercedes-Benz Art Collection” presents 27 screen prints on canvas and 13 drawings from Andy Warhol’s world-famous Cars series. In the pictures, the American pop artist uses eight selected Mercedes-Benz models to document the history of the automobile – from the Benz Patent Motor Car of 1886 to the C 111-II research car constructed in 1970. At the Petersen Automotive Museum – one of the largest automotive museums in the world – the works are on display together with five of the eight vehicles portrayed by Warhol – including the Mercedes-Benz Formula One racing car W 196 R with streamlined body, the Mercedes-Benz 300 SL “Gullwing” Coupé (W 198) and the Mercedes-Benz 750-kilogram formula racing car W 125.

Renate Wiehager, Head of the Mercedes-Benz Art Collection: “Since the highly acclaimed presentation at the Guggenheim Museum New York in 1988, Andy Warhol’s Cars series has been a guest in major museums around the world. We are very pleased that after more than 30 years, it will now be seen again extensively in the US. The name Warhol has a ‘mythical’ attraction in the context of art, as the visitor numbers to his exhibitions show. This is also true of the brand name Mercedes-Benz in its context, which – materialised in the symbol of the star – has a secure field of connotations: beautiful, fast, modern, luxurious, quality.”

Renata Jungo Brüngger, Member of the Board of Management of Mercedes-Benz Group for Integrity and Legal Affairs, is also responsible for the Mercedes-Benz Art Collection: “We are delighted to once again make these great pictures accessible to a broad international audience in the Los Angeles exhibition and thus contribute to the promotion of culture and education. Because that is precisely the point of our art collection: with our social commitment to culture and education, we want to create a recognizable benefit for the common good. Andy Warhol’s artworks have inspired people for generations – just like Mercedes-Benz vehicles. Two top brands meet in the Cars series.”

The Cars series: Legendary liaison between Andy Warhol and Mercedes-Benz

The series Cars is one of the last coherent groups of works by Andy Warhol before his death in February 1987. The artist created the series at the turn of the year 1986/87 on behalf of the then Daimler-Benz AG on the occasion of the 100th anniversary of the automobile. Originally, 80 pictures of 20 car models from eight different decades were planned, but only 36 screen prints on canvas and 13 drawings could be completed. To date, 30 screen prints and the drawings from the series are part of the Mercedes-Benz Art Collection. The works are accessible at the various Mercedes-Benz Group sites to employees and to public in registered guided tours.

Renate Wiehager: “Warhol saw himself as a partner of commissioning situations whose aim was to transfer a product into another context: into the context of art, into the context of the ‘Warhol aura’. However, such a product transfer succeeds above all when two products meet on the same plane. The commission alliance between Andy Warhol and Mercedes-Benz can be described as a stroke of luck on ‘equal terms’. Two top products have met here, each of which is absolutely ‘top’ in its field.”

In his Cars series, Andy Warhol devoted himself for the first time to an industrial product of European origin. After the “Coca-Cola Bottles”, the “Campbell’s Soup Cans” or the dollar bills that made the American famous in the 1960s, a brand legend of German automotive history is now the focus of his art. With the eight vehicle models portrayed, Warhol simultaneously shows the changeability and the historical character of a product. For Warhol’s earlier series with motifs from Campbell’s, Heinz or Del Monte, it was of central importance that the American products were deliverable everywhere and endlessly available. In Warhol’s paintings of the 1980s, this “now-temporality” transforms into an attitude that also allows for the past and development.

artworks by Andy Warhol

artworks by Andy Warhol

The Mercedes-Benz Art Collection

The Mercedes-Benz Art Collection was founded in 1977 and is today one of the most important European corporate collections with an international reputation. The collection includes around 3,000 works by more than 650 artists. The early interest, initially related to pictorial works, was directed at artists from Southern Germany. These included teachers and students of the Stuttgart Academy such as Adolf Hölzel, Oskar Schlemmer, Willi Baumeister, Hans Arp and Max Bill. In the meantime, the Mercedes-Benz Art Collection also includes international art and has a clear art-science-based profile. This is based on the systematic structure of the collection with a concentrated content focus on abstract-constructive, conceptual and minimalist art as well as contemporary photography and media art.

Exhibitions of the works in the company, at the Mercedes-Benz Contemporary at Potsdamer Platz Berlin and in international museums (New York, Detroit, Johannesburg, Tokyo, Singapore, Sao Paulo and Buenos Aires), enable the art-interested public to engage with the collection on a broad scale. In addition, the Mercedes-Benz Art Collection awards sponsorship prizes for young art and offers an accompanying educational programme for schoolchildren. The corporate collection places great emphasis on sustainable processes: for example, it shows thematic exhibitions at different locations and uses materials and technology for exhibition concepts in a multifunctional way. At the same time, it plans packaging and transport efficiently and for long-term use, and reduces travel distances where possible.

Further information on the Mercedes-Benz Art Collection is available on the internet: mercedes-benz.art/

Tickets for the exhibition and more information about the Petersen Automotive Museum in Los Angeles are available at www.Petersen.org.

The Andy Warhol Foundation draws attention to the fact that permission to reproduce the images is granted solely for use in conjunction with media reportage about the exhibition “Andy Warhol: Cars – Works from the Mercedes-Benz Art Collection” at the Petersen Automotive Museum in Los Angeles from July 23, 2022 to January 22, 2023. All reproductions of the images must be accompanied by the following caption: © 2022 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York.. Any digital reproductions of the images may only be published with a resolution no greater than 72 dpi and a size of max. 4 inches (W x H). The images may not be offered for download.

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artworks by Andy Warhol
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“Andy Warhol: Cars” – Mercedes-Benz Art Collection shows Warhol’s masterpieces in Los Angeles

“Andy Warhol: Cars” – Mercedes-Benz Art Collection shows Warhol’s masterpieces in Los Angeles

Stuttgart/Los Angeles
  • July 23, 2022 to January 22, 2023 at the Petersen Automotive Museum in Los Angeles
  • Exhibition presents 40 artworks from Andy Warhol’s important Cars series
  • Works are exhibited together with five of the Mercedes-Benz vehicle models portrayed by Warhol
  • Series is back in the US for the first time in over 30 years

From July 23, 2022 to January 22, 2023, the Mercedes-Benz Art Collection will showcase some of its most top-class and arguably best-known treasures at the Petersen Automotive Museum in Los Angeles: the exhibition “Andy Warhol: Cars – Works from the Mercedes-Benz Art Collection” presents 27 screen prints on canvas and 13 drawings from Andy Warhol’s world-famous Cars series. In the pictures, the American pop artist uses eight selected Mercedes-Benz models to document the history of the automobile – from the Benz Patent Motor Car of 1886 to the C 111-II research car constructed in 1970. At the Petersen Automotive Museum – one of the largest automotive museums in the world – the works are on display together with five of the eight vehicles portrayed by Warhol – including the Mercedes-Benz Formula One racing car W 196 R with streamlined body, the Mercedes-Benz 300 SL “Gullwing” Coupé (W 198) and the Mercedes-Benz 750-kilogram formula racing car W 125.

Renate Wiehager, Head of the Mercedes-Benz Art Collection: “Since the highly acclaimed presentation at the Guggenheim Museum New York in 1988, Andy Warhol’s Cars series has been a guest in major museums around the world. We are very pleased that after more than 30 years, it will now be seen again extensively in the US. The name Warhol has a ‘mythical’ attraction in the context of art, as the visitor numbers to his exhibitions show. This is also true of the brand name Mercedes-Benz in its context, which – materialised in the symbol of the star – has a secure field of connotations: beautiful, fast, modern, luxurious, quality.”

Renata Jungo Brüngger, Member of the Board of Management of Mercedes-Benz Group for Integrity and Legal Affairs, is also responsible for the Mercedes-Benz Art Collection: “We are delighted to once again make these great pictures accessible to a broad international audience in the Los Angeles exhibition and thus contribute to the promotion of culture and education. Because that is precisely the point of our art collection: with our social commitment to culture and education, we want to create a recognizable benefit for the common good. Andy Warhol’s artworks have inspired people for generations – just like Mercedes-Benz vehicles. Two top brands meet in the Cars series.”

The Cars series: Legendary liaison between Andy Warhol and Mercedes-Benz

The series Cars is one of the last coherent groups of works by Andy Warhol before his death in February 1987. The artist created the series at the turn of the year 1986/87 on behalf of the then Daimler-Benz AG on the occasion of the 100th anniversary of the automobile. Originally, 80 pictures of 20 car models from eight different decades were planned, but only 36 screen prints on canvas and 13 drawings could be completed. To date, 30 screen prints and the drawings from the series are part of the Mercedes-Benz Art Collection. The works are accessible at the various Mercedes-Benz Group sites to employees and to public in registered guided tours.

Renate Wiehager: “Warhol saw himself as a partner of commissioning situations whose aim was to transfer a product into another context: into the context of art, into the context of the ‘Warhol aura’. However, such a product transfer succeeds above all when two products meet on the same plane. The commission alliance between Andy Warhol and Mercedes-Benz can be described as a stroke of luck on ‘equal terms’. Two top products have met here, each of which is absolutely ‘top’ in its field.”

In his Cars series, Andy Warhol devoted himself for the first time to an industrial product of European origin. After the “Coca-Cola Bottles”, the “Campbell’s Soup Cans” or the dollar bills that made the American famous in the 1960s, a brand legend of German automotive history is now the focus of his art. With the eight vehicle models portrayed, Warhol simultaneously shows the changeability and the historical character of a product. For Warhol’s earlier series with motifs from Campbell’s, Heinz or Del Monte, it was of central importance that the American products were deliverable everywhere and endlessly available. In Warhol’s paintings of the 1980s, this “now-temporality” transforms into an attitude that also allows for the past and development.

artworks by Andy Warhol

artworks by Andy Warhol

The Mercedes-Benz Art Collection

The Mercedes-Benz Art Collection was founded in 1977 and is today one of the most important European corporate collections with an international reputation. The collection includes around 3,000 works by more than 650 artists. The early interest, initially related to pictorial works, was directed at artists from Southern Germany. These included teachers and students of the Stuttgart Academy such as Adolf Hölzel, Oskar Schlemmer, Willi Baumeister, Hans Arp and Max Bill. In the meantime, the Mercedes-Benz Art Collection also includes international art and has a clear art-science-based profile. This is based on the systematic structure of the collection with a concentrated content focus on abstract-constructive, conceptual and minimalist art as well as contemporary photography and media art.

Exhibitions of the works in the company, at the Mercedes-Benz Contemporary at Potsdamer Platz Berlin and in international museums (New York, Detroit, Johannesburg, Tokyo, Singapore, Sao Paulo and Buenos Aires), enable the art-interested public to engage with the collection on a broad scale. In addition, the Mercedes-Benz Art Collection awards sponsorship prizes for young art and offers an accompanying educational programme for schoolchildren. The corporate collection places great emphasis on sustainable processes: for example, it shows thematic exhibitions at different locations and uses materials and technology for exhibition concepts in a multifunctional way. At the same time, it plans packaging and transport efficiently and for long-term use, and reduces travel distances where possible.

Further information on the Mercedes-Benz Art Collection is available on the internet: mercedes-benz.art/

Tickets for the exhibition and more information about the Petersen Automotive Museum in Los Angeles are available at www.Petersen.org.

The Andy Warhol Foundation draws attention to the fact that permission to reproduce the images is granted solely for use in conjunction with media reportage about the exhibition “Andy Warhol: Cars – Works from the Mercedes-Benz Art Collection” at the Petersen Automotive Museum in Los Angeles from July 23, 2022 to January 22, 2023. All reproductions of the images must be accompanied by the following caption: © 2022 The Andy Warhol Foundation for the Visual Arts, Inc. / Licensed by Artists Rights Society (ARS), New York.. Any digital reproductions of the images may only be published with a resolution no greater than 72 dpi and a size of max. 4 inches (W x H). The images may not be offered for download.

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Maui collection Harbour 2022 Product Design Marcel Wanders studio
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El estudio de Marcel Wanders se enorgullece de presentar la colección Maui para Harbour.

El estudio de Marcel Wanders se enorgullece de presentar la colección Maui para Harbour.

Colección Maui Harbour, 2022 Diseño de producto

El estudio de Marcel Wanders se enorgullece de presentar la colección Maui para Harbour.

Esta colección única abarca una gama de asientos para exteriores y mesas auxiliares para todo tipo de clima, con cada pieza hecha a mano que exuda una estética orgánica elevada que interactúa y se combina a la perfección con el entorno natural. Los asientos cuentan con un patrón de cuerda radial característico, que ilumina y enmarca las piezas como un halo.

El diseño ondulante crea un ritmo sofisticado y un efecto calmante, con las mesas de travertino que ofrecen un toque equilibrado y elemental. El separador de espacios completa el aspecto, ya que se duplica como una maceta para integrar completamente la naturaleza circundante en la colección para exteriores.

Créditos: Harbour, diseño del estudio Marcel Wanders para Harbour, 2022

www.marcelwanders.com
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Maui collection Harbour 2022 Product Design Marcel Wanders studio
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Marcel Wanders studio proudly presents the Maui Collection for Harbour.

Maui collection Harbour, 2022 Product Design

Marcel Wanders studio proudly presents the Maui Collection for Harbour.

This unique collection encompasses a range of all-weather outdoor seating and occasional tables, with each handcrafted piece exuding an elevated organic aesthetic that interacts and blends seamlessly with the natural environment. Seating features a signature radial rope pattern, which illuminates and frames the pieces like a halo.

The undulating design creates a sophisticated rhythm and calming effect, with the travertine tables offering a balanced and elemental touch. The space divider completes the look, doubling as a planter box to fully integrate the surrounding nature into the outdoor collection.

Credits: Harbour, design by Marcel Wanders studio for Harbour, 2022

www.marcelwanders.com
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