Tag Archive for: EXHIBITION

Christian Dior: Designer of Dreams 2023 pictures by Japanese photographer Yuriko Takagi
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The Dior Designer of Dreams exhibition in Tokyo 2023

LA EXPOSICIÓN DIOR DESIGNER OF DREAMS EN TOKIO 2023

 

La exposición Dior Designer of Dreams en Tokio presenta una exhibición sin precedentes de prendas que trazan la sucesión de Monsieur Dior

En  #Dior , la pasión está en el corazón de nuestras creaciones.

La exposición #DiorDesignerofDreams en Tokio presenta una muestra sin precedentes de prendas que trazan la sucesión de Monsieur Dior desde creaciones de archivo de anteriores directores artísticos de la casa hasta diseños contemporáneos de  #MariaGraziaChiuri . Las piezas exclusivas se pueden descubrir de otra forma, ya que son redefinidas por el talentoso fotógrafo,  #YurikoTakagi .

Christian Dior: Designer of Dreams 2023 pictures by Japanese photographer Yuriko Takagi  
Christian Dior: Designer of Dreams 2023 pictures by Japanese photographer Yuriko Takagi  
Christian Dior: Designer of Dreams 2023 pictures by Japanese photographer Yuriko Takagi  
Christian Dior: Designer of Dreams 2023 pictures by Japanese photographer Yuriko Takagi  
Christian Dior: Designer of Dreams 2023 pictures by Japanese photographer Yuriko Takagi  
Christian Dior: Designer of Dreams 2023 pictures by Japanese photographer Yuriko Takagi
Christian Dior: Designer of Dreams 2023 pictures by Japanese photographer Yuriko Takagi  
Christian Dior: Designer of Dreams 2023 pictures by Japanese photographer Yuriko Takagi  
Christian Dior: Designer of Dreams 2023 pictures by Japanese photographer Yuriko Takagi  

Through Takagi’s poetic lens, these images capture the intricate beauty of each couture design in movement. Honoring the deep respect for tradition and craftsmanship held dear to both Monsieur Dior and Japanese culture, Takagi is able to breathe life into her photographs using a prolonged shutter speed as seen in this breathtaking display. Delve behind the scenes to see the making-of these moving photos.
A través de la lente poética de Takagi, estas imágenes capturan la intrincada belleza de cada diseño de alta costura en movimiento. Honrando el profundo respeto por la tradición y la artesanía apreciados tanto por Monsieur Dior como por la cultura japonesa, Takagi puede dar vida a sus fotografías utilizando una velocidad de obturación prolongada, como se ve en esta impresionante exhibición. Sumérjase entre bastidores para ver cómo se hicieron estas fotos conmovedoras.

Imágenes de Christian Dior: Designer of Dreams 2023 de la fotógrafa japonesa Yuriko Takagi

Imágenes de Christian Dior: Designer of Dreams 2023 de la fotógrafa japonesa Yuriko Takagi

Christian Dior: diseñador de sueños

Tras su éxito en el Musée des Arts Décoratifs de París, y tras haber viajado por el mundo de Londres a Nueva York(*1), la exposición Christian Dior: Designer of Dreams se presentará en el Museo de Arte Contemporáneo de Tokio a partir del 21 de diciembre. , 2022; un evento excepcional que celebra los lazos sinceros y singulares entre Dior y Japón.

Acompasada por un nuevo relato escenográfico diseñado -como homenaje a la cultura japonesa- por el arquitecto Shohei Shigematsu(*2), socio de OMA, esta retrospectiva, que se reinventa bajo la curaduría de Florence Müller, destaca más de setenta y cinco años de pasión audaz, marcada por maravillosos descubrimientos: desde las influencias artísticas del modisto fundador hasta su amor por los jardines, desde la suntuosa magia de los bailes hasta su fascinación por la riqueza creativa de Japón, que inspiró las colecciones de Dior desde el principio. Esta amistad inquebrantable, consolidada por colaboraciones únicas y admiración mutua, se refleja en valiosos documentos de archivo, la mayoría de los cuales nunca se han mostrado al público.

Desvelados uno a uno, accesorios y modelos de alta costura del pasado al presente, soñados por Christian Dior –incluido el traje Bar por excelencia, emblema eterno del New Look– y por los distintos Directores Artísticos que le han sucedido: Yves Saint Laurent, Marc Bohan, Gianfranco Ferré, John Galliano, Raf Simons y Maria Grazia Chiuri. Los visitantes podrán descubrir una selección de cautivadoras y prestigiosas obras de la colección del MOT, así como fotografías de la fotógrafa japonesa Yuriko Takagi(*3) especialmente creadas para esta exposición y para su cartel. Perpetuando el espíritu visionario de Christian Dior, también se exponen iconos innovadores, como el bolso Lady Dior reinterpretado en los proyectos Dior Lady Art y Lady Dior As Seen By, junto con los mundos de los perfumes Miss Dior y J’adore,

*1 Esta exposición se ha llevado a cabo de diferentes formas en el Victoria & Albert Museum de Londres, el Long Museum West Bund de Shanghái, el Museo de Arte Contemporáneo de Chendgu, el Museo de Brooklyn de Nueva York y la M7 de Doha.

*2 OMA es una asociación internacional que practica la arquitectura, el urbanismo y el análisis cultural. Shohei Shigematsu es socio de OMA Nueva York y lidera la diversa cartera de la empresa en las Américas y Japón.

*3 El fotógrafo japonés también ha contribuido al catálogo de esta nueva retrospectiva.

www.mot-art-museum.jp/en/exhibitions/Christian_Dior/

Imágenes de Christian Dior: Designer of Dreams 2023 de la fotógrafa japonesa Yuriko Takagi

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Sotheby’s: GORGOSAURUS SKELETON

GORGOSAURUS SKELETON

Gorgosaurus spec.

Late Cretaceous (approx. 77 million years ago)

Judith River Formation, Choteau County, Montana

Exhibition-ready mounted skeleton, measuring 9 feet, 2½ inches tall (110.5 inches, 113.5 with armature), just under 22 feet long (263.5 inches). Skull measuring 38½ by 26½ by 17 inches (97.8 x 67.3 x 43.2 cm). 79 fossil elements, mounted on custom armature with additional cast elements.

The Gorgosaurus roamed the Earth about 77 million years ago, roughly 10 million years before it’s more famous relative, the T-Rex. Well-preserved until it was discovered in 2018 at Montana’s Judith River Formation, this particular specimen is a great example of this apex predator.

Standing around 10 feet tall and 22 feet long, it’s one of one a few ever found in the US, and the only known example not in a museum or large collection. It’s going up for auction as part of Sotheby’s Natural History sale in New York on July 28, and is expected to sell for up to $8 million.

THE FIRST SPECIMEN OF ITS KIND TO COME TO AUCTION —ONE OF ONLY ABOUT 20 KNOWN EXAMPLES, AND THE ONLY KNOWN TO BE AVAILABLE FOR PRIVATE OWNERSHIP

UNLIKE OTHER DINOSAURS SKELETONS THAT HAVE RECENTLY COME TO MARKET, THIS SPECIMEN HAS NOT YET BEEN GIVEN A NICKNAME — THE NEW OWNER WILL GET TO PICK THE NAME OF THEIR CHOICE

Gorgosaurus was a predatory dinosaur whose name means “dreadful lizard”. It was a bipedal, apex carnivore that lived approximately 76 million years ago in what is now western North America.

It is believed that Gorgosaurus’ body reached lengths of nearly 30 feet and weighed in at around three tons, and paleontologists have been able to make educated depictions of its body-shape based on the very small number of fossil skeletal remains that have been discovered thus far. What we can see is that at the end of a massive S-shaped neck, a huge head was held that housed dozens of long, slim, double-edged serrated teeth.

The dentition in the front of the snout were D-shaped, and those in the rear of the jaws appearing oval in cross section, which were ideally designed for piercing and cutting. Its leg proportions were more typical of swift-moving biped dinosaurs, and its long tail acted as a counterbalance while running. Paleontologists speculate that Gorgosaurus might have used these adaptations to hunt herbivorous contemporaries including the hadrosaurs Lambeosaurus and Corythosaurus, the ceratopsians Styracosaurus and Centrosaurus, and the armored ankylosaurs Edmontonia and Euplocephalus.

The fossil record indicates that Gorgosaurus coexisted with the less-widely distributed but similarly-sized theropod, Daspletosaurus, with whom they competed for resources. Both were members of the family Tyrannosauridae, which includes both North American and Asian super predators such as Tyrannosaurus, Tarbosaurus, Albertosaurus, Daspletosaurus, and others. Gorgosaurus itself predates Tyrannosaurus rex by about 10 million years. They are considered a cousin species to Tyrannosaurus rex, and a crucial piece in the understanding of the evolutionary diversity of the entire Tyrannosaurid family.

Condition & Detail Images

The bones are preserved in exquisite detail, exhibiting little distortion and retaining much of their original shape and surface characteristics. Overall, the fossilization of this Gorgosaurus is superb. The patina is a light to medium brown, a color consistent with most vertebrate fossils from the Judith River Formation. There is no sign of “pyrite disease” or other mineral issues that would represent a problem with future preservation of the fossils.

The skull is represented by a beautifully preserved left maxilla and an assortment of cranial bones. The left side of the skull is well represented including the preserved maxilla and the three major bones that create the rounded orbit. The shape of orbit is a distinguishing feature between Gorgosaurus and Tyrannosaurus. The maxilla includes two fully rooted exposed teeth, three partial teeth, and five unerupted teeth in their alveoli. The maxilla, overall, shows very little distortion and is large as compared to other Gorgosaurus maxillae.

The Gorgosaurus specimen contains a well-documented axial skeleton with material representing the cervical, dorsal, and caudal vertebrae. The axial skeleton also includes an exceptionally well-preserved pelvis, with all eleven elements represented including complete articulated pubis bones.

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Japan: Courts and Culture: The Queen's Gallery, Buckingham Palace
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ROYAL COLLECTION TRUST – Japan: Courts and Culture – The Queen’s Gallery, Buckingham Palace

Japan: Courts and Culture: The Queen’s Gallery, Buckingham Palace

This exhibition explores British royal encounters with Japan over a period of 350 years.

From samurai armour sent to James I in 1613, to a Coronation gift for HM The Queen in 1953, Japanese treasures have reached the British Court through trade, travel and treaties.

Each object on display reflects materials and techniques particular to Japan. Uniquely, many were commissioned or presented by the Japanese Imperial Family. Together, they reveal the ceremonial, diplomatic and artistic exchange linking the two courts of East and West.

… an exquisite, intricate, truly diverting parade of treasures ★★★★

THE TELEGRAPH

The Royal Collection holds some of the most significant examples of Japanese art and design in the western world. For the first time, highlights from this outstanding collection are brought together to tell the story of 300 years of diplomatic, artistic and cultural exchange between the British and Japanese royal and imperial families. The exhibition includes rare pieces of porcelain and lacquer, samurai armour, embroidered screens and diplomatic gifts from the reigns of James I to Her Majesty The Queen. Together, they offer a unique insight into the worlds of ritual, honour and artistry linking the courts and cultures of Britain and Japan.

Japan: Courts and Culture: The Queen's Gallery, Buckingham Palace
Japan: Courts and Culture: The Queen's Gallery, Buckingham Palace
Japan: Courts and Culture: The Queen's Gallery, Buckingham PalaceJapan: Courts and Culture: The Queen's Gallery, Buckingham Palace

Explore the Exhibition

Description

This splendid and understated armour was sent to James I of England by Tokugawa Hidetada, third son of Tokugawa Ieyasu, who ruled as the second shōgun of the Tokugawa dynasty from 1605 to 1623. Some sources have suggested that the armour may once have been owned by Takeda Katsuyori (1546 – 82), a daimyō who had fought, and lost, against Tokugawa Ieyasu at the Battle of Tenmokuzan in 1582.

The armour is of the body-wrapped (dōmaru) type, which hinges around the body and fastens on the right. The ‘pumpkin-shaped’ helmet (akodanari kabuto) is signed by Iwai Yozaemon, one of the main armourers to the ruling Tokugawa family. Armours by Iwai Yozaemon in other European royal collections indicate that this was a popular diplomatic gift from the Tokugawa family, easily available from a regular and reliable source.

The helmet has a very wide, almost flat neck guard (shikoro), small turn-backs (fukikaeshi) and visor (mabizashi) decorated in gold lacquer with stylised clouds. The akodanari helmet has prominent vertical rivet lines and is lacquered black. A raised area at the back of the helmet bowl may have been designed to accommodate the chonmage, the samurai hairstyle which consisted of a shaved pate with the hair oiled and tied at the back of the head in a queue. This distinctive form of helmet was extremely popular during the Muromachi period (1392–1573) and the traditional style would have appealed to the Tokugawa family who were conservative in their tastes. The face-mask (sōmen) has a fearsome appearance, although the whiskers have possibly been trimmed over the years.

Much of the armour is laced in red and blue silk in a chequerboard pattern. The lamellae (kozane) are individual pieces of iron lacquered and laced together – a technique known as hon-kozane (‘true’ kozane), which creates a more flexible armour.

Continuing the conservative style, the shoulder guards (sode) are very large for an armour of this period. The solid iron upper areas of the cuirass (dō) are decorated with gold lacquer dragons whose red lacquer tongues chase stylised clouds, possibly symbolising the Buddhist pearl of enlightenment, on a black lacquer ground. The rims (fukurin) and other metal fittings are of engraved and pierced shakudō and gilt-copper alloy. Interestingly, the small fittings to secure the cuirass have a discreet motif of a paulownia (kiri) leaf, an imperial symbol later adopted by the Tokugawa family. The sleeves (kote) are decorated in a similar fashion and have fine, though faded, silk with auspicious motifs and areas of iron mail. The greaves (suneate) are decorated with further stylised clouds in gold lacquer on black.

Text adapted from Japan: Courts and Culture (2020).

Provenance

Sent to James I by Shōgun Tokugawa Hidetada, 1613

This is one of the ‘two varnished armours’ given to Captain John Saris of the East India Company at Edo on 19 September 1613. Saris returned to Plymouth with the gifts in September 1614, but no account of their delivery to James I survives. The pair were almost certainly the first Japanese armours to arrive in Britain. By the mid-seventeenth century, they appear to have been separated, for only one was recorded at the Tower of London in 1660. The present armour was stored in a lacquer box in the Armoury at St James’s Palace, where it was inventoried in 1649–51 by the Commonwealth government for the posthumous sale of Charles I’s possessions. At that time, it was described as an ‘Indian Armor’ and purchased by Major Bas on 23 October 1651 for £10.

Following the Interregnum, the armour was returned to the Royal Collection, but confusion about both pieces’ provenance abounded. The armour at the Tower was for example described in 1662 as a present to Charles II ‘from the Emperor Mougul’, in India. As late as 1916, the present armour was confused with another in the Royal Armouries which had in fact been given to Philip II of Spain in 1585. At that time, it was in reality mounted on the wall of the Grand Vestibule at Windsor Castle, with other Japanese items from the Royal Collection.

Source & Photos: ROYAL COLLECTION TRUST

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Jaeger-LeCoultre announces The Sound Maker exhibition in Chengdu, China
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Jaeger-LeCoultre announces The Sound Maker exhibition in Chengdu, China

JAEGER-LECOULTRE ANNOUNCES THE SOUND MAKER EXHIBITION IN CHENGDU, CHINA
UNVEILING A NEWLY COMMISSIONED WORK BY RENOWNED SWISS ARTIST, ZIMOUN, AND EXPLORING A RICH HERITAGE OF CHIMING WATCHES

THE SOUND MAKER exhibition, a highlight of Jaeger-LeCoultre’s year-long celebration of the art of sound in watchmaking, will be inaugurated at Guangdong Hall, Chengdu, starting from November 10th. The exhibition will immerse visitors in the creative and cultural universe of Jaeger-LeCoultre, exploring the uniquely rich heritage – past, present and future – of chiming watches at La Grande Maison, and paying homage to its home in the Vallée de Joux, where the sounds of nature still provide the backdrop to daily life.

A New Art Commission Makes Its World Debut

At the heart of the exhibition, expanding the dialogue that exists between horology and art, a new ‘sound sculpture’ installation commissioned by Jaeger-LeCoultre from the Swiss contemporary artist, Zimoun, will be unveiled for the first time. After its debut in China, the installation will be exhibited around the world during 2021.
In this new work, Zimoun encapsulates the universe of sound – within the Manufacture and in the natural world around it – that is so intrinsic to the spirit of Jaeger-LeCoultre. He employs simple raw materials and repurposed industrial components, including watch parts – and, in doing so, redefines traditional ideas of sculpture, movement and sound, drawing the audience into an almost transcendent world of sensory experience.


“I first got hooked by the sound, like the soft, appeasing sound of the rain,” says Catherine Rénier, Chief Executive Officer of Jaeger-LeCoultre. “As you get closer, the movement of the metal is mesmerizing. Each angle gives a different feeling and invites you to stop, enjoy and listen.”


In the ability to conjure romance from mundane materials and to create evocative sounds through complex systems of structure and mechanics, there are clear parallels between the work of the artist and the watchmakers of the Manufacture Jaeger-LeCoultre. Just as the components of a watch movement seem to take on a life of their own when assembled, the industrially-produced elements that Zimoun combines into his sculptures seem to develop their own behaviour, producing new and unique sounds and visual effects.
When commissioning the new work, Jaeger-LeCoultre invited the artist to spend time in the Vallée de Joux, where he was able to absorb the valley’s natural sounds, and also spend time with the specialists who work on chiming watches within the Manufacture. The fruit of that rich exchange of culture and ideas, Zimoun’s new installation creates a unique aural signature for Jaeger-LeCoultre, evoking the sounds of nature and of the Manufacture, as well as capturing the rippling of light on the surface of the lake seen from the watchmaking ateliers.
The Story of Sound at Jaeger-LeCoultre


THE SOUND MAKER exhibition leads visitors on a journey through Jaeger-LeCoultre’s rich patrimony, celebrating the twin values of tradition and innovation that have guided it throughout its 187-year history. Featuring rare or unique timepieces curated from both historic and contemporary collections, as well as never-previously exhibited documents and artefacts, it traces the evolution of chiming watches from the Maison’s origins to the new 2020 models, and from the most refined minute repeaters and complex sonneries to the highly practical and much-loved Memovox alarm watch.

The journey begins with a retrospective of the earliest and most historically significant of the LeCoultre chiming masterworks – some of which have never been displayed to the public before; it highlights technical inventions and patents that have contributed to Jaeger-LeCoultre’s worldwide renown – and to its status as “the watchmakers’ watchmaker” among other great Maisons that it supplied with movements; it reveals the inner secrets of how chiming watches work; and it honours the skill of the artisans who employed their rare crafts to embellish the most precious timepieces.


Paying tribute to La Grande Maison’s home in the Vallée de Joux, the exhibition also features a captivating 8D video installation that immerses visitors in the natural soundscape of the valley and evokes the watchmakers’ deep connections to their peaceful surroundings.
THE SOUND MAKER exhibition will be presented from November 10th until November 22nd, at Guangdong Hall, Sino-Ocean Taikoo Li Chengdu, China.

ABOUT THE SOUND MAKER
In 2020, Jaeger-LeCoultre celebrates THE SOUND MAKER, paying homage to the sounds of nature that form a backdrop to daily life in the Vallée de Joux, and to its great legacy of chiming timepieces, expressing a century and a half of accumulated expertise in fresh new ways. During the 150 years since the Manufacture developed its first minute repeater in 1870, chiming watches have been a particular forte, with 200 calibres demonstrating its mastery of all forms, from relatively simple alarms to highly complex sonneries and repeaters. In parallel, the Manufacture’s engineers and designers have patented numerous innovations that redefine the benchmark for acoustic quality and beauty.

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Take a Virtual Tour of Tate Modern’s Andy Warhol Exhibition
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Take a Virtual Tour of Tate Modern’s Andy Warhol Exhibition

The show ran for just five days before the London museum closed due to COVID-19

Andy Warhol was the son of immigrants who became an American icon. A shy gay man who became the hub of New York’s social scene. An artist who embraced consumerism, celebrity and counter culture – and changed modern art in the process.

Warhol_T07146, Self-Portrait

Take a Virtual Tour of Tate Modern’s Andy Warhol Exhibition

While you can’t go see pieces like Skull, Elvis I and II, and Marilyn Diptych in person

He was born in 1928 as Andrew Warhola to working-class parents from present day Slovakia. In 1949 he moved from Pittsburgh to New York. Initially working as a commercial illustrator, his skill at transforming the imagery of American culture soon found its realisation in his ground-breaking pop art.

This major retrospective is the first Warhol exhibition at Tate Modern for almost 20 years. As well as his iconic pop images of Marilyn Monroe, Coca-Cola and Campbell’s soup cans, it includes works never seen before in the UK. Twenty-five works from his Ladies and Gentlemen series – portraits of black and Latinx drag queens and trans women – are shown for the first time in 30 years. Visitors can also see his floating Silver Clouds and experience the psychedelic multimedia environment of the Exploding Plastic Inevitable.

Popularly radical and radically popular, Warhol was an artist who reimagined what art could be in an age of immense social, political and technological change.​

 

www.tate.org.uk

 

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THREE DESIGN AWARDS FOR BUGATTI’S EXHIBITION STAND

GENEVA INTERNATIONAL MOTOR SHOW EXHIBITION STAND
RECEIVES INTERNATIONAL RECOGNITION

For more than 110 years, bugatti has stood for exceptional vehicles, technology and design in the automobile and luxury categories. now we can add the trade fairs to this list. its stand at the 2019 international motor show in geneva has won three prestigious design awards for the french luxury car manufacturer. the stand was designed in a deliberately minimalist architectural style so as to provide sufficient space for the innovations. in the automotive brand contest – an international design competition for automobile brands – the german design council honoured bugatti’s trade fair presentation as the winner in the “architecture and events” category.

The Iconic Awards, also presented by the German Design Council, rewards the combination of different disciplines such as outstanding construction projects, innovative interior and product design and impressive communication achievements in connection with architecture. Here the jury awarded Bugatti the winning accolade in the “Event/Exhibition” category.

Another award for the unique design style of the trade fair presence in Geneva went to Bugatti as part of the German Design Award, where it was won in the category “Excellent Architecture – Fair and Exhibition”. Jury rationale: “The neutral colour scheme of the minimalist architectural style with its elegant proportions, emphasised only by luminous, clear lines, perfectly captures the design of the exclusive vehicles and exhibits.”

La Voiture Noire1 perfectly integrated into trade fair presentation

“The highlight of the Geneva Motor Show was certainly Bugatti’s “La Voiture Noire” – the most elegant and most valuable new Gran Turismo in the world. We adapted our newly designed exhibition stand to this car. On the 532 square metre stand we were able to present three vehicles for the first time, including two world firsts. We are therefore extremely pleased that these renowned juries have recognised our efforts and our concept,” says Stephan Winkelmann, President of Bugatti. “My thanks go to the entire Bugatti team for their ideas and implementation at this year’s Geneva show.”

With the “La Voiture Noire”, the Bugatti brand has once again demonstrated that it builds the world’s finest and most exclusive hyper sports cars. This two-door Gran Turismo with its sculptural design is particularly elegant thanks to the use of exposed carbon in jet black. In addition to the “La Voiture Noire” – a unique item for Bugatti enthusiasts – the Alsace-based company also presented the Chiron Sport “110 ans Bugatti2”. Bugatti celebrated its 110th anniversary with this limited edition of the hyper sports car. The anniversary model bears one of France’s best-known symbols: the tricolour “Le Bleu Blanc Rouge” – with the colours blue, white and red – adorns the bodywork and interior in several places. The third vehicle presented at the exhibition stand was the Bugatti Divo1, a hyper sports car limited to 40 units which has altered aerodynamics designed for lateral acceleration and offers extreme driving pleasure.

“We celebrated a special anniversary in 2019. With these two models we pay tribute to our long tradition and our French homeland,” explains Bugatti President Stephan Winkelmann. Next year, the trade fair presentation will be modified. But one thing will remain the same as the previous year: Bugatti enthusiasts can look forward to innovation – in an award-winning setting.

1 Fuel consumption, l/100km: not subject to Directive 1999/94/EC as overall type approval is currently not yet available

2 Fuel consumption, l/100km: urban 35.2 / extra-urban 15.2 / combined 22.5; combined CO2 emissions, g/km: 516; efficiency class: G

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