Tag Archive for: iconic

FOUR SEASONS

marca el comienzo de 2023 con nuevas extensiones de marca de liderazgo y crecimiento de cartera estratégica

Bajo el liderazgo del nuevo presidente y director ejecutivo, Alejandro Reynal, la icónica marca de lujo continúa impulsando el crecimiento global y el desarrollo estratégico en líneas de negocios nuevas y existentes.
24 de enero de 2023,

La empresa líder en hospitalidad de lujo,  Four Seasons ,  continúa ampliando su canal de desarrollo, elevando sus ofertas experienciales y acelerando nuevas y audaces empresas que capitalizan la sólida base comercial de la empresa y su singular enfoque en el segmento de lujo.

A través de la lente de la inigualable atención al cliente y la personalización, Four Seasons está invirtiendo en una sólida estrategia comercial, mejorando su capacidad para satisfacer la creciente demanda de viajes y experiencias de lujo.

En octubre, la compañía nombró  a Alejandro Reynal  como presidente y director ejecutivo, marcando un nuevo capítulo que se basa en el renombrado legado y la posición de liderazgo de Four Seasons dentro de la industria hotelera de lujo.

“Desde que me uní a Four Seasons, he visto de primera mano la clara ventaja competitiva de la compañía: excelencia en el servicio incomparable, una marca reconocida y una cultura corporativa impulsada por el corazón genuino de su gente”, dice Reynal. “El negocio de Four Seasons es más fuerte que nunca. Nuestro experimentado equipo de liderazgo está bien posicionado para aprovechar las innumerables oportunidades que se avecinan, centrándose en una estrategia de crecimiento evolucionada que continúa generando valor para los propietarios, empleados, huéspedes y residentes de nuestros hoteles”.

Reynal continúa: “El verdadero lujo siempre debe representar la expresión auténtica de la personalización. En Four Seasons, esta siempre ha sido nuestra promesa de marca e inspira a nuestra gente en cada interacción. Continuamos invirtiendo en nuestras capacidades, capacitando a nuestros equipos con las herramientas que necesitan para mejorar la experiencia del huésped y elevar el servicio genuino que siempre ha sido nuestro sello distintivo”.

Una cartera creciente de propiedades de lujo galardonadas

Durante más de 60 años, Four Seasons ha definido el arte de la hospitalidad de lujo, con una cartera global envidiable de 126 hoteles y resorts de lujo y 53 residencias de marca. En 2022, Four Seasons inauguró siete nuevas propiedades excepcionales, incluidos nuevos hoteles y residencias en  Fort Lauderdale ,  Minneapolis  y  Nashville , así como dos nuevas experiencias de resort en México, en  Tamarindo , y con la apertura de su primer tented-resort en América del Norte. en  Naviva, Punta Mita, un Four Seasons Resort . La empresa también amplió su creciente colección de residencias privadas independientes con nuevas ofertas en  Marrakech  y  Dubái., brindando a los propietarios más exigentes la oportunidad de vivir con Four Seasons fuera de un hotel o resort.

Four Seasons tiene más de 50 nuevos proyectos en planificación o desarrollo, incluso en Italia, España , China, Japón, Arabia Saudita, Colombia, Belice y muchos más, ampliando y fortaleciendo las relaciones con socios propietarios nuevos y existentes con cada nueva propiedad que abre. En el próximo año, la compañía ampliará su oferta con dos nuevas aperturas de hoteles planificadas en China en  Suzhou  y  Dalian ; y proyectos en el Medio Oriente que incluyen nuevas residencias en  Bahrain Bay , una segunda propiedad en  Doha y un nuevo hotel en  Rabat , Marruecos.

Four Seasons anunció recientemente los próximos proyectos que distinguirán aún más su cartera global, desde una leyenda histórica en  Venecia  hasta nuevas torres altísimas en  Melbourne  y  Xi’an . Además, Oriente Medio sigue siendo un mercado de crecimiento clave, con próximos proyectos en  Jeddah en Corniche ,  Diriyah ,  New Cairo Capital en Madinaty ,  Luxor  y  Muscat .

El negocio residencial de Four Seasons impulsa el crecimiento estratégico

Four Seasons Private Residences ha sido una extensión natural de la marca desde 1985, cuando se inauguró el primer proyecto residencial de la compañía en Boston. Casi 40 años después, Four Seasons logró un hito con la apertura de la 50.° Four Seasons Private Residences en Fort Lauderdale, con más adiciones bienvenidas a la cartera para fines de 2022.

Residencial sigue siendo un importante motor para el crecimiento estratégico de Four Seasons , con una sólida cartera de proyectos de cinco años que comprende más de 30 proyectos en todo el mundo.

El centro de la estrategia de crecimiento residencial de Four Seasons es la expansión de sus ofertas independientes. Desde la primera apertura independiente en  Londres  en 2018, la oferta se ha expandido a  Los Ángeles ,  San Francisco ,  Marrakech y  Dubai , este último se agotó antes de salir a la venta pública. Las próximas aperturas están programadas en  Lake Austin  y más allá.

Surcando los cielos, los mares y las carreteras con Four Seasons

Además de las aperturas de nuevos hoteles y residencias, Four Seasons ha ampliado sus ofertas experienciales para brindar a los huéspedes formas nuevas y distintivas de relacionarse con la marca, incluida la  experiencia Four Seasons Private Jet ,  At Home Collection y los recientemente anunciados  Four Seasons Yachts . Una colección de casi 600 restaurantes y bares en todo el mundo y 126 spas también amplía la experiencia Four Seasons y da la bienvenida a un segmento cada vez mayor de huéspedes locales habituales. Los restaurantes y bares Four Seasons se basan en los mejores conceptos innovadores de su clase que cobran vida gracias a los artesanos que comparten la pasión por el servicio increíble y las ofertas culinarias excepcionales.

En los cielos, los huéspedes pueden experimentar el legendario servicio de la marca a bordo del Four Seasons Private Jet Experience. A fines del año pasado, un jet completamente nuevo, diseñado con el aporte de huéspedes anteriores, despegó y llevó a los huéspedes en viajes personalizados por todo el mundo. Con los itinerarios para 2023 casi agotados y un calendario completo de viajes para 2024 recién anunciado, el programa continúa creciendo.

En septiembre de 2022, Four Seasons anunció la introducción de Four Seasons Yachts. Se espera que el primer barco se embarque en 2025, el yate de 207 metros (679 pies) ofrecerá un nivel de servicio personalizado sin precedentes, con una proporción de 1: 1 de huéspedes por personal, y amplias suites de estilo residencial entre muchos otros en -Servicios a bordo.

Tras el éxito del viaje de conducción inaugural  de Beyond by Four Seasons  en la Toscana en 2022, a finales de este año se darán a conocer nuevos y emocionantes itinerarios que brindarán a los viajeros la oportunidad de explorar destinos excepcionales al volante de un automóvil deportivo de lujo clásico o moderno.

En todos los puntos de contacto, en tierra, en el cielo y pronto en el mar, los huéspedes disfrutarán del servicio y la atención genuinos y personalizados que brinda Four Seasons, más de 50 000 empleados en todo el mundo, y por los cuales la marca ha sido reconocida durante más de 60 años. .

Reloj de lujo – Roger Dubui Excalibur Blacklight Monobalancier “An era of Light Color Begins”

Hiperluminiscente. Hiper-colorido. Superrendimiento: comienza una nueva era de estética deslumbrante con la llegada de la próxima generación de Excalibur Blacklight Monobalancier (MB). Una de las expresiones más brillantes de la Maison hasta la fecha, el reloj es una obra de arte contemporánea que es tan vibrante durante el día como bajo la luz ultravioleta. Bienvenido al deslumbrante mundo de Roger Dubuis, donde los campos de posibilidades se reinventan para ofrecer la forma más emocionante de experimentar Hyper HorologyTM.

EL ARTE DE LA LUMINESCENCIA

Siempre superando los límites, los relojeros altamente calificados de la Maison han estado desarrollando y dominando el intrincado arte de la luminiscencia durante años. Porque en Roger Dubuis, menos nunca es más.

Reflejando un nivel inigualable de artesanía, los micro-haces de metal del calibre son tridimensionales por primera vez, tomando la forma de la estrella característica de Roger Dubuis. De color amarillo brillante y naranja durante el día, revelan su luminiscencia oculta y brillan como neón bajo la luz ultravioleta.

Pero el dominio de la luminiscencia por parte de los relojeros va más allá. Manteniendo el punto culminante en el brillo de los micro-rayos, se eligió un diamante hiperprecioso y vívidamente fluorescente para el corazón de la estrella de la firma, canalizando el ojo para admirar el trabajo abierto de la pieza bajo la luz ultravioleta. Para garantizar que el centro de atención permanezca en los microhaces, también se seleccionaron específicamente 60 diamantes no fluorescentes para adornar el bisel. Motivados por una pasión extrema, el look final demuestra su control absoluto sobre dónde aparece la fluorescencia.

LLENO DE COLOR

La Maison presenta una colección cápsula icónica que brilla con colores de moda.

Encarnando un compromiso con la inconformidad y la voluntad de explorar nuevas posibilidades creativas, Roger Dubuis se inspiró para ir más allá de su obsesión por la luz e inyectar colores divertidos en esta próxima generación de Excalibur Blacklight MB.

Entre esta colección cápsula se encuentra un reloj vestido de amarillo brillante realzado con toques de naranja vibrante. Estos aportan un equilibrio armonioso al diseño, rompiendo el efecto de un solo tono y creando un camaieu. Estos tonos vivos también crean su estética distintiva, dejando que los detalles del calibre expresivo se revelen capa por capa, como una intrincada obra de arte que se aprecia cuanto más se mira. Atrevido, atrevido, icónico: este reloj de oro blanco de 42 mm realmente deslumbra, desde su correa de caucho amarillo brillante y piel de becerro hasta sus microrayos, marcadores de hora y minutos y su estrella característica. Si lo desean, los afortunados propietarios pueden incluso optar por cambiar la correa con solo unos pocos clics para expresar un nuevo estilo de su elección, ya que está equipada con un sistema de liberación rápida e hiperversátil. Hipercontemporáneo e hiperemocionante, la última edición del Excalibur Blacklight MB lleva a Hyper HorologyTM a nuevos y brillantes niveles de expresividad.

RENDIMIENTO IMPRESIONANTE

Definiendo el delicado equilibrio entre estética y rendimiento, el reloj está equipado con el calibre RD720SQ, que tiene una mayor reserva de marcha de 72 horas. El micro-rotor y el volante también están optimizados para minimizar las vibraciones, mejorar la estabilidad y hacerlo menos sensible a los golpes. Para lograr una eficiencia y transmisión de energía aún mejores, se mejora la forma de la rueda de escape, se combina con paletas de piedra de silicio recubiertas de diamante y se completa con un nuevo lubricante. La obra maestra está acabada a mano con meticuloso cuidado y recompensada con el Poinçon de Genève, una de las certificaciones más exigentes de la alta relojería.

Limitado a 28 piezas, el Excalibur Blacklight MB es la combinación perfecta de color, luminiscencia y mecánica avanzada, alcanzando nuevos niveles de expresividad. Al compartir su pasión por la luz y la luminiscencia, Roger Dubuis destaca una nueva faceta de Hyper Horology™, una que continúa dando forma al futuro de la alta relojería de la manera más colorida posible.

Hyper e Hyper Horology son marcas comerciales de Roger Dubuis presentadas y/o registradas en la clase 14

Cadillac Reveals CELESTIQ Show Car

An inspired vision of design, technology and bespoke craftsmanship previews flagship sedan

Today, Cadillac unveiled the CELESTIQ show car, a vision of innovation and purpose that previews the brand’s future handcrafted and all-electric flagship sedan.

Conceived to lead Cadillac’s electric future and inspired by the brand’s 120-year heritage, it serves as a touchstone for the Cadillac design and engineering teams, who continue to develop CELESTIQ as it moves closer to production.

“The CELESTIQ show car is the purest expression of Cadillac,” said Magalie Debellis, manager, Cadillac Advanced Design. “It brings to life the most integrated expressions of design and innovation in the brand’s history, coalescing in a defining statement of a true Cadillac flagship.”

In developing the show car, the design and engineering teams immersed themselves in the artisanship and customization that defined early Cadillac sedans such as the bespoke V-16 powered coaches of the prewar era, and the hand-built 1957 Eldorado Brougham. The CELESTIQ is the culmination of that heritage, brought to life with innovative production methods and new technologies.

“Those vehicles represented the pinnacle of luxury in their respective eras, and helped make Cadillac the standard of the world,” said Tony Roma, chief engineer. “The CELESTIQ show car — also a sedan, because the configuration offers the very best luxury experience — builds on that pedigree and captures the spirt of arrival they expressed.”

Designers drew further inspiration from classic architecture such as the mid-century masterpieces of architect Eero Saarinen, along with other iconic American designs, which made era-defining statements when introduced and endured with distinctive timelessness.

Realizing and infusing those influences within an Ultium-based EV architecture resulted in a clean-sheet expression for the CELESTIQ show car that considers the entirety of travel as a curated experience — one intended to evoke an emotional response.  The result is a vehicle that makes a magnetic first impression and cultivates a permanent personal connection.

“We’ve combined the beauty of function with the beauty of form,” said Laetitia Lopez, creative designer, Cadillac Color and Trim. “We had to reconsider all aspects to immerse the customer, all of their senses, and create a connection with the vehicle through the finest genuine materials, exceptional detailing and advanced technology.”

www.cadillac.com

The show car previews some of the materials, innovative technologies and hand-crafted attention to detail harnessed to express Cadillac’s vision for the future. Highlights include five high-definition, advanced LED interactive displays, including a 55-inch-diagonal advanced LED display, along with expected industry firsts such as a variable-transmission Smart Glass Roof and Ultra Cruise1, General Motors’ next evolution of available hands-free driver assistance technology which Cadillac plans to offer on CELESTIQ.

The Smart Glass Roof features Suspended Particle Device (SPD) technology that allows for four zones of variable lighting, enabling passengers to fine-tune their cabin experience for completely personalized comfort and visibility. Additionally, the 55-inch-diagonal advanced LED display introduces a passenger display with electronic digital blinds, an active privacy technology, which is designed to allow passengers to enjoy video content while blocking it from the view of the driver.

While they are previewed on the show car, these technologies and more will make CELESTIQ the most advanced vehicle ever from Cadillac. Availability for the production version of CELESTIQ will be announced at a later date.

GM is investing $81 million to support its assembly at GM’s Global Technical Center, the landmark campus originally designed by Eero Saarinen and the heart of the company’s engineering and design efforts. The CELESTIQ will be the first production vehicle built2 there since the center’s inauguration in May 1956.

Additional details on the CELESTIQ production model will be announced later this year.

Visit www.cadillac.com for more information.

https://www.manoloblahnik.com/

Manolo Blahnik for ELVIS

Manolo Blahnik has partnered with Academy Award-winning costume designer Catherine Martin to create a selection of custom shoes for Baz Luhrmann’s larger-than-life film, Elvis, from Warner Bros. Pictures.

Inspired by existing Manolo Blahnik silhouettes, the shoes can be seen throughout the film on Elvis Presley (played by Austin Butler) and also on Jerry Schilling (played by Luke Bracey), who portrays the artist’s longtime associate. Manolo Blahnik and Martin have partnered together in the past, creating shoes for Luhrmann’s 2001 Oscar-winning film Moulin Rouge!.

© 2022 Warner Bros. Ent. All Rights Reserved.

“It has been an honor to work with the wonderful Catherine Martin once again,” said Blahnik. “She is a visionary of the costume world and so beautifully brings motion picture to life through her divine creative imagination and originality. I am constantly inspired by cultural movements and music and with Elvis as the muse, these styles were a joy to create! The `50s in general is an era that I am so often drawn to, particularly in my menswear designs, with some of my past and more recent collections inspiring the pieces for the film. I am incredibly grateful to Catherine for including my work in this already iconic film. It has been marvelous, a true privilege.”

© 2022 Warner Bros. Ent. All Rights Reserved.

Manolo Blahnik designs featured in the film are TUPELO, a black-and-white lace-up inspired by ‘50s menswear, VICTOR, a sleek white calf leather boot, and GRACELAND, a classic toggle desert boot in cappuccino-coloured suede.

© 2022 Warner Bros. Ent. All Rights Reserved.

“Manolo Blahnik’s brilliance and extraordinary craft is something I have admired for many years,” said Martin. “To work with him and create something unique yet historically truthful was an incredible privilege. To have at one’s disposal such extraordinary Italian ateliers was a luxury, resulting in beautiful, gorgeously crafted shoes. Coincidentally, Manolo Blahnik’s signature spectator lace ups are strikingly similar to the shoes Elvis habitually wore in the mid`50s. The iconic designer’s love of this style serendipitously reflected Elvis’s aesthetic in the 1950s.”

Baz Luhrmann’s ELVIS Only in Theaters June 24.

Shop similar styles from the Manolo Blahnik men’s collection to those seen in the new film.

Austin Healey

HEALEY BY CATON – Iconic sports car evolved for the modern age by new luxury British brand

  • Ultra-exclusive reincarnation of the iconic Austin-Healey 100 launched by
    all-new luxury British brand, Caton
  • Healey by Caton features a unique combination of state-of-the-art design and traditional craftsmanship techniques, bringing this revered sports car up to date
  • Precision visual and performance enhancements result in a true driver’s car: an immersive, intoxicating and highly emotional experience
  • 25 examples will be hand-built by Caton in Coventry, UK
  • Caton occupies a unique position in the luxury marketplace combining OEM-grade design and engineering with traditional handcrafting skills
  • Global public debut at Salon Privé London 21-23 April, before exhibiting at a range of events in the UK including upcoming Bicester Scramble! on 24 April
  • Website: uk

Coventry, 13 April 2022 – All-new luxury British brand Caton reveals its first creation: an ultra-exclusive reincarnation of the iconic Austin-Healey 100 sports car. Featuring a unique combination of OEM-grade design and engineering with traditional craftsmanship techniques, Healey by Caton brings the revered sports car up to date.

Featuring precision visual and performance enhancements, wholly in keeping with the ethos of the original car, Healey by Caton is a true driver’s car: an immersive, intoxicating and highly emotional experience. It will be extremely rare too, with a very limited run set of 25 cars to be hand-built in Coventry. The Healey by Caton will make its global public debut at the upcoming Salon Privé London event from 21-23 April, held at Royal Hospital Chelsea. The team and car will announce a full events plan, centred around the UK for 2022, including attending and presenting at the upcoming, sold-out Bicester Scramble! event on Sunday 24 April.

HEALEY-BY-CATON-Iconic-sports-car

HEALEY-BY-CATON-Iconic-sports-car

Caton occupies a unique position in the market, forging new products from an exceptional skillset and state-of-the-art technology. With unmatched resources that enable it to offer a completely new luxury proposition, its first offering is in bespoke vehicles. However, Caton’s team vows to create and manufacture products that align with luxury, British craftsmanship in the foreseeable future, and not just cars. The brand brings an exceptional harmony of experience, passion, OEM-level technology and craftsmanship to bare, focusing exclusively on the sympathetic enhancement and evolution of cherished products for the modern age, the first of which is a coachbuilt vehicle, the Healey by Caton.

Taking a forensic yet sympathetic approach, Caton’s designers have introduced a subtle smoothness to the Healey’s instantly recognisable lines, gently amplifying the visual dynamism while fully respecting the engineering and design principles of the original car’s creator, Donald Healey.

Inside, the cockpit is totally new with a focus on the very best in contemporary and period materials. Thanks to a redesign of the transmission tunnel and new five-speed manual gearbox, there has been a transformation in cabin space. As a result, Healey by Caton is a highly useable sports car, offering all drivers the feeling of a classic but with true comfort. The finishing touch is a high-performance engine and finely-honed suspension, all of which combines to elevate driving pleasure to another level.

An icon from the Midlands, modernised

Caton’s team are enormous advocates of the Healey. In 1952, Donald Healey built the first Healey 100 prototype at his company’s workshops in Warwick, located ten miles south of Caton’s Coventry HQ. Healey took his fledgling, four-cylinder-engine two-seater roadster to that year’s London Earls Court Motor Show. where he famously forged an alliance with Austin boss Leonard Lord to build it as the Austin-Healey 100.

Six iterations of the car were produced between 1953 and 1958, with the four-cylinder engine eventually replaced by a six-cylinder unit. Donald Healey was known to have favoured the four-cylinder engine, which is lighter and lends itself to performance upgrades more readily than the six-cylinder. With these reasons in mind, Caton chose the original four-cylinder 100 ‘BN1’ model as its foundation and inspiration.

Tim Strafford, CEO of Caton’s strategic vehicle building partner, Envisage Group, said: “Caton will stand for the best in British coachbuilding, and is the vision of our [Envisage Group’s] investors. We decided that the first product by Caton had to be creative, stand-out in the marketplace, appeal to a global audience, and it was a natural step that we chose to put our Caton mark on a Healey 100.”

For the project, Caton’s designers and engineers have been able to call on strategic partner Envisage Group’s formidable resource at every step. And they have also deployed traditional handcrafting skills and tools, which would have been used by those building the Healey 100 in the Fifties.

Strafford continued: “The Healey by Caton is a car for those who appreciate beautiful objects and exquisite works of art. It is also for those who love the smell of petrol and the sound of a high-performance engine running on carburettors. The Healey by Caton deliberately exposes its occupants to the elements and places them right at the heart of a unique, highly visceral, life-affirming driving experience – none more so than the sound of the side-exit exhaust below the driver’s ear.

“With all mechanical components reconfigured as new, the Healey by Caton frees owners from any reservations they might have over purchasing a classic car. It delivers peace of mind, alluring beauty and breath-taking performance.”

Exterior design and body

Caton’s ethos is to take loved and cherished cars and objects from the past and improve upon them using new materials and ultra-precise manufacturing processes. This approach, which goes beyond merely that of reimagining, is one of purification, modernisation, and ultimately reincarnation, and is enthrallingly embodied in the Healey by Caton.

The Healey by Caton design has been directed by Darryl Scriven, who explains: “Donald Healey got so much right when he designed the car originally. We wanted to pay homage to the original vehicle while making it more comfortable to live with, more fun to drive and even more dynamic and beautiful to look at.”

Scriven and his team sympathetically redesigned the front grille, enhancing the sense of depth and proportion with a meticulousness that only OEM-level design tools and systems can deliver to denote the additional performance the car is endowed with. The grille, which is a piece of jewellery on the front of the car, is a piece of art with each slat individually created, pieced together to create a floating look, behind the Caton hexagonal trim, a shape that flows delicately but deliberately throughout the vehicle.

The car’s original quarter-length bumpers have been removed and the front remodelled to create a smoother, cleaner look. The front valance has also been elongated to hide the front of the chassis’ legs, creating a more premium feel. Subtle remodelling of the headlights has achieved a similar effect and created superior illumination with the integration of LED and daylight running lamps.

The execution of a cleaner, smoother look has been applied across the entire body, with all seams and beading removed. This is evident in the new front aluminium fenders, which feature a more clamshell-like construction. Despite being built on an English Wheel, using traditional methods, they are entirely free of the beading that ran through the centre of the original items. A new air vent and a finisher have been integrated into the flanks, visually amplifying the diving line that runs along the side of the car.

Caton has also added additional detail to the car’s rear fender. Scriven reveals why: We’ve brought in a little more substance, which gives a bit more volume and creates a greater sense of dynamism. I haven’t worked with any other company or coachbuilders that can create a car like this, from scratch. A key example is the volume on the bonnet. We subtly re-sculpted, by hand on an English Wheel, to create a smoother line that flows down the front of the car, to replace the flatter bonnet of the original, foundation car.”

For the most part, though, Caton has refined, rather than added to the Healey’s body. The rear bumpers are gone, as are the external boot hinges, replaced with new internal hinges running on modern gas struts. The boot handle is deleted too, and the lid is now opened by an internal release mechanism, run by a new, modern Caton key.

“To remain true to the car’s D.N.A., we asked ourselves ‘What would Healey have done when building a car in the Fifties if they had the tools and manufacturing techniques that we are in the unique position to have at our disposal today?’” continued Scriven.

The OEM-level technology he refers to allowed Caton to capture a complete 3D scan of the car. A Computer Numerical Control (CNC) machine enabled the fabricators to work to tolerances of just .2mm, creating ultra-perfect panel gaps that add to the beautification of the bodyshell. Yet the team also deployed technology that would have been entirely familiar to those building the car in period, such as an English Wheel, which was used to hand roll the aluminium panels.

Following a dry build to ensure absolute accuracy in final assembly, the body spends two weeks in Caton’s paint shop. It is primed, equipped with an OEM-standard anti-corrosion protection layer, and then painted. No level of detail is spared, with paint also applied to the boot’s interior. The car retains its original badging, with the subtle addition of the Caton brand logo to the front fenders. Period-style, lightweight 72-spoke Borrani black aluminium alloy wheels with black spinners are fitted and shod with period-correct but modern manufactured, off-the-shelf Michelin tyres.

Interior

Caton’s redesign of the Healey’s cabin wholly maintains the essence of the original, while creating significantly more space. This has been achieved primarily through the redesign and narrowing of the transmission tunnel, made possible by introducing a new five-speed manual gearbox.

The standard car used a three-speed gearbox originally designed for column-shift actuation, with the gear lever positioned offset on the left-hand side of the transmission tunnel. Now, the gear lever sits in a central position on the top of the transmission tunnel, transforming both the aesthetic appeal of the cabin and driving pleasure. Original Healey 100s were designed and built for a shorter population meaning many of today’s drivers may struggle to comfortably enjoy the experience. Thanks to restyling the rear and a different pedal box fitted, it’s reported that in development testing a 6ft tall driver needed to move the seat forwards towards the cabin whereas they struggled to fit in an original Healey 100/4.

Healey by Caton Project Manager David Moore explains: “We chose to replace the existing Healey gearbox with its bulky transmission tunnel and offset gear-lever, with a new five-speed manual transmission for the aforementioned reasons of enhancing space and practicality within the cabin, but also, of course, to transform the driving experience.

“The new gearbox is provided by world-leading transmission experts. The highly proven unit is exceptionally durable, and its five-speed configuration endows the car with a much more comfortable long-distance touring ability. But it’s over a hairpin strewn mountain pass where drivers will really appreciate the difference. Combined with a custom hydraulic concentric clutch release bearing, the gearbox provides a rapid and immensely satisfying gearchange feel.”

The Healey by Caton has been modernised with the fitment of a racing car style pedal box to further increase the legroom available to the driver. The car’s roof and tonneau cover have also been removed, along with the heater. There is no infotainment system to detract from the driving experience, although two USB ports are provided to enable charging of electronic devices if required. The door cards and pockets have also been maximised to fit a water bottle and other items.

Further extolling the values upon which the Healey by Caton has been built, Scriven says: “We wanted to accentuate the visceral feel of the driving experience and let the driver and passenger truly relish the sound of the engine and the sensations of the open road. The side-exit exhaust has been meticulously positioned close to the driver’s ear, for instance.

Yet, we also wanted to ensure that the occupants could talk to each other and be comfortable on long journeys. The Healey by Caton is a car that you might drive to Goodwood for the day, but it’s also a car you could drive along a beautiful coastal road in Monaco. We’ve extended the height of the front windscreen slightly to reduce buffeting and added strengthening elements to the seat frames, giving the period-style seats more support and greater comfort.”

OEM-standard shrink-optimised leather was chosen for the dashboard and redesigned door panels for the superior tight fit and finish and greater durability it provides. However, the material was deliberately shunned for the car’s seats for the very simple but very important reason it does not produce any smell.

“Shrink-optimised leather doesn’t create that wonderful aroma you get from natural leather,” continues Scriven. “That’s why, after consultation with our in-house trim and fabrics studio, we elected to upholster the seats in premium Bridge of Weir hide, which enriches the cabin with the fragrance of leather, and will develop a beautiful patina over time. That’s part of the Healey by Caton’s authentic appeal, which will only get better and better the more the car is driven.”

Drivetrain

The car’s beating heart is a 185 bhp 195 ft/lbs of torque 2954cc four-cylinder engine, endowed with performance to take the car well beyond the 100mph top speed it was named for. Based on an original Austin-Healey block, the engine is completely stripped down, fully lightened, balanced, and then refurbished to zero miles. It is further enhanced with a full steel crank shaft, upgraded bearing shells, high compression pistons, a race camshaft with more aggressive lobes and roller rockers. Larger Twin H8 carburettors and gas flow inlets provide excellent throttle response. A race side-exit exhaust system adds further to the car’s considerable aural appeal.

The engine, and most of the car’s mechanical components, are the work of the world’s leading Healey specialists J.M.E. Healeys (J.M.E.), who has strong historical links with the original Healey company. Jonathan Everard, who founded J.M.E., and his father Harold, worked for the Donald Healey Motor Company in Warwick. Today, the company is run by Jonathan’s sons, Chris and Dan and is based in The Cape Works in Warwick, the original home of the Healey company.

Tim Strafford explains the rationale behind Caton’s creation of a collaborative partnership with J.M.E.: “Caton’s mission is to create products in automotive and beyond of the highest possible calibre of design, quality and appeal. Caton is entirely transparent on how it achieves this. When creating Caton’s brand values, we asked ourselves: ‘Where is Caton world-class? And where could it add value for its customers by forming strategic partnerships to bring additional skills on board?’ When it comes to the Austin-Healey brand, there is no one more experienced or knowledgeable than J.M.E.”

Thus, Caton elected to use J.M.E.’s ultimate Healey 100 BN1 Cape Works specification as the basis for the Healey by Caton project. The car benefits from a new chassis, strengthened and modified at known weak points – including the addition of new front and rear bulkheads – identified from J.M.E.’s decades of experience in restoring, servicing, and rallying Healeys. It provides an exceptional, robustly proven building block for the Healey by Caton. Nevertheless, Caton wanted to expand the car’s considerable performance parameters and bolster its unique driving appeal yet further.

Strengthened driveshafts transfer the formidable performance to the road. In keeping with the Healey by Caton’s pure, driver-focussed appeal, there are no electronic traction or stability controls to dilute the driving experience. Exemplary stopping power is provided by four-pot alloy callipers with vented front discs at the front, with discs and three-pot alloy callipers fitted at the rear. No ABS system is fitted in keeping with the purist driving feel.

Suspension and steering

Decades of international rally success testify to the inherent strength and durability of the Healey’s original suspension configuration. The system has been further honed by J.M.E. while retaining the original rear semi-elliptic leaf spring set-up. The Healey by Caton features a double-wishbone and adjustable coil spring configuration at the front, with a lever arm damper system and the car’s proven leaf spring system at the rear. Custom fabricated and fully rose-jointed roll bars are also fitted front and back. The unassisted steering system delivers exceptional levels of feel and feedback.

Customer-first values

With production of the Healey by Caton limited to 25 examples, the company will liaise with customers on a highly personal, one-to-one basis, as frequently as each requires. Each customer can be assured of the highest possible level of service. They will be welcome to visit Caton’s Coventry HQ on a regular basis, to tour the company’s design studios, trim and colour suite and paint facilities, and immerse themselves in every stage of their car’s development progress.

The customer has the ability to add completely bespoke and personal touches to any of Caton’s products, whether that be the car’s exterior paint finish through creating any colour imaginable or choosing from the extensive array of materials available in the on-site colour and trim suite for the car’s interior.

Tim Strafford vows: “It will be our privilege to collaborate with Caton’s customers to specify their car to their exact requirements, whether they choose to visit in person or liaise from anywhere across the globe. No two examples of the Healey by Caton will be the same, but each will be of exceptional beauty and built to the highest possible OEM levels of quality. Each will represent a true reincarnation of the iconic Austin-Healey 100 sports car utterly fitting for the modern age. Our aim is to deliver an unrivalled, immersive, intoxicating and highly emotional driving experience.”

Hand-built production of the Healey by Caton will commence in Q2 2022. It will make its global public debut at Salon Privé London from 21 April to 23 April inclusive and attend the upcoming Bicester Heritage Scramble! on 24 April. Customers are urged to sign up to Caton’s mailing list via www.caton.uk, where a range of events will be announced, and news will be distributed. Caton’s team plans to attend many events – from smaller breakfast clubs to larger, public events, in 2022 and beyond, starting from the UK and travelling further afield to global stages from 2023.

Website:  www.caton.uk

Social media:

Instagram: www.instagram.com/bycaton/

Facebook: www.facebook.com/bycaton

Twitter: twitter.com/bycaton

LinkedIn: www.linkedin.com/company/bycaton

YouTube: www.youtube.com/channel/UCZs_Y56OMfgakAmZSbDb1dQ

Hublot_Square-Bang-Unico-Collection_

HUBLOT – SQUARE BANG UNICO – A NEW WATCH-SHAPE TAKES FORM AT WATCHES & WONDERS

Hublot unveils its own interpretation of the square watch, a totally new geometry for the watchmaker. Inspired by the Maison’s iconic Big Bang, this Square Bang Unico adds a new pillar, ‘The Shaped Collection’ to sit alongside the Spirit of Big Bang.

Is there anything that has not been explored in watchmaking? This is the question that Hublot’s R&D department asks itself every day. When you have created the most resistant materials, set up the craziest of partnerships and developed extraordinary complications, the answer is often very simply… In the shape. Hublot currently masters three: a round watch, a barrel-shaped watch, and the MPs, those ‘Master Pieces’ have that have broken free from all conventions.

Today, a fourth shape has been created: the square. Its geometry bewitched Hublot because of the challenges it sets. First, the movement. Since every calibre has the wheel as its basic component, it therefore needs a round movement. If you are to place a round movement harmoniously in a square case, this requires a very specific style. This is why most watchmakers hide their movement, to give the illusion of using a shaped movement or because they have failed to find a consistent aesthetic style.

Hublot decided to take a radically different direction: the watchmaker hides nothing of its own, in-house Unico movement, the pride of the Nyon watchmakers and the beating heart of most of its designs for over 10 years. The chronograph has a column wheel visible at 6 o’ clock, while its bicompax display dispenses with a dial, to reveal its secret inner workings.

The second challenge was the modular construction of the case, designed in line with Hublot’s DNA, with a central housing dressed with an upper and lower plate to enable a myriad of combinations and transformations. But this time, it is square in shape, and therefore much more difficult to make water resistant – Hublot pulls off the challenge with a guaranteed water resistance to 100 metres. The size of the case is also an important factor to ensure this model is perfectly ergonomic, providing comfort on the wrist very similar to that of the 42 mm Big Bang. Its pedigree from the brand’s icon can be seen in countless details.

First of all, there is the sandwich construction of its dial, which gives it different levels of depth and a highly architectural feel. As with the Big Bang, the Square Bang Unico’s dial makes extensive use of sapphire to give a clear view of the Unico movement, and also reuses the same hands.

Next, we find the six (functional) screws on the bezel, placed at exactly the same places as on the Big Bang. On either side of the Square Bang, you find the ‘ears’ from the Big Bang’s case, giving balance to the design while protecting the case. For the strap, in addition to the much appreciated One Click system of the Big Bang and its textured rubber, the two screws are fixed in the middle as an attachment. Finally, the Square Bang uses the same materials as its predecessor, including titanium, ceramic and King Gold, not to mention the famous ‘All Black’ finish.

Lastly, a new strap decorated with ‘chocolate squares’ further emphasises the Square Bang’s identity. Thanks to its interchangeable (One Click) system you can change the look of your watch in one click with an impressive range of Rubber, Alligator and soon soft-touch leather straps.

Five 42 mm models are already available. The first three are in solid titanium, black ceramic or King Gold. The last two blend titanium or King Gold with a black ceramic bezel. Each model comes with a black rubber strap and a folding clasp in the same material as the case. These original designs beat to the rhythm of the HUB1280 Unico Manufacture movement, a 354-component automatic chronograph, set at 4 Hz (28,800 vib/h).

As is customary at Hublot, the finishing is uncompromising and has a very modern feel: polished and sandblasted screws, over-moulded rubber crown, push-pieces decorated with rubber ‘chocolate squares’, polished satin bottom and rhodium-plated or 5N gold-plated hands, depending on the model. The crown comes in over-moulded rubber. The textured pattern of the strap was created especially for the Square Bang. It includes four rows (like the four sides of the case) of raised squares (like the bezel on the case).

Vivian-Stauffer_Hamilton-CEO---

VIVIAN STAUFFER
CEO HAMILTON INTERNATIONAL LTD.

Vivian Stauffer is the CEO of Hamilton, an iconic name in precision watchmaking since it was founded in Lancaster, Pennsylvania in 1892. Its watches earned their reputation by synchronizing the first railroads and went on to furnish the wrists of soldiers, aviators and Hollywood stars, making over 500 appearances on the big screen. Hamilton has been at the forefront of innovations in design, technology and craft, launching the world’s first electric timepiece in 1957 and first LED digital watch in 1970. A member of the Swatch Group, the global leader in watch manufacturing and distribution, Hamilton combines its American spirit with true Swiss precision.

A Swiss national, Vivian Stauffer obtained his master’s degree in Chemical Engineering at the Ecole Polytechnique Fédérale of Lausanne. An outdoor enthusiast, he is an experienced pilot and also enjoys free skiing, mountain biking and hiking. He began his career at Swatch, a brand of the Swatch Group, in 2002, where he spent five years as a member of their sport and sales team.

In 2007, he joined Hamilton as Regional & Travel Retail Sales Manager and acted as Brand Manager of Switzerland between 2010 and 2013. Also appointed as Head of Sales in 2011, he developed and implemented the international sales and distribution strategy for 24 subsidiaries and 40 distributors around the world. He opened the first Hamilton boutiques in Japan and Switzerland and spearheaded Hamilton’s growth in China as interim brand manager for a year and a half.

Hamilton CEO since 2020, he oversees the brand’s global strategy and development in over 75 countries.

If anyone knows how to design a comfortable chair for your home or lounge, it would be British designer Ian Callum. Having made his mark on Aston Martin, Jaguar, and Ford rides, he has turned to furniture as a new creative outlet, and offers us his vision of the renowned Eames lounge chair.

The Callum Designs Lounge Chair takes a definitive stamp from the original mid-century chair, but has a sleek new look that is reminiscent of sports car upholstery. The hand-finished lounge chair features leather, or your choice of fabrics, and wide variety of Pantone colors.

The team at Callum Designs finally accents the chairs with finishing details in carbon fiber, and wood for a successful new take on this lounge chair with sportscar seat sensibility.

Visit Callum Designs online to learn more about customizing and ordering your own.