Tag Archive for: Jaeger-LeCoultre

THE PERPETUAL MOVEMENT OF THE SOLAR SYSTEM CAPTURED IN A SUBLIME OBJET D’ART

In keeping with Jaeger-LeCoultre’s eternal quest for precision, the Manufacture’s engineers and watchmakers have created a new complication that reproduces the true cycles of the Earth, Sun, and Moon more closely than ever before, developing it specifically for the Atmos Hybris Mechanica Calibre 590. The extraordinary mechanism brings an entirely new dimension to the Atmos – the unique perpetual clock that runs on air – displaying, in three dimensions and in real time, the relative positions and movements of Earth, the Moon and the Sun.

Nicknamed the Atmos Tellurium, this is the most complex Atmos clock ever created, pushing the limits of both precision and design, and the intricacy and architectural beauty of its movement naturally inspired the artisans of Jaeger-LeCoultre’s Métiers Rares® atelier. Dedicating a wide range of their craft skills to its decoration – from miniature-painting and laser-engraving to lacquer-work and meteorite inlay – they have elevated the Atmos Hybris Mechanica Calibre 590 to become a sublime work of art as well as an outstanding timekeeping device.

· Pushing the boundaries of precision and design, the Atmos Hybris Mechanica Calibre 590 is the most complex Atmos clock ever created, requiring more than four years of research and development work

· New Calibre 590 incorporates a complication that reproduces the true cycles of the Earth, Sun, and Moon

· The artisans of Jaeger-LeCoultre’s Métiers Rares® atelier dedicated a wide range of craft skills to its decoration, transforming an outstanding timekeeping device into a sublime work of art

Measuring Time as the Planets Move

In the very beginning, thanks to the movements of stars and planets, mankind became aware of the passing of time and began to define and measure it. Days, with periods of light and darkness, were defined by one complete rotation of Earth on its axis; years were defined by the time it takes for the Sun to return to the same position in the sky, completing a full cycle of seasons.

Over the millennia, scientists invented instruments to reproduce these cycles and enhance their understanding of celestial phenomena. Clock-makers began to measure time by using the values of the various astronomical cycles – although the units of standard civil time are only approximate, based on the average values of solar, lunar and sidereal cycles. In 1543, Copernicus revolutionised scientific thinking with the publication of his heliocentric model of the solar system (first hypothesised by the Ancient Greek astronomer Aristarchus of Samos, the model had been discounted for more than 1,500 years in favour of an Earth-centred model).  The heliocentric model places the Sun, rather than Earth, at the centre of our solar system and its publication triggered the invention of the tellurion (also written as tellurium), a three-dimensional mechanical mobile that illustrates the relative positions and movements of Earth and the Moon in relation to the Sun. From the 18th century onwards, elaborate clocks were sometimes surmounted by these fascinating mechanisms. The nickname of Calibre 590 –‘Tellurium’ – is a tribute to those magnificent clocks.

Invented in 1928, the Atmos needs no human intervention to wind its movement; a temperature variation of just one degree Celsius provides sufficient energy to wind it for 48 hours, enabling it to run perpetually if kept under normal everyday conditions. Because this remarkable system produces only a small amount of energy – some 40 times less energy than a traditional 4Hz watch movement typically offers – the Atmos movement has been designed to consume as little energy as possible, with the balance taking one minute to perform a complete oscillation.

Over time, Jaeger-LeCoultre’s watchmakers have mastered the challenge of adding functions to the mechanism without substantially increasing energy consumption. In doing so, they have discovered that the complications best suited to the Atmos are those based on longer cycles, such as the seasons, months and phases of the moon.

A New Complication and a Captivating Display

The new Calibre 590 was entirely conceived, designed and constructed within the Manufacture Jaeger-LeCoultre and assembled in the Atmos atelier, a workshop solely dedicated to Atmos. Comprising 443 components, with the tellurium complication fully integrated into the movement, it required more than four years of research and development – its technical complexity and sophistication naturally meriting a place in Jaeger-LeCoultre’s Hybris Mechanica collection. As well as reproducing with precision the rotation of Earth on its own axis, and the orbits of the Moon around Earth and Earth around the Sun, the new calibre indicates the corresponding months and seasons with a zodiacal calendar.

The clock face is defined by a peripheral ring formed of two layers. The upper layer, fixed in place, is marked with an hour-and-minute track and the names of the seasons; this conceals a mobile ring marked with the months, which appear in an aperture at 6 o’clock. Set within this frame is a disc of translucent blue sapphire crystal, laser-engraved with the zodiac signs. At the centre of the dial, the sun is represented by a burst of polished golden metal rays.

Close to the peripheral ring, balanced by a wedge-shaped counterweight, a circle of meteorite frames a transparent sapphire disc into which a spherical Earth and Moon are set. The Earth rotates on its axis in 24 hours, the length of a civil day, providing a night-day indication as it revolves. At the same time, the Moon orbits Earth in one synodic month, turning on its own axis to show its phases. Defined by one complete cycle of moon phases, a mean synodic month is 29 days, 12 hours, 44 minutes and 2 seconds in length. This mean (or average) duration allows for the slight variation caused by the elliptical shape of the Moon’s orbit. The mechanism of the Atmos is so close to this mean that it creates only one day of error in 5,770 years.

This entire Earth-and-Moon disc orbits around the central Sun, making a complete rotation in one solar (or “tropical”) year, indicating the seasons as it turns. Jaeger-LeCoultre’s watchmakers have succeeded in establishing a cycle of 365.2466 days. This is so close to the reference value of 365.2425 days found in the Gregorian calendar that it varies by only one day in 390 years, meaning that it will not need adjusting until the year 2412 (the only adjustment is the seasonal change).

‘Fully visible from every angle, the entire mechanism seems to hover in space within its cylindrical cabinet of glass. In fact, it is supported, and attached to the base by a virtually invisible glass cloche, which also encloses the annular balance. Like the main body of the movement, the balance also seems to floating as it performs its slow and mesmerising dance.’ explains Lionel Favre, Jaeger-LeCoultre Design Director.

Naturally, this extraordinary mechanism has inspired the artisans of Jaeger-LeCoultre’s Métiers Rares® atelier to dedicate a wide range of their craft skills to its decoration. Miniature painting adds detail and depth to the spherical Earth; laser engraving evokes the surface of the Moon; lacquer brings a rich glow to the main dial ring; and meteorite – material that has literally fallen from space – is inlaid on the Earth-Moon ring; and the glass cabinet has been hand-painted with a delicate rendering of the constellations.

The most complex Atmos clock ever created, the new Atmos Hybris Mechanica Calibre 590 pushes the limits of precision and design a step further with a perpetual mechanism complemented by a tellurion that perpetuates time to almost infinity. It showcases this remarkable achievement in the form of a true work of art.

TECHNICAL DETAILS

ATMOS HYBRIS MECHANICA CALIBRE 590

Dimensions: 215mm diameter x 253mm height

Calibre: perpetual Jaeger-LeCoultre Calibre 590

Frequency: annular balance with 60-second oscillation

Functions: hours, minutes, night & day, month, moon phases, zodiacal calendar

Cabinet: cylindrical glass hand-painted with the constellations

Decorative finishes: inlaid meteorite; engraving; miniature painting; lacquer

Reference: Q5765300 – Limited edition of 10 pieces

Jaeger Lecoultre presents the Reverso tribute minute repeater

Ninety years after the birth of the Reverso, and 150 years after creating its first minute repeater, Jaeger-LeCoultre presents the Reverso Tribute Minute Repeater. Offered in a limited edition of 10 pieces, this exquisite new timepiece unites two of the key themes that have defined La Grande Maison for much of its history: an exceptional expertise in chiming watches and the timeless story of the Reverso.

With its distinctive Art Deco lines and swivelling case, the Reverso is one of the world’s most recognisable wristwatches. Its story embodies Jaeger-LeCoultre’s eternal pursuit of beauty and aesthetic refinement, expanding the Reverso’s stylistic realm by harnessing the full potential of its unique design. Allied to this is the Manufacture’s endlessly inventive quest for technical advancement – from the revolutionary idea of a case that could be flipped over, and the ingenious mechanism that made it possible, to the development of complications specific to the Reverso.

 

A distinguished legacy in chiming watches

In the 1990s, amid the rebirth of mechanical watchmaking that followed the quartz crisis, the Reverso – with its distinctive rectangular case – became the vehicle through which the Manufacture would redevelop its expertise in high complications. Having mastered the added challenge that rectangular movements dictate an entirely different architecture from that of traditional round movements – a particularly demanding challenge for chiming mechanisms – Jaeger-LeCoultre presented the Reverso Répétition Minutes in 1994. It was the first time the Maison had miniaturised a minute repeater for a wristwatch and was the world’s first rectangular minute repeater movement.

In fact, Jaeger-LeCoultre’s mastery of chiming mechanisms dates back to the very foundation of the Manufacture in 1833, and its deep expertise is today confirmed by an archive of more than 200 chiming calibres. Since that first Reverso minute repeater of the 1990s, Jaeger-LeCoultre’s engineers and designers have redefined the benchmark for acoustic quality, harnessing new technology in service of this noble tradition.

A new expression for the Minute Repeater

Embodying technical advances such as Jaeger-LeCoultre’s patented trebuchet hammers, silent regulator and a new generation of gongs, the Reverso Tribute Minute Repeater is powered by a revised version of Calibre 944 – a movement entirely conceived, designed and produced within the Manufacture. The new timepiece is distinguished by dials on both the front and reverse sides, bringing a fresh visual expression to the timeless Reverso design, as well as to the minute repeater mechanism itself. While the dials both display the same time, they are very different in character – one exuberant, the other more sober. Both are a testament to the beauty of fine movement decoration and the exceptional level of craftsmanship that resides within the Manufacture.

The front dial is entirely skeletonised, revealing the full complexity of the minute repeater mechanism and presenting a mesmerising display of moving parts when the minute repeater is activated. Beneath a large bow-shaped bridge that sweeps from 11 o’clock to 7 o’clock, the components appear almost to be floating in three dimensions, the sense of visual depth and transparency enhanced by faceted indexes that are cantilevered from the chemin de fer minutes track. With a gleaming golden finish, the bridge, hour markers, gongs and several other components perfectly match the colour of the rose-gold watch case.

While the exuberance of the front dial contrasts with the rectilinear geometry of the Reverso case, the relative sobriety of the reverse dial echoes and amplifies those straight lines. Vertical Côtes de Genève stripes extend over the entire height of the main plate, which also serves as the dial. Showcasing the timekeeping mechanism, with subtle colour accents provided by blued screws and golden hands and hour markers, the cool silver tone of the metal provides an elegant counterpoint to the warm rose gold of the case.

Set into the side of the watch case, the slider that activates the chimes has been specially designed for the new Reverso Tribute Minute Repeater to be as slim as possible, without sacrificing ergonomics. Visually complementing the Art Deco lines of the case, the effect is one of great refinement.

In showcasing both technical complexity and the aesthetic crafts, the Reverso Tribute Minute Repeater underlines the eternal modernity of the Reverso design, marrying the technical prowess of the Manufacture Jaeger-LeCoultre to its eternal quest for new forms of visual expression.

 

TECHNICAL SPECIFICATIONS

REVERSO TRIBUTE MINUTE REPEATER

Case material: Pink Gold

Case dimensions: 51.1 x 31 mm

Case thickness: 11.41 mm

Movement: Jaeger-LeCoultre Calibre 944, manually wound

Functions: Hours and Minutes on two dials, minute repeater

Power reserve: 35 hours

Water resistance: 30 m

Strap: Brown alligator

Limited edition of 10 pieces

Jaeger-LeCoultre unfolds infinity in four chapters with the Reverso Hybris Mechanica Calibre 185

La Grande Maison celebrates an icon, the Reverso, by releasing the most complicated timepiece ever presented in this emblematic collection. The Reverso Hybris Mechanica Calibre 185 is the result of over six years of development, combining key areas of savoir-faire at Jaeger-LeCoultre with innovative new astronomical indications.

It is the world’s first wristwatch with four functioning display faces. By incorporating three displays of lunar information on the interior face of the iconic Reverso cradle (the synodic cycle, the draconic cycle and the anomalistic cycle), the Hybris Mechanica Quadriptyque can predict the next global incidence of astronomical events such as supermoons and eclipses — the world’s first wristwatch to provide such a deep reading of the cosmos.

Key Points of the Jaeger-LeCoultre Reverso Hybris Mechanica Calibre 185 (Quadriptyque)

  • The world’s first watch with four faces; the most complicated Reverso timepiece ever made
  • A total of 11 complications, including perpetual calendar, minute repeater, indications of the synodic, draconic and anomalistic cycles (never before presented together in a wristwatch), requiring 12 patents
  • Combines Jaeger-LeCoultre’s uncontested mastery of chiming watches, precision mechanisms, astronomical complications and ultra-compact watchmaking
  • User-friendly design and construction; the most complicated Reverso is also one of the easiest to wear

Geneva, April 7th, 2021 — With 188 years of relentless innovation and savoir-faire behind it, Jaeger-LeCoultre continually sets new boundaries in the domain of fine mechanical watchmaking. Its Hybris Mechanica series of ground-breaking, ultra-complicated timepieces has established a constellation of stars shining with unparalleled brilliance in the horological heavens. In 2021, the latest addition to this celestial assemblage is a grand oeuvre six years in the making — the Jaeger-LeCoultre Reverso Hybris Mechanica Calibre 185 Quadriptyque, the first watch in the world with four faces of timekeeping indications.

Since the advent of personal timepieces, the quest to build increasingly complicated watches is constrained by the volume of space available to the watchmaker. Having a multitude of complications in a watch is pointless unless they can be legibly and comprehensibly displayed, and the watch can be reasonably worn. Liberated by the unique design of the iconic Reverso, Jaeger-LeCoultre has created a world’s first: a double-faced case continuously driven by the in-house Calibre 185, and a double-faced cradle with indications synced and updated by the primary movement every day at the stroke of midnight by an ingenious mechanical system proprietary to Jaeger-LeCoultre.

If executed through conventional mechanical means, the 11 complications of the Jaeger-LeCoultre Reverso Hybris Mechanica Calibre 185 Quadriptyque would result in a timepiece far more suited for a desk than a wrist. Thanks to nearly two centuries of expertise and a thoroughly modern approach to innovation, Jaeger-LeCoultre tells the story of cosmic and terrestrial time within the confines of a 51mm by 31mm by 15mm case, a story told in four chapters of horological virtuosity.

Reverso Hybris Mechanica Calibre 185

CHAPTER ONE: SET THE UNIVERSE

The history of Jaeger-LeCoultre is rooted in the pursuit and attainment of precision. One of the earliest inventions of founder Antoine LeCoultre was the millionometer, the first instrument able to measure the micron. Today, Jaeger-LeCoultre is an undisputed pioneer and leader in creating exceptional executions of the tourbillon, a mechanism designed to enhance the chronometric performance of a timepiece. The Reverso Hybris Mechanica Gyrotourbillon 2 (2008) stunned audiences and won chronometry awards with its multi-axial revolving balance, and the Reverso Hybris Mechanica à Triptyque (2006) remains unique in its use of a tourbillon with a high-precision ellipse isometer escapement.

Naturally, the tourbillon is one of the main protagonists of the new Jaeger-LeCoultre Reverso Hybris Mechanica Calibre 185 (Quadriptyque). Occupying the 7 o’clock position on the recto face of the case, a flying tourbillon (thus called because the absence of an upper bridge allows it to appear as if it is floating) makes one rotation a minute, continuously varying the position of the balance in order to achieve a single corrected average time measurement.

Reverso Hybris Mechanica Calibre 185

The balance is the heart of any watch movement, and it is also the key to our measurement of time. As it beats in regular cadences of 4Hz (28,800vph), every eight beats mark the passing of one second. The seconds accumulate into minutes, into hours, days, weeks, months and years. The recto face of the Quadriptyque case, illustrating the uppermost abilities of mechanical horology, shows the indications of a perpetual calendar, a centuries-old mechanism that always displays the correct date despite the irregular number of days each month. It also takes leap years into account, displaying a 29th day in the month of February every four years. Highlighting the precision of the Jaeger-LeCoultre Calibre 185 construction, the perpetual calendar indications are instantaneous, changing at the stroke of midnight. In addition, the complexities of the Calibre 185 construction required the date to be displayed at the 5 o’clock position on the dial. At Jaeger-LeCoultre, only the perfect legibility of a grande date was considered acceptable for a watch of such prestige, which necessitated the creation of a new system of date display discs in order to accommodate the dimensions of the flying tourbillon at 7 o’clock. The opening chapter of the Jaeger-LeCoultre Reverso Hybris Mechanica Calibre 185 (Quadriptyque) is nothing less than a powerful statement of how la Grande Maison has comprehensively mastered the expression of civil time.

CHAPTER TWO: CHIME THE HEAVENS

There are extremely few watchmaking manufactures that possess in-house expertise in sonnerie wristwatches. There are even fewer that have been making them since 1870, accumulating one and a half centuries of experience and savoir-faire. There exists only one watchmaking manufacture that has over 200 chiming watch calibres in its historical and modern inventory — La Grande Maison du Sentier. The verso face of the Quadriptyque case is a virtuoso tour de force of Jaeger-LeCoultre’s patrimony as a master and innovator of chiming watches.

Reverso Hybris Mechanica Calibre 185

With the slide of a lever located just above the crown, the Quadriptyque unleashes its melody. First, a series of low notes, correlating to the number of hours. Second, an alternating couplet of high and low notes, corresponding to the quarter-hours. And concluding the melody, a succession of high notes, indicating the number of minutes to be added to the elapsed quarters. In concert, the hours-quarters-minutes chime plays the current time in musical code. The striking works of the Reverso Quadriptyque are completely exposed alongside a secondary time display, indicating the same time as the recto dial, but in a jumping-hours and peripheral-minutes format. As the Quadriptyque strikes the time, setting a symphony of springs, cams, hammers and gongs into motion, their acoustic report confirms the visual display of the secondary dial.

Visible through apertures on the movement plate hand-decorated with the guillochage motif known as clous de Paris are elements of the chiming mechanism uniquely associated with the sonnerie expertise of Jaeger-LeCoultre. These include the silent chime governor, patented by the manufacture in 1895 to eliminate the buzzing noise created by the older anchor system. More recent in-house innovations showcased in the Quadriptyque are the crystal gongs (first seen in the Master Minute Repeater Antoine LeCoultre of 2005) that attach the repeater gongs directly to the sapphire crystal to exploit the material’s optimal acoustic properties, the square cross-sectional profile of the gongs themselves that maximise contact and energy transmission between the hammers and gongs (a mainstay of Jaeger-LeCoultre’s repeating watches since 2006), and the articulated trebuchet hammers (developed for the 2009 Hybris Mechanica Duomètre à Grande Sonnerie) that deliver a clean and strong strike to the gongs. In totality, these innovations allow Jaeger-LeCoultre minute repeaters to produce some of the loudest and clearest chiming wristwatches today.

Debuting in the Reverso Hybris Mechanica Calibre 185 is a completely novel engineering of the chiming components to create a seamless chime with no pauses in between the hours, quarters and minutes. The conventional minute repeater mechanism utilises special pivoting racks that read the time off a series of cams and then proceed to activate each group of chimed notes in turn. This often results in silent gaps between the groups of chimed notes, especially when there are only hours and minutes to be struck, with no intervening quarters. The Hybris Mechanica Master Ultra Thin Minute Repeater Flying Tourbillon (2014) and Master Grande Tradition Gyrotourbillon Westminster Perpétuel (2019) made exceptional strides in chiming know-how by reducing these silent gaps, but the Reverso Quadriptyque has reached the ultimate stage of expertise in this area. By refining and inverting specific steps in this mechanical sequence, the Quadriptyque has succeeded in eliminating these gaps entirely.

The chime of the Jaeger-LeCoultre Reverso Hybris Mechanica Calibre 185 is an uninterrupted opus of acoustic excellence. It is the sound of innovation at its very apex.

Reverso Hybris Mechanica Calibre 185

CHAPTER THREE: UNCOVER THE ORBIT

Before the formal development of time reckoning systems, primitive societies observed celestial phenomena and created powerful myths and stories around the dance of the heavenly orbs above. The earliest astronomers were also mathematicians, and instruments constructed on their formulations were able to mechanically compute the positions of various celestial objects. The interaction between the various orbits of the Sun, Earth and Moon determine the rhythms of life, and watchmaking first evolved as a means to bring order to the world around us. As a watch manufacture with close to two centuries of fine watchmaking expertise, Jaeger-LeCoultre has mastered all aspects of time expression, from the quotidian to the esoteric. One of the hallmark complications of Jaeger-LeCoultre is the display of sidereal time, time that is determined with reference to the stars instead of the Sun, first presented in the Master Grande Tradition Grande Complication (2010).

This year, for the first time ever in the history of mechanical horology, Jaeger-LeCoultre unites three displays of lunar information — the synodic cycle, the draconic cycle and the anomalistic cycle — in a single wristwatch. This unique micromechanical combination of indications, located on the interior face of the cradle of the Reverso Hybris Mechanica Calibre 185, allows the determination of eclipse events (both solar and lunar) and rare lunar phenomena such as supermoons.

Occupying the top half of the interior face of the cradle of the Reverso Quadriptyque is a massive representation of the phases of the moon in the Northern Hemisphere. A laser-engraved moon is progressively covered and revealed by a mobile blue lacquer disc with gold glitter décor, corresponding to the age of the moon in the synodic cycle. While conventional displays of the moon phase accumulate one day of error after 32.5 months, the moon phase display of the Quadriptyque requires only one adjustment after 1,111 years.

Just below the moon phase display, on the left, is a counter with a three-dimensional micro-sculpted pink-gold sun orbited by a tiny hemispherical moon. This counter shows the draconic cycle, showing when the path of the Moon intersects with the orbit of the Earth around the Sun (known as the ecliptic). Such an intersection takes place twice in each cycle, indicated by the horizontal alignment on the counter of the moon and the sun. At this time, the Moon, Earth and Sun are all on the same plane; however, they may not be aligned. For them to be aligned, a phenomenon known as syzygy, an additional condition must be fulfilled — the Moon must be either in its new or full phase. When that happens, an eclipse event happens on Earth, either a lunar eclipse if the Moon is in its full phase, or a solar eclipse if the Moon is in its new phase. However, the actual visibility of the eclipse is dependent on various factors such as the geographical position of the viewer.

To the right of the draconic cycle counter is a domed representation of the Earth, micro-painted in enamel, with a hemispherical moon in eccentric orbit around it. This counter represents the anomalistic cycle, showing the varying distance between the Earth and Moon. At its apogee, the Moon is at its furthest distance from the Earth and is closest at its perigee. When the Moon is in its full phase near or at the perigee, an event known as a supermoon occurs, in which the Moon can appear to be up to 14 percent larger than usual in the sky.

The display of the synodic, draconic and anomalistic cycle together in a wristwatch is unprecedented in horology, with the latter two indications protected by patent, making the Reverso Hybris Mechanica Calibre 185 the only watch ever made to provide such depth of information about astronomical phenomena.

The Hybris Mechanica family of timepieces at Jaeger-LeCoultre began with the 2003 Atmos Mystérieuse and has since grown to encompass close to 20 groundbreaking horological creations, including the Master Hybris Mechanica Gyrotourbillon 1 (2004), the Reverso Hybris Mechanica Grande Complication à Triptyque (2006), the Master Ultra Thin Minute Repeater Flying Tourbillon (2014) and the Master Grande Tradition Gyrotourbillon Westminster Perpétuel (2019). The word Hybris originates from the Greek “hubris” that refers to the soaring ambition exhibited by the legendary heroes of antiquity. It is a promise made by Jaeger-LeCoultre to continually expand the horizons of watchmaking; a promise that has been dutifully kept for 18 years.

CHAPTER FOUR: REVERSE THE UNIVERSE

The Jaeger-LeCoultre Reverso was born in 1931, out of the need to protect delicate horological mechanisms amidst the balletic skirmish of hooves and mallets during games of polo. Today, 90 years later, a far older dance is reflected in the Reverso Hybris Mechanica Quadriptyque, one that guides our calendrical rhythms according to rules that are as precise and structured as those of the regal equestrian sport.

The original Reverso bore a single time-telling face, with a mobile case that could be turned over within its cradle, revealing a solid caseback. The next generation of the Reverso featured another dial on its caseback, either in a different design to accommodate the wearer’s aesthetic preference (Duetto) or displaying a second time zone (Duoface) to offer additional functionality when travelling. The Reverso Hybris Mechanica à Triptyque (2006) represented an evolutionary leap in horological innovation, with a third display positioned on the interior face of the Reverso cradle.

This year, the world’s first wristwatch with four faces premieres in the form of the Reverso Hybris Mechanica Calibre 185 (Quadriptyque), the ultimate expression of the Reverso concept. On the last face of the Quadriptyque, the exterior face of the cradle, a representation of the phases of the Moon in the Southern Hemisphere is shown. Most indications of the moon phase are of the Northern Hemisphere perspective, and the Quadriptyque’s display of the Southern Hemisphere moon phase on its fourth face is the fulfilment of the Reverso’s fundamental dualism. A star-flecked sky chart, engraved and lacquered in a gradient of blue shades forms the backdrop to the pink-gold moon, all of which are created in the Atelier des Métiers Rares® of Jaeger-LeCoultre.

The secret to the Reverso Hybris Mechanica Quadriptyque’s four functioning display faces lies in a solution first used in the 2006 Reverso Hybris Mechanca Grande Complication à Triptyque. Every day at midnight, a pin extends out of the main case movement to activate a mechanical corrector in the cradle, which then advances the cradle displays. The mechanism driving the cradle displays is set directly into the cradle itself, without any additional movement plates that would increase the thickness of the watch. Jaeger-LeCoultre’s expertise in ultra-compact watchmaking makes the Quadriptyque, despite its multiple indications and complications, one of the most wearable high-complication watches of our time.

PRESENTING INFINITY

The Jaeger-LeCoultre Reverso Hybris Mechanica Calibre 185 comes in an exceptional presentation box with a built-in mechanism that allows the wearer to quickly and intuitively set all the calendar and astronomical displays of the watch after a period of being unworn.

A two-position crown on the side of the box is used to first set the number of days that have elapsed since the watch was last worn. With the Quadriptyque set within the correction support frame, the box corrector crown can then be extended to its second position and wound to rapidly bring the watch to the current date for all calendar and astronomical indications. There is no risk of overcorrecting the watch or damaging the movement, since the entire process is controlled by the box corrector mechanism.

The latest timepiece in the Hybris Mechanica series took six years of research and development. It was made possible only through the 188 years of innovation and expertise accrued within the workshops of La Grande Maison. With the Reverso Hybris Mechanica Calibre 185 Quadriptyque, Jaeger-LeCoultre reasserts its position at the apogee of mechanical watchmaking and reaffirms its dedication to expanding the boundaries of horological knowledge.

TECHNICAL SPECIFICATIONS

REVERSO HYBRIS MECHANICA CALIBRE 185

Case material: White gold

Case dimensions: 51.2 x 31 mm

Thickness: 15.15 mm

Movement: Manually wound Jaeger-LeCoultre Calibre 185

Functions:

Face 1: Hour – Minute, Tourbillon (indicating the Second), Instantaneous Perpetual Calendar, Grande Date, Day, Month, Leap Year, Night & Day

Face 2: Jumping Digital Hour, Minute, Minute Repeater (with system avoiding dead time)

Face 3: Northern Hemisphere Moon Phase, Draconic Lunar Cycle (height of the moon), Anomalistic Lunar Cycle (apogee and perigee), Month, Year

Face 4: Southern Hemisphere Moon Phase

Power reserve: 50 hours

Water resistance: 30 metres

Strap: Blue alligator

Reference: Q7103420

Limited edition of 10 pieces

Jaeger-LeCoultre announces The Sound Maker exhibition in Chengdu, China

JAEGER-LECOULTRE ANNOUNCES THE SOUND MAKER EXHIBITION IN CHENGDU, CHINA
UNVEILING A NEWLY COMMISSIONED WORK BY RENOWNED SWISS ARTIST, ZIMOUN, AND EXPLORING A RICH HERITAGE OF CHIMING WATCHES

THE SOUND MAKER exhibition, a highlight of Jaeger-LeCoultre’s year-long celebration of the art of sound in watchmaking, will be inaugurated at Guangdong Hall, Chengdu, starting from November 10th. The exhibition will immerse visitors in the creative and cultural universe of Jaeger-LeCoultre, exploring the uniquely rich heritage – past, present and future – of chiming watches at La Grande Maison, and paying homage to its home in the Vallée de Joux, where the sounds of nature still provide the backdrop to daily life.

A New Art Commission Makes Its World Debut

At the heart of the exhibition, expanding the dialogue that exists between horology and art, a new ‘sound sculpture’ installation commissioned by Jaeger-LeCoultre from the Swiss contemporary artist, Zimoun, will be unveiled for the first time. After its debut in China, the installation will be exhibited around the world during 2021.
In this new work, Zimoun encapsulates the universe of sound – within the Manufacture and in the natural world around it – that is so intrinsic to the spirit of Jaeger-LeCoultre. He employs simple raw materials and repurposed industrial components, including watch parts – and, in doing so, redefines traditional ideas of sculpture, movement and sound, drawing the audience into an almost transcendent world of sensory experience.


“I first got hooked by the sound, like the soft, appeasing sound of the rain,” says Catherine Rénier, Chief Executive Officer of Jaeger-LeCoultre. “As you get closer, the movement of the metal is mesmerizing. Each angle gives a different feeling and invites you to stop, enjoy and listen.”


In the ability to conjure romance from mundane materials and to create evocative sounds through complex systems of structure and mechanics, there are clear parallels between the work of the artist and the watchmakers of the Manufacture Jaeger-LeCoultre. Just as the components of a watch movement seem to take on a life of their own when assembled, the industrially-produced elements that Zimoun combines into his sculptures seem to develop their own behaviour, producing new and unique sounds and visual effects.
When commissioning the new work, Jaeger-LeCoultre invited the artist to spend time in the Vallée de Joux, where he was able to absorb the valley’s natural sounds, and also spend time with the specialists who work on chiming watches within the Manufacture. The fruit of that rich exchange of culture and ideas, Zimoun’s new installation creates a unique aural signature for Jaeger-LeCoultre, evoking the sounds of nature and of the Manufacture, as well as capturing the rippling of light on the surface of the lake seen from the watchmaking ateliers.
The Story of Sound at Jaeger-LeCoultre


THE SOUND MAKER exhibition leads visitors on a journey through Jaeger-LeCoultre’s rich patrimony, celebrating the twin values of tradition and innovation that have guided it throughout its 187-year history. Featuring rare or unique timepieces curated from both historic and contemporary collections, as well as never-previously exhibited documents and artefacts, it traces the evolution of chiming watches from the Maison’s origins to the new 2020 models, and from the most refined minute repeaters and complex sonneries to the highly practical and much-loved Memovox alarm watch.

The journey begins with a retrospective of the earliest and most historically significant of the LeCoultre chiming masterworks – some of which have never been displayed to the public before; it highlights technical inventions and patents that have contributed to Jaeger-LeCoultre’s worldwide renown – and to its status as “the watchmakers’ watchmaker” among other great Maisons that it supplied with movements; it reveals the inner secrets of how chiming watches work; and it honours the skill of the artisans who employed their rare crafts to embellish the most precious timepieces.


Paying tribute to La Grande Maison’s home in the Vallée de Joux, the exhibition also features a captivating 8D video installation that immerses visitors in the natural soundscape of the valley and evokes the watchmakers’ deep connections to their peaceful surroundings.
THE SOUND MAKER exhibition will be presented from November 10th until November 22nd, at Guangdong Hall, Sino-Ocean Taikoo Li Chengdu, China.

ABOUT THE SOUND MAKER
In 2020, Jaeger-LeCoultre celebrates THE SOUND MAKER, paying homage to the sounds of nature that form a backdrop to daily life in the Vallée de Joux, and to its great legacy of chiming timepieces, expressing a century and a half of accumulated expertise in fresh new ways. During the 150 years since the Manufacture developed its first minute repeater in 1870, chiming watches have been a particular forte, with 200 calibres demonstrating its mastery of all forms, from relatively simple alarms to highly complex sonneries and repeaters. In parallel, the Manufacture’s engineers and designers have patented numerous innovations that redefine the benchmark for acoustic quality and beauty.

Jaeger-LeCoultre and MR PORTER are pleased to announce the launch of the Master Ultra Thin Kingsman Knife watch, a limited edition of 100 timepieces, specially adapted for The King’s Man, the upcoming Kingsman origins film directed by Matthew Vaughn.

Jaeger-LeCoultre and MR PORTER introduce the Master Ultra Thin Kingsman Knife Watch

The Jaeger-LeCoultre Master Ultra Thin Kingsman Knife watch will be offered exclusively on MR PORTER, as a key part of The King’s Man ‘costume to collection’, from July 20th to September 6th. After that date, the watch will also be available directly from Jaeger-LeCoultre online and in selected boutiques.

The newest film in the Kingsman series links past and present, going back 100 years to the origins of the Kingsman agency. So too has Jaeger-LeCoultre drawn upon its great historic mastery of ultra thin calibres to develop a new timepiece directly inspired by the celebrated 1907 ‘Couteau’ (couteau is French for knife) pocket watch. The Master Ultra Thin Kingsman Knife watch is a refined dress watch that blends tradition and modernity in a manner perfectly suited to both The King’s Man and to contemporary style.

The aesthetic roots of the new watch are unmistakably those of Jaeger-LeCoultre’s traditional pocket watches: the very broad bezel slopes gently from the sapphire crystal to the edge of the case, creating a fine profile reminiscent of a knife blade and the winding crown, protected by its triangular bow, is placed at 12 o’clock. However, these timeless and traditional elements are brought right up to date with subtly modern details: simple index hour markers keep the dial refined and clean, while a finely drawn ring is repeated as a circular highlight on the bezel.

Presented in a classically elegant 40mm size, the pink gold case is just 4.25mm thick. The ultra thin case houses Jaeger-LeCoultre’s celebrated hand-wound calibre 849. At just 1.85 millimetres thick, the movement underlines La Grande Maison’s century-old mastery of this demanding form of Haute Horlogerie: ultra thin movements require a perfect ratio between thinness and solidity, to ensure that components retain sufficient strength to ensure reliable timekeeping.

In tribute to the film’s narrative, the case-back of the Jaeger-LeCoultre Master Ultra Thin Kingsman Knife watch has been engraved with the Kingsman logo, as well as the legend “One of 100”, and is presented in a specially designed Kingsman sleevebox.

In an eloquent expression of the Kingsman maxim ‘Manners Maketh Man’, the Master Ultra Thin Knife is the perfect gentleman’s timepiece; not only functional but supremely elegant.

‘Our Manufacture is proud of its heritage which drives the creativity of our master watchmaking since 1833. We are delighted to partner with Matthew Vaughn and Mr Porter to unveil a unique timepiece celebrating the elegance pioneering spirit. The thinness of this watch, inspired from a pocket-watch with a knife shape from 1907 is illustrating the skills and creativity of our fully integrated Manufacture. It represents the spirit of times with timepieces passed from generation to generation’ – Ms Catherine Renier, CEO, Jaeger-LeCoultre

‘We at MR PORTER are thrilled to be working with Matthew Vaughn and the Jaeger-LeCoultre team to exclusively launch the limited-edition Jaeger-LeCoultre Master Ultra Thin Kingsman Knife, in advance of the global release of The King’s Man later this year. The watch has a strong heritage styling coupled with being limited to only 100 pieces and will sure to be received extremely well with our growing global watch community’ – Mr Sam Kershaw, Buying Director, MR PORTER

About The KING’S MAN / 20th CENTURY STUDIOS

As a collection of history’s worst tyrants and criminal masterminds gather to plot a war to wipe out millions, one man must race against time to stop them. Discover the origins of the very first independent intelligence agency in “The King’s Man.”

“The King’s Man” is directed by Matthew Vaughn and stars Ralph Fiennes, Gemma Arterton, Rhys Ifans, Matthew Goode, Tom Hollander, Harris Dickinson, Daniel Brühl, with Djimon Hounsou, and Charles Dance.

Matthew Vaughn, David Reid and Adam Bohling are the producers, and Mark Millar, Dave Gibbons, Stephen Marks, Claudia Vaughn and Ralph Fiennes serve as executive producers. “The King’s Man” is based on the comic book “The Secret Service” by Mark Millar and Dave Gibbons, and the story is by Matthew Vaughn and the screenplay is by Matthew Vaughn & Karl Gajdusek. “The King’s Man” opens in U.S. theaters on September 18, 2020.

About MARV Studios & MATTHEW VAUGHN

MARV Studios is the production company of leading British filmmaker Matthew Vaughn, who specialises in genre-redefining films. His films have garnered over $2.6 billion at the global box office, making him one of Britain’s most successful and critically acclaimed independent filmmakers.

Vaughn began his career as producer with Guy Ritchie’s Lock, Stock and Two Smoking Barrels and Snatch, which starred Brad Pitt and received wide critical acclaim. Through his production company MARV, Vaughn debuted as a director with the crime thriller Layer Cake, which starred Daniel Craig and introduced his signature style to audiences.

Vaughn followed that up by directing, producing and co-writing with his writing partner Jane Goldman, Stardust, which starred Robert De Niro and Michelle Pfeiffer. In 2009, Vaughn produced action-thriller Harry Brown, which starred Michael Caine. 2010 saw Vaughn producing and co-writing The Debt, which starred Helen Mirren and Sam Worthington, and directing, producing and co-writing Kick-Ass, the first in the edgy franchise with a breakout performance from Chloë Grace Moretz. In 2011 Vaughn co-wrote and directed the 20th Century Fox prequel X-Men: First Class, a massive box office and critical hit which re-invigorated the popular series. He continued his involvement in the series by co-writing 2014’s X-Men: Days of Future Past.

2014 also saw the debut of the global blockbuster Kingsman series, beginning with Kingsman: The Secret Service, written and directed by Vaughn, and its follow-up Kingsman: The Golden Circle in September 2017. The prequel to the franchise, The King’s Man, boasting an all-star cast, will be released in September 2020.

In 2019 MARV and Rocket Pictures released Rocketman, a critically-acclaimed musical fantasy based on the life of Elton John, directed by Dexter Fletcher and starring Taron Egerton in a Golden Globe® winning and BAFTA nominated performance.

About JAEGER-LECOULTRE: HOME OF FINE WATCHMAKING SINCE 1833

Located in the calm, serene setting in the Vallée de Joux, our Home offers a unique sense of belonging. It is here, inspired by the exceptional landscapes of the Jura Mountains, guided by an unquenchable inner fire, that La Grande Maison gets its soul. With all crafts under one roof within the Manufacture, watchmakers, engineers, designers, artisans work together to give birth to fine watchmaking creations. Driven by a compelling energy and a spirit of collective invention that daily inspires the commitment of each and every member of our family, we cultivate our understated sophistication and technical creativity. This same spirit has powered the creation of more than 1200 calibres since 1833 and made Jaeger-LeCoultre the Watchmaker’s Watchmaker.

About MR PORTER

Since launching in February 2011, MR PORTER has established itself as the world’s leading, award-winning online destination for men’s style, with an unparalleled product offering from the best menswear and luxury brands, including categories that range from fine watches and lifestyle through to own labels Mr P. and Kingsman.

MR PORTER produces unmatched digital and printed content across its shoppable online magazine, The Journal, and its bi-monthly newspaper, The MR PORTER Post. In 2019, MR PORTER founded MR PORTER Health In Mind, a content and fundraising initiative in partnership with Movember, developed to raise awareness around men’s mental and physical health.

MR PORTER offers express worldwide shipping to more than 180 countries, including same-day delivery to New York, London and Milan, while providing a seamless shopping experience across mobile, tablet and desktop, with easy returns and multi-lingual customer care and personal-shopping teams who are available 24/7, 365 days a year.

MR PORTER is a part of the YOOX NET-A-PORTER Group – the world leader in online luxury and fashion that comprises a complete luxury retail ecosystem. The Group sells directly to customers globally through its own family of multi-brand online shops NET-A-PORTER, MR PORTER, YOOX and THE OUTNET. The Group’s Online Flagship Stores division partners with many leading luxury brands to power their own e-commerce destinations. The Group has more than 4.3 million high-spending active customers globally. As pioneers in bringing together the realms of technology and luxury, YOOX NET-A-PORTER satisfies the most discerning clientele with expertly curated products from the best luxury brands, personalised end-to-end service, the latest technology and inspiring content, all shaped by 20 years of insights into the modern luxury shopper.