Tag Archive for: luxury

If anyone knows how to design a comfortable chair for your home or lounge, it would be British designer Ian Callum. Having made his mark on Aston Martin, Jaguar, and Ford rides, he has turned to furniture as a new creative outlet, and offers us his vision of the renowned Eames lounge chair.

The Callum Designs Lounge Chair takes a definitive stamp from the original mid-century chair, but has a sleek new look that is reminiscent of sports car upholstery. The hand-finished lounge chair features leather, or your choice of fabrics, and wide variety of Pantone colors.

The team at Callum Designs finally accents the chairs with finishing details in carbon fiber, and wood for a successful new take on this lounge chair with sportscar seat sensibility.

Visit Callum Designs online to learn more about customizing and ordering your own.

Big Bang Integral Sapphir Tourbillon

BIG BANG INTEGRAL TOURBILLON FULL SAPPHIRE: ميزة من الياقوت النقي

صحيح أنه في بعض الأحيان يكون القليل أكثر – وربما أكثر من ذلك بكثير. مع Big Bang Integral Tourbillon Full Sapphire ، ارتقت Hublot بفن الانصهار إلى نهايتها النهائية. سوار جديد وعلبة متكاملة مصنوعة خصيصًا من الياقوت: يؤكد هذا العمل الفذ مرة أخرى الكفاءة التقنية والخبرة الاستثنائية التي اكتسبتها Hublot في عمل الياقوت.

أبريل 2021 – سيبدو هذا بالنسبة للبعض تطورًا طبيعيًا. بالنسبة للآخرين ، سيكون انقطاع الاتصال التام. النتيجة النهائية هي القليل من كل منهما. إن ساعة Big Bang Integral Tourbillon Full Sapphire هي ثمرة تقليد عريق. تعود جذورها إلى عام 2016 ، وساعة Big Bang Unico Sapphire ، وهي أول ساعة من الياقوت. من خلال هذه القطعة ، ترجمت Hublot الخبرة التي طورتها في تصنيع المواد شديدة الصلابة لإنشاء سلسلة استثنائية من ساعات الياقوت. واليوم ، تدفع Hublot هذه الحدود إلى أبعد من ذلك: أول Big Bang بهيكل وسوار مدمجين ، وكلاهما مصنوع من الياقوت. تطور طبيعي (r) وإنجاز تقني للغاية على قدم المساواة.

Big Bang Integral Sapphir Tourbillon

Big Bang Integral Sapphir Tourbillon

“لمثل هذا الابتكار الاستثنائي ، اخترنا عيار توربيون الأوتوماتيكي الجديد بجسوره المصنوعة من الياقوت ، وشفافيته التي تخلق مشهداً مذهلاً. ومع ذلك ، كان صنع علبة وسوار مدمجين من الياقوت أمرًا مستحيلًا. أول علامة تجارية تكتسب إتقانًا مثاليًا لليقوت ، وتصنيعه وجعله قابلاً للتكرار في الإنتاج المتسلسل. لقد استغرق الأمر منا خمس سنوات لإحياء أغلفة الياقوت الأولى – وتقريباً نفس المدة بالنسبة للسوار. إنتاج كل من الياقوت ودمجها معًا هي ذروة العمل المتعمق الذي قامت به جميع فرق Hublot. نحن فخورون بأن نكون من يكتب الأسطر الأولى في هذا الفصل الجديد في تاريخ المواد “. – ريكاردو جوادالوبي ، الرئيس التنفيذي لشركة HUBLOT

Big Bang Integral Sapphir Tourbillon

Big Bang Integral Sapphir Tourbillon

أحيانًا يكون صانعو الساعات هم الوحيدون الذين يعرفون تفاصيل معينة عن ساعاتهم. مع العلبة والسوار المصنوعين بالكامل من الياقوت ، يتم الكشف عن جميع الأسرار: فتيل الحركة والغلاف ، وكل جانب مرئي.

تمت إعادة بناء هيكل ساعة Big Bang Integral Tourbillon Full Sapphire بالكامل لتضمين حركة توربيون الأوتوماتيكية. الهدف: إزالة جميع المسامير المرئية تقريبًا ، وإصلاح الهندسة العامة للعلبة لدمجها مع سوار الياقوت ، وتطوير شكل إطار جديد لإيواء سوار الياقوت ، وإعادة صياغة الجسور واللوحات الرئيسية لمنحهم الوهم. للتعليق في الفضاء. طورت Hublot أيضًا إدخالات ومرفقات تم تقليلها إلى أبسط تعبير ، للسماح للضوء من خلال كل مكون. وهكذا تتكون العلبة من ما لا يقل عن 37 مكونًا ، خمسة منها مصنوعة فقط من الياقوت.
Big Bang Integral Sapphir Tourbillon

Big Bang Integral Sapphir Tourbillon

 

كان السوار أيضًا تحديًا معقدًا: فهو يتألف وحده من 165 مكونًا ، 22 منها مصنوعة من الياقوت. كل مكون له عملية صناعية خاصة به. تم تصميم ثلثها خصيصًا لتوفير تناغم فريد مع شفافية العلبة ، ولتوفير الانسيابية والمرونة. وتجدر الإشارة بشكل خاص إلى إدخالات التيتانيوم التي طورتها Hublot ، فائقة الاختزال لضمان عدم بروزها على جانبي كل رابط سوار – وهو الأول من نوعه في التصنيع ، وربما لصناعة الساعات.
Big Bang Integral Sapphir Tourbillon

Big Bang Integral Sapphir Tourbillon

فيما يتعلق بالحركة ، فإن عيار التصنيع الأوتوماتيكي HUB6035 ، المصمم بالكامل والمصنع داخليًا ، هو القلب النابض للقطعة. إنه يوضح توازنًا مثاليًا بين الدوار الصغير عند موضع الساعة 12 والتوربيون عند موضع الساعة 6 ، وأيضًا مع الجسور الشفافة الثلاثة المصنوعة من الياقوت ، حصريًا لهذا Big Bang الجديد. يبدو أن المكونات معلقة حرفيا في الفضاء. لا يخترق كل قطار تروس فقط الضوء القادم من جانب الميناء ويمر عبر الحركة الهيكلية على الجانب الآخر: الآن ، ولأول مرة ، يدخل الضوء إلى قلب Big Bang Integral Tourbillon Full Sapphire من جميع الاتجاهات. إنه منتشر ، منكسر ، منعكس ، ملتوي وملفوف – جزء من الضوء مغلف على المعصم.

Rezvani Motors – Luxury Meets Milirary

Designed for civilians. The toughest and most powerful road going Extreme Utility Vehicle on Earth.

BULLET PROOF GLASS AND BODY

THERMAL NIGHT VISION

NUMEROUS SECURITY FEATURES

AVAILABLE 1,000 HP DEMON V8

STARTING AT $259,000 USD

FEATURES

Bullet proof glass and body armor
Underside explosive protection
Smoke Screen
Military Runflat Tires
Thermal Night Vision System
Self sealing fuel tank
Radiator protection
Reinforced suspension
Electromagnetic Pulse Protection
Ram Bumpers

Electrified Door Handles
Siren and Horn Options
Strobe Lights
Blinding Lights
Intercom System
Magnetic Dead Bolts
Gas masks
First Aid kit
Hypothermia kit
Continuous video recording

KEY FEATURES

Born from the vision of a pure driving experience, the Rezvani Tank was designed to be the most capable vehicle on and off the road.

A POWERFUL HEART

At its heart sits a 6.4-liter 500-horsepower V8 engine or an optional 6.2L 1,000 Horsepower V8 from the Dodge Demon is capable of propelling TANK™ over any terrain. A 3.6-liter V6 is standard.

BALLISTICS ARMOR

The latest in ballistics armor capable of stopping high caliber weapons and assault rifles. Radiator, battery and fuel tank are all wrapped in kevlar. Underside is also protected against explosive devices.

SMOKE SCREEN

Dense smoke is released at the press of a button to lose trackers.

ELECTRO-MAGNETIC PULSE PROTECTION

Electro-Magnetic pulses are radiated after a nuclear explosion and render electronic devices inoperable. EMP weapons are also used to disable electrical systems prior to a broader attack. Read More about Tank’s EMP Defense Here.

ELECTRIFIED DOOR HANDLES AND MAGNETIC DEADBOLTS

Magnetic dead-bolts and electrified door handles provide maximum security against unauthorized or forceful access.

MILITARY GRADE RUN FLAT TIRES

A solid tire within a tire provides capability to drive heavily damaged tire for long distances at high speed.

BLINDING LIGHTS

The most powerful front and rear blinding lights turn night into day and serve to blind trackers at night.

LUXURY INTERIOR

Elegantly appointed and customized interior with over 10 seat styles provides a sporty feel yet supple driving experience.

SECURITY SURVIVAL KIT

Included military grade gas masks, hypothermia kit and first-aid kit

SIREN/PA

Strobe lights, Sirens and a full intercom system with external speakers and microphone allows driver to communicate with external threats without the need to open door or windows.

CONSOLE SAFE

A quick access built-in safe can hold valuables or protective equipment.

RAM BUMPER

Steel bumper with built in winch and D rings can ram through any situation.

THERMAL/NIGHT VISION SYSTEM

Thermal night vision system from FLIR displays heat signatures as well as standard night vision.

DIMENSIONS

Weight:
B4 6,300 lbs

B7 7,150 lbs

A NEW TRIBE LANDS AS AN ICON ASCENDS

Roger Dubuis has consistently demonstrated a penchant for impertinence and extravagance. Sustained by an integrated manufacture, a flagrant disregard for convention is the backbone of its bold attitude. A true innovator, the luxury watchmaker is driven by an irrepressible willingness to come up with high-impact ideas, boundary-pushing technologies and unmistakable out-of-the-box designs. Living by the motto NO RULES, OUR GAME, the Maison proves once again it is the most exciting way to experience Hyper Horology with the launch of the new Excalibur Single Flying Tourbillon.

THE FUTURE OF HYPER HOROLOGY IS HERE

Extravagant, determined and disruptive, the bold and bright are the ones that stand out. Just like any star should. But a star doesn’t just appear. It takes dedication. Innovation. Craftsmanship. Only then can an icon ascend…Introducing the Excalibur Single Flying Tourbillon: a star restyled for the new world.

To mark the launch of the inimitable skeleton design reinterpreted with a contemporary touch, Roger Dubuis is set to celebrate modern art in all its shapes. Taking form in Hyper Horology with the Maison’s most recent interpretation of the Excalibur Single Flying Tourbillon, this icon of watchmaking is brought to a whole new level; a masterpiece that cannot be ignored, just like its wearer.

Finding kinship with those disruptive souls who dare to make a difference, the Maison partners with the URBAN ART TRIBE, world-famous urban culture artists that reflect Roger Dubuis’ values: break the rules, showcase radical expertise and obsess daily over the design of the future.

THE EXCALIBUR SINGLE FLYING TOURBILLON: FROM A TIMEPIECE TO A MASTERPIECE

Roger Dubuis continues shaking up the world of haute horlogerie with the launch of the new Excalibur Single Flying Tourbillon. Enhanced with meticulous care, the timepiece is reinterpreted with sophistication and flair using modern and technical materials.

A contemporary masterpiece for the wrist, the new design showcases clean cut lines on both case and movement. Creating the impression of a thinner look and feel, while heightening the sense of transparency and depth, the calibre is rebuilt from bottom to top in an architectural feat that sees the Roger Dubuis star now levitate freely above the barrel. A strong visual identity is created with a signature two-line pattern – seen between the notch on the crown and bezel, the star’s arms, the tourbillon’s cage, the hour’s marking on the flange, the hands – all of which cleverly appear as though they will meet but never do. This dynamic aesthetic is amplified by the Poinçon de Genève, the most demanding signature in fine watchmaking and one that requires the manual decoration of each and every component of the watch, as well as unexpected and antinomic decorations in modern haute horlogerie, such as circular-brushed top surfaces and polished angles that demonstrate Roger Dubuis’ visionary approach.

Always keeping the wearer in mind, the new RD512SQ calibre is stunning in its technical prowess. Now with a titanium lower tourbillon cage – twice lighter than stainless steel – and a mirror-polished Cobalt Chrome upper tourbillon cage, the weight of the piece is reduced to optimum effect. All of which allows the power reserve to be radically optimised to 72 hours, providing the option of leaving the watch unworn over weekends without the worry of resetting come Monday. Proving no detail goes unconsidered, non-magnetic material is used inside the tourbillon to better serve the wearers and improve their experience.

Comfort is key, which is why a range of entirely new strap sizes have become available. With 5 sizes from 0 to 4, finding the perfect strap ensures the buckle is always centred on the wrist, as a Quick Release System offers ultimate flexibility. Underscored by rarity, the 42mm case is only available in eighty-eight pieces per colourway: Dark Grey DLC Titanium, Cobalt Chrome CarTech Micro-Melt BioDur CCMTM and the new EON GOLD, a pink gold shade that remains more stable thanks to non-tarnish technology. Reimagined for a contemporary era, an icon ascends in the shape of the Excalibur Single Flying Tourbillon.

THE ART OF GLOW

Showcasing the Maison’s obsession with art, light and luminescence, in addition to our icons comes the Excalibur Glow Me Up, a world-premiere for Roger Dubuis limited to just eight timepieces.

By day, the new Single Flying Tourbillon calibre is elegantly adorned with 60 baguette-cut diamonds on the bezel. By night, it’s a complete different version that comes to life through this vibrant timepiece with luminescent and dazzling diamonds, an achievement made possible thanks to an intricate two-part process. The first involves filling the grooves that hold the stones in place with Super-Luminova, a singular way to make the diamonds appear luminescent without altering them. Secondly, an additional patent enables Super-Luminova to be applied on the angles of the movement, as well as to the iconic star-shaped bridge.Because at Roger Dubuis less is never more.

ART IN THE MAKING

Roger Dubuis is a destination for the avant-garde. Committed to non-conformity, the Maison stands with those who choose to blaze their own trail. To show what happens when rules are rejected and creativity is unleashed, Roger Dubuis partners with the URBAN ART TRIBE, composed of three urban culture creatives – tattoo artist Dr. Woo, graffiti artist Gully and mixed-media artist Liu Wei. Rulebreakers in their own fields, they too shape the future by refusing to take ‘no’ for an answer. Brought together to unite a wider community of daring minds, Roger Dubuis and the URBAN ART TRIBE hope to encourage people to challenge the way things are, just as the Maison does when it comes to Hyper Horology, and Dr. Woo and Gully do in their industries.

A leading name among an influential elite who see tattoos, art and fashion as an indissociable whole, Dr. Woo’s singular approach to needle style has shifted the paradigm for tattoos, taking them from subculture to broad popular appeal. Of the partnership he says: “I’ve taken this path because I don’t know where it leads, and that is exactly why I’m here – to seek the unknown and go out of my comfort zone. Tattooing and watchmaking have that in common: the same attention to detail, a dot vs. a tiny component, assembled perfectly for you to see the bigger picture.”

Gully, a well-known graffiti artist, chooses to work exclusively in his own atelier to maintain his anonymity. He uses a wide variety of mixed techniques and materials and explains his artistic concept as one based on conscious appropriation. Telling visual stories of children appearing in splendid settings, he reveals their enchantment with art and particularly with the paintings of the great masters. Speaking to the concept of the tribe, he comments: “Two worlds, a crossing path. I feel driven by the same energy and insatiable envy to come up with something we have never seen before. It comes as a bombshell, provokes surprise, and arouses interest. Bringing different worlds together is my trademark, so I can’t wait to show you the Gully x Roger Dubuis mixture.”

Generously opening the doors to their respective workshops, Dr. Woo and Gully will begin their long-term partnerships with Roger Dubuis by first sharing their creative processes at work. Initially set to reinterpret the brand’s iconic astral signature, they will continue to co-create the future of Hyper Horology alongside the Maison.

AN EXCLUSIVE INVITATION

From April 7 to 13th, Roger Dubuis turns this year’s Watches&Wonders edition into an interactive journey for its guests to dive into the realms of the Maison’s creative process and beyond. Come and celebrate contemporary art in all its shapes, from Hyper Horology to tattoo art, graffiti and beyond.

FRANCK MULLER – The Grand Central Tourbillon

The Grand Central is an outstanding new collection, where the Tourbillon is in the spotlight, placed at the center of the timepiece. This beautiful central Tourbillon is housed in a redesigned Franck Muller Cintrée Curvex™ case. One of the complexities of the collection lies in the fact that we had to totally rethink the watch in order to move the Tourbillon from its original position at 6 o’clock to the center of the watch.

The Grand Central Tourbillon

In addition to this attractive and surprising decentering, Franck Muller designers and watchmakers had to find an innovative system to display the time in the center of the watch. Thus, they found an innovative way to place the hour and second hands around the Tourbillon cage, highlighting the beauty of the piece. Extremely rare for a Franck Muller Tourbillon collection, the watch holds a self-winding movement, thanks to an eccentric micro rotor, offering 4 days of power reserve.

FRANCK MULLER - The Grand Central Tourbillon

FRANCK MULLER – The Grand Central Tourbillon

FRANCK MULLER – The Grand Central Tourbillon

Regarding the case, it has been redesigned so that the sapphire crystal goes all the way to the bracelet. The bezel which is separate from the case, allowing two-tone treatments. This design totally changes the aspect of the original Cintrée Curvex™ and fully highlights the beautiful curves of the watch. It also gives full visibility to the dial by limiting the amount of material used on the sides which is technically very difficult to achieve and giving the case a new modern line of life.

The open back allows to admire the pure traditional decorations as the Côte de Genève.

Jaeger-LeCoultre unfolds infinity in four chapters with the Reverso Hybris Mechanica Calibre 185

La Grande Maison celebrates an icon, the Reverso, by releasing the most complicated timepiece ever presented in this emblematic collection. The Reverso Hybris Mechanica Calibre 185 is the result of over six years of development, combining key areas of savoir-faire at Jaeger-LeCoultre with innovative new astronomical indications.

It is the world’s first wristwatch with four functioning display faces. By incorporating three displays of lunar information on the interior face of the iconic Reverso cradle (the synodic cycle, the draconic cycle and the anomalistic cycle), the Hybris Mechanica Quadriptyque can predict the next global incidence of astronomical events such as supermoons and eclipses — the world’s first wristwatch to provide such a deep reading of the cosmos.

Key Points of the Jaeger-LeCoultre Reverso Hybris Mechanica Calibre 185 (Quadriptyque)

  • The world’s first watch with four faces; the most complicated Reverso timepiece ever made
  • A total of 11 complications, including perpetual calendar, minute repeater, indications of the synodic, draconic and anomalistic cycles (never before presented together in a wristwatch), requiring 12 patents
  • Combines Jaeger-LeCoultre’s uncontested mastery of chiming watches, precision mechanisms, astronomical complications and ultra-compact watchmaking
  • User-friendly design and construction; the most complicated Reverso is also one of the easiest to wear

Geneva, April 7th, 2021 — With 188 years of relentless innovation and savoir-faire behind it, Jaeger-LeCoultre continually sets new boundaries in the domain of fine mechanical watchmaking. Its Hybris Mechanica series of ground-breaking, ultra-complicated timepieces has established a constellation of stars shining with unparalleled brilliance in the horological heavens. In 2021, the latest addition to this celestial assemblage is a grand oeuvre six years in the making — the Jaeger-LeCoultre Reverso Hybris Mechanica Calibre 185 Quadriptyque, the first watch in the world with four faces of timekeeping indications.

Since the advent of personal timepieces, the quest to build increasingly complicated watches is constrained by the volume of space available to the watchmaker. Having a multitude of complications in a watch is pointless unless they can be legibly and comprehensibly displayed, and the watch can be reasonably worn. Liberated by the unique design of the iconic Reverso, Jaeger-LeCoultre has created a world’s first: a double-faced case continuously driven by the in-house Calibre 185, and a double-faced cradle with indications synced and updated by the primary movement every day at the stroke of midnight by an ingenious mechanical system proprietary to Jaeger-LeCoultre.

If executed through conventional mechanical means, the 11 complications of the Jaeger-LeCoultre Reverso Hybris Mechanica Calibre 185 Quadriptyque would result in a timepiece far more suited for a desk than a wrist. Thanks to nearly two centuries of expertise and a thoroughly modern approach to innovation, Jaeger-LeCoultre tells the story of cosmic and terrestrial time within the confines of a 51mm by 31mm by 15mm case, a story told in four chapters of horological virtuosity.

Reverso Hybris Mechanica Calibre 185

CHAPTER ONE: SET THE UNIVERSE

The history of Jaeger-LeCoultre is rooted in the pursuit and attainment of precision. One of the earliest inventions of founder Antoine LeCoultre was the millionometer, the first instrument able to measure the micron. Today, Jaeger-LeCoultre is an undisputed pioneer and leader in creating exceptional executions of the tourbillon, a mechanism designed to enhance the chronometric performance of a timepiece. The Reverso Hybris Mechanica Gyrotourbillon 2 (2008) stunned audiences and won chronometry awards with its multi-axial revolving balance, and the Reverso Hybris Mechanica à Triptyque (2006) remains unique in its use of a tourbillon with a high-precision ellipse isometer escapement.

Naturally, the tourbillon is one of the main protagonists of the new Jaeger-LeCoultre Reverso Hybris Mechanica Calibre 185 (Quadriptyque). Occupying the 7 o’clock position on the recto face of the case, a flying tourbillon (thus called because the absence of an upper bridge allows it to appear as if it is floating) makes one rotation a minute, continuously varying the position of the balance in order to achieve a single corrected average time measurement.

Reverso Hybris Mechanica Calibre 185

The balance is the heart of any watch movement, and it is also the key to our measurement of time. As it beats in regular cadences of 4Hz (28,800vph), every eight beats mark the passing of one second. The seconds accumulate into minutes, into hours, days, weeks, months and years. The recto face of the Quadriptyque case, illustrating the uppermost abilities of mechanical horology, shows the indications of a perpetual calendar, a centuries-old mechanism that always displays the correct date despite the irregular number of days each month. It also takes leap years into account, displaying a 29th day in the month of February every four years. Highlighting the precision of the Jaeger-LeCoultre Calibre 185 construction, the perpetual calendar indications are instantaneous, changing at the stroke of midnight. In addition, the complexities of the Calibre 185 construction required the date to be displayed at the 5 o’clock position on the dial. At Jaeger-LeCoultre, only the perfect legibility of a grande date was considered acceptable for a watch of such prestige, which necessitated the creation of a new system of date display discs in order to accommodate the dimensions of the flying tourbillon at 7 o’clock. The opening chapter of the Jaeger-LeCoultre Reverso Hybris Mechanica Calibre 185 (Quadriptyque) is nothing less than a powerful statement of how la Grande Maison has comprehensively mastered the expression of civil time.

CHAPTER TWO: CHIME THE HEAVENS

There are extremely few watchmaking manufactures that possess in-house expertise in sonnerie wristwatches. There are even fewer that have been making them since 1870, accumulating one and a half centuries of experience and savoir-faire. There exists only one watchmaking manufacture that has over 200 chiming watch calibres in its historical and modern inventory — La Grande Maison du Sentier. The verso face of the Quadriptyque case is a virtuoso tour de force of Jaeger-LeCoultre’s patrimony as a master and innovator of chiming watches.

Reverso Hybris Mechanica Calibre 185

With the slide of a lever located just above the crown, the Quadriptyque unleashes its melody. First, a series of low notes, correlating to the number of hours. Second, an alternating couplet of high and low notes, corresponding to the quarter-hours. And concluding the melody, a succession of high notes, indicating the number of minutes to be added to the elapsed quarters. In concert, the hours-quarters-minutes chime plays the current time in musical code. The striking works of the Reverso Quadriptyque are completely exposed alongside a secondary time display, indicating the same time as the recto dial, but in a jumping-hours and peripheral-minutes format. As the Quadriptyque strikes the time, setting a symphony of springs, cams, hammers and gongs into motion, their acoustic report confirms the visual display of the secondary dial.

Visible through apertures on the movement plate hand-decorated with the guillochage motif known as clous de Paris are elements of the chiming mechanism uniquely associated with the sonnerie expertise of Jaeger-LeCoultre. These include the silent chime governor, patented by the manufacture in 1895 to eliminate the buzzing noise created by the older anchor system. More recent in-house innovations showcased in the Quadriptyque are the crystal gongs (first seen in the Master Minute Repeater Antoine LeCoultre of 2005) that attach the repeater gongs directly to the sapphire crystal to exploit the material’s optimal acoustic properties, the square cross-sectional profile of the gongs themselves that maximise contact and energy transmission between the hammers and gongs (a mainstay of Jaeger-LeCoultre’s repeating watches since 2006), and the articulated trebuchet hammers (developed for the 2009 Hybris Mechanica Duomètre à Grande Sonnerie) that deliver a clean and strong strike to the gongs. In totality, these innovations allow Jaeger-LeCoultre minute repeaters to produce some of the loudest and clearest chiming wristwatches today.

Debuting in the Reverso Hybris Mechanica Calibre 185 is a completely novel engineering of the chiming components to create a seamless chime with no pauses in between the hours, quarters and minutes. The conventional minute repeater mechanism utilises special pivoting racks that read the time off a series of cams and then proceed to activate each group of chimed notes in turn. This often results in silent gaps between the groups of chimed notes, especially when there are only hours and minutes to be struck, with no intervening quarters. The Hybris Mechanica Master Ultra Thin Minute Repeater Flying Tourbillon (2014) and Master Grande Tradition Gyrotourbillon Westminster Perpétuel (2019) made exceptional strides in chiming know-how by reducing these silent gaps, but the Reverso Quadriptyque has reached the ultimate stage of expertise in this area. By refining and inverting specific steps in this mechanical sequence, the Quadriptyque has succeeded in eliminating these gaps entirely.

The chime of the Jaeger-LeCoultre Reverso Hybris Mechanica Calibre 185 is an uninterrupted opus of acoustic excellence. It is the sound of innovation at its very apex.

Reverso Hybris Mechanica Calibre 185

CHAPTER THREE: UNCOVER THE ORBIT

Before the formal development of time reckoning systems, primitive societies observed celestial phenomena and created powerful myths and stories around the dance of the heavenly orbs above. The earliest astronomers were also mathematicians, and instruments constructed on their formulations were able to mechanically compute the positions of various celestial objects. The interaction between the various orbits of the Sun, Earth and Moon determine the rhythms of life, and watchmaking first evolved as a means to bring order to the world around us. As a watch manufacture with close to two centuries of fine watchmaking expertise, Jaeger-LeCoultre has mastered all aspects of time expression, from the quotidian to the esoteric. One of the hallmark complications of Jaeger-LeCoultre is the display of sidereal time, time that is determined with reference to the stars instead of the Sun, first presented in the Master Grande Tradition Grande Complication (2010).

This year, for the first time ever in the history of mechanical horology, Jaeger-LeCoultre unites three displays of lunar information — the synodic cycle, the draconic cycle and the anomalistic cycle — in a single wristwatch. This unique micromechanical combination of indications, located on the interior face of the cradle of the Reverso Hybris Mechanica Calibre 185, allows the determination of eclipse events (both solar and lunar) and rare lunar phenomena such as supermoons.

Occupying the top half of the interior face of the cradle of the Reverso Quadriptyque is a massive representation of the phases of the moon in the Northern Hemisphere. A laser-engraved moon is progressively covered and revealed by a mobile blue lacquer disc with gold glitter décor, corresponding to the age of the moon in the synodic cycle. While conventional displays of the moon phase accumulate one day of error after 32.5 months, the moon phase display of the Quadriptyque requires only one adjustment after 1,111 years.

Just below the moon phase display, on the left, is a counter with a three-dimensional micro-sculpted pink-gold sun orbited by a tiny hemispherical moon. This counter shows the draconic cycle, showing when the path of the Moon intersects with the orbit of the Earth around the Sun (known as the ecliptic). Such an intersection takes place twice in each cycle, indicated by the horizontal alignment on the counter of the moon and the sun. At this time, the Moon, Earth and Sun are all on the same plane; however, they may not be aligned. For them to be aligned, a phenomenon known as syzygy, an additional condition must be fulfilled — the Moon must be either in its new or full phase. When that happens, an eclipse event happens on Earth, either a lunar eclipse if the Moon is in its full phase, or a solar eclipse if the Moon is in its new phase. However, the actual visibility of the eclipse is dependent on various factors such as the geographical position of the viewer.

To the right of the draconic cycle counter is a domed representation of the Earth, micro-painted in enamel, with a hemispherical moon in eccentric orbit around it. This counter represents the anomalistic cycle, showing the varying distance between the Earth and Moon. At its apogee, the Moon is at its furthest distance from the Earth and is closest at its perigee. When the Moon is in its full phase near or at the perigee, an event known as a supermoon occurs, in which the Moon can appear to be up to 14 percent larger than usual in the sky.

The display of the synodic, draconic and anomalistic cycle together in a wristwatch is unprecedented in horology, with the latter two indications protected by patent, making the Reverso Hybris Mechanica Calibre 185 the only watch ever made to provide such depth of information about astronomical phenomena.

The Hybris Mechanica family of timepieces at Jaeger-LeCoultre began with the 2003 Atmos Mystérieuse and has since grown to encompass close to 20 groundbreaking horological creations, including the Master Hybris Mechanica Gyrotourbillon 1 (2004), the Reverso Hybris Mechanica Grande Complication à Triptyque (2006), the Master Ultra Thin Minute Repeater Flying Tourbillon (2014) and the Master Grande Tradition Gyrotourbillon Westminster Perpétuel (2019). The word Hybris originates from the Greek “hubris” that refers to the soaring ambition exhibited by the legendary heroes of antiquity. It is a promise made by Jaeger-LeCoultre to continually expand the horizons of watchmaking; a promise that has been dutifully kept for 18 years.

CHAPTER FOUR: REVERSE THE UNIVERSE

The Jaeger-LeCoultre Reverso was born in 1931, out of the need to protect delicate horological mechanisms amidst the balletic skirmish of hooves and mallets during games of polo. Today, 90 years later, a far older dance is reflected in the Reverso Hybris Mechanica Quadriptyque, one that guides our calendrical rhythms according to rules that are as precise and structured as those of the regal equestrian sport.

The original Reverso bore a single time-telling face, with a mobile case that could be turned over within its cradle, revealing a solid caseback. The next generation of the Reverso featured another dial on its caseback, either in a different design to accommodate the wearer’s aesthetic preference (Duetto) or displaying a second time zone (Duoface) to offer additional functionality when travelling. The Reverso Hybris Mechanica à Triptyque (2006) represented an evolutionary leap in horological innovation, with a third display positioned on the interior face of the Reverso cradle.

This year, the world’s first wristwatch with four faces premieres in the form of the Reverso Hybris Mechanica Calibre 185 (Quadriptyque), the ultimate expression of the Reverso concept. On the last face of the Quadriptyque, the exterior face of the cradle, a representation of the phases of the Moon in the Southern Hemisphere is shown. Most indications of the moon phase are of the Northern Hemisphere perspective, and the Quadriptyque’s display of the Southern Hemisphere moon phase on its fourth face is the fulfilment of the Reverso’s fundamental dualism. A star-flecked sky chart, engraved and lacquered in a gradient of blue shades forms the backdrop to the pink-gold moon, all of which are created in the Atelier des Métiers Rares® of Jaeger-LeCoultre.

The secret to the Reverso Hybris Mechanica Quadriptyque’s four functioning display faces lies in a solution first used in the 2006 Reverso Hybris Mechanca Grande Complication à Triptyque. Every day at midnight, a pin extends out of the main case movement to activate a mechanical corrector in the cradle, which then advances the cradle displays. The mechanism driving the cradle displays is set directly into the cradle itself, without any additional movement plates that would increase the thickness of the watch. Jaeger-LeCoultre’s expertise in ultra-compact watchmaking makes the Quadriptyque, despite its multiple indications and complications, one of the most wearable high-complication watches of our time.

PRESENTING INFINITY

The Jaeger-LeCoultre Reverso Hybris Mechanica Calibre 185 comes in an exceptional presentation box with a built-in mechanism that allows the wearer to quickly and intuitively set all the calendar and astronomical displays of the watch after a period of being unworn.

A two-position crown on the side of the box is used to first set the number of days that have elapsed since the watch was last worn. With the Quadriptyque set within the correction support frame, the box corrector crown can then be extended to its second position and wound to rapidly bring the watch to the current date for all calendar and astronomical indications. There is no risk of overcorrecting the watch or damaging the movement, since the entire process is controlled by the box corrector mechanism.

The latest timepiece in the Hybris Mechanica series took six years of research and development. It was made possible only through the 188 years of innovation and expertise accrued within the workshops of La Grande Maison. With the Reverso Hybris Mechanica Calibre 185 Quadriptyque, Jaeger-LeCoultre reasserts its position at the apogee of mechanical watchmaking and reaffirms its dedication to expanding the boundaries of horological knowledge.

TECHNICAL SPECIFICATIONS

REVERSO HYBRIS MECHANICA CALIBRE 185

Case material: White gold

Case dimensions: 51.2 x 31 mm

Thickness: 15.15 mm

Movement: Manually wound Jaeger-LeCoultre Calibre 185

Functions:

Face 1: Hour – Minute, Tourbillon (indicating the Second), Instantaneous Perpetual Calendar, Grande Date, Day, Month, Leap Year, Night & Day

Face 2: Jumping Digital Hour, Minute, Minute Repeater (with system avoiding dead time)

Face 3: Northern Hemisphere Moon Phase, Draconic Lunar Cycle (height of the moon), Anomalistic Lunar Cycle (apogee and perigee), Month, Year

Face 4: Southern Hemisphere Moon Phase

Power reserve: 50 hours

Water resistance: 30 metres

Strap: Blue alligator

Reference: Q7103420

Limited edition of 10 pieces

The first Japanese full-electric hypercar

Car manufacturing and engineering – Aspark Company

The first Japanese full-electric hypercar

Body, chassis and much of the components entirely made by top-level carbon fiber materials, extremely powerful four electric motors, a unique torque vectoring system, an exclusive battery system, and handmade premium interior. The full-electric hypercar Owl is a compendium of state-of-the-art technology, design and functionality, mixed with a genuine passion for beauty.

The production version of the Owl, after its world premiere in Dubai last November, was scheduled to be exhibited at the Geneva International Motor Show.

“After unveiling the Owl at Dubai International Motor Show the company has achieved many progresses on development and production, as well on future strategy as a car manufacturer”, Head Of Sales and Communication Agshin Badalbayli points out.

All major tests related to performance, safety and durability were completed successfully and now the Owl can be seen running on the road.

Meanwhile, the production has been accelerated to deliver the orders on time and the sales and after-sales networks around the world are growing fast.

A second project is coming up

Aspark kicked off a new era in full-electric hypercars with the Owl: but the first project of the Japanese car manufacturer won’t remain alone, as a the development of a second project has already started. Details will be given in the next weeks.

The Power is in our Nature

“The Power is in our Nature” – the official claim of the Owl – perfectly catches the essence of this incredible full-electric hypercar.

Body, chassis and much of the components entirely made by top-level carbon fiber materials, extremely powerful four electric motors, a unique torque vectoring system, an exclusive battery system, and handmade premium interior: the Owl is a compendium of state-of-the-art technology, design and functionality, mixed with a genuine passion for beauty.

The fastest accelerating car in the world: 0-60 mph in 1.69 seconds

The most astonishing performance of the Owl is the acceleration: from 0 to 60 mph in 1.69 seconds*.

The Owl has a unique battery pack for a range of up to 450 km. Top speed is 400 km/h. Furthermore, the Owl has a height of 99 cm: it is probably the lowest road legal electric hypercar in the world.

The world most powerful electric hypercar

The Owl has the most powerful 4 electric motors ever made. They produce a total power of 1480 kW with 2012 horsepower. Overall torque is around 2000 Newton meters.

The Owl has almost three times more power than Formula-E cars and two times more than Formula 1 cars.

The rotation of the motor should be the fastest in the world with 15000 rpm.

Delivered in the second quarter of the year

The production version of the Owl is limited to only 50 cars worldwide. Each one will be fully customizable, each one will be different from the other: exclusivity now has a real meaning.

Production is taking place in Turin, Italy in collaboration with Manifattura Automobili Torino, with the full support of Aspark engineering centres in the world. The first set of the Owl will be delivered by the second quarter of 2020.

Price of the base version is Euro 2,900,000. The Owl can be reserved with a reduced deposit of Euro 50,000.

*One Foot Roll-Out

Running on the road.

All major tests related to performance, safety and durability were completed successfully and now the Owl can be seen running on the road.

Lady Jane

GAMMA & BROSS, 2021

Product Design | Beauty

Designed to be as luxurious as it is versatile, the Lady Jane Collection displays a classic scene as the ensemble of high end salon equipment and beauty furniture transforms a salon into a dreamy, artistic spa oasis.

We created this collection to enable any salon to be transformed into a destination. The design of the pieces reflects the human body at rest, allowing guests to discover beauty while being made beautiful themselves” – Marcel Wanders.

The collection includes an island station, a styling salon chair, shampoo unit with basin, rolling trolleys, a variety of mirrors and a reception desk. The furniture upholstery presents a stitched floral relief that endorses a visual and physical feeling of depth to the guest. All frames and metal pulls are coated in either gold, chrome or matt black colours. Designed with soft and poetic curves, precise silhouettes, rich details and versatile accessories, the pieces create an elegant and welcoming interior. Offering functionality that uplifts the human spirit, this collection is a fresh breeze in the field of professional equipment.

L.U.C XP Urushi Spirit of Shí Chen

L.U.C XP Urushi Spirit of Shí Chen

Swiss Haute Horlogerie meets Chinese zodiac tradition

Steeped in the aesthetic codes of Chinese culture, the L.U.C XP Urushi Spirit of Shí Chen is the first L.U.C timepiece to display the traditional Chinese timekeeping system, Shí Chen. The animals of the zodiac that symbolises them parade slowly by on an Urushi lacquer disc, accompanied by the symbol of prosperity and its god Lu Xing. This creative new complication exists as an 88-piece limited edition. Its L.U.C 96.29-L Chopard Manufacture movement is housed in a 40 mm ethical 18-carat rose gold case of peerless symbolic and physical finesse.

Carved from a block of ethical 18-carat rose gold, the L.U.C XP Urushi Spirit of Shí Chen is a talisman timepiece, an allegory of beliefs related to the Chinese zodiac and luck. It represents the first time that an Haute Horlogerie watch displays Shí Chen, the traditional Chinese time system, as a complication. It consists of twelve two-hour units, each one represented by an animal from the zodiac cycle. The day thus begins at 11pm with the hour of the Rat and ends with the hour of the Pig, while noon is in the middle of the hour of the Horse.

L.U.C XP Urushi Spirit of Shí Chen

chopard L.U.C XP Urushi Spirit of Shí Chen

The Chinese zodiac bestiary enhanced by the art of Urushi

The procession of 12 animals slowly parades through a large aperture at 12 o’clock, enabling a dual time read-off: one traditional and the other based on the international system. This succession of zodiac signs also underlines the creativity and mastery of the Chopard Manufacture artisans. In addition, the dial and Shí Chen disc of this timepiece are made of Japanese lacquer. Faithful to Asian traditions, Chopard has worked right from the start with the finest Japanese lacquer artisans, who craft dials using the traditional Urushi lacquer technique.

The 88 dials of the L.U.C XP Urushi Spirit of Shí Chen are produced by the workshops of the century-old Yamada Heiando company and crafted by Master lacquer specialist Minori Koizumi. In accordance with the distinctive Maki-e technique, gold flakes sprinkled between the layers of lacquer illuminate the 40 mm ethical 18-carat rose gold case from within.

A creation placed under the protection of the god of prosperity

At the centre of the L.U.C XP Urushi Spirit of Shí Chen dial is the golden, embossed emblem of the god Lu Ying, who is one of the three deities – together with Fu Xing and Shou Xing – respectively dedicated to prosperity, happiness and longevity, symbolically summing up the characteristics of a full life. This star of prosperity also refers to fame and influence and is an omnipresent sign in Chinese culture, where auspices, symbols and representations playing on the nature of ideograms are essential.

 

A timepiece endowed with great technical refinement

To equip the L.U.C XP Urushi Spirit of Shí Chen, Chopard has created the L.U.C 96.29-L calibre, an exclusive variation of the 96 family, featuring a disc that completes a full rotation in 24 hours. This mechanical movement with automatic winding is just 3.97 mm thick thanks to its micro-rotor, a small oscillating weight neatly integrated into the calibre. Made of ethical 22-carat gold, it boasts high inertia enabling it to wind the two barrels efficiently. The latter are stacked in accordance with Chopard Twin Technology and are capable of storing the energy necessary for the L.U.C XP Urushi Spirit of Shí Chen to offer a total 65-hour power reserve. Once off the wrist, it will remain on time and accurate for more than two and a half days, the duration of a long weekend.

chopard L.U.C XP Urushi Spirit of Shí Chen

chopard L.U.C XP Urushi Spirit of Shí Chen

Chopard’s in-house approach to Haute Horlogerie

Chopard is a family Maison with a strongly ingrained philosophy of independence. The manufacturing stages of L.U.C. timepieces are carried out in-house at its production sites in Geneva and Fleurier.

Movement development, finished product design, gold casting, stamping and cases machining, movement parts and bracelets, as well as traditional handcrafted finishes, surface treatments, polishing, assembly, adjustments and quality controls: such is the comprehensive range of watch production operations fully mastered by Chopard and involved in the making of each creation in the L.U.C collection.

The result of meticulous craftsmanship, Chopard’s exceptional L.U.C timepieces meet the aspirations of today’s gentleman, speaking to him without the slightest artifice or pretention, and unequivocally conveying an ideal blend of artisanal skill and emotions.

 

Technical details

L.U.C XP Urushi Spirit of Shí Chen

88-piece limited edition in ethical 18-carat rose gold

Case:

Ethical 18-carat rose gold

Total diameter:                                                                                40,00 mm

Thickness:                                                                                        8.28 mm

Water resistance                                                                            30 metres

18-carat ethical rose gold crown with L.U.C logo                     5.00 mm

Vertical satin-brushed sides and inter-horn space

Polished bezel and case-back

Glare-proofed sapphire crystal

Exhibition case-back

Movement:

Mechanical with automatic winding                                            L.U.C 96.29-L

Winding via a micro-rotor in ethical 22-carat gold

Total diameter:                                                                                34.20 mm

Thickness:                                                                                       3,97 mm

Number of jewels:                                                                           29

Frequency:                                                                                      28,800 vph (4 Hz)

Power reserve:                                                                                65 hours

Disc rotating in 24 hours, representing the 12 signs of the Chinese Zodiac

Twin stacked barrels, based on Chopard Twin Technology

Bridges adorned with Côtes de Genève motif

Dial and hands:

Dial hand-crafted in Japan using the Urushi lacquer technique with shimmering decoration for the main dial and the twelve signs of the Zodiac on the lower rotating disc

Central symbol of prosperity motif in ethical 18-carat rose gold

Dauphine-type hours and minutes hands in ethical 18-carat rose gold

Indexes and Arabic numerals in ethical 18-carat rose gold

Functions and displays:

Central display of the hours and minutes

Bracelet and buckle:

Black hand-sewn alligator strap with brown alligator leather lining

Polished and satin-brushed ethical 18-carat rose gold pin buckle

Ref. 161980-5001 – in ethical 18-carat rose gold with special Spirit of Shí Chen dial

88-piece limited edition

The-new-Mercedes-Maybach-S-Class-Exterior-design

Exterior design of the new Mercedes-Maybach S-Class

The new Mercedes-Maybach S-Class: Exterior design

Well-balanced proportions and many exclusive details

The Mercedes-Maybach S-Class expresses the superlative luxury that is the hallmark of the brand. It is a well-conceived combination of sublime beauty and trailblazing technology. It has an 18 centimetre longer wheelbase than the long Mercedes-Benz S-Class. Plus a number of exclusive features.

The Mercedes-Maybach S-Class is a classic three-box saloon with perfect proportions. These are determined by a short front overhang, the longest wheelbase in this model family, a well-balanced rear overhang and large wheels.

Distinguishing features at the front include the distinctive bonnet with a chromed fin and the Mercedes-Maybach radiator grille. This is highly recognisable by its vertical, three-dimensional trim strips. The word mark MAYBACH is elegantly integrated into the chrome surround of the grille. The equally distinctive bumper further emphasises the vehicle’s width with the shape of its air inlets, whose black mesh is also optionally available in chrome.

The Mercedes-Maybach S-Class also differs from its brother models when viewed from the side: The rear doors and flowing, more upright C-pillars underline the model’s superlative status. The fixed quarterlight in the C-pillar is framed by a high-quality surround that seamlessly blends into the side trim. Exclusivity is emphasised by the Maybach brand logo on the C-pillar. In some countries the brand logo is illuminated. The side view is characterised by flush-fitted door handles and 19, 20 or 21-inch wheels specially designed and reserved for this model. The optional ambient illumination projects the brand logo next to the opened front doors in LED technology.

The luxury saloon has the progressively designed, two-section rear lights of the new S-Class generation. Additional lights in the precisely laid-out interior, as well as partly animated functions, also make the Mercedes-Maybach unmistakable at night. The model-specific rear bumper and exhaust tailpipes also lend uniqueness to the rear view.

As well as non-metallic, metallic and designo paint finishes, the range of paintwork for the Mercedes-Maybach additionally includes two-tone finishes with a fine, hand-painted dividing line known as the pin-stripe (see “Under the microscope”). This particularly reinforces the extraordinary hand-built impression.

The new Mercedes-Maybach S-Class: Under the microscope: Two-tone paintwork

One week for the second colour

On request, the exclusive appearance of the Mercedes-Maybach S-Class can be enhanced by a two-tone paint finish with dividing line. This is applied by hand according to the highest quality criteria. It can take up to one week before the vehicle is returned to the regular production process from the custom paintshop.

Even a two-tone Maybach begins its painting process in regular production. In the paintshop, the bodyshell is automatically and electrostatically given a full coat of paint in the colour that will eventually embellish the lower half of the body – plus a layer of clearcoat. In the electrostatic painting process, statically charged paint particles are atomised and deposited on the (earthed) bodyshell.

The bodyshell is then sent to the custom paintshop. Once there, the entire bodyshell is ground to a matt finish by hand. Thorough cleaning is followed by the first, particularly demanding work stage: masking off. As the designers did not position the dividing line between the upper and lower paint finishes in a recess or below a trim strip, this requires extremely precise hand-painting. A special adhesive tape with a corresponding gap is used to apply the only four‑millimetre wide dividing line between the two colours.

As an interesting detail, the doors are weighted with weights before masking the dividing line. This is to simulate the effect of subsequent interior finishing with windows, power window fittings, loudspeakers, panelling and other technical equipment. This allowance ensures that the dividing line along the side and doors will later be at exactly the same height.

All the surfaces that will later bear the lower colour are masked off. These also include the transitions to the interior, e.g. at the doors or wheel arches – even where trim or a lining will later be installed. This too is part of the dedication to quality.

The exposed parts of the body are now completely painted by hand. Pneumatically atomised by compressed air, the paint is applied so that it presents the same picture as after electrostatic painting – this is important because removable parts installed later on, e.g. the bumpers, must precisely match the paint finish. Before the new base coat has fully dried, the masking tape is carefully removed without damaging the edges. The complete bodyshell is then given a new coat of clear varnish.

This has to happen within a very short time window, so that the edges between the paint coats blend into each other and cannot be felt afterwards – unlike competitors, where the dividing line is painted on. If the experts in the custom paintshop are not satisfied, the complete bodyshell is reground, the topcoat is re-finished and the whole bodyshell is given a clearcoat. All in all, the process including the necessary drying times can take up to one week.

The following colour combinations from the Mercedes-Maybach paint chart are available, the choice being dictated by whether the upper colour can fully cover the lower colour:

Lower colour Upper colour
designo diamond white bright obsidian black
high-tech silver selenite grey
obsidian black selenite grey
nautical blue high-tech silver
rubellite red designo kalahari gold
onyx black designo kalahari gold
obsidian black high-tech silver
obsidian black rubellite red
emerald green Mojave silver
Mojave silver onyx black