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Dongyu Zhou joins the OMEGA family


The world-famous Swiss watch brand welcomes award-winning Chinese actress Dongyu Zhou to its impressive roster of screen legends.

A winner of multiple domestic and foreign film awards, Dongyu Zhou is an accomplished actress capable of delivering convincing and critically acclaimed performances ranging in genres from crime thriller to romantic comedy.


After her outstanding 2010 debut in Zhang Yimou’s film Under the Hawthorn Tree, Dongyu starred in a string of successful films, including Soul Mate (2016), This Is Not What I Expected (2017), Us and Them (2018) and Better Days (2019).

Her many accolades include the Best Actress award at the 53rd Golden Horse Awards in 2016 for her impressive performance in Soul Mate, and best actress for Better Days at the 39th Hong Kong Film Awards and 33rd Golden Rooster Awards.

Dongyu Zhou is the youngest actress to have been honoured with the three most significant film accolades in the history of Chinese film, and OMEGA is thrilled to include her in its distinguished circle of stars, which includes George Clooney, Nicole Kidman, Eddie Redmayne and fellow award-winning Chinese actress Liu Shishi.

Clearly proud of the new partnership, OMEGA’s President and CEO Mr. Raynald Aeschlimann called Dongyu Zhou: “A phenomenal talent who embraces OMEGA’s spirit of reinvention and commitment to excellence. Hard working, gracious and original, she represents the best qualities of the emerging generation and we’re honoured to have her in the family”.

The latest star in OMEGA’s universe wears the brand’s 34 mm Constellation Small Seconds released earlier this year. The slender watches, in keeping with the recent 5th generation Constellation makeover, remain true to the collection’s iconic spirit, while also enhancing the design with extra diamonds and a number of unique details.

Speaking of her new role at OMEGA, Dongyu Zhou said:I am truly elated to be joining the OMEGA family. I have always felt that innovation and precision are at the heart of OMEGA, and I am beyond excited to grow with the OMEGA family in this collective pursuit of excellence as one of their brand ambassadors”.

Located in the city of Design, London, Rafael De Cárdenas elevated the contemporary design to the next level with Glebe Place Residence, by mixing novel styles, gathering together such dissimilar traditional Portuguese pieces and modern design. Still, the distinguished and top interior designer guarantees the most harmonious environments with this ambitious interior project designGlebe Place Residence by Rafael De Cárdenas is way more than a platform of design, it has its own personality keeping most of the original details intact.

Classic Meets Traditional Residence: A Project By Rafael de Cárdenas Classic Meets Traditional Residence A Project By Rafael de C rdenas 4
Classic Meets Traditional Residence: A Project By Rafael de Cárdenas Glebe Place Residence Designed by Rafael De C rdenas 9

Featuring modern furniture and fine craftsmanship pieces, the astonishing six-bedroom residence was renovated to evoke timeless luxury, balancing contemporary classics with the home’s historic character. A restrained palette of Portland limestone, hardwood, and natural materials is punctuated by vibrant accents of turquoise, fuchsia, brass, and deep purple furnishings from modern European and American designers.

Classic Meets Traditional Residence: A Project By Rafael de Cárdenas Glebe Place Residence Designed by Rafael De C rdenas 10

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Rafael De Cárdenas recreated several different rooms, each one with its own classic touch. One of the three contemporary dining rooms has a special Portuguese reference completing the whole ambiance with the perfect piece of art, D. Manuel I Cabinet from Boca do Lobo’s Limited-Edition Collection.

Classic Meets Traditional Residence: A Project By Rafael de Cárdenas Classic Meets Traditional Residence A Project By Rafael de C rdenas 1

Designed by Rafael De Cárdenas, the modern dining room is filled with luxury furniture pieces: a gigantic cream marble contemporary dining table and large upholstery modern chairs which gives the possibility to the room, to be more than a dining space. It can perfectly be a place to have an informal meeting with the closest professionals or business partners. The blossom rose wallpaper gives life to the walls and colour to the room delighted with classic hue and textures like beige, old greys, and dark woods.

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Right beside the entrance door, D. Manuel Cabinet was chosen strategically by Rafael De Cárdenas to expand the space and cut the contemporary design of the rest of the pieces. The cabinet surface has a copper leaf finish, with a sophisticated black lacquer gradient applied on the outside. Its legs are made from solid mahogany and are crafted to a traditional and handmade form, finished in high gloss black lacquer.

Glebe Place Residence Designed by Rafael De C rdenas 4
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Manueline Style was an inspiration for Rafael De Cárdenas due to the sumptuous and composite Portuguese style of architectural ornamentation, incorporating maritime elements and representations of the discoveries brought from the voyages of Vasco da Gama and Pedro Álvares Cabral, two of the most renamed discoverers in Portugal history.

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Vacheron Constantin – Métiers d’Art Tribute to great explorers: a new window on the world and on history, opened by talented Master artisans

  • A series of three ten-piece limited editions, paying homage to the Portuguese sailors Bartolomeu Dias, Vasco da Gama and Pedro Álvares Cabral.
  • Miniature masterpieces, with Grand Feu enamel dials inspired by a map from the 1519 Miller Atlas, of which a reproduction is kept in the Portuguese Maritime Museum (Museu de Marinha – Lisbon).
  • The Manufacture 1120 AT movement powering an off-centre display of the hours and minutes, leaving ample space to express the Maison’s artistic crafts.

Geneva, 2021 – They evoke a time when the world had yet to be discovered. They retrace the famous epic journeys of the great 15th century explorers who braved the seas and oceans to discover distant horizons. Bartolomeu Dias, Vasco da Gama, Pedro Álvares Cabral: Vacheron Constantin celebrates their spirit of adventure through a new series of three ten-piece limited editions, the Métiers d’Art Tribute to great explorers. Crafted in Grand Feu enamel, each dial depicts selected portions of a 1519 map from the Miller Atlas. These three masterpieces of miniaturisation and expertise are driven by the Manufacture 1120 AT movement. These new models, presented at Watches & Wonders 2021, are part of the theme of the Maison for 2021 : entitled Classic with a Twist, it highlights Vacheron Constantin’s creative energy, guided by an identity that celebrates a heritage and dares to deliver the unexpected.

The spirit of travel, exploration and discovery of arts and cultures is an integral part of Vacheron Constantin’s history. A history rooted in the origins of the Manufacture, in an age when François Constantin did not hesitate to travel the world to open new markets and to fly the banner of the Maison high and wide, wherever possible. This openness to the world still pervades the philosophy of the Manufacture, which symbolically celebrates the spirit of adventure through a new journey – on this occasion a voyage through time – in memory of the great 15th century Portuguese explorers.

With this third opus in the Métiers d’Art Tribute to great explorers collection, which completes two series presented in 2004 and 2008, Vacheron Constantin ventures into one of history’s most exhilarating chapters. In the wake of models dedicated to Magellan, Zheng Hé, Christopher Columbus and Marco Polo, which proved a great success with collectors, comes the turn of Bartolomeu Dias, Vasco da Gama and Pedro Álvares Cabral to be honoured through extraordinary miniature compositions enhanced by talented master artisans. They bear witness to the noble touch and impressive creativity of the enamellers whose mastery of Grand Feu enamel once again broadens the horizons of the Métiers d’Art collection. A rare skill extending an invitation to travel while firing the imagination.

Masterful miniature Grand Feu enamel expressions of patience and meticulous care
Inspired by a map from the 1519 Miller Atlas, of which a painted reproduction is kept in the Portuguese Maritime Museum (Museu de Marinha – Lisbon), each dial shows a part of the world and the maritime routes respectively taken by the three explorers. In order to replicate the finely nuanced colours and the extreme delicacy of the motifs, the Maison opted for the art of enamelling. The result is three dials in Grand Feu enamel, masterpieces of patience and precision that require a full month’s work and 11 firings in the kiln at a temperature of between 800 and 900°C. These are all stages in which mastering fire proves crucial, since a few seconds too many can jeopardise several weeks of work.

The art of enamelling is a rare skill, a subtle blend of experience and sensitivity demonstrated in each move made by the artisan. Composed of crystal and metal oxides, enamels come in the form of small blocks of colour that the enameller first crushes into an extremely fine powder. The latter is then worked to create a substance similar to paint, which is applied in successive touches, enabling the enameller to represent motifs with incredible finesse and nuance. After coating the dial with the background colour, the enameller tackles the dial motifs, starting with the outlines of the continents, which are here enhanced with gold-coloured enamel powder. The decorative elements of this elegant composition – including the ships, fauna, flora and wind rose – are also produced using the delicate technique of miniature painting, thus serving to reproduce a host of details and subtly graded shades, obtained after numerous tests by the enameller. Each addition of colour requires another firing, since enamel is a mineral material that must be melted down in order to display its famous brilliance and intense depth.

Calibre 1120 AT with satellite hours
So as to give free rein to the enameller’s expertise, the three Métiers d’Art Tribute to great explorers models are powered by in-house Calibre 1120 AT. This movement is distinguished first and foremost by its 5.45 mm thinness enabling the 41 mm-diameter 4N pink gold case to maintain a trim 11.68 mm overall thickness guaranteeing an elegant appearance on the wrist.

The mechanism is also distinguished by its singular construction and its original time display mode enabling the wearer to travel visually through the dial as the hours pass by. Concealed beneath the upper part of the dial, the hours wheel is equipped with three arms each bearing four hours numerals, driven in turn by a cam shaped like the Manufacture’s Maltese cross inspired emblem. This ingenious satellite module enables the hours to sweep across the dial from top to bottom, traversing the fixed minutes circle positioned along a 120° arc. The hours numerals thus travel through the dial and their position gives an indication of the minutes replacing a traditional hand-type display.

Revealed through the transparent caseback, the movement decorations – notably including the 22-carat pink gold oscillating weight adorned with a wind rose – are entirely worthy of its technical nature.

Métiers d’Art Tribute to great explorers –Bartolomeu Dias
If his crews had not convinced him to give up on continuing the journey beyond the southern tip of Africa, perhaps Bartolomeu Dias (1450 – 1500) would have been the first to reach the Indies. The illustrious Portuguese explorer made history in a different way, by discovering the Cape of Good Hope in 1488, paving the way for future expeditions. Bartolomeu Dias was also a member of the crew of Vasco da Gama, who led his fleet to Indies between 1497 and 1498.

The route taken by Bartolomeu Dias’ ships in 1488 is represented by a red line on the Grand Feu enamel dial, enhanced by numerous incredibly refined details. With the help of a magnifying glass, a close look will reveal the silhouette of the men composing the explorer’s crew on board the two ships sailing west of Africa; or the palette of shades used by the enameller to precisely reproduce the landscapes, fauna and flora as they are represented on the map of the Miller Atlas.

Métiers d’Art Tribute to great explorers – Vasco da Gama
The long journey that took him from Portugal to the coasts of India was one of the most important 15th century discoveries. The Portuguese explorer Vasco da Gama (1469 –1524), who left his native country in 1497, was the first to travel from Europe and Asia by sea, following an epic and often hellish journey across the Atlantic and Indian Oceans. After circumnavigating the southern tip of Africa, his fleet of four ships sailed along the coast as far as Kenya before embarking on a crossing towards the Indies, which he reached in 1498.

The sea route taken by its crew is finely traced in red enamel on the dial, each detail of which is a very faithful reproduction of the map appearing in the Miller Atlas. The gaze will naturally be drawn to a ship from Vasco da Gama’s fleet in the dial centre, sails billowing on a stormy sea; or to the circumference of the wind rose and the continents enhanced with gold-coloured enamel powder.

Métiers d’Art Tribute to great explorers – Pedro Álvares Cabral
It is to this Portuguese aristocrat and explorer that we owe the discovery of Brazil in 1500. Pedro Álvares Cabral (1467 – 1520) was commissioned by King Manuel I of Portugal to travel to the Indies to continue the work of Vasco da Gama, but he took a very different route from his contemporary. Rather than sailing along the African coast to the southern tip of Africa, the fleet led by Pedro Álvares Cabral headed west, until they discovered a new world, Brazil.

This route is depicted by a red enamel line standing out against a beige enamel background punctuated by extremely faithful representations of the elements present on the map of the Miller Atlas. In the centre of the dial, a ship from Pedro Álvares Cabral’s fleet, sails buffeted by the wind, proudly cleaves the sea in an extraordinarily lifelike manner. The accuracy of the craftsmanship is also expressed in the shimmering feathers of the birds as well as in the depiction of human figures on the South American continent.

Classic with a Twist

Vacheron Constantin’s creativity has always remained closely attuned to its time while evoking its memories. This byword for elegance, adopted by each watchmaker, artisan and designer throughout the years and centuries, celebrates heritage and dares to explore the unexpected. Poised at the intersection between technical virtuosity and aesthetic refinement, the enduring allure of Vacheron Constantin timepieces makes its way unscathed through passing eras. Because timelessness cannot be achieved merely by complying with the canons of traditional watchmaking, each creation is tinged with a touch of boldness revealed in the smallest details. Special displays, offset indications, specific chamfering of all components, hand-crafted finishing and the complexity of a mechanism are just a few examples of this expertise. The result is a very personal field of expression where technique and style converge in a subtle harmony between the conventional and the atypical.

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Sum-up

Vacheron Constantin explores an exhilarating page of history with the Métiers d’Art Tribute to great explorers’ collection, available in a series of three ten-piece limited editions. In the wake of Magellan, Zheng Hé, Christopher Columbus and Marco Polo, to whom the Manufacture had already paid tribute in 2004 and 2008, comes the turn of Bartolomeu Dias, Vasco da Gama and Pedro Álvares Cabral to be honoured through extraordinary compositions enhanced by talented master artisans. To celebrate the discoveries made by these three 15th century Portuguese navigators, the Maison has opted for Grand Feu enamel and the technique of miniature painting. Masterpieces of patience and meticulous care, each of the three dials represents part of a map from the 1519 Miller Atlas, of which a reproduction is kept in Portuguese Maritime Museum (Museu de Marinha – Lisbon). These extraordinarily precise compositions are framed by a slim 18K 4N pink gold case measuring 41 mm in diameter. In order to provide abundant expressive scope for the enameller, these models beat to the rhythm of the 1120 AT self-winding movement, driving an off-centre time display thanks to a satellite hours module.

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TECHNICAL DATA

Métiers d’Art Tribute to great explorers

Reference
7500U/000R-B687: Bartolomeu Dias
7500U/000R-B688: Vasco da Gama
7500U/000R-B689: Pedro Álvares Cabral

Calibre
1120 AT
Developed and crafted by Vacheron Constantin
Mechanical, self-winding
22K gold oscillating weight with tapisserie decor
32.80 mm (12 ½ ‘’’ diameter), 5.45 mm thick
Approximately 40 hours of power reserve
2.75 Hz (19,800 vibrations per hour)
205 components
36 jewels
Hallmark of Geneva certified timepiece

Indications
Dragging hours, minutes

Case
18K 4N pink gold
41mm diameter, 11.68 mm thick
Transparent sapphire crystal caseback
Water-resistance tested at a pressure of 3 bar (approx. 30 meters)

Dial
18K gold, two-level dial, Grand Feu enamel
Enamelled hour-markers

Strap
Blue Mississippiensis alligator leather with alligator leather inner shell, hand-stitched, saddle-finish, large square scales

Clasp
18K 4N pink gold folding clasp
Polished half Maltese cross-shaped
Limited series of ten timepieces per reference.
Models available exclusively through the Vacheron Constantin Boutiques.

Big Bang Integral Sapphir Tourbillon

大爆炸积分陀飞轮全蓝宝石:纯蓝宝石的壮举

的确,有时少即是多,也许更多。 凭借Big Bang整体陀飞轮全蓝宝石,宇舶表将其融合艺术带到了最终的结论。 蓝宝石定制的全新一体式表链和表壳:这一壮举再次证明了恒宝在蓝宝石加工方面已获得的技术熟练程度和非凡的专业知识。

2021年4月–对于某些人来说,这似乎是自然发展。 对于其他人,这将是完全断开连接。 最终的结果是每一个都很少。 Big Bang整体陀飞轮全蓝宝石是悠久传统的结晶。 它起源于2016年,是第一枚蓝宝石手表Big Bang Unico蓝宝石。 凭借这一作品,宇舶表将其在加工非常坚硬的材料方面的专业知识转化为卓越的蓝宝石手表系列。 如今,Hublot进一步将这些界限推向了新的高度:首个集成表壳和表链的Big Bang,两者均由蓝宝石制成。 同等程度的自然(r)演变和高度技术性壮举。

Big Bang Integral Sapphir Tourbillon

Big Bang Integral Sapphir Tourbillon

“对于如此出色的产品,我们选择了带有蓝宝石琴桥的新型自动陀飞轮机芯,其透明性创造了令人惊叹的景象。但是,用蓝宝石制造一体式表壳和表链的举动被认为是不可能的。但是,我们做到了 第一个获得蓝宝石完美掌握,工业化并批量生产的品牌,我们花了五年时间才使第一款蓝宝石表壳问世,而手镯的制造时间却差不多。 是宇舶所有团队进行的深入工作的顶峰。我们很荣幸能够成为材料史上这一新篇章的第一行撰写者。” – Ricardo Guadalupe, HUBLOT CEO

Big Bang Integral Sapphir Tourbillon

Big Bang Integral Sapphir Tourbillon

制表师有时是唯一了解某些手表细节的人。 使用完全由蓝宝石制成的表壳和表链,所有秘密都可以被发现:机芯和表壳融合在一起,各个方面都可见。

这款全新Big Bang整体陀飞轮全蓝宝石的表壳已全部重建,以容纳自动陀飞轮机芯。 目标:去除几乎所有可见的螺钉,检修表壳的一般几何形状,使其与蓝宝石手链集成在一起,开发出新的表壳轮廓以容纳蓝宝石手链,并对桥和主板进行重新加工,以赋予它们错觉 悬浮在太空中 宇舶还开发了插入物和附件,这些插入物和附件被简化为最简单的外观,以使光线穿过每个组件。 因此,表壳由不少于37个零件组成,其中五个零件仅由蓝宝石制成。
Big Bang Integral Sapphir Tourbillon

Big Bang Integral Sapphir Tourbillon

 

手镯也是一个艰巨的挑战:仅手镯就包含165个组件,其中22个由蓝宝石制成。 每个组件都有自己的工业流程。 其中三分之一是经过特殊设计的,以提供与表壳透明性的独特和谐,并提供流动性和灵活性。 特别值得一提的是Hublot开发的钛合金镶片,经过超精加工,以确保它们不会伸出每个手镯链的任何一侧-这在制造工艺和制表业中都是首创。
Big Bang Integral Sapphir Tourbillon

Big Bang Integral Sapphir Tourbillon

在机芯方面,完全由内部设计和制造的HUB6035自动上链机芯是这款表的跳动之选。 它展示了在12点钟位置的微型陀飞轮和6点钟位置的陀飞轮之间的完美平衡,以及三枚透明的蓝宝石琴桥,这是新款Big Bang独有的。 这些组件实际上是悬浮在太空中的。 每个齿轮系不仅被从表盘一侧进入并穿过另一侧的骨架运动的光所穿透:现在,也是第一次,光从各个方向进入Big Bang Integral Tourbillon Full Sapphire蓝宝石的心脏。 它被散射,折射,反射,扭曲和旋转-包裹在手腕上的一小段光。
Jaeger-LeCoultre unfolds infinity in four chapters with the Reverso Hybris Mechanica Calibre 185

La Grande Maison celebrates an icon, the Reverso, by releasing the most complicated timepiece ever presented in this emblematic collection. The Reverso Hybris Mechanica Calibre 185 is the result of over six years of development, combining key areas of savoir-faire at Jaeger-LeCoultre with innovative new astronomical indications.

It is the world’s first wristwatch with four functioning display faces. By incorporating three displays of lunar information on the interior face of the iconic Reverso cradle (the synodic cycle, the draconic cycle and the anomalistic cycle), the Hybris Mechanica Quadriptyque can predict the next global incidence of astronomical events such as supermoons and eclipses — the world’s first wristwatch to provide such a deep reading of the cosmos.

Key Points of the Jaeger-LeCoultre Reverso Hybris Mechanica Calibre 185 (Quadriptyque)

  • The world’s first watch with four faces; the most complicated Reverso timepiece ever made
  • A total of 11 complications, including perpetual calendar, minute repeater, indications of the synodic, draconic and anomalistic cycles (never before presented together in a wristwatch), requiring 12 patents
  • Combines Jaeger-LeCoultre’s uncontested mastery of chiming watches, precision mechanisms, astronomical complications and ultra-compact watchmaking
  • User-friendly design and construction; the most complicated Reverso is also one of the easiest to wear

Geneva, April 7th, 2021 — With 188 years of relentless innovation and savoir-faire behind it, Jaeger-LeCoultre continually sets new boundaries in the domain of fine mechanical watchmaking. Its Hybris Mechanica series of ground-breaking, ultra-complicated timepieces has established a constellation of stars shining with unparalleled brilliance in the horological heavens. In 2021, the latest addition to this celestial assemblage is a grand oeuvre six years in the making — the Jaeger-LeCoultre Reverso Hybris Mechanica Calibre 185 Quadriptyque, the first watch in the world with four faces of timekeeping indications.

Since the advent of personal timepieces, the quest to build increasingly complicated watches is constrained by the volume of space available to the watchmaker. Having a multitude of complications in a watch is pointless unless they can be legibly and comprehensibly displayed, and the watch can be reasonably worn. Liberated by the unique design of the iconic Reverso, Jaeger-LeCoultre has created a world’s first: a double-faced case continuously driven by the in-house Calibre 185, and a double-faced cradle with indications synced and updated by the primary movement every day at the stroke of midnight by an ingenious mechanical system proprietary to Jaeger-LeCoultre.

If executed through conventional mechanical means, the 11 complications of the Jaeger-LeCoultre Reverso Hybris Mechanica Calibre 185 Quadriptyque would result in a timepiece far more suited for a desk than a wrist. Thanks to nearly two centuries of expertise and a thoroughly modern approach to innovation, Jaeger-LeCoultre tells the story of cosmic and terrestrial time within the confines of a 51mm by 31mm by 15mm case, a story told in four chapters of horological virtuosity.

Reverso Hybris Mechanica Calibre 185

CHAPTER ONE: SET THE UNIVERSE

The history of Jaeger-LeCoultre is rooted in the pursuit and attainment of precision. One of the earliest inventions of founder Antoine LeCoultre was the millionometer, the first instrument able to measure the micron. Today, Jaeger-LeCoultre is an undisputed pioneer and leader in creating exceptional executions of the tourbillon, a mechanism designed to enhance the chronometric performance of a timepiece. The Reverso Hybris Mechanica Gyrotourbillon 2 (2008) stunned audiences and won chronometry awards with its multi-axial revolving balance, and the Reverso Hybris Mechanica à Triptyque (2006) remains unique in its use of a tourbillon with a high-precision ellipse isometer escapement.

Naturally, the tourbillon is one of the main protagonists of the new Jaeger-LeCoultre Reverso Hybris Mechanica Calibre 185 (Quadriptyque). Occupying the 7 o’clock position on the recto face of the case, a flying tourbillon (thus called because the absence of an upper bridge allows it to appear as if it is floating) makes one rotation a minute, continuously varying the position of the balance in order to achieve a single corrected average time measurement.

Reverso Hybris Mechanica Calibre 185

The balance is the heart of any watch movement, and it is also the key to our measurement of time. As it beats in regular cadences of 4Hz (28,800vph), every eight beats mark the passing of one second. The seconds accumulate into minutes, into hours, days, weeks, months and years. The recto face of the Quadriptyque case, illustrating the uppermost abilities of mechanical horology, shows the indications of a perpetual calendar, a centuries-old mechanism that always displays the correct date despite the irregular number of days each month. It also takes leap years into account, displaying a 29th day in the month of February every four years. Highlighting the precision of the Jaeger-LeCoultre Calibre 185 construction, the perpetual calendar indications are instantaneous, changing at the stroke of midnight. In addition, the complexities of the Calibre 185 construction required the date to be displayed at the 5 o’clock position on the dial. At Jaeger-LeCoultre, only the perfect legibility of a grande date was considered acceptable for a watch of such prestige, which necessitated the creation of a new system of date display discs in order to accommodate the dimensions of the flying tourbillon at 7 o’clock. The opening chapter of the Jaeger-LeCoultre Reverso Hybris Mechanica Calibre 185 (Quadriptyque) is nothing less than a powerful statement of how la Grande Maison has comprehensively mastered the expression of civil time.

CHAPTER TWO: CHIME THE HEAVENS

There are extremely few watchmaking manufactures that possess in-house expertise in sonnerie wristwatches. There are even fewer that have been making them since 1870, accumulating one and a half centuries of experience and savoir-faire. There exists only one watchmaking manufacture that has over 200 chiming watch calibres in its historical and modern inventory — La Grande Maison du Sentier. The verso face of the Quadriptyque case is a virtuoso tour de force of Jaeger-LeCoultre’s patrimony as a master and innovator of chiming watches.

Reverso Hybris Mechanica Calibre 185

With the slide of a lever located just above the crown, the Quadriptyque unleashes its melody. First, a series of low notes, correlating to the number of hours. Second, an alternating couplet of high and low notes, corresponding to the quarter-hours. And concluding the melody, a succession of high notes, indicating the number of minutes to be added to the elapsed quarters. In concert, the hours-quarters-minutes chime plays the current time in musical code. The striking works of the Reverso Quadriptyque are completely exposed alongside a secondary time display, indicating the same time as the recto dial, but in a jumping-hours and peripheral-minutes format. As the Quadriptyque strikes the time, setting a symphony of springs, cams, hammers and gongs into motion, their acoustic report confirms the visual display of the secondary dial.

Visible through apertures on the movement plate hand-decorated with the guillochage motif known as clous de Paris are elements of the chiming mechanism uniquely associated with the sonnerie expertise of Jaeger-LeCoultre. These include the silent chime governor, patented by the manufacture in 1895 to eliminate the buzzing noise created by the older anchor system. More recent in-house innovations showcased in the Quadriptyque are the crystal gongs (first seen in the Master Minute Repeater Antoine LeCoultre of 2005) that attach the repeater gongs directly to the sapphire crystal to exploit the material’s optimal acoustic properties, the square cross-sectional profile of the gongs themselves that maximise contact and energy transmission between the hammers and gongs (a mainstay of Jaeger-LeCoultre’s repeating watches since 2006), and the articulated trebuchet hammers (developed for the 2009 Hybris Mechanica Duomètre à Grande Sonnerie) that deliver a clean and strong strike to the gongs. In totality, these innovations allow Jaeger-LeCoultre minute repeaters to produce some of the loudest and clearest chiming wristwatches today.

Debuting in the Reverso Hybris Mechanica Calibre 185 is a completely novel engineering of the chiming components to create a seamless chime with no pauses in between the hours, quarters and minutes. The conventional minute repeater mechanism utilises special pivoting racks that read the time off a series of cams and then proceed to activate each group of chimed notes in turn. This often results in silent gaps between the groups of chimed notes, especially when there are only hours and minutes to be struck, with no intervening quarters. The Hybris Mechanica Master Ultra Thin Minute Repeater Flying Tourbillon (2014) and Master Grande Tradition Gyrotourbillon Westminster Perpétuel (2019) made exceptional strides in chiming know-how by reducing these silent gaps, but the Reverso Quadriptyque has reached the ultimate stage of expertise in this area. By refining and inverting specific steps in this mechanical sequence, the Quadriptyque has succeeded in eliminating these gaps entirely.

The chime of the Jaeger-LeCoultre Reverso Hybris Mechanica Calibre 185 is an uninterrupted opus of acoustic excellence. It is the sound of innovation at its very apex.

Reverso Hybris Mechanica Calibre 185

CHAPTER THREE: UNCOVER THE ORBIT

Before the formal development of time reckoning systems, primitive societies observed celestial phenomena and created powerful myths and stories around the dance of the heavenly orbs above. The earliest astronomers were also mathematicians, and instruments constructed on their formulations were able to mechanically compute the positions of various celestial objects. The interaction between the various orbits of the Sun, Earth and Moon determine the rhythms of life, and watchmaking first evolved as a means to bring order to the world around us. As a watch manufacture with close to two centuries of fine watchmaking expertise, Jaeger-LeCoultre has mastered all aspects of time expression, from the quotidian to the esoteric. One of the hallmark complications of Jaeger-LeCoultre is the display of sidereal time, time that is determined with reference to the stars instead of the Sun, first presented in the Master Grande Tradition Grande Complication (2010).

This year, for the first time ever in the history of mechanical horology, Jaeger-LeCoultre unites three displays of lunar information — the synodic cycle, the draconic cycle and the anomalistic cycle — in a single wristwatch. This unique micromechanical combination of indications, located on the interior face of the cradle of the Reverso Hybris Mechanica Calibre 185, allows the determination of eclipse events (both solar and lunar) and rare lunar phenomena such as supermoons.

Occupying the top half of the interior face of the cradle of the Reverso Quadriptyque is a massive representation of the phases of the moon in the Northern Hemisphere. A laser-engraved moon is progressively covered and revealed by a mobile blue lacquer disc with gold glitter décor, corresponding to the age of the moon in the synodic cycle. While conventional displays of the moon phase accumulate one day of error after 32.5 months, the moon phase display of the Quadriptyque requires only one adjustment after 1,111 years.

Just below the moon phase display, on the left, is a counter with a three-dimensional micro-sculpted pink-gold sun orbited by a tiny hemispherical moon. This counter shows the draconic cycle, showing when the path of the Moon intersects with the orbit of the Earth around the Sun (known as the ecliptic). Such an intersection takes place twice in each cycle, indicated by the horizontal alignment on the counter of the moon and the sun. At this time, the Moon, Earth and Sun are all on the same plane; however, they may not be aligned. For them to be aligned, a phenomenon known as syzygy, an additional condition must be fulfilled — the Moon must be either in its new or full phase. When that happens, an eclipse event happens on Earth, either a lunar eclipse if the Moon is in its full phase, or a solar eclipse if the Moon is in its new phase. However, the actual visibility of the eclipse is dependent on various factors such as the geographical position of the viewer.

To the right of the draconic cycle counter is a domed representation of the Earth, micro-painted in enamel, with a hemispherical moon in eccentric orbit around it. This counter represents the anomalistic cycle, showing the varying distance between the Earth and Moon. At its apogee, the Moon is at its furthest distance from the Earth and is closest at its perigee. When the Moon is in its full phase near or at the perigee, an event known as a supermoon occurs, in which the Moon can appear to be up to 14 percent larger than usual in the sky.

The display of the synodic, draconic and anomalistic cycle together in a wristwatch is unprecedented in horology, with the latter two indications protected by patent, making the Reverso Hybris Mechanica Calibre 185 the only watch ever made to provide such depth of information about astronomical phenomena.

The Hybris Mechanica family of timepieces at Jaeger-LeCoultre began with the 2003 Atmos Mystérieuse and has since grown to encompass close to 20 groundbreaking horological creations, including the Master Hybris Mechanica Gyrotourbillon 1 (2004), the Reverso Hybris Mechanica Grande Complication à Triptyque (2006), the Master Ultra Thin Minute Repeater Flying Tourbillon (2014) and the Master Grande Tradition Gyrotourbillon Westminster Perpétuel (2019). The word Hybris originates from the Greek “hubris” that refers to the soaring ambition exhibited by the legendary heroes of antiquity. It is a promise made by Jaeger-LeCoultre to continually expand the horizons of watchmaking; a promise that has been dutifully kept for 18 years.

CHAPTER FOUR: REVERSE THE UNIVERSE

The Jaeger-LeCoultre Reverso was born in 1931, out of the need to protect delicate horological mechanisms amidst the balletic skirmish of hooves and mallets during games of polo. Today, 90 years later, a far older dance is reflected in the Reverso Hybris Mechanica Quadriptyque, one that guides our calendrical rhythms according to rules that are as precise and structured as those of the regal equestrian sport.

The original Reverso bore a single time-telling face, with a mobile case that could be turned over within its cradle, revealing a solid caseback. The next generation of the Reverso featured another dial on its caseback, either in a different design to accommodate the wearer’s aesthetic preference (Duetto) or displaying a second time zone (Duoface) to offer additional functionality when travelling. The Reverso Hybris Mechanica à Triptyque (2006) represented an evolutionary leap in horological innovation, with a third display positioned on the interior face of the Reverso cradle.

This year, the world’s first wristwatch with four faces premieres in the form of the Reverso Hybris Mechanica Calibre 185 (Quadriptyque), the ultimate expression of the Reverso concept. On the last face of the Quadriptyque, the exterior face of the cradle, a representation of the phases of the Moon in the Southern Hemisphere is shown. Most indications of the moon phase are of the Northern Hemisphere perspective, and the Quadriptyque’s display of the Southern Hemisphere moon phase on its fourth face is the fulfilment of the Reverso’s fundamental dualism. A star-flecked sky chart, engraved and lacquered in a gradient of blue shades forms the backdrop to the pink-gold moon, all of which are created in the Atelier des Métiers Rares® of Jaeger-LeCoultre.

The secret to the Reverso Hybris Mechanica Quadriptyque’s four functioning display faces lies in a solution first used in the 2006 Reverso Hybris Mechanca Grande Complication à Triptyque. Every day at midnight, a pin extends out of the main case movement to activate a mechanical corrector in the cradle, which then advances the cradle displays. The mechanism driving the cradle displays is set directly into the cradle itself, without any additional movement plates that would increase the thickness of the watch. Jaeger-LeCoultre’s expertise in ultra-compact watchmaking makes the Quadriptyque, despite its multiple indications and complications, one of the most wearable high-complication watches of our time.

PRESENTING INFINITY

The Jaeger-LeCoultre Reverso Hybris Mechanica Calibre 185 comes in an exceptional presentation box with a built-in mechanism that allows the wearer to quickly and intuitively set all the calendar and astronomical displays of the watch after a period of being unworn.

A two-position crown on the side of the box is used to first set the number of days that have elapsed since the watch was last worn. With the Quadriptyque set within the correction support frame, the box corrector crown can then be extended to its second position and wound to rapidly bring the watch to the current date for all calendar and astronomical indications. There is no risk of overcorrecting the watch or damaging the movement, since the entire process is controlled by the box corrector mechanism.

The latest timepiece in the Hybris Mechanica series took six years of research and development. It was made possible only through the 188 years of innovation and expertise accrued within the workshops of La Grande Maison. With the Reverso Hybris Mechanica Calibre 185 Quadriptyque, Jaeger-LeCoultre reasserts its position at the apogee of mechanical watchmaking and reaffirms its dedication to expanding the boundaries of horological knowledge.

TECHNICAL SPECIFICATIONS

REVERSO HYBRIS MECHANICA CALIBRE 185

Case material: White gold

Case dimensions: 51.2 x 31 mm

Thickness: 15.15 mm

Movement: Manually wound Jaeger-LeCoultre Calibre 185

Functions:

Face 1: Hour – Minute, Tourbillon (indicating the Second), Instantaneous Perpetual Calendar, Grande Date, Day, Month, Leap Year, Night & Day

Face 2: Jumping Digital Hour, Minute, Minute Repeater (with system avoiding dead time)

Face 3: Northern Hemisphere Moon Phase, Draconic Lunar Cycle (height of the moon), Anomalistic Lunar Cycle (apogee and perigee), Month, Year

Face 4: Southern Hemisphere Moon Phase

Power reserve: 50 hours

Water resistance: 30 metres

Strap: Blue alligator

Reference: Q7103420

Limited edition of 10 pieces

Cuervo y Sobrinos Historiador Squelette

Cuervo y Sobrinos Historiador Squelette

Throughout life, we often feel an unwavering desire to uncover hidden treasures. Cuervo y Sobrinos is proud to unveil a new iteration of the Historiador Squelette that reveals the intricate mechanisms at work beneath the dial.

Cuervo y Sobrinos Historiador Squelette

Cuervo y Sobrinos Historiador Squelette

The Historiador collection, originally created in 1946, has been relaunched  in 2009 to pay tribute to the prestigious past of the brand and revive a once forgotten beauty. This classical collection features near replicas of old historical models with a modern twist. With its radically assertive codes, the Historiador range best interprets the essential values of the brand with Latin roots, namely classical, timeless elegance and refinement.

Cuervo y Sobrinos Historiador Squelette

Cuervo y Sobrinos Historiador Squelette

The Historiador Squelette brings the timeless aesthetic appeal of skeleton watches to the Historiador collection. This model partially displays various movement parts to satisfy the wearer’s curiosity about the automatic mechanisms tirelessly working beneath the dial. To this day, the design of this openworked model continues to attract admiring glances with its allure undiminished, despite changing fashions.

Cuervo y Sobrinos Historiador Squelette

Cuervo y Sobrinos Historiador Squelette

This new design of the Historiador Squelette combines retro-artistic patterns, reminiscent of the stained glass windows commonly found in Havana, with black movement parts that represent the embrace of modernity as well as the Swiss craftsmanship. This harmonious fusion of Latino exoticism and Swiss heritage is at the core of the Cuervo y Sobrinos brand. Complementing this new design is a pattern of 26 purple jewels that draw attention and invite both the wearer and onlookers to examine and marvel at the technical prowess of the movement.

The dauphine-shaped hour and minute hands return with their luminescent treatment that retains readability in dim light. The slender, red central sweep seconds hand contrasts with the openworked dial beneath to remain easily visible. The CyS logo, a symbol of quality since 1882, is applied to the periphery of the dial.

Endowed with a gleaming 40mm stainless steel case, the Historiador Squelette is a prime example of elegant, timeless design. The graceful arcing sides of the case are juxtaposed with the elongated, angular lines of the lugs. The double-curved sapphire crystal features anti-reflective coating and is water resistant to 3 ATM. While each facet of the case exhibits a distinct shape, the two pair beautifully.

Cuervo y Sobrinos Historiador Squelette

Cuervo y Sobrinos Historiador Squelette

The brand never neglects any small detail. The strap of the Squelette is made by an innovative black nubuck Louisiana alligator with red alcantara interior. The model is also available with a resplendent stainless steel bracelet.

Cuervo y Sobrinos Historiador Squelette

Cuervo y Sobrinos Historiador Squelette

Technical Features:

Collection Historiador
Model Name Squelette
References 3191.1NSQS (leather strap)

3191B.1NSQS (metal strap)

Movement CYS 5101, base STP 6-15,

11 ½ ”’

automatic

diameter 25,6 mm

height 4,6 mm

power reserve 44 hours

26 jewels

frequency 28800 A/h

finished oscillating weight, black NAC coloured, with applied logo

Functions hours, minutes, centre seconds
Case stainless steel

diameter 40 mm

height 11.15 mm

double-curved sapphire crystal with anti-reflective coating

water resistant to 3 ATM

screwed see-through case back with sapphire crystal

Dial finely perforated squelette dial, applied Cys emblem
Hands hours and minutes with Superluminova, red centre second
Strap leather strap: black nubuck Louisiana alligator with red alcantara interior

 

metal strap: stainless steel bracelet

Buckle stainless steel folding buckle, engraved CyS emblem
Limited edition not applicable
Packaging PE100
An OMEGA Trésor in Gold With a New Mesh Bracelet

An OMEGA Trésor in Gold With a New Mesh Bracelet

Three new additions have been added to OMEGA’s popular Trésor line, with each one crafted in the brand’s own 18K Moonshine™ gold. For women who adore the slender style and simplicity of this collection, it’s a chance to further raise the levels of luxury and choose a timepiece that shines with exceptional beauty.
An OMEGA Trésor in Gold With a New Mesh Bracelet

An OMEGA Trésor in Gold With a New Mesh Bracelet

The new models are sized at 36 mm, with cases crafted entirely from 18K Moonshine™ gold. First introduced in 2019, this distinctive alloy is inspired by the moonlight in a dark blue sky. It offers a paler hue than traditional 18K yellow gold, and also has a high resistance to the fading of colour and lustre over time.

Another new Trésor feature is the addition of mesh bracelets. Crafted with a silk-like pattern, these classically-styled straps fit elegantly and comfortably around the wrist, and are the very first metal bracelets within the collection.

An OMEGA Trésor in Gold With a New Mesh Bracelet

An OMEGA Trésor in Gold With a New Mesh Bracelet

The watches come with a full 5-year warranty and are offered in three unique choices:

– A model with an 18K Moonshine™ gold dial featuring an embossed silk pattern and Roman numerals.
– A model with a white dial, featuring embossed Roman numerals in 18K Moonshine™ gold.
– A model with an 18K white gold rhodium-plated dial, fully paved with a snow setting of 768 single-cut diamonds. The markings appear on the front crystal.

As always, each Trésor is defined by the 38 full-cut diamonds that curve along the sides of the case, as well as an additional full-cut diamond set on the crown, which itself is engraved with an OMEGA flower and filled with red liquid ceramic.

Turning the watches over, the OMEGA Calibre 4061 sits just behind polished mirror casebacks that are embellished by a unique metalized pattern.

法兰克穆勒(Franck MullerGenève)| 先锋游艇锚™骨架

受到动态Vanguard™系列的启发,Vanguard Yachting Anchor™Skeleton借助肯定的航海细节发展了对时间的创意。 从深蓝色到表盘装饰的玫瑰风等所有航海细节,海洋世界都启发了这款新生时计的每一个精致细节。
镂空表桥的设计突出了手表的结构,并揭示了完全由内部制造的机芯。
此合作伙伴备有18k玫瑰金,黄金和白金,不锈钢和青铜色。

   
凭借Vanguard Yachting Anchor™骨架,Franck Muller在传统机械机芯与7天动力储存的制表性能之间创造了完美的炼金术。


航海爱好者的理想运动和优雅时计,其桥梁受到锚点的启发,并在6点钟位置具有秒针,代表罗盘玫瑰。
平衡的设计展现了法兰克穆勒(Franck Muller)制造所特有的工艺和细节艺术的激情。

©2019 Franck Muller GenèveAll rights reserved GFM Watchland SA

www.franckmuller.com

VANGUARD YACHTING ANCHOR™ SKELETON

Vanguard Yachting Anchor™骨架具有确定的航海细节,可以发展出对时间的创意。 从深蓝色到表盘装饰的玫瑰风等所有航海细节,海洋世界都启发了这款新生时计的每一个精致细节。 航海爱好者的理想运动和优雅时计,其桥梁受到锚点的启发,并在6点钟位置具有秒针,代表罗盘玫瑰。
参考

V 45 S6 PR SQT ANCRE FM游艇(BL)
案件
18k玫瑰金
宽度:44毫米,长度:53.70毫米,厚度:12.65毫米
防水深度达30米
功能
六点钟的时,分和秒
动力储备指示器
运动
FM 1740-VSPR
手动机械机芯
宽度:37.05毫米,长度:40.20毫米,厚度:6毫米
7天动力储存
每小时18’000次振动
175个组件-21个珠宝
运动
装饰
手工倒角,在侧面进行镜面抛光,对成型件的底板进行抛光,在板上进行缎面抛光,并在另一侧进行喷砂
所有组件均进行缎面抛光和倒角。
桶和轮的圆形刷洗。
拨号
镂空机芯,带蓝色阳极氧化铝桥
24k玫瑰金精制动力储存指示器,指针和罗盘
背带
手工缝制尼龙表带

 

©2019 Franck MullerGenève版权所有GFM Watchland SA

HUBLOT MECA-10 CLOCK

The watch that inspired a clock: working together with the Jura-based L’Epée manufacture, Hublot has produced an oversized version of its famous MECA-10 manufacture movement for use in a table clock.

Hublot’s unveiling of its MECA-10 movement in January 2016 left watch enthusiasts stunned. The manufacture had reinvented the manual movement, offering peerless performance as well as a unique style inspired by the Meccano construction system. The unusual skeleton architecture gives the movement an arresting three-dimensional depth, which is clearly visible through the bridges and case back. Its exceptional 10-day power reserve – now an imperative for any decent manual calibre – is displayed on a disc that can be read on the dial.

In 2020, Hublot has introduced a unique product in an oversized version. The MECA-10 has been made four times larger for use in a table clock, while fully preserving its original specifications, including its 10-day power reserve.

“We have managed to reproduce the unique features of our MECA-10 movement on a larger scale. This feat of engineering was achieved thanks to the concerted effort of the teams from both Hublot and L’Epée. In this way, we are charting a new course for the hallowed tradition of clockmaking. ”

Ricardo Guadalupe

CEO OF HUBLOT

In order to enlarge its MECA-10 movement, Hublot enlisted the services of the L’Epée manufacture. The world-renowned clockmaking expertise of this Jura-based company made it a natural choice for the collaboration, and because designing a wristwatch is very different to creating a clock, it also gave Hublot an opportunity to showcase its famous “Art of Fusion” approach in a new branch of horology. This particularly impressive result was achieved by combining the expertise of the designers, constructors and master horologists at Hublot and Epée.

Strikingly similar to the original, the Hublot MECA-10 Clock is, in essence, an oversized version of its predecessor. Its spacious 19.60 by 18.10 cm case houses the precious movement, which comes in two versions. The first features Meccano-inspired angles and a ring in polished satin-finished steel and transparent composite. The second is covered with black PVD and the bridges supporting the gear trains are also coated in black. The notched crown at 3 o’clock is rubber-coated for a better grip when manually winding the movement.

Like the wristwatch version from which it takes its inspiration, the MECA-10 clock movement features a 10-day power reserve which is displayed on an indicator at 6 o’clock.

These two precious editions of the MECA-10 Clock, the fruit of a close collaboration between Hublot and L’Epée, are exclusive limited edition pieces reserved for true aficionados.

TECHNICAL SPECIFICATIONS

REFERENCE

DC.MECA10.SD.SP.1123

DC.MECA10.SX.SP.1123

CASE

Satin-finished and Polished Black PVD Steel

Satin-finished and Polished Steel

Diameter: 134.6 mm

Thickness: 69.8 mm

CASE-BACK

Satin-finished and Polished Black PVD Steel

Satin-finished and Polished Steel

BEZEL

Satin-finished and Polished Black PVD Steel

Satin-finished and Polished Steel

DIAL

Mat black skeleton

Satin-finished and Sandblasted Steel Hands with White Luminescent

MOVEMENT

Manual-winding Skeleton Power Reserve Movement with 2 Barrels

Black Plated Bridges

Rhodium Plated Escapement

Power Reserve display at 6.00

Frequency: 2.5Hz

Power reserve: 10 days

No. of Components:432

Jewels: 52

Twenty~4, the Patek Philippe ladies

A new face for the Twenty~4, the Patek Philippe ladies’ watch born to accompany every moment of the modern woman’s life

A new face for the Twenty~4, the Patek Philippe ladies

A new face for the Twenty~4, the Patek Philippe ladies

The manufacture is stepping up the allure of its Twenty~4 collection exclusively for women with a fresh interpretation of the original “manchette” or cuff-style quartz model in steel of 1999. It is launching two new versions adorned with white-gold applied Arabic numerals and white-gold applied trapeze-shaped hour markers. Designed as stylish companions to every facet of an active lifestyle, these Twenty~4 references 4910/1200A- 001 with a blue sunburst dial and 4910/1200A-010 with a gray sunburst dial stand out more than ever as paragons of timeless feminine elegance.

A new face for the Twenty~4, the Patek Philippe ladies

A new face for the Twenty~4, the Patek Philippe ladies

Since 1839, timepieces for women have always featured prominently in Patek Philippe’s collections – whether as the pocket watches or pendant watches of the nineteenth century or the wristwatches that first emerged in the early twentieth century. Several milestones in the manufacture’s history also relate to watches destined for women, such as the first true wristwatch made in Switzerland, created for a Hungarian countess in 1868, and the Geneva company’s very first striking wristwatch, a five-minute repeater housed in a small platinum case with an integrated chain bracelet in 1916.

A new face for the Twenty~4, the Patek Philippe ladies

A new face for the Twenty~4, the Patek Philippe ladies

A modern classic

In 1999, Patek Philippe strengthened its privileged links with feminine watch lovers by launching its first collection dedicated exclusively to women. The aim was to meet the demands of the independent active woman who sought a timepiece with an assertive personality able to adapt to her modern lifestyle. A watch of timeless elegance that would complement her fashionable business wear and most elegant evening wear. It would be her ally on every occasion, uniting contemporary design, technical excellence and impeccable craftsmanship.

Twenty~4, the Patek Philippe ladies

Twenty~4, the Patek Philippe ladies

Conceived, as its name suggested, for every hour of the day and night, at work, at home and during leisure activities, the new Twenty~4 stood out by its original art-deco-inspired “manchette” or cuff design, featuring a cambered rectangular case that followed the contours of a woman’s wrist and a metallic bracelet that felt exceptionally smooth and comfortable.

The first three Twenty~4 models of 1999 (references 4910/10A) were also distinguished by their pairing of steel with diamonds, an association unique at the time, with the precious stones set in two rows highlighting the rectangular shape of the two-tier case. The dials, adorned with the two applied Roman numerals XII and VI and diamond hour-markers, offered a choice of threecolors: “Forever Black”, “Eternal Gray” and “Timeless White”. An elegant modern advertising campaign marked the launch of this new women-only timepiece, with the slogan “Who will you be in the next 24 hours?” shining the spotlight on the watch’s versatility. The creation of the Twenty~4 strengthened women’s perception of Patek Philippe as a brand of direct relevance and appeal to them. It reminded them that the manufacture developed and built not only the most technically innovative and complex timepieces but those most aesthetically striking and refined.

Twenty~4, the Patek Philippe ladies

Twenty~4, the Patek Philippe ladies

A great success

Blessed with its strong identity and a design tailor-made to live the lives of modern discerning women, the Twenty~4 quartz “manchette” model was a great success from the start and has established itself in the last two decades as one of the manufacture’s best-sellers. Over the years it has appeared in rose gold and white gold, with other dial colors (brown and blue), in a small format complementing the medium-size models, on satin straps, in dazzling Haute Joaillerie versions (including two endowed with manually wound mechanical movements) and in a yellow-gold model without diamonds on the case. Now seen as epitomizing the classic modern style, the Twenty~4 has represented, for many women, their right of entry into the Patek Philippe universe. It has consolidated the manufacture’s position as a major player in the women’s watch market and paved the way for the expansion of other women’s lines, such as the Calatravas, as well as the complications that are useful in everyday situations (the Annual Calendar, the time-zone watches and the chronographs) and even the grand complications (perpetual calendar, split-seconds chronograph and minute repeater).

The time of the Twenty~4 Automatic

In 2018, Patek Philippe responded to women’s increasing interest in mechanical watches by launching the Twenty~4 Automatic. While its bracelet retains the same exclusive design, with the broad, gently cambered central links framed by delicate two-tier outer links, this Reference 7300, endowed with a caliber 324 S C self-winding movement, stands out from the quartz-driven “manchette” model by its round case, its bezel lit with a double row of diamonds in a “dentelle” (lacework) setting, and the applied Arabic numerals on the dial, these last providing a distinctly contemporary note. This model is available in steel and in rose gold, with a choice of dial colors, and in a jewelry version with gem-set crown, lugs and bracelet. Patek Philippe also produces an Haute Joaillerie model in rose gold, paved throughout with diamonds, showcasing the “random” or “snow” setting. The launch of this new incarnation of timeless feminine elegance was accompanied by an advertising campaign that excited widespread interest. It gave center stage to a “Twenty~4 woman”: independent, sure of her taste and making her own way in the world.

New Twenty~4 references 4910/1200A-001 & 4910/1200A-010

Patek Philippe is continuing the renewal of its Twenty~4 collection by reinterpreting the original model, the medium-size (25.1 x 30 mm) quartz “manchette” watch in steel. It is issuing two new versions in which the Roman numerals give way to the white-gold applied Arabic numerals 12 and 6 and the diamond hour markers are replaced by applied trapeze-shaped hour markers, also in white gold. This new face constitutes the first major change to the Twenty~4 of 1999 – and an aesthetic evolution in step with the design of the Twenty~4 Automatic. The two new references feature a dial decorated with a blue sunburst (4910/1200A-001) or with a gray sunburst enriched by a gradation to black at the periphery (4910/1200A-010). Their white-gold applied numerals and hour markers and white-gold baton-style hands all have a luminous coating ensuring excellent legibility in the dark. The fine grooved rays of the sunburst emanating from the center of the dial play with the light, lending a refined but dynamic touch.

The distinctive shape of the two-tier rectangular case is underlined by two rows of 18 Top Wesselton Pure diamonds (approx. 0.42 ct) set with textbook precision. A Calatrava Cross, emblem of the Patek Philippe manufacture, embellishes the crown. The supple, comfortable bracelet, fitted with a fold-over clasp, is a jewel in its own right. Each component is manually finished and fully polished. The Patek Philippe caliber E15 quartz movement is made with the same devotion to fine workmanship as the manufacture’s mechanical movements. The new references 4910/1200A-001 and 4910/1200A-010 with Arabic numerals replace the previous references 4910/10A-001, 4910/10A-010, 4910/10A-011 and 4910/10A-012 with Roman numerals.

“Rituals of my Life”

The launch of these two new Twenty~4 models is accompanied by a digital communication campaign addressing modern women sure of their taste, with an affinity for beauty and fine design. They are independent women, living life to the full, with a range of interests. Patek Philippe chose as central theme “Rituals of my Life”: the precious personal moments that punctuate the modern woman’s life – such as the finishing touches before an evening out; a pause for a moment’s serenity at sunrise; or the luxury of taking time for herself by reading a book or performing the movements that bring her physical and mental wellbeing. Essential, intimate moments that are part of a woman’s life today and that some choose to feature as scenes to be shared with friends on the social media. The slogan “Begin your own tradition” underlines the link with the famous Patek Philippe “Generations” campaign by inviting the Twenty~4 woman to begin a long-term relationship with a brand that shares her values. The images and videos work together with a film describing the creative philosophy behind the Twenty~4 collection: a model of timeless design that has become a modern classic and the gold standard for the “manchette” watch. All of which is set to strengthen Patek Philippe’s increasing success in the ladies’ watch segment and in the hearts of women for whom style and beauty must pass the test of time.

For more information about the new Twenty~4, please visit:
https://www.patek.com/en/company/news/introducing-the-new-twenty4