Tag Archive for: Presents

Bugatti Presents the Centodieci at Concorso d’Eleganza Villa d’Este 2021 and celebrates 30 years of the legendary Bugatti EB110

With its timeless beauty, Villa d’Este on the shores of Lake Como has provided a residency for the aristocracy, princesses, marquises, sultans and tsars for centuries. Considered one of the most breath-taking architectural works of the sixteenth century, every year, this elegant five-star resort welcomes automotive enthusiasts from all over the globe to the Concorso d’Eleganza Villa d’Este. Here, they can appreciate the spectacle of some of the finest automobiles and motorcycles, in both production and prototype form, ever created. This year, visitors could also enjoy Bugatti’s stunning Centodieci, which the French luxury brand was presenting in the ‘Concept Cars & Prototypes’ category over the previous weekend from Saturday 2nd to Sunday 3rd October 2021.

With its timeless beauty, Villa d’Este on the shores of Lake Como has provided a residency for the aristocracy, princesses, marquises, sultans and tsars for centuries. Considered one of the most breath-taking architectural works of the sixteenth century, every year, this elegant five-star resort welcomes automotive enthusiasts from all over the globe to the Concorso d’Eleganza Villa d’Este. Here, they can appreciate the spectacle of some of the finest automobiles and motorcycles, in both production and prototype form, ever created. This year, visitors could also enjoy Bugatti’s stunning Centodieci, which the French luxury brand was presenting in the ‘Concept Cars & Prototypes’ category over the previous weekend from Saturday 2nd to Sunday 3rd October 2021.

Bugatti unveiled the Centodieci – which translates as 110 in Italian – during Monterey Car Week in California at the Quail in 2019 to celebrate the company’s 110th anniversary. Inspired by the legendary Bugatti EB110 of 1991 and powered by the 8.0-liter W16 engine producing 1,600PS, just 10 Centodieci units will be hand-built at Bugatti’s Molsheim Atelier and be delivered to customers next year. All ten Centodieci models had already been accounted for by customers prior to the car’s unveiling.

A Concours d’Élégance for automobiles was first held at Villa d’Este back in 1929, and Bugatti has enjoyed a long and successful relationship with the event. Recent highlights have included the Bugatti La Voiture Noire taking the premiere prize in the ‘Concept Cars & Prototypes’ category the last time the event was held in 2019. Models from Bugatti’s illustrious past, such as the 1937 Type 57S four-seater sports tourer, the 1934 Type 59 Grand Prix car and the 1938 Type 57SC Atlantic, have all been awarded significant accolades in recent years.

This year also marks the 30th anniversary of the Bugatti EB110. The groundbreaking and first supercar of its time represents the mid-period of Bugatti’s history, when Bugatti Automobili S.p.A. was based in the famous ‘Blue Factory’ in Campogalliano in Italy under the stewardship of Romano Artioli. Introduced in 1991 to mark 110 years since the birth of Ettore Bugatti in 1881, the EB110 elevated the supercar genre to a new level. It featured a revolutionary engineering package that included a carbon fiber chassis and a 3.5-litre 12-cylinder engine with five valves per cylinder and quadruple turbochargers. The transmission was also incorporated within the engine block to create more space for cabin occupants. Exemplary grip, traction and safety were delivered by four-wheel-drive, another key D.N.A. strand that remains pivotal to today’s production Bugatti models.

The historic supercar model – a blue (originally silver painted in “Grigio Chiaro metallizzato”) EB110 SuperSport – presented at Villa d’Este in the class “The Next Generation: Hypercars of the 90s” was formerly owned by Romano Artioli. The Italian entrepreneur, who relaunched Bugatti as Bugatti Automobili S.p.A. in 1987, prior to the company’s closure in 1995, has fond memories of the development of this revolutionary supercar. “While we were at the premiere of the EB110 in Paris in 1991, the engineers back at Campogalliano were urging us to return swiftly to the Blue Factory, as they were eager to begin work on the EB110 Supersport version. Everyone was focused on reducing weight and boosting power, while keeping in mind that I was ferocious that the safety characteristics of the car be upheld.”

The final result was a quite remarkable weight reduction of nearly 150kg from the original configuration, and an increase in performance from 560PS to 612PS, with the engine developed entirely in-house at Campogalliano. Immediately after the EB110 SuperSport was presented to the world’s press at Salon de l’Automobile in Geneva, the team took the car to the Nardò circuit in the South of Italy, to carry out the homologation tests.

“After a warm-up lap we set the world record with a speed of 351 km/h and an acceleration of 3.2 seconds from 0 to 100 km,” recalls Artioli proudly. And it didn’t stop there. The car also set a speed record on snow and ice at 296km/h, while a Bugatti EB110 GT powered by natural gas achieved at top speed of 344.7 km/h.

“I left my heart in my Supersport. No other car gives the same sensation of power, control and safety in every road condition as the EB110 – and with such beautiful style. I could not be more proud for “her” to be at the Concours d’Elegance in Villa D’Este.

“The Centodieci Concorso d’Eleganza at Villa d’Este is one of the jewels in the crown of the automotive season,” explains Bugatti Automobiles S.A.S. President Stephan Winkelmann. “After the event was lost to the pandemic in 2020, it is even more special for Bugatti to return to the wonderful location of Villa d’Este and present our Centodieci to customers and friends of the brand from all around the globe. And of course, the event is even more exciting with the presence of the personal Bugatti EB110 Supersport “America” owned once by Romano Artioli himself. This seminal supercar represents the second period of Bugatti’s history, and gave our designers and engineers the inspiration for the Centodieci.”

The Bugatti Centodieci was presented as a static display within the Concorso d’Eleganza Villa d’Este ‘Concept Cars & Prototypes’ area on Saturday 2nd October and again on Sunday 3rd October, the car also participated in the dynamic presentation parade.

 

 

Jaeger Lecoultre presents the Reverso tribute minute repeater

Ninety years after the birth of the Reverso, and 150 years after creating its first minute repeater, Jaeger-LeCoultre presents the Reverso Tribute Minute Repeater. Offered in a limited edition of 10 pieces, this exquisite new timepiece unites two of the key themes that have defined La Grande Maison for much of its history: an exceptional expertise in chiming watches and the timeless story of the Reverso.

With its distinctive Art Deco lines and swivelling case, the Reverso is one of the world’s most recognisable wristwatches. Its story embodies Jaeger-LeCoultre’s eternal pursuit of beauty and aesthetic refinement, expanding the Reverso’s stylistic realm by harnessing the full potential of its unique design. Allied to this is the Manufacture’s endlessly inventive quest for technical advancement – from the revolutionary idea of a case that could be flipped over, and the ingenious mechanism that made it possible, to the development of complications specific to the Reverso.

 

A distinguished legacy in chiming watches

In the 1990s, amid the rebirth of mechanical watchmaking that followed the quartz crisis, the Reverso – with its distinctive rectangular case – became the vehicle through which the Manufacture would redevelop its expertise in high complications. Having mastered the added challenge that rectangular movements dictate an entirely different architecture from that of traditional round movements – a particularly demanding challenge for chiming mechanisms – Jaeger-LeCoultre presented the Reverso Répétition Minutes in 1994. It was the first time the Maison had miniaturised a minute repeater for a wristwatch and was the world’s first rectangular minute repeater movement.

In fact, Jaeger-LeCoultre’s mastery of chiming mechanisms dates back to the very foundation of the Manufacture in 1833, and its deep expertise is today confirmed by an archive of more than 200 chiming calibres. Since that first Reverso minute repeater of the 1990s, Jaeger-LeCoultre’s engineers and designers have redefined the benchmark for acoustic quality, harnessing new technology in service of this noble tradition.

A new expression for the Minute Repeater

Embodying technical advances such as Jaeger-LeCoultre’s patented trebuchet hammers, silent regulator and a new generation of gongs, the Reverso Tribute Minute Repeater is powered by a revised version of Calibre 944 – a movement entirely conceived, designed and produced within the Manufacture. The new timepiece is distinguished by dials on both the front and reverse sides, bringing a fresh visual expression to the timeless Reverso design, as well as to the minute repeater mechanism itself. While the dials both display the same time, they are very different in character – one exuberant, the other more sober. Both are a testament to the beauty of fine movement decoration and the exceptional level of craftsmanship that resides within the Manufacture.

The front dial is entirely skeletonised, revealing the full complexity of the minute repeater mechanism and presenting a mesmerising display of moving parts when the minute repeater is activated. Beneath a large bow-shaped bridge that sweeps from 11 o’clock to 7 o’clock, the components appear almost to be floating in three dimensions, the sense of visual depth and transparency enhanced by faceted indexes that are cantilevered from the chemin de fer minutes track. With a gleaming golden finish, the bridge, hour markers, gongs and several other components perfectly match the colour of the rose-gold watch case.

While the exuberance of the front dial contrasts with the rectilinear geometry of the Reverso case, the relative sobriety of the reverse dial echoes and amplifies those straight lines. Vertical Côtes de Genève stripes extend over the entire height of the main plate, which also serves as the dial. Showcasing the timekeeping mechanism, with subtle colour accents provided by blued screws and golden hands and hour markers, the cool silver tone of the metal provides an elegant counterpoint to the warm rose gold of the case.

Set into the side of the watch case, the slider that activates the chimes has been specially designed for the new Reverso Tribute Minute Repeater to be as slim as possible, without sacrificing ergonomics. Visually complementing the Art Deco lines of the case, the effect is one of great refinement.

In showcasing both technical complexity and the aesthetic crafts, the Reverso Tribute Minute Repeater underlines the eternal modernity of the Reverso design, marrying the technical prowess of the Manufacture Jaeger-LeCoultre to its eternal quest for new forms of visual expression.

 

TECHNICAL SPECIFICATIONS

REVERSO TRIBUTE MINUTE REPEATER

Case material: Pink Gold

Case dimensions: 51.1 x 31 mm

Case thickness: 11.41 mm

Movement: Jaeger-LeCoultre Calibre 944, manually wound

Functions: Hours and Minutes on two dials, minute repeater

Power reserve: 35 hours

Water resistance: 30 m

Strap: Brown alligator

Limited edition of 10 pieces

Artisans-de-Geneve-John-McEnroe-Lefty-Project-Rolex-Submariner-01-800x450

An incomparable game, a unique style; John McEnroe is an iconoclastic personality. A legend in the history of tennis. This incredible champion has offered us one of the greatest challenges: to make a skeleton version of his Submariner Date.

ARTISANS DE GENÈVE

Presents the John McEnroe Lefty Project Rolex Submariner

THE JOHN MCENROE LEFTY PROJECT

Not many can pull off this level of design without taking away the essence of the original model. Nevertheless, the Swiss workshop shows how years of experience can impart a stunning level of detail. After checking with the company’s official webpage, it’s clear that this John McEnroe collaboration might be a one-off piece.
Artisans-de-Geneve-John-McEnroe-Lefty-Project-Rolex-Submariner-01-800x450

Artisans-de-Geneve-John-McEnroe-Lefty-Project-Rolex-Submariner-01-800×450

This personalization has been requested by a private customer. It is a sample of our know-how and of the personalization services made upon request of our customers. If you would like to customize your timepiece in the same way or following your wishes, please contact us. Please note that due to the limited capacity of our workshops, we are not able to satisfy every demands so please accept our apologies in advance.

Knowing that there is only one in existence just adds to its value. Hence, let’s dive in and check out what Artisans de Genève brings to the table. Starting off with a Rolex Submariner Date, the team is focusing on reworking some of its components. The open-work dial with indices in black adds to the overall magnificence.

Mechanical
play

John McEnroe wanted his watch to have a modern and elegant look, full of finesse. Extremely technical and audacious, The John McEnroe Project is characterized by an entirely skeletonized movement, graphic lines, and monochromes tones. A distinctive feature of this unique timepiece, the crown has been repositioned to the left, so that John “Lefty” can continue to wear it during his games without risking injury.

THE BEZEL

The steel bezel displays a tungsten insert for a perfect harmony.

THE DATE DISC

The original date disc has been replaced by a polished sapphire piece enriched by the transferring. An extremely meticulous work requiring a perfect balance between know-how and technicality.

THE CASE

The horns of the case are angled at 45 degrees, the bevels are polished while the band is satin-finished. The bottom of the case is sandblasted. An elegant and delicate work magnifying each element.

Skeleton 3135
Movement

the 3135 movement was reworked entirely with extreme precision. The skeleton is cut, beveled and finished by hand. We have added under the date window a luminescence material: luminova to allow a precise reading of time in the dark.
Engineering work of art that required hundreds of hours of work to maintain the technical and functional features of the original version while offering a unique aesthetic.

The Craftsmen’s
View

“My father was a great admirer of John McEnroe. He didn’t miss any of his games. All my childhood, I was surrounded by this passion. His personality, immense talent and character have been as much a source of inspiration as his ongoing quest for perfection. Thank you, dad.”

JOHN ISAAC. CREATIVE DIRECTOR