Tag Archive for: RM Sotheby’s

THE CARRERA COLLECTION - JULY 2023

Comprising a total of nearly 90 sports cars across a diverse list of marques, the common thread that unites The Carrera Collection is its impressive diversity. An almost encyclopedic selection of Porsche sports cars represents the majority of the models, including early 356 examples, top-of-the-line 928 grand tourers, as well as multiple generations of the legendary 911 sports coupe. The collection also includes a variety of desirable modern classics from marques including Alfa Romeo, BMW, Mercedes-Benz, Alpina, and Chevrolet. Notably, every car in the collection will be offered without reserve.

The Carrera Collection will be offered across two sales, one in Switzerland and the other in Italy. More details will be announced very soon, and we encourage you to register for an RM Sotheby’s account for the latest updates.


SOTHEBY’S

Monet, Basquiat and Twombly Headline a $702 Million Week of Auctions

BY SOTHEBY’S | MAY 12, 2021

An epic week of auctions that brought together a stellar array of Impressionist, Modern and Contemporary Art was led by a three-auction evening which realized a total $596.8 million. Conducted by Sotheby’s auctioneer Oliver Barker, the live-streamed event featured in-room bidders in New York, telephone bidders in London, Hong Kong and New York, and online bidders from around the world, who all vied for remarkable artworks by Monet, Picasso, Warhol and Basquiat, and many other exceptional artists of the 20th and 21st centuries.

Warhol, Still, Richter and Diebenkorn Lead the Marion Collection

Starting off the evening was American Visionary: The Collection of Mrs. John L. Marion, an auction of extraordinary works from the collection of legendary philanthropist and arts patron Mrs. John L. Marion. Totalling $157.2 million, the sale featured works representing the height of achievement in the American Abstract Expressionist and Pop art movements. Among the highlights was Richard Diebenkorn’s luminous Ocean Park #40, 1971, which sold for $27,265,500 – setting a new auction record for the California artist. New auction records were also reached for a work by Kenneth Noland, whose 1958 painting Rocker sold for $4,255,000, and Larry Rivers’s Africa I, 1961–62, which achieved $2,077,000. Other exciting moments from the auction were the sale of Clyfford Still’s PH-125 (1948-No. 1), 1948, which achieved $30,712,500 and Andy Warhol’s larger-than-life Elvis 2 Times, 1963, which sold for $37,032,000.

Watch Bidding Battle for Diebenkorn

Watch Bidding Battle for Diebenkorn

100% Sold Contemporary Art Auction Brings $218.3 Million

Demand for Contemporary luminaries continued in the white glove Contemporary Art Evening Auction, propelled by Jean-Michel Basquiat and Cy Twombly, bringing a total $218.3 million. The auction included works from the Collection of Morris and Rita Pynoos, the Collection of Kay Unger and Hidden Harmony: An Exquisite Private Collection, among others.

Top lots from the evening included Basquiat’s Versus Medici, 1982, which achieved $50,820,000 and Twombly’s Untitled (Rome), 1970, which sold for $41,628,000.

A lively bidding battle of nearly seven minutes took place for Robert Colescott’s George Washington Carver Crossing the Delaware: Page from an American History Textbook, 1975. The work achieved $15,201,000, more than 16 times Colescott’s previous auction record of $912,500.

Watch Bidding Battle for Banksy

Watch Bidding Battle for Banksy

Banksy’s Love is in the Air sparked another bidding face-off. After nearly 14 minutes, the 2004 painting – a quintessential example from the artist’s oeuvre – achieved $12,903,000. In a world first for a fine auction house, bidders on the work had the option of making their payment in cryptocurrency.

Auction records were set for Elizabeth Peyton, Raymond Pettibon and Jeff Koons (whose Quad Elvis sold for $9.5 million, setting a record for a painting by the artist).

Monet Steals the Show with $70.4 million Water Lilies

Capping the trio of marquee auctions and driven by a wonderful example of Claude Monet’s waterlilies, the Impressionist & Modern Art Evening Sale brought a total $221.3 million.

Le Bassin aux nymphéas, an exquisite example of Monet’s most iconic series, achieved $70,353,000 following a heated bidding battle lasting nearly five minutes between five different bidders. The result makes the painting among the top five most expensive works by the artist to be sold at auction.

Watch Bidding Battle for Monet

Watch Bidding Battle for Monet

Other star lots included Pablo Picasso’s striking portrait of Françoise Gilot, entitled Femme assise en costume vert ($20,946,000); Paul Cézanne’s poignant Nature morte: pommes et poires ($19,969,350); and a painting from Amedeo Modigliani’s mature period,Jeune fille assise, les cheveux dénoués (Jeune fille en bleu) ($16,350,000).

Leonor Fini’s arresting Autoportrait au scorpion, the only self-portrait the artist chose not to sell in her lifetime, set a new auction record for the artist at $2,319,000.

1965-shelby-427-sc-cobra-csx

1965 Shelby 427 S/C Cobra “CSX 4600”

$475,000 Lot Location: New York, New York

RM | Private Sales

Chassis No.
CSX 4600
  • Finished in hand-formed bronze
  • Hand-polished, bare-metal body with contrasting brushed stripes
  • 650 hp, 511 cu. in. “427 FE” V-8 engine with Borla Induction throttle-body fuel injection built by the Carroll Shelby Engine Company; five-speed manual transmission
  • Stainless steel side pipes, chrome roll bar, and Halibrand-style knock-off wheels
  • A dazzling interpretation of the legendary Shelby 427 S/C Cobra

When he shoehorned an American V-8 into the shapely, British-built AC Ace, Carroll Shelby knew he was creating a sports car with potent performance both on-and off-track. But he could have scarcely imagined that the first 1962 Shelby Cobra would touch off a sensation that is still going strong today. By 1965, the Cobra had been developed into what is perhaps its most iconic form: 427-cubic-inch Ford V-8-powered Mark III, which featured a new chassis to make better use of its greatly increased output, and, above it, curvy bodywork with wide, flared fenders. Conceived with competition in mind, the 427 S/C, or “semi-competition,” model was also made available for those willing to contend with the Cobra’s raw power on the street.

The enduring popularity of the Shelby Cobra is such that numerous companies supply chassis, bodies, and components, often with home construction in mind. The cost and quality of these products vary, with only the finest replica Cobras—including the “4000 Series” of continuation cars—each earning CSX chassis numbers, offered in either fiberglass or aluminum. But when it comes to building bodies for these special cars, Provo, Utah-based Kirkham Motorsports undoubtedly sits in the upper echelon of suppliers.

Since 1994, Kirkham has offered exacting Cobra replicas in a range of configurations, including street and racing variants of the original 289 and the 427. From the very start, each has featured bodywork hand-crafted by a team of artisans in Poland—an unlikely transatlantic alliance said to have been forged when company founder David Kirkham was called to help repair the damaged nose cone of a recently imported jet fighter!

CHASSIS CSX 4600

Kirkham Cobra bodies are typically rendered in lightweight aluminum, but for discriminating enthusiasts in search of something exceptional, it can also create distinctive bodywork in unexpected and challenging materials like copper and, in the case of chassis CSX 4600, bronze. In addition to the eye-catching, unexpected medium, these unpainted bodies reveal any underlying flaws, making them the ultimate demonstration of the quality of Kirkham’s offerings.

CSX 4600’s gleaming bronze bodywork, hand-polished to a mirrorlike finish, is broken only by a pair of racing stripes—here cleverly brushed into the metal surface, rather than applied with paint. Stainless steel side exhaust pipes and a chromed roll bar add contrast, and the car is equipped with Halibrand-style pin-drive knock-off wheels wrapped in Goodyear Eagle “billboard” tires.

The car’s cockpit is suitably minimalistic, featuring tinted sun visors, period-style black leather bucket seats, and a leather-covered dashboard equipped with a suite of Speedhut performance gauges, with the speedometer and tachometer bearing Carroll Shelby’s signature; the center emblem of the wood-rimmed steering wheel is also engraved with Shelby’s signature. The bottle for the onboard fire-suppression system sits below the dash.

This Cobra’s spectacular appearance is matched by its mechanical specification. An impressive aluminum-block 427 FE V-8, built by the Carroll Shelby Engine Company and stroked and bored to 511 cubic inches of displacement, is to be found underneath the hood. Breathing through eight 58-milimeter Borla Induction throttle bodies, this fuel-injected engine produces over 650 horsepower and over 670 pound-feet of torque (as accompanying dynamometer data attests). It is mated to a five-speed manual transmission, which sends power to the rear wheels via a 3.54:1 differential.

Nearly six decades after it first appeared, the Shelby Cobra still makes a powerful statement anywhere it goes—something that is doubly true of this spectacular Cobra 427 S/C “4000 Series.” Crafted in bronze by Kirkham Motorsports, CSX 4600’s dazzling hand-formed body and powerful fuel-injected 427 FE V-8 would make it a prized addition to any collection celebrating American sports car performance.