Tag Archive for: timepiece

Eliminar el término: Patek Philippe Ref. 6002 Sky Moon Tourbillon Patek Philippe
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Patek Philippe Ref. 6002 Sky Moon Tourbillon, Rare Handcrafts Geneva

Patek Philippe Ref. 6002 Sky Moon Tourbillon, Rare Handcrafts Geneva

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TOURBILLON WITH THREE FLYING BRIDGES – ASTON MARTIN EDITION
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TOURBILLON WITH THREE FLYING BRIDGES – ASTON MARTIN EDITION

ON THE ROAD WITH ASTON MARTIN

TOURBILLON WITH THREE FLYING BRIDGES – ASTON MARTIN EDITION

The first timepiece borne of our partnership with Aston Martin has been revealed. The Tourbillon with Three Flying Bridges – Aston Martin Edition unites the watchmaking expertise of Girard-Perregaux with Aston Martin’s unique knowledge of luxury and performance.

We both demonstrate a passion for refined craftsmanship and have been working together, sharing their understanding of design, materials and technology. This latest model celebrates the iconic Three Bridges pocket watch from the 19th century in a decidedly contemporary way, down to the smallest details, including the strap. Upholding Girard-Perregaux tradition, this model skilfully plays with proportions and shapes much to the delight of aesthetes.

The 44 millimetre case of the Tourbillon with Three Flying Bridges – Aston Martin Edition is formed of Grade 5 titanium, a strong, hypoallergenic alloy selected by Aston Martin for its lightweight properties. It is suffused with black DLC, bestowing the watch with a stealthy appearance. While Girard-Perregaux has a long history of making the invisible visible, in this instance it has ventured off-piste, creating a watch whose movement appears to levitate within the case.

TOURBILLON WITH THREE FLYING BRIDGES

The first timepiece borne of our partnership with Aston Martin

PATRICK PRUNIAUX, CEO OF GIRARD-PERREGAUX

“WE ARE DELIGHTED TO PARTNER WITH ASTON MARTIN, ENTRUSTING THEIR TEAM WITH ARGUABLY OUR MOST ICONIC TIMEPIECE, DELIVERING A FRESH PERSPECTIVE ON HAUTE HORLOGERIE.”

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IWC UNVEILS BIG PILOT’S WATCH CAMPAIGN STARRING BRAND AMBASSADOR LEWIS HAMILTON

IWC UNVEILS BIG PILOT’S WATCH CAMPAIGN STARRING BRAND AMBASSADOR LEWIS HAMILTON

Schaffhausen, 3rd June 2021 – Following the launch of its new Pilot’s Watch collection in April, IWC Schaffhausen kicks off a global advertising campaign focusing on the Big Pilot’s Watch. The campaign features seven-time FIA Formula One™ World Drivers’ Champion Lewis Hamilton, who has been an IWC brand ambassador since 2013, and tracks Hamilton’s evolution from a ‘driver of the fastest cars’ to a ‘driver of change’, as he increasingly seeks to use his talent and influence to raise awareness of social injustices and broaden opportunities to people from diverse backgrounds. The stunning imagery was shot by British photographer Misan Harriman, who also joins the global IWC family as a new brand ambassador.

IWC’s new campaign pairs Lewis Hamilton with the Big Pilot’s Watch, underscoring the unique status of both. First introduced to the luxury market in 2002, the Big Pilot’s Watch has evolved into a modern design icon and an expression of a distinct mindset. Today, it is the timepiece of choice for cultural creators, bold entrepreneurs and people who go their own way to pursue their vision. Having journeyed from being an athlete who focused on chasing records in his sport to becoming a ‘driver of change’, Hamilton perfectly matches this profile.

He is using his platform more and more to speak up about social issues, including issues relating to diversity and inclusion in his sport. In the campaign, Hamilton wears several timepieces from the new collection: The Big Pilot’s Watch 43, the Big Pilot’s Watch TOP GUN Edition ‘Mojave Desert’, the Big Pilot’s Watch Perpetual Calendar and the Pilot’s Watch Chronograph 41.

“We could not have found a better person than Lewis Hamilton to express the unique character that the Big Pilot’s Watch embodies. He is not only a remarkable athlete but a multifaceted personality driven by passion and purpose, using his voice to speak out. Lewis deserves our deepest respect for his achievements, not only on the track but also as a driver of change. As we strive to become a more inclusive organisation in line with our ongoing commitment to sustainability and responsibility, we are proud to partner with Lewis who embodies these values on this new campaign,”

Franziska Gsell, CMO IWC Schaffhausen and Sustainability Committee Chair

MISAN HARRIMAN ANNOUNCED AS IWC BRAND AMBASSADOR

The campaign imagery was shot by renowned photographer Misan Harriman. Born in Nigeria, Harriman was raised in the UK and recently made history by becoming the first black person in the 104-years of British Vogue to shoot the cover of the magazine’s September issue. Entirely self-taught, he has documented many recent defining moments in history and is known for his unique narrative and reportage style. IWC is pleased to announce that Harriman will join its circle of brand ambassadors. The British photographer also appears in IWC’s digital Big Pilot’s Watch campaign. In a short video available on the brand’s digital channels, he talks about milestones in his career and his love for the Big Pilot’s Watch. IWC has also released a conversation between Harriman and Hamilton, in which they discuss the Formula OneTM driver’s incredible career, his passion for fashion and music, and his role as a social activist.

Link to watch Misan Harriman’s IWC digital Big Pilot’s campaign: https://watches.iwc.com/misanigtv

Link to watch the conversation between Misan Harriman and Lewis Hamilton: https://watches.iwc.com/misanxlewis

IWC SCHAFFHAUSEN

In 1868, the American watchmaker and entrepreneur Florentine Ariosto Jones travelled from Boston to Switzerland and founded the ‘International Watch Company’ in Schaffhausen. His visionary dream was to combine advanced American manufacturing methods with the craftsmanship of Swiss watchmakers to make the best pocket watches of his time. In doing so, he not only laid the foundation for IWC’s unique engineering approach but also established the centralised production of mechanical watches in Switzerland.

Over its 150 year history, IWC Schaffhausen has developed a reputation for creating functional complications, especially chronographs and calendars, which are ingenious, robust, and easy for customers to use. A pioneer in the use of titanium and ceramics, IWC today specialises in highly engineered technical watch cases manufactured from advanced materials, such as titanium aluminide and Ceratanium®. Preferring the principle of “form follows function” over decoration, the Swiss watch manufacturer’s timeless creations embody their owners’ dreams and ambitions as they journey through life.

IWC sources materials responsibly and takes action to minimise its impact on the environment, creating intrinsically sustainable timepieces that are built to last for generations. The company prides itself in training its own future watchmakers and engineers, as well as offering an excellent working environment for all employees. IWC also partners with organisations that work globally to support children and young people.

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American 1921 Pièce unique: The iconic American 1921 watch faithfully recreated as if in 1921
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Vacheron Constantin | American 1921 Pièce unique: The iconic American 1921 watch faithfully recreated as if in 1921

Vacheron Constantin | American 1921 Pièce unique: The iconic American 1921 watch faithfully recreated as if in 1921

  • To celebrate the 100th anniversary of the American 1921, Vacheron Constantin has faithfully created this emblematic model from the Roaring Twenties while safeguarding its original attributes.
  • This exceptional one-of-a-kind creation symbolises the Manufacture’s commitment to the transmission and enhancement of traditional skills.

Geneva, May 25th 2021 – To mark the 100th anniversary of the American 1921 watch, Vacheron Constantin has delved into its archives and its horological expertise to offer a faithful reproduction of the timepiece emblematic of an era. Stemming from an impressive technical and human epic saga pushing the limits of fine craftsmanship excellence, the creation of the American 1921 Pièce unique watch mobilised the remarkable expertises of the Maison’s Restoration workshop and the Heritage department for an entire year. This approach might be a first in the watch industry, reflecting Vacheron Constantin’s commitment to the conservation, transmission and continuous enrichment of its heritage and of traditional skills.

Only 24 pieces of the reference dated 1921 were originally manufactured. Today only one of them is part of Vacheron Constantin’s private collection, making it an extremely rare and sought-after timepiece for collectors and watch connoisseurs. Some watches tell stories, inviting us to travel back in time, to retrace origins and immerse oneself in bygone eras. Faithfully recreated as if in 1921, the American 1921 Pièce unique watch presented this year is a case in point, offering a journey into the creativity of the Roaring Twenties and reviving the beauty of artisanal skills as practiced a century ago. More than a jubilee watch, it is the fruit of a fascinating odyssey into the heart of the artisanal know-how cultivated by Vacheron Constantin for over 265 years.

American 1921 Pièce unique: The iconic American 1921 watch faithfully recreated as if in 1921

American 1921 Pièce unique: The iconic American 1921 watch faithfully recreated as if in 1921

Heritage and Restoration departments’ commitment to perpetuate the art of high watchmaking

When the idea of faithfully recreating an American 1921 model from the Vacheron Constantin private collection first took shape, the project looked set to be both exciting and ambitious.

A bridge between the past and future of the Maison, the Vacheron Constantin Heritage department has a place of its own within the Manufacture. Spanning an exceptional timeline that began in 1755, and overseeing a unique collection, it is anything but a dusty museum. The research and expertise of the teams working there on a daily basis are an inexhaustible source of inspiration for the creation of new collections and a masterful reference for the Restoration workshop. The department preserves 800 machine tools, workbenches and sets of watchmaking tools, along with substantial documentary and iconographic archives. No less than 420 linear metres are taken up by an infinite wealth of production and accounting registers comprising foreign sales, correspondence between associates, suppliers and clients, various documents and photographs. All contribute to shedding both historical and artistic light on Vacheron Constantin’s activity through the years and centuries. They represent a sum of written instruments serving to ensure the traceability of a creation since its origins, given that all the models produced are systematically referenced in the production registers. This unprecedent heritage helped retrace the history of the creation of the American 1921 and provided a solid basis for the Restoration workshop teams. The latter thus took up the authentic challenge of reviving some forgotten skills and combining today’s techniques with yesterday’s know-how.

Few Manufactures are able to restore all the watches that have come out of their workshops for centuries. That is why Vacheron Constantin makes it a point of honor to pass on this watchmaking know-how and to ensure that the great history of each of its timepieces continues. The skill and style of the Restoration artisans thus consists in showing respect for ethical considerations in their work. To achieve this, they can draw upon a substantial stock of components, adjust component blanks or entirely remake them – the latter being the most delicate task of all and calling for particularly complex size calculations. Experts in the art of maintaining Vacheron Constantin’s oldest timepieces without altering their nature, the Restoration workshop’s seasoned watchmakers are thus accustomed to combining a historian’s perspective with scientific analysis, but until now they had never undertaken to reproduce an antique watch in its entirety. This unprecedented work of reconstitution, respectful of ethics because it is faithful and precise down to the smallest detail, called upon the multiple competencies of these artisans, who pursued an empirical approach throughout this year-long project.

American 1921 Pièce unique: The iconic American 1921 watch faithfully recreated as if in 1921

American 1921 Pièce unique: The iconic American 1921 watch faithfully recreated as if in 1921

Several months of research in the Manufacture’s archives, weeks of reflection and observation, numerous experiments, as well as unsuccessful attempts and successful trials were necessary to produce such a work. The American 1921 Pièce unique will be in the spotlight throughout 2021 through prolonged exposure in Vacheron Constantin boutiques around the world.

Antique machines and tools

In order to reproduce the hand-crafted operations performed back in the day, artisans had to work with some historical tools from Vacheron Constantin’s Heritage. A late 19th century facing lathe enabled them to faithfully recreate the elements composing the case; a rounding-up (topping) tool from the latter half of the 19th century served to modify the profile of wheel teeth and to adjust their diameter. Watchmakers used an 18th century upright drilling accessory to drill through the movement’s mainplate. To drive the jewels into their settings, they resorted to an early 20th century staking tool.

These vintage machines were complemented by tools specially made for this project, such as custom-made milling-cutters and riveting tools in line with those of the early 20th century, enabling the artisans to work in a manner attuned to that period and closely reproducing the operations and development techniques of the time. The result of this remarkable stylistic exercise is an exceptional collector’s item symbolising Vacheron Constantin’s unwavering commitment to the transmission, enhancement and continuous enrichment of its production skills.

Rebirth of a vintage movement

While the watchmakers in Vacheron Constantin’s Restoration workshop fully master the art of bringing back to life the most exceptional timepieces produced by the Manufacture in the course of its long history, never before had they been called upon to rebuild a vintage calibre from scratch.

They began by disassembling and examining every single component of the original 11-ligne Calibre Nouveau powering the original model. Apart from the bridges and mainplate which had to be recreated, the Restoration workshop’s stocks proved to be a goldmine for the artisans who thereby had access to all the necessary blank parts. This involved extremely laborious research, since a vintage case could contain an infinite number of components, all different in terms of size and shape. In order to identify them one by one, the first stage consisted in taking the measurements and dimensions of each of the 115 components of the original movement. This meticulous work of observation and comparison subsequently led watchmakers to make plans and mock-ups of the calibre, a particularly delicate task requiring extremely complex sizing calculations.

At this stage, the archive documents safeguarded by the Heritage department proved extremely valuable, notably in recreating the bridges and the mainplate according to the specificities of this vintage movement. How could each component be adjusted and calibrated prior to assembly? How should the vintage machines be regulated? How could the jewels be set on the movement, whereas they are now generally driven in? How could the exact colour of the gilding on the wheels be achieved? At what distance and at which height should they be placed in order to be faithful to the original calibre? These were all issues that the watchmakers had to resolve by assembling the components one by one, as any potential error could jeopardise the entire project.

Setting the jewels on the movement was also a real tour de force. Since the 1940s, it has been customary to drive in the jewels, and while the watchmakers in Vacheron Constantin’s Restoration workshop are accustomed to replacing damaged jewels on very old timepieces, until now they had never had the opportunity to make the settings themselves. Successfully hollowing out the metal to the exact depth required to fit the stones to the nearest hundredth required multiple trials. Not to mention the patient research work required to develop the system for reproducing the unique ribbed pattern which, alongside various manual engravings, adorns the movement in the same way as was done at the time.

A dial and case distinguished by sophisticated craftsmanship

Accurately reproducing the exterior of the American 1921 also represented a real feat of manual workmanship. Here again, Vacheron Constantin’s watchmakers had to provide answers to numerous technical questions by observing the 1921 timepiece in minute detail, while comparing it with archive documents, and then individually crafting each element of the case and dial.

Some period components were available in the stocks of the Restoration workshop, such as rough blanks of the crown and hands. Others had to be entirely recreated, starting with the 31.5 mm case, according to the dimensions of the original American 1921. It was crafted by a Restoration workshop goldsmith from the specific gold alloy used for the historical model (18K 3N yellow gold), identified with the help of a spectrometer in order to reproduce its exact colour. Only a laser engraving applied to the case back, for customs purposes, distinguishes the American 1921 Pièce unique watch from its ancestor.

The creation of the dial also called for highly specialised expertise on the part of the artisan responsible for restoring the grain and unique beauty of the original dial. Crafted in Grand Feu enamel, an ancestral technique considered to be one of the most delicate in the field of watchmaking ornamentation, it required numerous firings in the kiln at a temperature of over 800°C. It features vintage numerals and logo, along with slender open-tipped hands that have been hand-blued by the Restoration workshop using the production techniques of the time.

And since no detail is left to chance, the exercise in style has continued right the way through to the end of the strap, whose pin buckle in 18K 3N yellow gold (the same alloy as the original model) was also produced in the Vacheron Constantin workshop.

A tribute to the art of wearing a watch in 1921

Because it retains all the original properties of the original American 1921, this unique, identically recreated timepiece reflects a historian’s approach.

It subtly mirrors the social and cultural context of the 1920s, the effervescence and the wind of freedom blowing across the United States and Europe at the dawn of the Roaring Twenties. Its distinctive design illustrates the stylistic creativity of Vacheron Constantin which revelled in expressing its “classic with a twist” style through multiple case shapes.

It also tells the story of the early days when the wristwatch began to become more widespread. At that time, men’s wristwatches were only just beginning to take precedence over pocket watches, until then regarded as more robust and accurate. Despite the considerable progress made by watch manufacturers in terms of movements’ resistance, reliability and miniaturisation, water-resistance requirements as we understand them today were not yet a reality. Choosing to wear time on the wrist thus meant exposing the watch to more risks in terms of shocks and external aggressions such as dust, humidity or water. In order to avoid any possible damage, watch owners took numerous precautions, notably including placing their wristwatch on the edge of the washbasin when they washed their hands. The watch was regarded as a life companion that was taken care of and had to be wound every day by hand.

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Sum-up

Enriched by a heritage based on the transmission of watchmaking expertise and stylistic research through generations of master artisans, Vacheron Constantin continues to celebrate the 100th anniversary of the American 1921 by recreating this emblematic model from scratch. From the 11-ligne Calibre Nouveau to the gold case along with the decorations and exterior components, the American 1921 Pièce unique watch reproduces the original properties of its ancestor created a century ago. This highly complex and unprecedented process involved the most experienced watchmakers in the Restoration workshop and the Vacheron Constantin Heritage team, who spent a year reviving old tools and forgotten know-how in the course of a passionately exciting human and technical adventure. The result is an exceptional one-of-a-kind timepiece, a symbol of the Maison’s attachment to its heritage and to the continuous enrichment of traditional know-how.

TECHNICAL DATA

American 1921 Pièce unique

Reference 1921H/000J-B949

Calibre
1921
Developed and crafted by Vacheron Constantin Mechanical, manual-winding
24.8 mm (11‘’’) diameter, 4.31 mm thick
Approximately 30 hours of power reserve
2.5 Hz (18,000 vibrations/hour)
115 components
16 jewels

Indications
Hours, minutes
Small seconds

Case
18K 3N yellow gold, same alloy as the 1921 original timepiece
Hand-crafted in the Vacheron Constantin restoration workshop
31 mm in diameter, 8.75 mm thick

Dial
White, Grand Feu enamel
Blued steel open-tipped hands – blued in our workshops

Strap
Brown calf leather, hand-sewn, tone-to-tone stitching, Calf lining

Buckle
18K 3N yellow gold pin buckle, same alloy as the 1921 original timepiece

Hand-crafted in the Vacheron Constantin restoration workshop

 

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GREUBEL FORSEY – BALANCIER S

GREUBEL FORSEY – BALANCIER S

Timepiece with four hands • hours and minutes • small seconds • power-reserve • 30° inclined GREUBEL FORSEY balance wheel system

This creation combines fully – and visibly –sport and chronometry. Circular from above, its case reveals the unique arched ovoid shape from other angles, and its slim profile reinforces its dynamic new momentum

The oval, arched sapphire crystal follows the curvature of the case. The perfect osmosis between the case and the movement is emphasized, technically and visually, by a daring double suspended arched bridge holding an inclined gear train and curved central hour and minute hands. These striking elements integrate and extend over the inclined balance wheel giving the timepiece its powerful identity, but also assuring its outstanding chronometric performance

The large inclined balance wheel at 7 o’clock stands out. Entirely developed and made within the Greubel Forsey Atelier, this balance wheel is distinguished by its oversized 12.6 mm diameter, ensuring excellent timekeeping performance. Its 30° angle provides this timepiece with excellent chronometric performance and is prominently visible in action thanks to the unique movement architecture

Balancier S

The exceptional chronometry of this creation is combined with an unequivocally sporty case. Made of titanium and water resistant to 100 metres, its powerful case shape is distinguished by its lightness and comfort on the wrist. Its robustness protects the movement’s reliability and chronometric performance at all times

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ROGER DUBUIS – A NEW TRIBE LANDS AS AN ICON ASCENDS

A NEW TRIBE LANDS AS AN ICON ASCENDS

Roger Dubuis has consistently demonstrated a penchant for impertinence and extravagance. Sustained by an integrated manufacture, a flagrant disregard for convention is the backbone of its bold attitude. A true innovator, the luxury watchmaker is driven by an irrepressible willingness to come up with high-impact ideas, boundary-pushing technologies and unmistakable out-of-the-box designs. Living by the motto NO RULES, OUR GAME, the Maison proves once again it is the most exciting way to experience Hyper Horology with the launch of the new Excalibur Single Flying Tourbillon.

THE FUTURE OF HYPER HOROLOGY IS HERE

Extravagant, determined and disruptive, the bold and bright are the ones that stand out. Just like any star should. But a star doesn’t just appear. It takes dedication. Innovation. Craftsmanship. Only then can an icon ascend…Introducing the Excalibur Single Flying Tourbillon: a star restyled for the new world.

To mark the launch of the inimitable skeleton design reinterpreted with a contemporary touch, Roger Dubuis is set to celebrate modern art in all its shapes. Taking form in Hyper Horology with the Maison’s most recent interpretation of the Excalibur Single Flying Tourbillon, this icon of watchmaking is brought to a whole new level; a masterpiece that cannot be ignored, just like its wearer.

Finding kinship with those disruptive souls who dare to make a difference, the Maison partners with the URBAN ART TRIBE, world-famous urban culture artists that reflect Roger Dubuis’ values: break the rules, showcase radical expertise and obsess daily over the design of the future.

THE EXCALIBUR SINGLE FLYING TOURBILLON: FROM A TIMEPIECE TO A MASTERPIECE

Roger Dubuis continues shaking up the world of haute horlogerie with the launch of the new Excalibur Single Flying Tourbillon. Enhanced with meticulous care, the timepiece is reinterpreted with sophistication and flair using modern and technical materials.

A contemporary masterpiece for the wrist, the new design showcases clean cut lines on both case and movement. Creating the impression of a thinner look and feel, while heightening the sense of transparency and depth, the calibre is rebuilt from bottom to top in an architectural feat that sees the Roger Dubuis star now levitate freely above the barrel. A strong visual identity is created with a signature two-line pattern – seen between the notch on the crown and bezel, the star’s arms, the tourbillon’s cage, the hour’s marking on the flange, the hands – all of which cleverly appear as though they will meet but never do. This dynamic aesthetic is amplified by the Poinçon de Genève, the most demanding signature in fine watchmaking and one that requires the manual decoration of each and every component of the watch, as well as unexpected and antinomic decorations in modern haute horlogerie, such as circular-brushed top surfaces and polished angles that demonstrate Roger Dubuis’ visionary approach.

Always keeping the wearer in mind, the new RD512SQ calibre is stunning in its technical prowess. Now with a titanium lower tourbillon cage – twice lighter than stainless steel – and a mirror-polished Cobalt Chrome upper tourbillon cage, the weight of the piece is reduced to optimum effect. All of which allows the power reserve to be radically optimised to 72 hours, providing the option of leaving the watch unworn over weekends without the worry of resetting come Monday. Proving no detail goes unconsidered, non-magnetic material is used inside the tourbillon to better serve the wearers and improve their experience.

Comfort is key, which is why a range of entirely new strap sizes have become available. With 5 sizes from 0 to 4, finding the perfect strap ensures the buckle is always centred on the wrist, as a Quick Release System offers ultimate flexibility. Underscored by rarity, the 42mm case is only available in eighty-eight pieces per colourway: Dark Grey DLC Titanium, Cobalt Chrome CarTech Micro-Melt BioDur CCMTM and the new EON GOLD, a pink gold shade that remains more stable thanks to non-tarnish technology. Reimagined for a contemporary era, an icon ascends in the shape of the Excalibur Single Flying Tourbillon.

THE ART OF GLOW

Showcasing the Maison’s obsession with art, light and luminescence, in addition to our icons comes the Excalibur Glow Me Up, a world-premiere for Roger Dubuis limited to just eight timepieces.

By day, the new Single Flying Tourbillon calibre is elegantly adorned with 60 baguette-cut diamonds on the bezel. By night, it’s a complete different version that comes to life through this vibrant timepiece with luminescent and dazzling diamonds, an achievement made possible thanks to an intricate two-part process. The first involves filling the grooves that hold the stones in place with Super-Luminova, a singular way to make the diamonds appear luminescent without altering them. Secondly, an additional patent enables Super-Luminova to be applied on the angles of the movement, as well as to the iconic star-shaped bridge.Because at Roger Dubuis less is never more.

ART IN THE MAKING

Roger Dubuis is a destination for the avant-garde. Committed to non-conformity, the Maison stands with those who choose to blaze their own trail. To show what happens when rules are rejected and creativity is unleashed, Roger Dubuis partners with the URBAN ART TRIBE, composed of three urban culture creatives – tattoo artist Dr. Woo, graffiti artist Gully and mixed-media artist Liu Wei. Rulebreakers in their own fields, they too shape the future by refusing to take ‘no’ for an answer. Brought together to unite a wider community of daring minds, Roger Dubuis and the URBAN ART TRIBE hope to encourage people to challenge the way things are, just as the Maison does when it comes to Hyper Horology, and Dr. Woo and Gully do in their industries.

A leading name among an influential elite who see tattoos, art and fashion as an indissociable whole, Dr. Woo’s singular approach to needle style has shifted the paradigm for tattoos, taking them from subculture to broad popular appeal. Of the partnership he says: “I’ve taken this path because I don’t know where it leads, and that is exactly why I’m here – to seek the unknown and go out of my comfort zone. Tattooing and watchmaking have that in common: the same attention to detail, a dot vs. a tiny component, assembled perfectly for you to see the bigger picture.”

Gully, a well-known graffiti artist, chooses to work exclusively in his own atelier to maintain his anonymity. He uses a wide variety of mixed techniques and materials and explains his artistic concept as one based on conscious appropriation. Telling visual stories of children appearing in splendid settings, he reveals their enchantment with art and particularly with the paintings of the great masters. Speaking to the concept of the tribe, he comments: “Two worlds, a crossing path. I feel driven by the same energy and insatiable envy to come up with something we have never seen before. It comes as a bombshell, provokes surprise, and arouses interest. Bringing different worlds together is my trademark, so I can’t wait to show you the Gully x Roger Dubuis mixture.”

Generously opening the doors to their respective workshops, Dr. Woo and Gully will begin their long-term partnerships with Roger Dubuis by first sharing their creative processes at work. Initially set to reinterpret the brand’s iconic astral signature, they will continue to co-create the future of Hyper Horology alongside the Maison.

AN EXCLUSIVE INVITATION

From April 7 to 13th, Roger Dubuis turns this year’s Watches&Wonders edition into an interactive journey for its guests to dive into the realms of the Maison’s creative process and beyond. Come and celebrate contemporary art in all its shapes, from Hyper Horology to tattoo art, graffiti and beyond.

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Watches and Wonders 2021 – Morning Show – April 9

Watches and Wonders 2021 – Morning Show – April 9

#watchesandwonders2021​ A lively show this morning with highlights from yesterday’s brand announcements, discussed in fine detail with Zhixiang Ding, Editor-in-Chief of Chronos China. There was a strong sky theme, with moons, astronomy, the calendar and even rainbows.

We were joined live from Neuchâtel by Antoine Pin, CEO of the Watch Division at Bulgari to talk about his plans for the year ahead. Then we crossed to Schaffhausen to speak live to Chris Grainger-Herr, CEO of IWC Schaffhausen about the brand’s roots in engineering, and its forward-facing blend of digital and in-person interactions going forward. The Watching Brief was all about Design today. In Shanghai, Carson Chan, chief advisor to FHH, talked us through the greens and puristic designs on screen, while in the studio independent watch consultant Gianfranco Ritschel once more donned his gloves on to show us the structured dials in the ‘flesh’. We went Behind the Clock Face with Cartier, Panerai and Piaget looking at new innovations and customer experience. And Pascal Ravessoud, Director of External Affairs for FHH, was on set to catch you up if you missed yesterday’s panel on Corporate Social Responsibility and tease today’s panel on distribution in a post-pandemic world.
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FRANCK MULLER – The Grand Central Tourbillon

FRANCK MULLER – The Grand Central Tourbillon

The Grand Central is an outstanding new collection, where the Tourbillon is in the spotlight, placed at the center of the timepiece. This beautiful central Tourbillon is housed in a redesigned Franck Muller Cintrée Curvex™ case. One of the complexities of the collection lies in the fact that we had to totally rethink the watch in order to move the Tourbillon from its original position at 6 o’clock to the center of the watch.

The Grand Central Tourbillon

In addition to this attractive and surprising decentering, Franck Muller designers and watchmakers had to find an innovative system to display the time in the center of the watch. Thus, they found an innovative way to place the hour and second hands around the Tourbillon cage, highlighting the beauty of the piece. Extremely rare for a Franck Muller Tourbillon collection, the watch holds a self-winding movement, thanks to an eccentric micro rotor, offering 4 days of power reserve.

FRANCK MULLER - The Grand Central Tourbillon

FRANCK MULLER – The Grand Central Tourbillon

FRANCK MULLER – The Grand Central Tourbillon

Regarding the case, it has been redesigned so that the sapphire crystal goes all the way to the bracelet. The bezel which is separate from the case, allowing two-tone treatments. This design totally changes the aspect of the original Cintrée Curvex™ and fully highlights the beautiful curves of the watch. It also gives full visibility to the dial by limiting the amount of material used on the sides which is technically very difficult to achieve and giving the case a new modern line of life.

The open back allows to admire the pure traditional decorations as the Côte de Genève.

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The Tourbillon with HUBLOT’S signature codes Spirit of Big Bang Tourbillon 5 day power reserve carbon white

The Tourbillon with HUBLOT’S signature codes Spirit of Big Bang Tourbillon 5 day power reserve carbon white

“The Spirit of Big Bang Tourbillon White… different, yet resolutely Hublot. It combines the distinctive codes of our brand: 6 H-shaped titanium screws, “sandwich” case construction, the Art of Fusion with carbon fibre and composite inclusions, an HUB6020 skeleton tourbillon manufacture movement custom-designed for its tonneau case, a jewel of innovation and expertise showcasing the aesthetic approach to movement design central to the Hublot philosophy, and, lastly, strap interchangeability thanks to its patented One Click system.“

In the seven years since its launch in 2014, the singular and distinctive Spirit of Big Bang has been cultivating its differences whilst incorporating the signature Hublot codes – 6 H-shaped titanium screws, a “sandwich” case construction, and a demonstration of the Art of Fusion.

Spirit-of-Big-Bang-Tourbillon-5-day-Power-Reserve-Carbon-White-3

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With the Spirit of Big Bang Tourbillon 5-day Power Reserve Carbon White, Hublot combines black with white, proving opposites attract. The 42-mm case, case back and bezel are crafted from carbon fibre featuring white composite inclusions. These white inclusions are formed of glass microfibres created as a non-woven fabric (NWF), used mainly to improve the breaking strength of composites: This NWF is then co-impregnated with the carbon fibres using tinted epoxy resin when the composite preforms are created in a special mould.
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Released in a limited edition of 100 pieces, the Spirit of Big Bang Tourbillon 5-day Power Reserve Carbon White plays with contrasts and transparency with a sapphire case back and dial which reveal the ultra-aesthetic architecture of the HUB6020 manufacture movement. A skeleton tourbillon specially designed to sit within the tonneau case of the Spirit of Big Bang. A power reserve of 115 hours, hand-wound, with a 5-day indicator set at 8 o’clock. At 6 o’clock, the tourbillon cage completes one rotation per minute. Off-centre hours and minutes can be read at 3 o’clock.
Paired with a white lined rubber strap, the Spirit of Big Bang White embraces interchangeability thanks to its patented “One-Click” system.

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Hublot Classic Fusion Chronograph Shepard Fairey
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Hublot Classic Fusion Chronograph Shepard Fairey

HUBLOT CLASSIC FUSION
CHRONOGRAPH SHEPARD FAIREY

In the second collaboration between the Swiss watchmaking manufacture and the brilliant American artist Shepard Fairey, Hublot presents the Classic Fusion Chronograph Shepard Fairey timepiece. A veritable titanium sculpture to be worn on the wrist, it symbolises the natural cycles of life and the unity between different cultures.

Hublot Classic Fusion Chronograph Shepard Fairey

Hublot is staying true to its motto “Be the first, be unique, be different” by deepening its commitment to its “Hublot Loves Art” programme.

After unveiling new collaborations with artists Takashi Murakami and Richard Orlinski, Hublot is today presenting its third watchmaking work of art of the year, the Classic Fusion Chronograph Shepard Fairey.

Hublot Classic Fusion Chronograph Shepard Fairey

Hublot Classic Fusion Chronograph Shepard Fairey

As its name indicates, it has been designed by American artist Shepard Fairey. Painter, graphic designer, DJ, illustrator, street artist, skateboarder and founder of the OBEY Clothing company, Fairey – also known by his pseudonym Obey – is probably the most politically influential artist of his generation.

His works include the famous “Obama Hope” poster, an iconic image from Barak Obama’s electoral campaign in 2008, as well as the piece entitled “Liberté, égalité, fraternité” which he created as a symbol of hope for France after the 2015 terrorist attacks.

His works are on show in the world’s most prestigious museums such as the Smithsonian in Washington, Los Angeles County Museum of Art, the MoMa in New York, and the Victoria and Albert Museum in London, to name but a few. He has been a Hublot ambassador since 2018.

Hublot Classic Fusion Chronograph Shepard Fairey

Hublot and Shepard Fairey chose a watch from the Classic Fusion collection as the basis for their second collaboration. On this piece, the American artist, greatly involved in the project, chose to bring to life a piece symbolising a mandala, an ornamental symbol whose origins can be traced back simultaneously to several cultures across the planet. The mandala represents harmony, the cycle of life and the elements, as well as the precious nature of time in the mind. Here, this pattern is brushed and engraved into the titanium, the material used to create the bezel and the 45-mm diameter case. This work continues on the dial, which has also been finely cut to reveal the self-winding chronograph movement, a calibre HUB1155 offering a power reserve of 42 hours. In the centre, the hands display Fairey’s signature “Star Gear” mark. Fitted on a lined black rubber strap, the black stainless steel deployant buckle is also brushed.

The Hublot Classic Fusion Chronograph Shepard Fairey timepiece is available now as a limited edition in the Hublot e-shop and boutiques. Hublot and Shepard Fairey have agreed that this timepiece will help to raise funds for Amnesty International, an NGO formed of over 10 million people in 150 countries, which campaigns to put an end to human rights violations, in accordance with the theme of global harmony represented by the design engraved on the watch.

With his roots in street art – a type of expression which is essentially a form of protest – Shepard Fairey is truly shaking up the art world; his works make us think. This is an inspiring approach which is also in line with the brand’s “Hublot Loves Art” programme. For this second watchmaking work of art, the artist wanted to immerse himself fully in the technical aspects made possible by the expertise of our brand, to produce a piece with a striking visual impact, where the ornamental elements communicated with the heart and mind, allowing each individual to freely interpret this message. Ricardo Guadalupe Hublot CEO

Hublot’s watchmakers and engineers are true masters in their field, enabling me to go further in expressing my inspiration and pushing the limits imposed by the materials and technology. I must say, I am very impressed with the final result of this second timepiece that I have created in collaboration with Hublot. I wanted to integrate the art of the mandala into the piece as, for me, this evokes the connection between the inner self and the outer world. A powerful concept to consider when looking at a watch and thinking about time.” Shepard Fairey Artist

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