Tag Archive for: tourbillon

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Ulysse Nardin – Blast Hourstriker

Ulysse Nardin – Blast Hourstriker

Before we wore time, we heard it. Clocks chimed in the heart of every medieval city. Clocks made by brilliant craftsmen who would, through miniaturisation , create domestic clocks, and then hand held timepieces, capable, despite their small size, to strike the passing hours. Inspired by watchmaking’s past and the possibility of moving musical timekeeping into the future, Ulysse Nardin wants you to hear time again, not read it.

It has been several years in the making but Ulysse Nardin has found a new way to make sound Introducing the Blast Hourstriker an innovative new striking watch that breaks barriers in sound technology This art of marking the time with music has always been a part of Ulysse Nardin’s technical arsenal It was revived in the 1980 s, under the impetus of Rolf Schnyder and given a new lease of life in 2019 when the Swiss Manufacture collaborated with French audio technology company Devialet on the next level of watchmaking acoustics, which was launched in the Classico Hourstriker Phantom This year Patrick Pruniaux Ulysse Nardin’s CEO, has again made the choice to make sound central to the brand’s drive for more futuristic ways to reinterpret traditional
watchmaking crafts.

Ordinarily, to generate the sound needed to mark the passing hours, the hammer strikes a wire gong wrapped around the movement to which it is attached The acoustic wave spreads into the middle of the mechanism and is partly absorbed by it In these conditions, the sound heard lacks power and its harmonics are partially muffled by the material of the timepiece
For the Blast Hourstriker Ulysse Nardin’s team of engineers decided to set themselves two challenges


• Make the chiming mechanism visible on the dial side
• Further improve the quality/power output ratio A challenge that was already started with the Classico Hourstriker Phantom watch To achieve these goals, Ulysse Nardin’s engineers and watchmakers developed the UN 621 caliber In order to guarantee optimal precision of Ulysse Nardin’s first in house automatic striking manufacture movement, it is powered by a flying tourbillon one that is equipped with a variable inertia balance wheel, a silicon hairspring, anchor and escape wheel Its contemporary lines have also been made sleeker and stamped with the now iconic X associated with the brand’s latest generation of timepieces The most complex phase of the Blast Hourstriker’s development involved redesigning the entire kinematics of this 330 component striking caliber to allow this highly sophisticated mechanism, which is usually hidden from view, to be seen dial side When the striker is on, the mechanical ballet that makes the watch’s sound is visible on the hour and half hour, but even its occasional activation is just as beautiful By pressing the button located at 10 o’clock, the mechanism, driven by a specially dedicated barrel, is triggered The hour rack and the inertia regulator start to turn the hammers, visible in an opening made at 12 o’clock, hit the gong whose shape has been subtly worked to bypass the cage of the flying tourbillon

An exceptional mechanism requires an exceptional case So Ulysse Nardin decided to encase a movement inspired by the power of nature in a design inspired by a powerful man made machine the stealth airplane To truly allow the sound of the Blast Hourstriker to resonate, the distinctive 45 mm Blast case was given a black DLC titanium middle, capped with 5 N 18 kt rose gold, for improved acoustics To silence this imposing timepiece with the button located at 8 o’clock on the middle must be pressed and then the ‘ or ‘ position at the tip of the function selector hand located at 8 o’clock checked The three straps that come with the Blast Hourstriker allow its different personalities to be explored The black high tech, waterproof velvet option emphasizes its aerodynamism, while the alligator brings its more sophisticated side to the fore In addition, a rubber strap is also available for this model Whatever you choose, remember the Blast Hourstriker is made to be heard not seen.

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IN THIS CELEBRATORY YEAR MARKING THE 300TH ANNIVERSARY OF PIERRE JAQUET-DROZ’S BIRTH, THE MAISON UNVEILS AN EXCEPTIONAL UNIQUE PIECE RESERVED FOR THE “ONLY WATCH” CHARITY AUCTION.

IN THIS CELEBRATORY YEAR MARKING THE 300TH ANNIVERSARY OF PIERRE JAQUET-DROZ’S BIRTH, THE MAISON UNVEILS AN EXCEPTIONAL UNIQUE PIECE RESERVED FOR THE “ONLY WATCH” CHARITY AUCTION.

For the ninth consecutive time, Jaquet Droz is proud to donate a unique piece of its own creation, designed exclusively for Only Watch, a charity sale to benefit the Association Monégasque contre les Myopathies (Monegasque Association against Muscular Dystrophy), and featuring a degree of technical ambition and aesthetic never-before achieved: A Grande Seconde Skelet-One Tourbillon adorned with a plique-à-jour enamel dial.

The original idea was to extend the initial purpose of the Grande Seconde to provide its owner with the finest and most accurate reading of the seconds—hence its largely dimensioned and off-center dial at 6 o’clock, exclusively dedicated to this effect. How could this precision be achieved? By adding a tourbillon. This escapement, itself a genuine watchmaking complication, aims to compensate for the harmful effects undergone by a timepiece that performs across multiple planes, all subjected to the force of gravity which alters its precision.

The tourbillon of the new Grande Seconde Skelet-One Tourbillon “Only Watch” was born of Jaquet Droz’s in-house expertise, but entirely reworked in the purest chronometric approach. Thanks to its realization in titanium and the elimination of the sapphire bridges, the cage has been lightened and optimized with regards to its chronometric functions. The balance spring and pallet lugs are made of silicon. Highly open to let light pass through, the tourbillon gives the illusion of being both large and lightweight all at once. Completely revised and placed at noon, it accords the piece a dedicated identity of strength and technicality.

The underlying aesthetic architecture is as technical as it is unique. The skeleton structure is brand new: while the original Skelet-One favored soft and supple curves, the Grande Seconde Skelet-One Tourbillon “Only Watch” focuses on straight lines, angles, modernity and perfect symmetry. This very contemporary skeletonization is as technical as its highly precise tourbillon movement can be, furthering the technical and aesthetic consistency of the piece. Its bridges, finished in black, confer a powerful matte appearance. The tourbillon cage follows the geometry of the skeleton movement, with a triple cross shape which, once a minute, aligns perfectly with its bridges.

For Only Watch, Jaquet Droz put to work its Ateliers d’Art as well, in order to produce a highly exclusive plique-à-jour dial, made specially for the famous charity sale. Once again, whereas the Maison’s most recent plique-à-jour creations featured curves and soft, slightly domed lines, the Skelet-One Tourbillon “Only Watch” is made up of various straight and geometric sections separated by white gold, thus forming a dial which has been entirely polished flat. The Maison achieved this unprecedented result by applying an extremely fine diamond powder polish to each area of the enamel, the only kind capable of achieving this thickness.

Every tone of enamel has been painstakingly selected for the model and fired at a very high temperature several times in a row. The choice of these colors therefore owes nothing to chance: a color chart was proposed by Only Watch associating different tones with certain characteristics. The Maison thus translated these variations of red, orange and yellow into an expression of happiness, passion, optimism and even energy—all values that support the cause championed by Only Watch.

An aesthetic and technical achievement, the first Grande Seconde Skelet-One with tourbillon, the first with plique-à-jour enamel, a new geometry of skeleton movement, a fully updated tourbillon… the Grande Seconde Skelet-One Tourbillon “Only Watch” is many things. It’s also the perfect match between an age-old complication and craftsmanship on the one hand, and an eminently modern technique and geometry on the other. A rare, precise balance, like any Jaquet Droz timepiece, which foreshadows all the ambitions of the Maison’s future Skelet-One collection.

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A. Lange & Söhne – CABARET TOURBILLON HANDWERKSKUNST

CABARET TOURBILLON HANDWERKSKUNST

Platinum with enamelled and hand-engraved white-gold dial

Exquisite craftsmanship.

The CABARET TOURBILLON is a milestone in the history of precision watchmaking. In 2008, with this watch, A. Lange & Söhne succeeded for the first time in stopping the tourbillon with a V-shaped arresting spring. This made it possible to set a watch with this complication with one-second accuracy. The watch is based on Lange’s only rectangular model that since its launch has stood for extravagance as well as for a distinctive movement philosophy: the CABARET.

Limited to 30 pieces, the CABARET TOURBILLON HANDWERKSKUNST is now totally dedicated to a heritage in art. The seventh model of the HANDWERKSKUNST series is characterised by artisanally elaborate finissage of the dial and the movement. The inner area of the three-part solid white-gold dial is manually engraved with a lozenge pattern. A semi-transparent enamel layer adds extra depth to the engraving and showcases various metallic shades of grey. The result is a special dial with a three-dimensional effect.

The manually wound calibre L042.1 has a twin mainspring barrel that delivers a power reserve of 120 hours. It is a masterpiece of technology and craftsmanship. It is composed of 370 parts, of which no fewer than 84 are integrated in the filigreed tourbillon that weighs only a quarter of a gram. Measuring 22.3 by 32.6 millimetres, the form movement is tailored to the rectangular shape of the case. In comparison with the 2008 version, it has a new indexless oscillation system with a Lange balance spring. The lozenge motif of the dial is echoed by the black-rhodiumed engravings on the tourbillon and intermediate-wheel cocks, creating a visual bridge between the dial and the movement side.

This model was introduced in 2021. The dial is crafted from solid white gold and features manual engravings in the lozenge design style and semi-transparent enamelling. The hands are made of rhodiumed gold.

Price: 320.300,00 €*

*Recommended retail price in Spain including VAT. Non-binding quotation, prices subject to change.
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Big Bang Integral Sapphir Tourbillon
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BIG BANG INTEGRAL TOURBILLON FULL SAPPHIRE: ميزة من الياقوت النقي

BIG BANG INTEGRAL TOURBILLON FULL SAPPHIRE: ميزة من الياقوت النقي

صحيح أنه في بعض الأحيان يكون القليل أكثر – وربما أكثر من ذلك بكثير. مع Big Bang Integral Tourbillon Full Sapphire ، ارتقت Hublot بفن الانصهار إلى نهايتها النهائية. سوار جديد وعلبة متكاملة مصنوعة خصيصًا من الياقوت: يؤكد هذا العمل الفذ مرة أخرى الكفاءة التقنية والخبرة الاستثنائية التي اكتسبتها Hublot في عمل الياقوت.

أبريل 2021 – سيبدو هذا بالنسبة للبعض تطورًا طبيعيًا. بالنسبة للآخرين ، سيكون انقطاع الاتصال التام. النتيجة النهائية هي القليل من كل منهما. إن ساعة Big Bang Integral Tourbillon Full Sapphire هي ثمرة تقليد عريق. تعود جذورها إلى عام 2016 ، وساعة Big Bang Unico Sapphire ، وهي أول ساعة من الياقوت. من خلال هذه القطعة ، ترجمت Hublot الخبرة التي طورتها في تصنيع المواد شديدة الصلابة لإنشاء سلسلة استثنائية من ساعات الياقوت. واليوم ، تدفع Hublot هذه الحدود إلى أبعد من ذلك: أول Big Bang بهيكل وسوار مدمجين ، وكلاهما مصنوع من الياقوت. تطور طبيعي (r) وإنجاز تقني للغاية على قدم المساواة.

Big Bang Integral Sapphir Tourbillon

Big Bang Integral Sapphir Tourbillon

“لمثل هذا الابتكار الاستثنائي ، اخترنا عيار توربيون الأوتوماتيكي الجديد بجسوره المصنوعة من الياقوت ، وشفافيته التي تخلق مشهداً مذهلاً. ومع ذلك ، كان صنع علبة وسوار مدمجين من الياقوت أمرًا مستحيلًا. أول علامة تجارية تكتسب إتقانًا مثاليًا لليقوت ، وتصنيعه وجعله قابلاً للتكرار في الإنتاج المتسلسل. لقد استغرق الأمر منا خمس سنوات لإحياء أغلفة الياقوت الأولى – وتقريباً نفس المدة بالنسبة للسوار. إنتاج كل من الياقوت ودمجها معًا هي ذروة العمل المتعمق الذي قامت به جميع فرق Hublot. نحن فخورون بأن نكون من يكتب الأسطر الأولى في هذا الفصل الجديد في تاريخ المواد “. – ريكاردو جوادالوبي ، الرئيس التنفيذي لشركة HUBLOT

Big Bang Integral Sapphir Tourbillon

Big Bang Integral Sapphir Tourbillon

أحيانًا يكون صانعو الساعات هم الوحيدون الذين يعرفون تفاصيل معينة عن ساعاتهم. مع العلبة والسوار المصنوعين بالكامل من الياقوت ، يتم الكشف عن جميع الأسرار: فتيل الحركة والغلاف ، وكل جانب مرئي.

تمت إعادة بناء هيكل ساعة Big Bang Integral Tourbillon Full Sapphire بالكامل لتضمين حركة توربيون الأوتوماتيكية. الهدف: إزالة جميع المسامير المرئية تقريبًا ، وإصلاح الهندسة العامة للعلبة لدمجها مع سوار الياقوت ، وتطوير شكل إطار جديد لإيواء سوار الياقوت ، وإعادة صياغة الجسور واللوحات الرئيسية لمنحهم الوهم. للتعليق في الفضاء. طورت Hublot أيضًا إدخالات ومرفقات تم تقليلها إلى أبسط تعبير ، للسماح للضوء من خلال كل مكون. وهكذا تتكون العلبة من ما لا يقل عن 37 مكونًا ، خمسة منها مصنوعة فقط من الياقوت.
Big Bang Integral Sapphir Tourbillon

Big Bang Integral Sapphir Tourbillon

 

كان السوار أيضًا تحديًا معقدًا: فهو يتألف وحده من 165 مكونًا ، 22 منها مصنوعة من الياقوت. كل مكون له عملية صناعية خاصة به. تم تصميم ثلثها خصيصًا لتوفير تناغم فريد مع شفافية العلبة ، ولتوفير الانسيابية والمرونة. وتجدر الإشارة بشكل خاص إلى إدخالات التيتانيوم التي طورتها Hublot ، فائقة الاختزال لضمان عدم بروزها على جانبي كل رابط سوار – وهو الأول من نوعه في التصنيع ، وربما لصناعة الساعات.
Big Bang Integral Sapphir Tourbillon

Big Bang Integral Sapphir Tourbillon

فيما يتعلق بالحركة ، فإن عيار التصنيع الأوتوماتيكي HUB6035 ، المصمم بالكامل والمصنع داخليًا ، هو القلب النابض للقطعة. إنه يوضح توازنًا مثاليًا بين الدوار الصغير عند موضع الساعة 12 والتوربيون عند موضع الساعة 6 ، وأيضًا مع الجسور الشفافة الثلاثة المصنوعة من الياقوت ، حصريًا لهذا Big Bang الجديد. يبدو أن المكونات معلقة حرفيا في الفضاء. لا يخترق كل قطار تروس فقط الضوء القادم من جانب الميناء ويمر عبر الحركة الهيكلية على الجانب الآخر: الآن ، ولأول مرة ، يدخل الضوء إلى قلب Big Bang Integral Tourbillon Full Sapphire من جميع الاتجاهات. إنه منتشر ، منكسر ، منعكس ، ملتوي وملفوف – جزء من الضوء مغلف على المعصم.
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ROGER DUBUIS – A NEW TRIBE LANDS AS AN ICON ASCENDS

A NEW TRIBE LANDS AS AN ICON ASCENDS

Roger Dubuis has consistently demonstrated a penchant for impertinence and extravagance. Sustained by an integrated manufacture, a flagrant disregard for convention is the backbone of its bold attitude. A true innovator, the luxury watchmaker is driven by an irrepressible willingness to come up with high-impact ideas, boundary-pushing technologies and unmistakable out-of-the-box designs. Living by the motto NO RULES, OUR GAME, the Maison proves once again it is the most exciting way to experience Hyper Horology with the launch of the new Excalibur Single Flying Tourbillon.

THE FUTURE OF HYPER HOROLOGY IS HERE

Extravagant, determined and disruptive, the bold and bright are the ones that stand out. Just like any star should. But a star doesn’t just appear. It takes dedication. Innovation. Craftsmanship. Only then can an icon ascend…Introducing the Excalibur Single Flying Tourbillon: a star restyled for the new world.

To mark the launch of the inimitable skeleton design reinterpreted with a contemporary touch, Roger Dubuis is set to celebrate modern art in all its shapes. Taking form in Hyper Horology with the Maison’s most recent interpretation of the Excalibur Single Flying Tourbillon, this icon of watchmaking is brought to a whole new level; a masterpiece that cannot be ignored, just like its wearer.

Finding kinship with those disruptive souls who dare to make a difference, the Maison partners with the URBAN ART TRIBE, world-famous urban culture artists that reflect Roger Dubuis’ values: break the rules, showcase radical expertise and obsess daily over the design of the future.

excalibursingleflyingtourbillon15

THE EXCALIBUR SINGLE FLYING TOURBILLON: FROM A TIMEPIECE TO A MASTERPIECE

Roger Dubuis continues shaking up the world of haute horlogerie with the launch of the new Excalibur Single Flying Tourbillon. Enhanced with meticulous care, the timepiece is reinterpreted with sophistication and flair using modern and technical materials.

A contemporary masterpiece for the wrist, the new design showcases clean cut lines on both case and movement. Creating the impression of a thinner look and feel, while heightening the sense of transparency and depth, the calibre is rebuilt from bottom to top in an architectural feat that sees the Roger Dubuis star now levitate freely above the barrel. A strong visual identity is created with a signature two-line pattern – seen between the notch on the crown and bezel, the star’s arms, the tourbillon’s cage, the hour’s marking on the flange, the hands – all of which cleverly appear as though they will meet but never do. This dynamic aesthetic is amplified by the Poinçon de Genève, the most demanding signature in fine watchmaking and one that requires the manual decoration of each and every component of the watch, as well as unexpected and antinomic decorations in modern haute horlogerie, such as circular-brushed top surfaces and polished angles that demonstrate Roger Dubuis’ visionary approach.

Always keeping the wearer in mind, the new RD512SQ calibre is stunning in its technical prowess. Now with a titanium lower tourbillon cage – twice lighter than stainless steel – and a mirror-polished Cobalt Chrome upper tourbillon cage, the weight of the piece is reduced to optimum effect. All of which allows the power reserve to be radically optimised to 72 hours, providing the option of leaving the watch unworn over weekends without the worry of resetting come Monday. Proving no detail goes unconsidered, non-magnetic material is used inside the tourbillon to better serve the wearers and improve their experience.

Comfort is key, which is why a range of entirely new strap sizes have become available. With 5 sizes from 0 to 4, finding the perfect strap ensures the buckle is always centred on the wrist, as a Quick Release System offers ultimate flexibility. Underscored by rarity, the 42mm case is only available in eighty-eight pieces per colourway: Dark Grey DLC Titanium, Cobalt Chrome CarTech Micro-Melt BioDur CCMTM and the new EON GOLD, a pink gold shade that remains more stable thanks to non-tarnish technology. Reimagined for a contemporary era, an icon ascends in the shape of the Excalibur Single Flying Tourbillon.

THE ART OF GLOW

Showcasing the Maison’s obsession with art, light and luminescence, in addition to our icons comes the Excalibur Glow Me Up, a world-premiere for Roger Dubuis limited to just eight timepieces.

By day, the new Single Flying Tourbillon calibre is elegantly adorned with 60 baguette-cut diamonds on the bezel. By night, it’s a complete different version that comes to life through this vibrant timepiece with luminescent and dazzling diamonds, an achievement made possible thanks to an intricate two-part process. The first involves filling the grooves that hold the stones in place with Super-Luminova, a singular way to make the diamonds appear luminescent without altering them. Secondly, an additional patent enables Super-Luminova to be applied on the angles of the movement, as well as to the iconic star-shaped bridge.Because at Roger Dubuis less is never more.

ART IN THE MAKING

Roger Dubuis is a destination for the avant-garde. Committed to non-conformity, the Maison stands with those who choose to blaze their own trail. To show what happens when rules are rejected and creativity is unleashed, Roger Dubuis partners with the URBAN ART TRIBE, composed of three urban culture creatives – tattoo artist Dr. Woo, graffiti artist Gully and mixed-media artist Liu Wei. Rulebreakers in their own fields, they too shape the future by refusing to take ‘no’ for an answer. Brought together to unite a wider community of daring minds, Roger Dubuis and the URBAN ART TRIBE hope to encourage people to challenge the way things are, just as the Maison does when it comes to Hyper Horology, and Dr. Woo and Gully do in their industries.

A leading name among an influential elite who see tattoos, art and fashion as an indissociable whole, Dr. Woo’s singular approach to needle style has shifted the paradigm for tattoos, taking them from subculture to broad popular appeal. Of the partnership he says: “I’ve taken this path because I don’t know where it leads, and that is exactly why I’m here – to seek the unknown and go out of my comfort zone. Tattooing and watchmaking have that in common: the same attention to detail, a dot vs. a tiny component, assembled perfectly for you to see the bigger picture.”

Gully, a well-known graffiti artist, chooses to work exclusively in his own atelier to maintain his anonymity. He uses a wide variety of mixed techniques and materials and explains his artistic concept as one based on conscious appropriation. Telling visual stories of children appearing in splendid settings, he reveals their enchantment with art and particularly with the paintings of the great masters. Speaking to the concept of the tribe, he comments: “Two worlds, a crossing path. I feel driven by the same energy and insatiable envy to come up with something we have never seen before. It comes as a bombshell, provokes surprise, and arouses interest. Bringing different worlds together is my trademark, so I can’t wait to show you the Gully x Roger Dubuis mixture.”

Generously opening the doors to their respective workshops, Dr. Woo and Gully will begin their long-term partnerships with Roger Dubuis by first sharing their creative processes at work. Initially set to reinterpret the brand’s iconic astral signature, they will continue to co-create the future of Hyper Horology alongside the Maison.

AN EXCLUSIVE INVITATION

From April 7 to 13th, Roger Dubuis turns this year’s Watches&Wonders edition into an interactive journey for its guests to dive into the realms of the Maison’s creative process and beyond. Come and celebrate contemporary art in all its shapes, from Hyper Horology to tattoo art, graffiti and beyond.

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FRANCK MULLER – The Grand Central Tourbillon

FRANCK MULLER – The Grand Central Tourbillon

The Grand Central is an outstanding new collection, where the Tourbillon is in the spotlight, placed at the center of the timepiece. This beautiful central Tourbillon is housed in a redesigned Franck Muller Cintrée Curvex™ case. One of the complexities of the collection lies in the fact that we had to totally rethink the watch in order to move the Tourbillon from its original position at 6 o’clock to the center of the watch.

The Grand Central Tourbillon

In addition to this attractive and surprising decentering, Franck Muller designers and watchmakers had to find an innovative system to display the time in the center of the watch. Thus, they found an innovative way to place the hour and second hands around the Tourbillon cage, highlighting the beauty of the piece. Extremely rare for a Franck Muller Tourbillon collection, the watch holds a self-winding movement, thanks to an eccentric micro rotor, offering 4 days of power reserve.

FRANCK MULLER - The Grand Central Tourbillon

FRANCK MULLER – The Grand Central Tourbillon

FRANCK MULLER – The Grand Central Tourbillon

Regarding the case, it has been redesigned so that the sapphire crystal goes all the way to the bracelet. The bezel which is separate from the case, allowing two-tone treatments. This design totally changes the aspect of the original Cintrée Curvex™ and fully highlights the beautiful curves of the watch. It also gives full visibility to the dial by limiting the amount of material used on the sides which is technically very difficult to achieve and giving the case a new modern line of life.

The open back allows to admire the pure traditional decorations as the Côte de Genève.

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RICHARD MILLE – RM 27-04 TOURBILLON RAFAEL NADAL

RICHARD MILLE – RM 27-04 TOURBILLON RAFAEL NADAL

CELEBRATING A 10-YEAR PARTNERSHIP

Manual winding tourbillon movement with hours and minutes
• Calibre can resist accelerations of over 12,000 g’s, a record for Richard Mille
• Case produced in a brand new material exclusive to the watchmaking brand: TitaCarb®
• Limited edition of 50 watches

Two men, each with a dream. A dream of pushing back the boundaries of time, or those of performance. One of them on clay, keeping his eyes on the ball; the other with his face turned to time itself. Yet both combine technique, harmony and accuracy while resisting the hard knocks, and inevitable shocks of sporting life.

For Rafael Nadal, ‘unstoppable’ is the word that best expresses the spirit of Richard Mille and his teams. Achieving the impossible. This has been the brand’s credo for the past decade in designing the unique pieces worn by the Spaniard on the world’s tennis courts. And the latest product of their partnership, the RM 27-04, is no exception to this golden rule.

The RM 27-04 balances a lightweight design–at 30 grams including the strap–with tremendous resistance. Its tourbillon calibre, which is suspended within the case, can resist accelerations of more than 12,000 g’s, a record for Richard Mille. The movement is entirely supported by a micro-blasted mesh just 855 square millimetres in surface, comprised of a single cable in braided steel measuring 0.27mm in diameter, and held in place by two tensioners in PVD-treated 5N gold. This construction is unprecedented in the world of watchmaking.

Inspired by the same principle as the strings of a tennis racquet, the watchmaker anchors the steel cable to a tensioner positioned at 5 o’clock and then begins to create the mesh, tying each of the main strings before adding the cross strings. Weaving above and below the main strings, the cable passes 38 times through the hollow bezel in grade 5 titanium before finishing in a tensioner positioned at 10 o’clock. The movement is positioned diagonally, connected to the mesh by five grade 5 polished titanium hooks with 5N gold PVD coating that extend from the back of the baseplate.

However, the singularities of the RM 27-04 do not end with its mesh. The case, with its sandblasted and polished surfaces, is also innovative in its use of an exclusive material, TitaCarb®. This highperformance polyamide has been strengthened with a 38.5% carbon fibre content.

This addition of carbon gives TitaCarb® exceptional tensile strength—370 MPa (3,700 kg/cm2)—making it one of the most resistant polymers in the world.

This new model fits in perfectly with the previous watch collections created for the Spanish champion. It is unique in more ways than one, as it also marks the 10th anniversary of the partnership between

Rafael Nadal and Richard Mille. Initially a purely professional rapport, the collaboration between the 12-time French Open winner and the founder of the brand that bears his name has since turned into a solid friendship. A ‘ very special’ relationship, according to the Majorcan, this friendship grows constantly from their mutual trust and admiration for their respective careers.

The RM 27-04 is the new ally on court for ‘ Rafa’, whose shortened version of his name is engraved on the case band. This watch, a limited edition of 50 pieces, will accompany Rafael Nadal in his quest for new trophies.

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A new feminine look for Audemars Piguets royal oak concept flying tourbillon
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A new feminine look for Audemars Piguet’s royal oak concept flying tourbillon

Le Brassus, July 2020—Swiss Haute Horlogerie manufacturer Audemars Piguet is delighted to present a new take on its women’s Royal Oak Concept Flying Tourbillon, which pursues the collection’s interweaving of refined feminine aesthetics and complicated micro-mechanics.

A new feminine look for Audemars Piguets royal oak concept flying tourbillon

Royal Oak Concept Frosted Gold Flying Tourbillon

A new feminine look for Audemars Piguets royal oak concept flying tourbillon

A new feminine look for Audemars Piguets royal oak concept flying tourbillon

Available in 18-carat pink or white gold, the new Royal Oak Concept Flying Tourbillon combines the case’s shimmering Frosted Gold finish with a contemporary dial composed of multiple layers. For the first time, the Royal Oak Concept’s case is adorned with Frosted Gold—an ancient Florentine jewellery technique revisited by jewellery designer Carolina Bucci and adapted to adorn the Manufacture’s watches. Tiny indentations are created on the gold surface with a diamond-tipped tool, giving a sparkle effect similar to that of precious stones, like diamond dust. Superposed to the bezel’s polished bevels, this finishing highlights the watch’s design codes, while capturing attention from a distance.


The shimmering case nicely frames the multi-layered dial composed of four juxtaposed circles of increasing size and graded hues of blue emanating from the flying tourbillon cage at 6 o’clock. The graded nuances and sunburst motif further accentuate the dial’s depth and refinement. The flying tourbillon cage also presents a modern design with openworked gold-toned circles topped with an elegant touch of brilliant-cut diamonds. No hour-markers have been included on the dial to enhance the purity of this contemporary design.


Combining tradition and modernity, these watches are powered by hand-wound Manufacture calibre 2964. The flying tourbillon—a high-end complication compensating for the effect of gravity on a watch—is today considered as of one the greatest expressions of watchmaking art. Only a few expert watchmakers retain the necessary skills for its realisation. The movement’s circular motif, visible through the sapphire caseback recalls the dial’s pattern. The alternation of sandblasting and satin-brushing also echoes the finishes of the Frosted Gold case and sunburst dial.


The two highly contemporary models are adorned with a blue “large square-scale” alligator strap for an elegant contrast. An additional blue textured rubber strap with constellation motif, recalling the Frosted Gold case, is also available. Both straps are complemented with a folding clasp adorned with Frosted Gold for a refined look to the slightest detail.

A new feminine look for Audemars Piguets royal oak concept flying tourbillon

“Born in Le Brassus, raised around the world.”

TECHNICAL SPECIFICATIONS
Royal Oak Concept Frosted Gold Flying Tourbillon // 38.5 mm
26630OR.GG.D326CR.01
FUNCTIONS
Flying tourbillon, hours and minutes.
CASE
Hammered 18-carat pink gold case, glareproofed sapphire crystal and caseback, crown set with a translucent sapphire cabochon, water-resistant to 20m.
DIAL
Multi-layered, graded blue dial with sunburst pattern, pink gold Royal Oak hands with luminescent coating.
STRAP
Hand-stitched “large square-scale” blue alligator strap with hammered 18-carat pink gold AP folding clasp. Additional shiny blue textured rubber strap.
MOVEMENT SPECIFICATIONS
Hand-wound Manufacture Calibre 2964
Total diameter 29.5 mm (12 ¾ lignes)
Total thickness 6.63 mm
Number of parts 207
Number of jewels 17
Minimum power reserve guaranteed 72 h
Frequency of balance wheel 3 Hz (21,600 vibrations/hour)
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Royal Oak Concept Frosted Gold Flying Tourbillon // 38.5 mm
26630BC.GG.D326CR.01
FUNCTIONS
Flying tourbillon, hours and minutes.
CASE
Hammered 18-carat white gold case, glareproofed sapphire crystal and caseback, crown set with a translucent sapphire cabochon, water-resistant to 20m.
DIAL
Multi-layered, graded blue dial with sunburst pattern, white gold Royal Oak hands with luminescent coating.
STRAP
Hand-stitched “large square-scale” blue alligator strap with hammered 18-carat pink gold AP folding clasp. Additional shiny blue textured rubber strap.
MOVEMENT SPECIFICATIONS
Hand-wound Manufacture Calibre 2964
Total diameter 29.5 mm (12 ¾ lignes)
Total thickness 6.63 mm
Number of parts 207
Number of jewels 17
Minimum power reserve guaranteed 72 h
Frequency of balance wheel 3 Hz (21,600 vibrations/hour)

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code-11-59-by-audemars-piguet-tourbillon-openworked-only-watch-unique-piece-2019
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CODE 11.59 BY AUDEMARS PIGUET – Tourbillon Openworked only watch Unique piece

Le Brassus, – Swiss Haute Horlogerie Manufacturer Audemars Piguet presents its Only Watch unique piece 2019: the two-tone Code 11.59 by Audemars Piguet Tourbillon Openworked.

CODE 11.59 BY AUDEMARS PIGUET – TOURBILLON OPENWORKED ONLY WATCH UNIQUE PIECE 2019

The unique model’s two-tone case emphasizes the architectural complexity of Code 11.59 by Audemars Piguet. Its 18-carat pink gold octagonal middle case subtly contrasts with the 18-carat white gold extra-thin bezel, lugs and caseback. Satin-brushed, bevelled and polished, the bezel, lugs and case present refined finishing techniques usually found on calibres. The caseback is engraved with “Unique Piece.”

code-11-59-by-audemars-piguet-tourbillon-openworked-only-watch-unique-piece-2019

code-11-59-by-audemars-piguet-tourbillon-openworked-only-watch-unique-piece-2019

This watch houses a hand-wound tourbillon openworked movement, calibre 2948. Its rhodium-toned openworked plate, finished with vertical traits-tirés, is enhanced by pink gold-toned titanium tourbillon and barrel bridges with polished rhodium-toned angles. Echoing the two-tone colour of the case, the decoration of this movement amplifies the watch’s multi-tiered construction. With 70 hand-polished angles, the hand finishing on this movement pushes the openworking art to new heights.


The opaline silver-toned white gold inner bezel nicely frames the openworked movement and accentuates the extra-thinness of the watch’s bezel, barely visible around the dial. The long 18-carat pink gold hands add yet another subtle touch of colour.

code-11-59-by-audemars-piguet-tourbillon-openworked-only-watch-unique-piece-2019

code-11-59-by-audemars-piguet-tourbillon-openworked-only-watch-unique-piece-2019code-11-59-by-audemars-piguet-tourbillon-openworked-only-watch-unique-piece-2019

This unique model comes with a black alligator strap, which further highlights the refinement and artistry of the watch’s case and movement.
François-Henry Bennahmias, Audemars Piguet Chief Executive Officer, rejoices over Audemars Piguet’s participation in this event: “We are proud to contribute to this charity auction once more and help advance scientific and medical research.”

TECHNICAL SPECIFICATIONS
Code 11.59 by Audemars Piguet Tourbillon Openworked // 41mm
26600CR.OO.D002CR.99
FUNCTIONS
Tourbillon, hours and minute.
CASE
18-carat pink gold case, 18-carat white gold bezel, lugs and caseback, glareproofed sapphire crystal and caseback, water-resistant to 30m.
DIAL
Opaline silver-toned 18-carat white gold inner bezel, openworked, 18-carat pink gold hands.
STRAP
Hand-stitched “large square scale” black alligator strap with 18-carat white gold folding clasp.
MOVEMENT
Hand-wound Manufacture calibre 2948
Total diameter: 31.65 mm (14 lignes)
Total thickness: 4.97 mm
Number of parts: 196
Number of jewels: 19
Minimal guaranteed power reserve: 80 h
Frequency of balance wheel: 3 Hz (21,600 vibrations/hour)
Join the #AudemarsPiguet & discussions @AudemarsPiguet

About Audemars Piguet

Audemars Piguet is the oldest fine watchmaking manufacturer still in the hands of its founding families (Audemars and Piguet). Since 1875, the company has written some of the finest chapters in the history of Haute Horlogerie, including a number of world firsts. In the Vallée de Joux, at the heart of the Swiss Jura, numerous masterpieces are created in limited series embodying a remarkable degree of horological perfection, including daring sporty models, classic and traditional timepieces, splendid ladies’ jewellery-watches, as well as one-of-a-kind creations. www.audemarspiguet.com
©Audemars Piguet 2019

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The OMEGA De Ville Tourbillon Numbered Edition
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OMEGA’s Antimagnetic Tourbillon is a Watchmaking Breakthrough

Throughout OMEGA’s iconic history, the renowned Swiss watchmaker has earned a special reputation for its advancements in the art of Tourbillon craftsmanship. Today, the next chapter in the story is unveiled, through the release of the new De Ville Tourbillon Numbered Edition.

OMEGA’s Antimagnetic Tourbillon is a Watchmaking Breakthrough

Pushing the boundaries of innovation with every turn

 
The exceptional timepiece is OMEGA’s first ever Master Chronometer certified manual-winding central Tourbillon. Not only does this certification assure the Swiss industry’s highest standard of precision and performance, but it also serves as a testament to OMEGA’s expert watchmakers, who have crafted a tourbillon cage that is able to keep rotating even under a magnetic field of 15,000 gauss. The skilled watchmakers also set the Tourbillon’s speed to one revolution per minute allowing the display of seconds, which is essential for achieving certification. Two extraordinary feats in Tourbillon creation!

The OMEGA De Ville Tourbillon Numbered Edition

The OMEGA De Ville Tourbillon Numbered Edition

Customers can view the impressive OMEGA Co-Axial Master Chronometer Calibre 2640 through the sapphire crystal caseback, and also note its 3-day power reserve indicator. To add luxurious beauty, the bridges and mainplate are made from 18K Sedna™ gold, and have been hand-bevelled for a decorative finish.

Beyond the superb accuracy is the design, which incorporates the brand’s watchmaking expertise and advanced materials, including two precious alloys made famous by OMEGA. Presented on a black leather strap, the 43.00 mm central casebody, buckle logo and crown logo are made from 18K Canopus™ gold – an exclusive white gold alloy, distinctive for its high brilliance, whiteness and longevity. Meanwhile, the lugs, bezel and caseback of the watch are formed in 18K Sedna™ gold – OMEGA’s own fiery rose gold alloy.

The sun-brushed dial is also in 18K Sedna™ gold, but has been given a captivating dark shade, thanks to its black PVD treatment. Also unmistakable at the centre of the dial is the tourbillon cage with hand polished bevels in black ceramised titanium. This ingenious device drives the movements of the unique and mysterious hands, which give the timepiece its incomparable OMEGA style.

Lens Position: 4065

Each timepiece has been handcrafted by a select group of horologists at OMEGA’s Atelier Tourbillon, taking around an entire month of dedicated work to complete.

Lens Position: 4065

This latest industry-changing wristwatch is the next major accomplishment in OMEGA’s Tourbillon history. Other historical highlights include the first-ever wristwatch Tourbillon calibre, which was created by OMEGA in 1947 and entered into the precision competitions at three major European Observatories.

 

These calibres obtained excellent results, even setting a record in Geneva in 1950. Almost 50 years later, in 1994, OMEGA introduced the first self-winding Central Tourbillon wristwatch, with the Tourbillon carriage positioned in the middle of the watch. A decade later, in 2004, OMEGA would produce the first Tourbillon wristwatch to be Chronometer certified.

The new De Ville Tourbillon Numbered Edition comes with OMEGA’s full 5-year warranty, and is delivered in a special box with a travel pouch and watch crown winder. There is also a certificate that mentions the specific number of each watch.

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