Tag Archive for: tourbillon

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HUBLOT – Big Bang Tourbillon Samuel Ross

https://www.hublot.com/ – Big Bang Tourbillon Samuel Ross

A Hublot ambassador since 2020, creative director Samuel Ross brings his unique graphic language to watchmaking for the first time with the limited-edition Big Bang Tourbillon Samuel Ross.

https://www.hublot.com/

A 40-year focus on the “Art of Fusion” has resulted in a meteoric rise for Hublot, seeing it catapulted to the pinnacle of innovative watchmaking. With the brand’s ability to combine seemingly diametrically opposed materials, plus an enduring drive to push the boundaries of what is technically and aesthetically possible, it has rewritten the rules of horology, leaving a new design language in its wake.

Fostering a desire to work with the most talented practitioners in alternate fields, the brand introduced its “Hublot Loves Art” initiative more than a decade ago. Hublot has since collaborated with some of the most talented artists and designers of a generation. Ground-breaking in outlook and highly collectable, the resulting watches offer new interpretations of time and timekeeping. The most recent creator to take up the mantle is Samuel Ross.

Mirroring Hublot’s trajectory, renaissance man Ross has experienced an equally breakneck rise to prominence. Describing himself as a creative director, the 30-year-old multi-disciplinary artist, filmmaker, and fashion designer graduated from Leicester De Montfort University in 2012 with a first-class honours’ degree in graphic design and illustration. Since then, he has collaborated with many brands and creative outlets – from Oakley and Nike to Dr. Martens and Mackintosh – launching his men’s Luxury Sportswear label A-Cold-Wall* in late 2015, and his design studio SR_A in 2019.

In 2019, Ross was awarded the prestigious Hublot Design Prize, and a year later he was announced as an official brand ambassador, an occasion marked by the unveiling of REFORM, a sculpture designed to encapsulate 40 years of Hublot. Combining an ancient, organic material (granite) with a modern, manmade one (steel), Ross created his own ‘Fusion’, uniting past and present in a production process that involved both traditional hand-finishing and cutting-edge machining.

The deceptively simple, industrial form of the 40cm high artwork has now been reinterpreted in the 44mm Big Bang Tourbillon Samuel Ross – Ross’s first wristwatch collaboration with Hublot. Ross’s signature use of colour and love of stark geometry and urban design, come together with the innovation and precision that prevail in the work of both Ross and Hublot.

The distinctive, stylised hexagon of the Big Bang case is reflected in the titanium honeycomb mesh used on the sapphire dial, case, case back and strap. A basic building block of nature (seen in environments from beehives and snake’s scales to pineapple skin and snowflakes) the robust and efficient shape, that can be repeated without gaps or overlapping, has been appropriated as a standard for modern-day construction and design thanks to the seamless fit of each unit.

Here the hexagon is a visual symbol of the functionality of the watch – a key strand running through all of Ross’s design. Although it may be a wearable sculpture, Ross never loses sight of the need for it to be durable and ergonomic, the lightweight, openworked titanium structure and malleable rubber strap ensuring its comfort on the wrist. A proponent of colour theory, Ross has chosen orange – representing energy and optimism – for the strap and accents on the crown and tourbillon bridge and lateral bumpers that protect the case, a glowing contrast to the sober grey of the satin-finished case and bezel.

The 282-component, manufacture HUB6035 calibre within beats at 3 Hz and gives 72 hours of power reserve. Just 50 pieces will be produced, each one a piece of art that brings a new perspective and a new visual language

to watchmaking. To celebrate the launch, Ross’s signature colours will envelop Hublot’s 5th Ave boutique in New York City. The takeover will be repeated in Hublot stores across the globe, bringing the Samuel Ross universe to the world of horology.

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Overseas tourbillon skeleton: A breath of fresh air for an emblematic complication

Overseas tourbillon skeleton: A breath of fresh air for an emblematic complication

  • First tourbillon skeleton watch in the Overseas collection
  • Two versions in 18K 5N pink gold and Grade 5 titanium respectively 
  • First Vacheron Constantin all-titanium model with integrated bracelet
  • Manufacture Calibre 2160 SQ, redesigned and skeletonised with a new balance-spring featuring a Breguet overcoil

Geneva, 30 March 2022 – The tourbillon, one of the most emblematic Haute Horlogerie complications, joins the Overseas collection in a skeletonised version. Manufacture Calibre 2160 has been redesigned for the occasion in a contemporary, entirely openworked spirit. Available in 18K 5N pink gold and Grade 5 titanium – first Vacheron Constantin model made entirely of this metal- versions complete with integrated bracelets, this watch is accompanied by meticulous attention to the finishing of the movement and case.

Vacheron Constantin continues the travel spirit of the Overseas watches with this new tourbillon skeleton model, a first in this collection launched in 1996. Beautifully streamlined with its entirely openworked movement; sophisticated with its robust case; rigorously disciplined with its tourbillon-driven movement ensuring a comfortable over three-day power reserve, this timepiece is designed for the finest journeys – exactly as François Constantin, the tireless traveller who signed an enduring alliance with Jacques-Barthélémi Vacheron in 1819, would doubtless have presented it.

The watch comes in two versions, one in 18K 5N pink gold and the other in Grade 5 titanium. The titanium model is the first by the Maison to be entirely made of this same metal – from crown to bezel and from bracelet to case. The self-winding Manufacture Calibre 2160 powering these timepieces has been entirely skeletonised in a contemporary spirit with a degree of attention to detail stemming from an authentic aesthetic quest celebrated through Vacheron Constantin’s “Anatomy of Beauty ®” 2022 theme.

A finely crafted movement, Manufacture Calibre 2160 SQ

The skeletonisation work carried out on self-winding Calibre 2160 has enabled not only a 20% reduction in the movement’s weight but also a complete rethink of its architecture. Its curvature is thus very slender, at barely 5.65 mm thick – a real technical feat considering the requirements linked to the integration of a tourbillon carriage. This thinness is notably due to the choice of a peripheral gold oscillating weight, which also enables a completely clear view of the rear of the movement. The work done on the baseplate and the four bridges can be clearly admired, with the NAC (N-acetylcysteine) surface treatment applied by electrolysis conferring an anthracite grey tint. This contemporary touch given to the movement blends perfectly with the classic haute horlogerie finishes in the form of hand-drawn flanks and hand-chamfering with polished bevels to accentuate the light playing across the components. The mainplate and bridges are also delicately decorated to create a finish of very fine, perfectly horizontal grooves. Such concern for details is a credo which holds that even the smallest part deserves the same meticulous attention as those that are perfectly visible.

The same NAC surface treatment can be found on the barrel, of which the drum and cover have been entirely openworked, creating a compass rose shape on the dial side – another original feature of Calibre 2160 SQ. To complete the openworking of this 186-component movement, the wheels have also been made lighter, while the tourbillon is held by a rounded-off upper bridge. The tourbillon regulator rotating once per minute operates at a rate of 18,000 vibrations per hour (2.5 Hz) and serves as a small seconds indicator by means of one of the four screws used to secure the carriage and which is grey on the pink gold version and flame-blued on the titanium version.

For this new calibre, Vacheron Constantin’s watchmakers have also redesigned the regulating organ housed in the tourbillon carriage coupled with the escapement. A new balance-spring was designed in-house, equipped with a Breguet overcoil (terminal curve). By folding the outer spring coil towards the centre, outside its horizontal plane, this arrangement forces a flat development of the spring, thus ensuring enhanced isochronism.

The art of details

The sapphire crystal serving as the dial reveals all the details of the calibre, like a horological anatomy taking shape with each component. The hour-markers secured to this crystal are in rhodium-plated 18K 5N pink gold or 18K white gold, depending on the model. The same noble metals are used for the hands which, like the hour-markers, are coated with Super-LumiNova® ensuring perfect night-time visibility. The dial ring is available in black lacquered 18K 5N pink gold or in blue PVD-treated 18K white gold.

Particular care has been devoted to the finishing of the case and bracelet. The bezel ring is circular satin-brushed on the 18K 5N pink gold version and sandblasted on the Grade 5 titanium iteration. The case and bracelet of both models are vertically satin-brushed with polished angles on the bracelet links, whose shape is inspired by Vacheron Constantin’s Maltese Cross emblem.

Both watches feature the Overseas collection specific interchangeable strap system. They come with two straps in calfskin and rubber: black with two 18K 5N pink gold pin buckles for the gold model; and blue with an interchangeable titanium folding clasp for the titanium model.

The Anatomy of Beauty ®

The Overseas tourbillon skeleton watch features architecture and finishes that are meticulous in every detail, reflecting the quest for excellence cherished by the Maison, whose 2022 “Anatomy of Beauty®” theme pays tribute to the extraordinary work of its artisans. This extraordinarily painstaking care is expressed through the designers’ aesthetic choices and preferences as well as in the meticulous finishing work performed by the artisans. All the components of a Vacheron Constantin watch benefit from this scrupulous attention, even those that remain invisible once the movement has been assembled. A keen eye will note the fine guilloché work on a dial or the gem-set minutes track; it will make out the contours of the Maison’s Maltese cross emblem on the links of a bracelet; it will notice the small flame-blued screw serving as a seconds indicator on a tourbillon carriage and the mirror polish of a minute-repeater hammer; it will appreciate the artisans’ delicate touch when chamfering a plate or rounding off a bridge; and finally, it will admire the miniature enamel painting depicting a ship tossed around by a stormy sea streaked with lightning. At Vacheron Constantin, concern for detail delicately shapes an anatomy of beauty in which nothing is left to chance.**********************

Sum-up

Several “firsts” characterize the new Overseas tourbillon skeleton model. It is the first timepiece in the collection equipped with a tourbillon movement in a skeletonised version. The new Manufacture Calibre 2160 SQ, featuring hand-crafted finishes characteristic of haute horlogerie yet in a contemporary spirit, is equipped with an original regulating organ featuring a balance-spring with a Breguet overcoil. The openworking of the barrel reveals a cover shaped like compass rose, a novel design for Vacheron Constantin. Available in 18K 5N pink gold and Grade 5 titanium, this latest version is the first Vacheron Constantin watch made entirely of this metal, including the bezel and crown. This breath of fresh air, which is entirely in keeping with the travel spirit of the Overseas collection, is accompanied by meticulous attention to the finishing of the movement and case. Each component is reworked and finished by hand, perfectly illustrating the Maison’s Anatomy of Beauty theme for 2022, which highlights all the richness and subtlety of the details featured in a Vacheron Constantin timepiece. Both versions come with two interchangeable leather and rubber straps.

TECHNICAL DATA

Reference
6000V/110R-B934
6000V/110T-B935

Calibre
2160 SQ
Developed and manufactured by Vacheron Constantin
Mechanical, self-winding, peripheral rotor
31 mm (13½’’’) diameter, 5.65 mm thick
Approximately 80 hours of power reserve
2.5 Hz (18,000 vibrations per hour)
186 components
30 jewels
Hallmark of Geneva certified timepiece

Indications                                   
Hours, minutes, small seconds on tourbillon carriage (coloured screw)
Tourbillon                            

Case                                                
18K 5N pink gold / Grade 5 Titanium
42.5 mm diameter, 10.39 mm thick
Soft iron casing ring ensuring anti-magnetic protection
Transparent sapphire crystal caseback
Water-resistant tested at a pressure of 5 bar (approx. 50 metres)

Dial
Sapphire

18K 5N pink gold / 18K white gold hour-markers and hours & minutes hands highlighted with Super-LumiNova®

Bracelet
18K 5N pink gold bracelet / Grade 5 Titanium (half Maltese cross-shaped polished and satin-brushed links), secured by a 18K 5N pink gold / Grade 5 Titanium triple-blade folding clasp with push-pieces and comfort-adjustment system

Additional straps
Black / blue calfskin leather with white stitches
Black / blue rubber

Buckles
6000V/110R-B934: Each additional strap comes with a 18K 5N pink gold
6000V/110T-B935: Titanium Grade 5 interchangeable folding-clasp

Ref. 6000V/110T-B935 (titanium version) only available through the Vacheron Constantin Boutiques.

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Vacheron Constantin – Traditionnelle Tourbillon China Limited Edition

Vacheron Constantin – Traditionnelle Tourbillon China Limited Edition

  • Inspired by the Chinese Jade culture, the Traditionnelle tourbillon model is dedicated to China market, numbered and engraved in 30-piece limited edition.
  • A limited edition entirely dressed in Imperial Green, a color that represents the purest and highest grade of green jadeite.
  • Featuring the ultra-thin mechanical self-winding movement, calibre 2160/1.
Traditionnelle Tourbillon China Limited Edition

Traditionnelle Tourbillon China Limited Edition

Geneva, November 29th, 2021 – Swiss Haute Horlogerie manufacturer Vacheron Constantin presents a high complication limited-edition timepiece, exclusive to the China market.

A Gentleman of Jade

“A gentleman of jade” is a well-known phrase since ancient China to describe a man with noble character. The Chinese believe that a real gentleman is elegant and dignified just as the Jade, which gives inspiration to the creation of the first high complication wristwatch specially designed for the China market. Considered as a mirror of Chinese civilization, Jade has been a treasure of Chinese tradition for thousands of years. This gemstone has been a symbol of high morality throughout Chinese history.

“Imperial Green”

The color of green is described in Chinese poetry as gentle, soothing, and full of vigour and energy. Living in a green environment or adding touches of green to your surroundings can surprisingly bring sophistication, tranquillity and vitality to life.

The well-known Hongshan (Green) Jade Dragon from the Neolithic Period – the earliest known jade dragon carving in China – defines the imperial nature of Green jade carvings. In modern times, jadeite, a harder form of jade known by Chinese, is greatly appreciated for its gentle, translucent, luxurious, but not overstated color.

A jade’s quality is largely determined by the purity of its color. Imperial green, the color that Vacheron Constantin’s first high complication China Limited Edition wristwatch is dressed in, is known to represent the purest and most sophisticated shade of green jadeite, and has a sharp boldness while retaining being understated and warm.

!!! No information available !!!

Traditionnelle Tourbillon China Limited Edition

This Traditionnelle tourbillon watch features an elegant 41 mm-diameter case in 18K 5N pink gold which houses a self-winding movement developed by Vacheron Constantin.

In addition to the refinement of its openworked tourbillon carriage shaped like a Maltese cross, the emblem of the Manufacture and entirely hand chamfered and finished, Caliber 2160 is distinguished by its incredible slimness: this ultra-thin 188-part movement endowed with an approximately 80-hour power reserve measures just 5.65 mm thick. Its relatively sedate frequency (2.5 Hz), along with its 22K gold sandblasted peripheral oscillating weight, provide a chance to admire the steady beating of its mechanism and the exceptional level of traditional Côtes de Genève finishing visible through the sapphire crystal caseback.

The new Traditionnelle tourbillon China Limited Edition timepiece displays the hours and minutes with central hands, while the small seconds appear at 6 o’clock on the tourbillon, framed by an Imperial green-toned dial graced with gold hour-markers and bi-facetted Dauphine-type hands.

As an old Chinese saying goes, like the Jade, those who accomplish great things are modest about their capabilities. As the epitome of radiance, balanced proportions, and subtle details, the new Vacheron Constantin Traditionnelle Tourbillon China Limited Edition honors and interprets a Gentleman of Jade.

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Summary

Technical refinement meets aesthetic elegance in this model imbued with exquisite masculinity. It represents the epitome of radiance, balanced proportions, and subtle details. Faithful to the origins of Vacheron Constantin and dedicated to Chinese clients enamored of beautifully crafted watches that are both understated and distinguished. Issued in a 30-piece limited series exclusively for Mainland China, it asserts the style in the accordant shades of green: from the elegant Imperial green-toned sunburst finishing dial to the Mississippiensis alligator leather strap with 18K 5N pink gold buckle. Powered by the in-house self-winding Calibre 2160/1, this Traditionnelle tourbillon watch displays the hours and minutes with central hands, while the small seconds appear at 6 o’clock on the tourbillon.

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!!! No information available !!!

TECHNICAL DATA

Reference 6000T/000R-B972

Calibre
2160/1
Developed and manufactured by Vacheron Constantin
Mechanical, self-winding, peripheral rotor
31 mm (13½’’’) diameter, 5.65 mm thick
Approximately 80 hours of power reserve
2.5 Hz (18,000 vibrations/hour)
188 components
30 jewels
Hallmark of Geneva certified timepiece

Indications
Hours, minutes, small seconds on tourbillon carriage
Tourbillon

Case
18K 5N pink gold
41 mm diameter, 10.4 mm thick
Transparent sapphire crystal caseback
Water-resistance tested at a pressure of 3 bar (approx. 30 meters)

Dial
Imperial Green, sunburst finishing
18K 5N pink applied hour-markers and Maltese cross

Strap
Imperial Green Mississippiensis alligator leather with alligator inner shell, hand-stitched, saddle-finish, large square scales

Clasp
18K 5N pink gold folding clasp
Polished half Maltese cross-shaped

Limited edition of 30 pieces, individually numbered

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Ulysse Nardin – Blast Hourstriker

Ulysse Nardin – Blast Hourstriker

Before we wore time, we heard it. Clocks chimed in the heart of every medieval city. Clocks made by brilliant craftsmen who would, through miniaturisation , create domestic clocks, and then hand held timepieces, capable, despite their small size, to strike the passing hours. Inspired by watchmaking’s past and the possibility of moving musical timekeeping into the future, Ulysse Nardin wants you to hear time again, not read it.

It has been several years in the making but Ulysse Nardin has found a new way to make sound Introducing the Blast Hourstriker an innovative new striking watch that breaks barriers in sound technology This art of marking the time with music has always been a part of Ulysse Nardin’s technical arsenal It was revived in the 1980 s, under the impetus of Rolf Schnyder and given a new lease of life in 2019 when the Swiss Manufacture collaborated with French audio technology company Devialet on the next level of watchmaking acoustics, which was launched in the Classico Hourstriker Phantom This year Patrick Pruniaux Ulysse Nardin’s CEO, has again made the choice to make sound central to the brand’s drive for more futuristic ways to reinterpret traditional
watchmaking crafts.

Ordinarily, to generate the sound needed to mark the passing hours, the hammer strikes a wire gong wrapped around the movement to which it is attached The acoustic wave spreads into the middle of the mechanism and is partly absorbed by it In these conditions, the sound heard lacks power and its harmonics are partially muffled by the material of the timepiece
For the Blast Hourstriker Ulysse Nardin’s team of engineers decided to set themselves two challenges


• Make the chiming mechanism visible on the dial side
• Further improve the quality/power output ratio A challenge that was already started with the Classico Hourstriker Phantom watch To achieve these goals, Ulysse Nardin’s engineers and watchmakers developed the UN 621 caliber In order to guarantee optimal precision of Ulysse Nardin’s first in house automatic striking manufacture movement, it is powered by a flying tourbillon one that is equipped with a variable inertia balance wheel, a silicon hairspring, anchor and escape wheel Its contemporary lines have also been made sleeker and stamped with the now iconic X associated with the brand’s latest generation of timepieces The most complex phase of the Blast Hourstriker’s development involved redesigning the entire kinematics of this 330 component striking caliber to allow this highly sophisticated mechanism, which is usually hidden from view, to be seen dial side When the striker is on, the mechanical ballet that makes the watch’s sound is visible on the hour and half hour, but even its occasional activation is just as beautiful By pressing the button located at 10 o’clock, the mechanism, driven by a specially dedicated barrel, is triggered The hour rack and the inertia regulator start to turn the hammers, visible in an opening made at 12 o’clock, hit the gong whose shape has been subtly worked to bypass the cage of the flying tourbillon

An exceptional mechanism requires an exceptional case So Ulysse Nardin decided to encase a movement inspired by the power of nature in a design inspired by a powerful man made machine the stealth airplane To truly allow the sound of the Blast Hourstriker to resonate, the distinctive 45 mm Blast case was given a black DLC titanium middle, capped with 5 N 18 kt rose gold, for improved acoustics To silence this imposing timepiece with the button located at 8 o’clock on the middle must be pressed and then the ‘ or ‘ position at the tip of the function selector hand located at 8 o’clock checked The three straps that come with the Blast Hourstriker allow its different personalities to be explored The black high tech, waterproof velvet option emphasizes its aerodynamism, while the alligator brings its more sophisticated side to the fore In addition, a rubber strap is also available for this model Whatever you choose, remember the Blast Hourstriker is made to be heard not seen.

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IN THIS CELEBRATORY YEAR MARKING THE 300TH ANNIVERSARY OF PIERRE JAQUET-DROZ’S BIRTH, THE MAISON UNVEILS AN EXCEPTIONAL UNIQUE PIECE RESERVED FOR THE “ONLY WATCH” CHARITY AUCTION.

IN THIS CELEBRATORY YEAR MARKING THE 300TH ANNIVERSARY OF PIERRE JAQUET-DROZ’S BIRTH, THE MAISON UNVEILS AN EXCEPTIONAL UNIQUE PIECE RESERVED FOR THE “ONLY WATCH” CHARITY AUCTION.

For the ninth consecutive time, Jaquet Droz is proud to donate a unique piece of its own creation, designed exclusively for Only Watch, a charity sale to benefit the Association Monégasque contre les Myopathies (Monegasque Association against Muscular Dystrophy), and featuring a degree of technical ambition and aesthetic never-before achieved: A Grande Seconde Skelet-One Tourbillon adorned with a plique-à-jour enamel dial.

The original idea was to extend the initial purpose of the Grande Seconde to provide its owner with the finest and most accurate reading of the seconds—hence its largely dimensioned and off-center dial at 6 o’clock, exclusively dedicated to this effect. How could this precision be achieved? By adding a tourbillon. This escapement, itself a genuine watchmaking complication, aims to compensate for the harmful effects undergone by a timepiece that performs across multiple planes, all subjected to the force of gravity which alters its precision.

The tourbillon of the new Grande Seconde Skelet-One Tourbillon “Only Watch” was born of Jaquet Droz’s in-house expertise, but entirely reworked in the purest chronometric approach. Thanks to its realization in titanium and the elimination of the sapphire bridges, the cage has been lightened and optimized with regards to its chronometric functions. The balance spring and pallet lugs are made of silicon. Highly open to let light pass through, the tourbillon gives the illusion of being both large and lightweight all at once. Completely revised and placed at noon, it accords the piece a dedicated identity of strength and technicality.

The underlying aesthetic architecture is as technical as it is unique. The skeleton structure is brand new: while the original Skelet-One favored soft and supple curves, the Grande Seconde Skelet-One Tourbillon “Only Watch” focuses on straight lines, angles, modernity and perfect symmetry. This very contemporary skeletonization is as technical as its highly precise tourbillon movement can be, furthering the technical and aesthetic consistency of the piece. Its bridges, finished in black, confer a powerful matte appearance. The tourbillon cage follows the geometry of the skeleton movement, with a triple cross shape which, once a minute, aligns perfectly with its bridges.

For Only Watch, Jaquet Droz put to work its Ateliers d’Art as well, in order to produce a highly exclusive plique-à-jour dial, made specially for the famous charity sale. Once again, whereas the Maison’s most recent plique-à-jour creations featured curves and soft, slightly domed lines, the Skelet-One Tourbillon “Only Watch” is made up of various straight and geometric sections separated by white gold, thus forming a dial which has been entirely polished flat. The Maison achieved this unprecedented result by applying an extremely fine diamond powder polish to each area of the enamel, the only kind capable of achieving this thickness.

Every tone of enamel has been painstakingly selected for the model and fired at a very high temperature several times in a row. The choice of these colors therefore owes nothing to chance: a color chart was proposed by Only Watch associating different tones with certain characteristics. The Maison thus translated these variations of red, orange and yellow into an expression of happiness, passion, optimism and even energy—all values that support the cause championed by Only Watch.

An aesthetic and technical achievement, the first Grande Seconde Skelet-One with tourbillon, the first with plique-à-jour enamel, a new geometry of skeleton movement, a fully updated tourbillon… the Grande Seconde Skelet-One Tourbillon “Only Watch” is many things. It’s also the perfect match between an age-old complication and craftsmanship on the one hand, and an eminently modern technique and geometry on the other. A rare, precise balance, like any Jaquet Droz timepiece, which foreshadows all the ambitions of the Maison’s future Skelet-One collection.

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A. Lange & Söhne – CABARET TOURBILLON HANDWERKSKUNST

CABARET TOURBILLON HANDWERKSKUNST

Platinum with enamelled and hand-engraved white-gold dial

Exquisite craftsmanship.

The CABARET TOURBILLON is a milestone in the history of precision watchmaking. In 2008, with this watch, A. Lange & Söhne succeeded for the first time in stopping the tourbillon with a V-shaped arresting spring. This made it possible to set a watch with this complication with one-second accuracy. The watch is based on Lange’s only rectangular model that since its launch has stood for extravagance as well as for a distinctive movement philosophy: the CABARET.

Limited to 30 pieces, the CABARET TOURBILLON HANDWERKSKUNST is now totally dedicated to a heritage in art. The seventh model of the HANDWERKSKUNST series is characterised by artisanally elaborate finissage of the dial and the movement. The inner area of the three-part solid white-gold dial is manually engraved with a lozenge pattern. A semi-transparent enamel layer adds extra depth to the engraving and showcases various metallic shades of grey. The result is a special dial with a three-dimensional effect.

The manually wound calibre L042.1 has a twin mainspring barrel that delivers a power reserve of 120 hours. It is a masterpiece of technology and craftsmanship. It is composed of 370 parts, of which no fewer than 84 are integrated in the filigreed tourbillon that weighs only a quarter of a gram. Measuring 22.3 by 32.6 millimetres, the form movement is tailored to the rectangular shape of the case. In comparison with the 2008 version, it has a new indexless oscillation system with a Lange balance spring. The lozenge motif of the dial is echoed by the black-rhodiumed engravings on the tourbillon and intermediate-wheel cocks, creating a visual bridge between the dial and the movement side.

This model was introduced in 2021. The dial is crafted from solid white gold and features manual engravings in the lozenge design style and semi-transparent enamelling. The hands are made of rhodiumed gold.

Price: 320.300,00 €*

*Recommended retail price in Spain including VAT. Non-binding quotation, prices subject to change.
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Big Bang Integral Sapphir Tourbillon
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BIG BANG INTEGRAL TOURBILLON FULL SAPPHIRE: A FEAT OF PURE SAPPHIRE

BIG BANG INTEGRAL TOURBILLON FULL SAPPHIRE: A FEAT OF PURE SAPPHIRE

It is true that sometimes less is more – perhaps a lot more. With the Big Bang Integral Tourbillon Full Sapphire, Hublot has taken its Art of Fusion to its ultimate conclusion. A new integral bracelet and case custom-made from sapphire: this feat affirms yet again the technical proficiency and the exceptional expertise that Hublot has acquired in the working of sapphire.

 April 2021 – For some, this will seem a natural development. For others, it will be a total disconnect. The final result is a little of each. The Big Bang Integral Tourbillon Full Sapphire is the fruit of a long tradition. It is rooted in 2016, and the Big Bang Unico Sapphire, the first sapphire watch. With this piece, Hublot translated the expertise it had developed in machining very hard materials to create an exceptional series of sapphire watches. Today, Hublot is pushing these boundaries even further: the first Big Bang with an integrated case and bracelet, both of which are made from sapphire. A natural (r)evolution and a highly technical feat in equal measure.

Big Bang Integral Sapphir Tourbillon

Big Bang Integral Sapphir Tourbillon

” For such an exceptional creation, we opted for the new Automatic Tourbillon calibre with its sapphire bridges, the transparency of which creates a stunning spectacle. The act of creating an integrated case and bracelet from sapphire was, however, deemed impossible. But we were the first brand to gain perfect mastery of sapphire, industrialising it and making it reproducible in series production. It took us five years to bring our first sapphire cases to life – and almost as long for the bracelet. Producing both from sapphire and integrating them together is the pinnacle of the in-depth work undertaken by all of Hublot’s teams. We are proud to be the ones writing the first lines in this new chapter in the history of materials”. – Ricardo Guadalupe, HUBLOT CEO

Big Bang Integral Sapphir Tourbillon

Big Bang Integral Sapphir Tourbillon

Watchmakers are sometimes the only ones to know certain details of their watches. With a case and bracelet made entirely from sapphire, all secrets are revealed: the movement and casing fuse, and every aspect is visible.

The case of this new Big Bang Integral Tourbillon Full Sapphire has been reconstructed in its entirety to house the Automatic Tourbillon movement. The goal: to remove almost all of the visible screws, overhaul the general geometry of the case to integrate it with the sapphire bracelet, develop a new case profile to house the sapphire bracelet, and rework the bridges and main plates to give them the illusion of being suspended in space. Hublot also developed inserts and attachments which were reduced to their simplest expression, to allow light through every component. The case is thus composed of no fewer than 37 components, five of which are made solely from sapphire.
Big Bang Integral Sapphir Tourbillon

Big Bang Integral Sapphir Tourbillon

The bracelet was also a complex challenge: it alone comprises 165 components, 22 of which are made from sapphire. Each component had its own industrial process. A third of these were specially designed to provide unique harmony with the transparency of the case, and to offer fluidity and flexibility. Of particular note are the titanium inserts Hublot developed, ultra-reduced to ensure they do not protrude either side of each bracelet link – a first for the manufacture, and probably for watchmaking.
Big Bang Integral Sapphir Tourbillon

Big Bang Integral Sapphir Tourbillon

In terms of the movement, the HUB6035 automatic manufacture calibre, entirely designed and manufactured in-house, is the beating heart of the piece. It demonstrates a perfect balance between the micro-rotor at 12 o’clock and the tourbillon at 6 o’clock, and also with its three transparent sapphire bridges, exclusive to this new Big Bang. The components appear to be literally suspended in space. Each gear train is not only penetrated by light coming in from the dial side and passing through the skeleton movement on the other side: now, and for the first time, light enters the heart of the Big Bang Integral Tourbillon Full Sapphire from all directions. It is diffused, refracted, reflected, twisted and twirled – a fragment of light encapsulated on the wrist.
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ROGER DUBUIS – A NEW TRIBE LANDS AS AN ICON ASCENDS

A NEW TRIBE LANDS AS AN ICON ASCENDS

Roger Dubuis has consistently demonstrated a penchant for impertinence and extravagance. Sustained by an integrated manufacture, a flagrant disregard for convention is the backbone of its bold attitude. A true innovator, the luxury watchmaker is driven by an irrepressible willingness to come up with high-impact ideas, boundary-pushing technologies and unmistakable out-of-the-box designs. Living by the motto NO RULES, OUR GAME, the Maison proves once again it is the most exciting way to experience Hyper Horology with the launch of the new Excalibur Single Flying Tourbillon.

THE FUTURE OF HYPER HOROLOGY IS HERE

Extravagant, determined and disruptive, the bold and bright are the ones that stand out. Just like any star should. But a star doesn’t just appear. It takes dedication. Innovation. Craftsmanship. Only then can an icon ascend…Introducing the Excalibur Single Flying Tourbillon: a star restyled for the new world.

To mark the launch of the inimitable skeleton design reinterpreted with a contemporary touch, Roger Dubuis is set to celebrate modern art in all its shapes. Taking form in Hyper Horology with the Maison’s most recent interpretation of the Excalibur Single Flying Tourbillon, this icon of watchmaking is brought to a whole new level; a masterpiece that cannot be ignored, just like its wearer.

Finding kinship with those disruptive souls who dare to make a difference, the Maison partners with the URBAN ART TRIBE, world-famous urban culture artists that reflect Roger Dubuis’ values: break the rules, showcase radical expertise and obsess daily over the design of the future.

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THE EXCALIBUR SINGLE FLYING TOURBILLON: FROM A TIMEPIECE TO A MASTERPIECE

Roger Dubuis continues shaking up the world of haute horlogerie with the launch of the new Excalibur Single Flying Tourbillon. Enhanced with meticulous care, the timepiece is reinterpreted with sophistication and flair using modern and technical materials.

A contemporary masterpiece for the wrist, the new design showcases clean cut lines on both case and movement. Creating the impression of a thinner look and feel, while heightening the sense of transparency and depth, the calibre is rebuilt from bottom to top in an architectural feat that sees the Roger Dubuis star now levitate freely above the barrel. A strong visual identity is created with a signature two-line pattern – seen between the notch on the crown and bezel, the star’s arms, the tourbillon’s cage, the hour’s marking on the flange, the hands – all of which cleverly appear as though they will meet but never do. This dynamic aesthetic is amplified by the Poinçon de Genève, the most demanding signature in fine watchmaking and one that requires the manual decoration of each and every component of the watch, as well as unexpected and antinomic decorations in modern haute horlogerie, such as circular-brushed top surfaces and polished angles that demonstrate Roger Dubuis’ visionary approach.

Always keeping the wearer in mind, the new RD512SQ calibre is stunning in its technical prowess. Now with a titanium lower tourbillon cage – twice lighter than stainless steel – and a mirror-polished Cobalt Chrome upper tourbillon cage, the weight of the piece is reduced to optimum effect. All of which allows the power reserve to be radically optimised to 72 hours, providing the option of leaving the watch unworn over weekends without the worry of resetting come Monday. Proving no detail goes unconsidered, non-magnetic material is used inside the tourbillon to better serve the wearers and improve their experience.

Comfort is key, which is why a range of entirely new strap sizes have become available. With 5 sizes from 0 to 4, finding the perfect strap ensures the buckle is always centred on the wrist, as a Quick Release System offers ultimate flexibility. Underscored by rarity, the 42mm case is only available in eighty-eight pieces per colourway: Dark Grey DLC Titanium, Cobalt Chrome CarTech Micro-Melt BioDur CCMTM and the new EON GOLD, a pink gold shade that remains more stable thanks to non-tarnish technology. Reimagined for a contemporary era, an icon ascends in the shape of the Excalibur Single Flying Tourbillon.

THE ART OF GLOW

Showcasing the Maison’s obsession with art, light and luminescence, in addition to our icons comes the Excalibur Glow Me Up, a world-premiere for Roger Dubuis limited to just eight timepieces.

By day, the new Single Flying Tourbillon calibre is elegantly adorned with 60 baguette-cut diamonds on the bezel. By night, it’s a complete different version that comes to life through this vibrant timepiece with luminescent and dazzling diamonds, an achievement made possible thanks to an intricate two-part process. The first involves filling the grooves that hold the stones in place with Super-Luminova, a singular way to make the diamonds appear luminescent without altering them. Secondly, an additional patent enables Super-Luminova to be applied on the angles of the movement, as well as to the iconic star-shaped bridge.Because at Roger Dubuis less is never more.

ART IN THE MAKING

Roger Dubuis is a destination for the avant-garde. Committed to non-conformity, the Maison stands with those who choose to blaze their own trail. To show what happens when rules are rejected and creativity is unleashed, Roger Dubuis partners with the URBAN ART TRIBE, composed of three urban culture creatives – tattoo artist Dr. Woo, graffiti artist Gully and mixed-media artist Liu Wei. Rulebreakers in their own fields, they too shape the future by refusing to take ‘no’ for an answer. Brought together to unite a wider community of daring minds, Roger Dubuis and the URBAN ART TRIBE hope to encourage people to challenge the way things are, just as the Maison does when it comes to Hyper Horology, and Dr. Woo and Gully do in their industries.

A leading name among an influential elite who see tattoos, art and fashion as an indissociable whole, Dr. Woo’s singular approach to needle style has shifted the paradigm for tattoos, taking them from subculture to broad popular appeal. Of the partnership he says: “I’ve taken this path because I don’t know where it leads, and that is exactly why I’m here – to seek the unknown and go out of my comfort zone. Tattooing and watchmaking have that in common: the same attention to detail, a dot vs. a tiny component, assembled perfectly for you to see the bigger picture.”

Gully, a well-known graffiti artist, chooses to work exclusively in his own atelier to maintain his anonymity. He uses a wide variety of mixed techniques and materials and explains his artistic concept as one based on conscious appropriation. Telling visual stories of children appearing in splendid settings, he reveals their enchantment with art and particularly with the paintings of the great masters. Speaking to the concept of the tribe, he comments: “Two worlds, a crossing path. I feel driven by the same energy and insatiable envy to come up with something we have never seen before. It comes as a bombshell, provokes surprise, and arouses interest. Bringing different worlds together is my trademark, so I can’t wait to show you the Gully x Roger Dubuis mixture.”

Generously opening the doors to their respective workshops, Dr. Woo and Gully will begin their long-term partnerships with Roger Dubuis by first sharing their creative processes at work. Initially set to reinterpret the brand’s iconic astral signature, they will continue to co-create the future of Hyper Horology alongside the Maison.

AN EXCLUSIVE INVITATION

From April 7 to 13th, Roger Dubuis turns this year’s Watches&Wonders edition into an interactive journey for its guests to dive into the realms of the Maison’s creative process and beyond. Come and celebrate contemporary art in all its shapes, from Hyper Horology to tattoo art, graffiti and beyond.

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FRANCK MULLER – The Grand Central Tourbillon

FRANCK MULLER – The Grand Central Tourbillon

The Grand Central is an outstanding new collection, where the Tourbillon is in the spotlight, placed at the center of the timepiece. This beautiful central Tourbillon is housed in a redesigned Franck Muller Cintrée Curvex™ case. One of the complexities of the collection lies in the fact that we had to totally rethink the watch in order to move the Tourbillon from its original position at 6 o’clock to the center of the watch.

The Grand Central Tourbillon

In addition to this attractive and surprising decentering, Franck Muller designers and watchmakers had to find an innovative system to display the time in the center of the watch. Thus, they found an innovative way to place the hour and second hands around the Tourbillon cage, highlighting the beauty of the piece. Extremely rare for a Franck Muller Tourbillon collection, the watch holds a self-winding movement, thanks to an eccentric micro rotor, offering 4 days of power reserve.

FRANCK MULLER - The Grand Central Tourbillon

FRANCK MULLER – The Grand Central Tourbillon

FRANCK MULLER – The Grand Central Tourbillon

Regarding the case, it has been redesigned so that the sapphire crystal goes all the way to the bracelet. The bezel which is separate from the case, allowing two-tone treatments. This design totally changes the aspect of the original Cintrée Curvex™ and fully highlights the beautiful curves of the watch. It also gives full visibility to the dial by limiting the amount of material used on the sides which is technically very difficult to achieve and giving the case a new modern line of life.

The open back allows to admire the pure traditional decorations as the Côte de Genève.

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The Tourbillon with HUBLOT’S signature codes Spirit of Big Bang Tourbillon 5 day power reserve carbon white

The Tourbillon with HUBLOT’S signature codes Spirit of Big Bang Tourbillon 5 day power reserve carbon white

“The Spirit of Big Bang Tourbillon White… different, yet resolutely Hublot. It combines the distinctive codes of our brand: 6 H-shaped titanium screws, “sandwich” case construction, the Art of Fusion with carbon fibre and composite inclusions, an HUB6020 skeleton tourbillon manufacture movement custom-designed for its tonneau case, a jewel of innovation and expertise showcasing the aesthetic approach to movement design central to the Hublot philosophy, and, lastly, strap interchangeability thanks to its patented One Click system.“

In the seven years since its launch in 2014, the singular and distinctive Spirit of Big Bang has been cultivating its differences whilst incorporating the signature Hublot codes – 6 H-shaped titanium screws, a “sandwich” case construction, and a demonstration of the Art of Fusion.

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With the Spirit of Big Bang Tourbillon 5-day Power Reserve Carbon White, Hublot combines black with white, proving opposites attract. The 42-mm case, case back and bezel are crafted from carbon fibre featuring white composite inclusions. These white inclusions are formed of glass microfibres created as a non-woven fabric (NWF), used mainly to improve the breaking strength of composites: This NWF is then co-impregnated with the carbon fibres using tinted epoxy resin when the composite preforms are created in a special mould.
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Released in a limited edition of 100 pieces, the Spirit of Big Bang Tourbillon 5-day Power Reserve Carbon White plays with contrasts and transparency with a sapphire case back and dial which reveal the ultra-aesthetic architecture of the HUB6020 manufacture movement. A skeleton tourbillon specially designed to sit within the tonneau case of the Spirit of Big Bang. A power reserve of 115 hours, hand-wound, with a 5-day indicator set at 8 o’clock. At 6 o’clock, the tourbillon cage completes one rotation per minute. Off-centre hours and minutes can be read at 3 o’clock.
Paired with a white lined rubber strap, the Spirit of Big Bang White embraces interchangeability thanks to its patented “One-Click” system.

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